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Interposition:

The dining table is placed in front of Jesus and His Twelve Disciples and they are placed in front of the back wall. The back wall is placed in front of the outside environment, observable by the addition of three windows.

Convergence:

The use of one-point perspective room design allows the walls of the rooms to be perceived as converging, but are stopped by the back wall.

Height in the Visual Field

The horizon in this image is shown where the (presumed) mountains (in blue) meet the grass (in green). The furthest observable objects from the horizon are the disciples furthest from Jesus. It is known that all the men are sharing a meal together at a straight; horizontal table, thus grouping them and making them all the same distance from the horizon.

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relative size -- aphrodite isnt as big as a tree, its just further away
texture gradient -- distant land has green to show trees but no visible trees
height in the visual field -- aphrodite + shell are big

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Convergence: The walls appear to converge as distance increases
Texture gradient: The details of the corridor and lockers become increasingly blurry as the picture recedes into the distance
Height in the visual field: The lights on the ceiling appear to be lower in the distance

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Overlap is used show that the person in the top right is behind the railing for the stairs. Texture gradient is used to show that the people on the table to the bottom right are further away in the background because they are less detailed. The relative size of all the people shows the size of the environment and lets you know how far away they are. (Josh)

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convergence - the walls appear to converge as distance increases texture gradient

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Linear perspective: Parallel lines of bridge converge into the distance.
Relative size: The people are smaller showing that they are further away.
Texture gradient: The gradual reduction of detail in the bridge as it recedes into the distance.

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relative size : The cliff looks the same size as the objects perceived closer.
Interposition : clock face covers the table, being perceived as if it's closer to the viewers
Heigh in the visual field : Ever tho the cliff and white object seem to be the same size, it is assumed/known that the cliff is going to be much larger.

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Relative size, the apparent decreasing size of objects similarly sized in reality, is used to show that the people, carriage and building in the background are further away from the viewer; height in the visual field also helps to achieve this as items further back are painted higher. Interposition, the overlap of closer objects over those further away, shows that the couple in the foreground are closer to the viewer than the lamppost, as the man’s right arm is in front of the post. Texture gradient is also shown in the decreasing clarity of the road’s texture as it recedes into the distance. (Grace Osmond)

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- Convergence (sides of road converge to distance)
- Relative size (far motorcycle is smaller than near one)
- Height in the visual field (far cloud looks lower)

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Overlap to show how the monkey is in front of the picture, relative size to judge how the chairs recede into the distance and texture gradient of the ground

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relative size -- you know that the little people in the background are normal sized just far away

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Texture gradient: the details of the gondolas gradually reduces as it recedes into the distance.

Height in the visual field: gondolas that are larger compared to the rest indicates that it's closer.

Relative size: gondolas closer to the horizon is located further away than the rest.

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figure ground

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Leonid Afremov’s Colours of My Past- Julie

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Leonid Afremov’s Colours of My Past- Julie

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Leonid Afremov’s Colours of My Past uses the pictorial cue of linear perspective, linear perspective is the apparent convergence of parallel lines as they recede unto distance as seen in the path receding into the distance, thus allowing us to perceive the road as going further away into the distance. The pictorial cue texture gradient, which is the gradual reduction of detail that occurs in a surface as it reduces into the distance compared to a surface that is close and perceived in fine detail as shown through the gradual reduction in detail in the trees, allowing us to perceive the trees as becoming further away from us. The pictorial cue relative size is the tendency to visually perceive the object that produces the largest image on the retina as being closer, and the object that produces the smallest image in the retina as being further away and it is portrayed through the bench being larger than the person and hence allowing us to perceive the bench as being close towards us than the person is.

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texture gradient + height in the visual field + linear perspective

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Van Gogh's Scream artwork uses the pictorial cue of linear perspective, as seen in the receding railings situated behind the subject. There is also use of relative size, as you can assume that the person is larger than the wooden post in the background. Interposition is also used to express that the person is in front of the railing, and hence closer to the viewer.

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Relative size: the man in red seems to be bigger because he is perceived as being closer.
Height in visual field:  with the ocean leading to the horizon it is perceived as being distant than objects located further from the horizon.
Texture gradient: objects closer to the horizon are seen with less detail compared to objects which are further from the horizon which are seen with more detail.

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Post here an image of a famous 2D artwork (think photographs and paintings). Insert a description for your image that IDENTIFIES, DESCRIBES and EXPLAINS the use of pictorial depth cues. Ensure that you include at least 3 of linear perspective, interposition, texture gradient, relative size and height in the visual field. Good luck!