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Infrared photography is often used by forensic investigators to see things in crime scenes that are invisible to the naked eye, The technique is a sight into a non reality world similar to monochromatic photography, The Infrared technique is not only used for crime scenes it can be used in creative settings, most commonly used in landscape photography to create dream like scenes it can also be used in portraiture to create rather creepy shots as seen above in my examples. To create the infrared affect you will have to attach an infrared filter onto your camera as well as using a manual focus, tripod and a longer exposure time these aspects will create the desired effect.

REFERENCES TO RESEARCH AND IMAGES:

https:// petapixel.com/2016/10/27/introduction-digital-infrared-photography/ https:// www.uniquephoto.com/photoinsider/go-digital-infrared-photography https:// www.whatdigitalcamera.com/x-archive/techniques/how-to-shoot-infrared-what-is-infrared-photography-15437/2 https:// fstoppers.com/interview/interview-chi-lau-digital-infrared-photography-561578 https:// www.lightstalking.com/infrared-photography/ https:// www.lifepixel.com/infrared-photography-primer/ch1-applications-uses-forensics#:~:text=Forensics%20investigators%20use%20infrared%20photography,are%20invisible%20to%20the%20eye. https:// www.lifepixel.com/photo-tutorials/how-to-capture-beautiful-eyes https://www.adobe.com/mt/creativecloud/photography/discover/infrared-photography.html#:~:text=Infrared%20photography%20turns%20reality%20into%20dream%2Dlike%20scenes.&text=This%20effect%20is%20generally%20used,constellations%20pop%20in%20infrared%20light.

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Infrared photography is often used by forensic investigators to see things in crime scenes that are invisible to the naked eye, The technique is a sight into a non reality world similar to monochromatic photography, The Infrared technique is not only used for crime scenes it can be used in creative settings, most commonly used in landscape photography to create dream like scenes it can also be used in portraiture to create rather creepy shots as seen above in my examples.

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SOURCE:https://www.dodho.com/jose-laino-creative-still-life/ https://www.shutterstock.com/image-photo/green-apple-watermelon-on-white-background-706399102 What is stock photography? Stock photography, is when images are used for a licensed or commercial purpose such as marketing and advertising, stock photography is mainly sold to graphic designers, small business owners, magazine companies and even large corporations. List five stock photography websites stock.adobe.com Shutterstock.com istockphoto.com Alamy.com flickr.com Why are keywords important in stock photography?

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SOURCE OF PHOTOGRAPH: https://www.haroldrossfineart.com/still-life

SOURCE OF PHOTOGRAPH: https://www.haroldrossfineart.com/still-life

SOURCE OF PHOTOGRAPH: https://markhoganphotography.ca/light-painting

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https://express.adobe.com/page/JAaEUTIEv7kVW/

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lewis hine

1909

Posing - there isn't any posing in this image as it is freeze motion and background blurred leaving 2 guys in focus showing them working.

Composition - leading lines - leading lines used with the construction leading to the subjects. Rule of thirds - rule of thirds used by having the subjects on the vertical and horizontal lines making the image symmetrical.

lighting - natural lighting that has been coming through windows in warehouse.

style - documentary photography used as it shows a story of them working.

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lewis hine 1909 Posing - there isn't any posing in this image as it is freeze motion and background blurred leaving 2 guys in focus showing them working. Composition - leading lines - leading lines used with the construction leading to the subjects.

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https://youtu.be/uPyce5NbxiE

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This is an image of a band portrait taken in the studio i have used the spotlights and a shorter lens to make the models brighter and more in focus

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Cross Polerization Presentation- work - Copy

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A band photograph of Slowdive was my inspiration for this shoot. Unfortunately I could not find the photographer for this image.

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Historical and Contemporary Social Photography

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my adobe spark isn't working because my cloud id full. I'm not the best at powerpoints it's far too time consuming. I started it and will continue until complete.
Had to screenshot as it wouldn't share for some reason

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- The first image was taken with no flash and a shutter speed of 1/80, aperture of 5.0 and an ISO of 500.
- The second was taken with a flash at 1/1 power and an umbrella at the back left of the camera while being the same level as the subject.
The settings for this was a shutter speed of 1/80, aperture of 5.0 and an ISO of 160.
- The third image was taken with a flash at 1/128 power and an umbrella at the left side of the subject as well as being the same level as the subject.
The settings for this was a shutter speed of 1/80, aperture of 5.0 and an ISO of 500.
- The last image was taken with a flash at 1/1 power, an umbrella and a diffuser attached to the camera.
This was setup to be the left side and the same level as the subject.
In this image I made it landscape to give off a different effect and view point than the portrait images.
The settings for this was a shutter speed of 1/80, aperture of 5.0 and an ISO of 250.

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we shot some social photography and used band photo examples to use and kind of alter them to our liken my settings for this shot where f8, iso 100, shutter speed 1/125 I would probably reshot the images to get a more interesting angle I also edited them slightly to make it look better and cropped the second image slightly. we used a softbox and a other light with a snoot to diffuse the light a bit.

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took without flash at f8 1/60 iso 400
with flash at f8 1/60 iso 100
with umbrella at f8 1/60 iso 200
the location was the 7th floor garden and had the flash directly above her and then got the assistance to step a bit back and it made it look better and with umbrella it was directly above as well.

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We done some group photography & in this we were to try and position the band how we like, we did come across some problems with posing as some people did not like being photgraphed so this is why we have someone covering their face but I actually did like the outcome of that shot in conjunction with the other members and their posing. We used a soft box light to get coverage of the full group and these are the images I'm most happy with.
F 8
S/s 1/125
ISO 100

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First photo is without flash at F/8 1/50

Second photo is with defused flash at F/8 1/50

Third photo is exposed flash at F/8 1/5

The first shot is very grey and dull using the flash was definitely beneficial for the following photos.

Second shot I made a mistake by not turning up the brightness on the flash resulting in the shot not being as exposed as I would've liked.

Third shot is definitely allot more successful than the second there could be more of the sky in the background but using the raw flash has made a dramatic difference.

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F 5.6
S/s 1/125
ISO 100
Iam not pleased with these images but it was the best I could get in the time we had and I had picked up the wrong camera lens also.

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took without flash at f8 1/200
with defused flash at f8 1/200
then with full flash at f8 1/60 :(
made a mistake right away changing the shutter speed instead of the flash power! didn't even realise I had done this up at the garden or I would have re-took the image! so its been accidental, disappointed but can see my mistake for going froward. Always turn the flash power up or down not your camera settings Karen!

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The first image is the flash without the umbrella, the second image is without any flash and the last one is the result with the umbrella. The camera settings that were used was 5 aperture, 125\1 shutter speed and an ISO of 100. From using these settings and equipment, I got these images.

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ISO - 100
shutter speed - 1/100
f stop - 8.0

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Left: Has no flash and therefore no umbrella.
Middle: Both flash and umbrella.
Right: Flash but no umbrella.

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1st Image: No Flash
2nd Image: Without Umbrella
3rd Image: With Umbrella

The Camera settings we set up with was:
ISO: 100
Aperture: 5.6
Shutter Speed: 1/125

With the Umbrella everything is much brighter whilst No flash and umbrella with no flash are near identical in brightness

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My settings for this shoot where Iso 100, Shutter speed 1/125, Aperture f/8. At the beginning of the shoot I just placed then in a line which wasn't really interesting. I then decided to place then at different angles and some subjects behind. In the second image not all the subjects are completely in focus (I would like to redo this for the reason)

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For this task we were getting more practice in using the flash and its attachments. The location I chose was at the 7th floor gardens. I picked this background because I felt it made the image interesting and gave it some depth. In the first image I used ambient lighting and had my settings at ISO 200, F8 and 1/80 sec to get the best exposure. In the second image I had my ISO at 100 this time F8 and 1/100 sec to avoid it being too blown out. I had the flash pointing directly above her head quite close. In my third image I used the umbrella this time at the same angle above her head quite close and upped the ISO to 200 again 1/80 sec and at F11 this time to get the right amount of light in my final image.

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when taking these photos I had to Get a good background in the photos such as the sky, When using the flash I had the flash places about two feet away from the main subject and the sam for the flash with the umbrella on it I thought these photos worked out well but for the next set of photos I'm going to make my subject look at the light a little bit to get ore detail in his face.

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My settings for this shoot where Iso 400, shutter speed 1/80, and aperture was f/8. In the flash with the umbrella image I should've put up the flash power as when I used the flash I put down the power as it was to much and was making my subject white and I didn't put it back up when I added the umbrella. Another issue was the wind it was very strong and making the umbrella fold which means that the light was restricted when bouncing off the inside of the umbrella.

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1st photo no flash, second photo flash with umbrella, 3rd photo flash no umbrella ISO 100, F number 8 and shutter speed 125 with the flash close up to the model but with enough distance so its not in frame, so roughly 2 feet away

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Social Photography (Contact Sheet- studio)

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Social Photography (Contact Sheet- studio)

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Social Photography Contact sheet (Studio)

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Image Based Off of Harry Potter Cast (Golden Trio)

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First image is too blurry and I didnt have the Soft box lighting matching my camera settings. Hence the reason the white backdrop is off colour too.
I prefered the blue backdrop.
I did not copy printed posed images.
The girls took direction well. They showed their personality, having fun between each shot. Which enabled me to direct them a little easier.
Both images are cropped first one there was too much negative space above heads. Second image to the left there was slight bit of studio showing.

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Five painting with light still life images found on stock websites.

- Shown Above

What is stock photography?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

List five stock photography websites.

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

As a student contributor to Alamy, how much commission do you receive and over what period of time?

- The student contributor has 3 different groups for commission:
Group C is when students upload 3 to 250 images in their first year, they can earn £0 to £100.
Group B is when students upload 5 to 1000 images in their first year, they can earn £750 to £2000.
The last one is Group A when students upload over 100 images a week where they will earn more than £3,500 per year.

Within the photography industry, how much money is generated each year through stock photography?

- In the photography industry about $3 billion is generated each year through stock photography.

Why are keywords important in stock photography?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

Who buys stock images?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

Research two current stock photography themes found on stock websites?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

What is the meaning of rights managed and royalty free?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

Does Alamy have Quality Control for submitting images? If so, what are they?

- https://padlet.com/photostaffcogc/80wt3fbg0cai/wish/2406532325

Research on contractual agreements including copyright.

- Copyright is the sole and transferable legal right granted to the creator for a set period of time to publish, perform, film, or record any works of literature, art, or music.

What is the average license price for an image on Alamy?
- The average license price is £35 Gold Alamy deal which equals to 40%.

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(265) How To Light Paint - Light Painting Photography Tutorial - YouTube

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How To Light Paint - Light Painting Photography Tutorial

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Week 6 - Painting with Light Part 1 - Image 5

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Week 6 - Painting with Light Part 1 - Image 5

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What Are the Key Successes of Painting with Light in Each Image?

- The key successes of painting with light in this image is the lighting of the objects especially the main light source coming from the top left corner of the image.
- With this image is able to show all the details and textures on the objects.

Comment on the Colours, Reverse Engineer the Fighting and the Concept of the Image.

- With the light being directed in one way the colours go from the middle to the outside making the objects the brightest and the red fabric fade out.

You Should Investigate the Technique and Equipment That Each Photographer Has Employed to Create Their Images.
- I believe the light is shown from the top left corner and only goes in a straight line.

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Week 6 - Painting with Light Part 1 - Image 4

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Week 6 - Painting with Light Part 1 - Image 4

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What Are the Key Successes of Painting with Light in Each Image?

- The key successes of painting with light in this image is how clear the details and textures came out.

Comment on the Colours, Reverse Engineer the Fighting and the Concept of the Image.

- With the blue egg reflecting light further away the egg looks glittery but when zoomed in the shine is off of the ruff surface of the egg.
- The nest is also in focus acting as leading lines towards the egg and the shine of the stand also can be used as a leading line.

You Should Investigate the Technique and Equipment That Each Photographer Has Employed to Create Their Images.
- I believe the light is shown on the right hand side but is further away so that there wasn't a lot of light reflecting off of the object but also to control the harsh shadows in the image.

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Harold Ross, Chinese Lantern Seed Pod, 2022, www.haroldrossfineart.com

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Week 6 - Painting with Light Part 1 - Image 3

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Week 6 - Painting with Light Part 1 - Image 3

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What Are the Key Successes of Painting with Light in Each Image?

- The key successes of the painting with light in this image is how detailed the image because of the textures present.

Comment on the Colours, Reverse Engineer the Fighting and the Concept of the Image.

- The lighting has been able to show all the different lines and the green inside making this look like a small cage.
- The string or vine and the wooden stick also made the main subject look like an apple on a tree.

You Should Investigate the Technique and Equipment That Each Photographer Has Employed to Create Their Images.
- I believe the light source was moved around the object so there was no harsh shadows apart from the bottom left of the objects.

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Week 6 - Painting with Light Part 1 - Image 2

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Week 6 - Painting with Light Part 1 - Image 2

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What Are the Key Successes of Painting with Light in Each Image?

- The key successes of painting with light in this image is textures brought out by the light and with the different compositions that are pointed out.

Comment on the Colours, Reverse Engineer the Fighting and the Concept of the Image.

- The lighting in this image helps all the colours and textures as the lines within the rose stand out as well as the lines and jagged edges of the leaves as well as the smoothness of the red and shiny surface of the flower vase.

You Should Investigate the Technique and Equipment That Each Photographer Has Employed to Create Their Images.
- Mini Maglight, Octobox, Two Strip Lights, Scrims and Kleenex.

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Tim Simmons, Rockpool #4, 2008, www.timsimmons.co.uk

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Week 6 - Painting With Light Part 1 - Image 1

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Week 6 - Painting With Light Part 1 - Image 1

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What Are the Key Successes of Painting with Light in Each Image?

- The key successes of painting with light in this image is that each area in the image is clearly focused and the textures can be seen.

Comment on the Colours, Reverse Engineer the Fighting and the Concept of the Image.

- With the light reflecting off of the water and being the only light source, this draws the viewers eyes making this the focal point of the image.
- The water is able to reflect the light onto the nearby rocks which adds more visibility and textures to them compared to the unlit rocks.

You Should Investigate the Technique and Equipment That Each Photographer has Employed to Create Their Images.
- I believe the light source must have been shown above the focal point of the image as the boarder of the image isn't lit by direct light and is hit by reflective light instead.

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I experimented with the soft box to equally light the group.

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For this session we where tasked to split into teams of 4 and recreate/improvise stock image photos. I used a black background with 3 soft box lights (2 facing the backdrop and the main on the subjects. The camera settings I was suited with was ISO 100 I never change the ISO, Shutter speed was 1/125 and the f stop was metered at f9. I felt like what the main goal was to conduct posing throughout the images taken, and to be a great studio photographer is to be able to conduct the people you're working with and take authority.

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Light Painting Tutorial: Start to finish!

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Thanks to the Improve Photography fans in Ireland who took me around and showed me some awesome photo locations in Ireland. We had fun light painting the wonderful barn near Dublin in this video. Enjoy!

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Week 6 Painting with light pt. 2 answers

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Week 6 Painting with light pt. 2 answers

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Week 6 Painting with Light Video Tutorial

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Week 6 Painting with Light Video Tutorial

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(This is a fairly short tutorial, but I found its exploration of theory informative and helpful so dicided it would be ideal for this question, even though it doesn't go throught the basics of painting with light.)

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Graduating a highlight using the Inverse Square Law

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Week 6 - Painting with light part 2 stock website/photo libraries 

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Week 6 - Painting with light part 2 stock website/photo libraries 

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These are 5 images using the painting with light technique from stock website Alamy

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Jill Wellington Photography Tips & Tutorials

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I've combined questions 3 and 4 as I ran out of time and couldn't find the exact techniques of the photographers on their websites so incorporated them sorry.

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1.Mark Hogan.
2. A success of the image is the emotion it evokes, through the choice of objects the photographer has managed to 'set a scene', to me this image is a snapshot of an old fashioned wedding, the white roses, old mirror and patterned fabric all evoke this, to others it could mean something completely different, but either way the choice of objects has an impact.
3/4. This image works with two colour palettes, a warm one (orange/yellow) and a pastel one (light green/ light yellow/white/ silver) , these balance each other out as the two yellows in addition to the silver and white blend, while the orange and green are contrasting each other.
The light is soft so would've been pretty far away from the objects the photographer has taken care to bring out texture in the rose on the right and leave the other ones looking more delicate and less detailed. The photographer has outlined the shapes of the objects with light on the background to bring you eye to them and keep your eye focused on them. The photographer has also taken time to light the front of the fabric leading to the objects, this was done to lead the eye to the set.

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https://www.youtube.com/watch?v=vmKh-HWvQPw

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8). Alamy 100% do have Quality Control. Good Quality Control will include stock and batch tracking in order to ensure the quality of each image. This is to ensure if every image is up to standard.

9) As a student, you can make up to £3500 yearly if you are 100% ready to put it all in for it. For instance, you could take 100 images a week and make around that price if all images are up to a high standard.

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Week 6 - Painting with light research Photographer 5 

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Week 6 - Painting with light research Photographer 5 

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The photographer who took this image is Ed Phillips and I sourced this image from https://www.flickr.com/photos/ed_phillips/24983749187/in/photostream/

The main key successes of this image are the lighting and how it bring out different textures in this image.

I love how the photographer has incorporated lots of different textures/patterns in this image. You have the smooth mirror, and the fabric framing the objects, the bumpy texture of the bones, the pocket watch and what I bile to be maybe a small telescope/binoculars, The old in the mirror and the tube tie in the image really well and find it gives off that these objects are somebodies treasure. The photographer mentions how he combines multiple images of the same setup but lit differently in photoshop.

Here is his settings and what camera he used
Canon EOS 5D Mark III

EF24-105mm f/4L IS USM
ƒ/18.0
47mm
5 seconds
ISO 100
Flash (off, did not fire)

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How To Light Paint - Light Painting Photography Tutorial

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STILL LIFE STAMP BOOK – DIGITAL LIGHT PAINTING (Early 2000s)

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Week 6 - Painting with light research Photographer 4 

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Week 6 - Painting with light research Photographer 4 

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The photographer of this image is Dave Montizambert and I sourced this image from https://montizambert.com/https-vimeo-com-326978502/

The key successes of this image is the lighting and the mood it creates. The lighting only shows you certain parts of objects like the books and clock, it lives a very quite atmosphere and I imagine this to be a desk, a desk of someone very old, closed off, smart who like puzzles and mysteries, I get this from the dominos scattered along the bottom and the magnifying glass and glasses with these old destroyed books that have been loved dearly.

He made this image by using multiple images of this set lighted in different ways. He also used the legendary 3 imaging sensor Foveon camera (a digital camera integrated with a laptop) in to his work and used it for this image. In this link there is a video where he talk about it more and how to light a set up in this moody dark. He uses photoshop to combine these images together.

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This is a still life by Ed Phillips that I have sourced from (tpsc.com) This image works well as pretty much all the colours in the foreground are analogous such as the orange and yellow pumpkins, the yellow tea towel and the pale yellow heather and the background being the complimentary colour of blue to make those orange pumpkins pop. In terms of colour theory alone this is a very well composed image. The rough and worn textures of the objects brought out using this painting with light techniques really works in this. I like that even the background you can see the ware and tear makes this feel bit more authentic also like this could just be a table in some old victorian home or something. The lighting around the subject on the background  makes the subject pop especially the shadows on the edges of the bowl that would be otherwise lost.

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Does Alamy have Quality Control for submitting images? If so,

what are they?.

Alamy has quality control over submitting images, they check the sharpness, noise and look for any technical faults in an image.

What is the average license price for an image on Alamy?

£30

As a student contributor to Alamy, how much commission do you receive.and over what period of time?

100% over 2 years.

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How To Light Paint - Light Painting Photography Tutorial

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painting with light research task - image 5

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painting with light research task - image 5

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The key success of this image is the warm colours of the cowboy gear as it gives the image a very olden feel to it. I especially like how certain parts of the image are lit up such as the bottom of the cowboy boot, the handle of the gun and the bullets. These three things being lit up from above emphasise the main objects of cowboy gear. I also like how the texture of the rope has been highlighted as it makes the image more interesting and gives more different patterns to it.
https://carynesplin.com/cowboy-gear-light-painting-featured/

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This image is by Scottish Photographer Tim Simmons, i found it on his website. I like this image as i stated before with a lot of the Painting with light images they feel very liminal and it more significant here. Firstly i am attracted to the walk path straight away as it is the only main colour highlight in the image. The fade of green to darkness contrasts very well together. Tim Simmons main goal was to create a scary creepy atmosphere and he succeeded

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Week 6 - Painting with light research Photographer 3

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Week 6 - Painting with light research Photographer 3

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This image is by Harold Ross, a photographer who has experimented with painting with light for 30 years I sourced this image from his website https://www.haroldrossfineart.com/still-life

The key successes of this image is the texture, how he has lit them differently to bring out their different textures, the smoothness of the grapes and the bumpy shrivelled orange and peel.

in his process section of his website Harold talk about how he uses this lighting technique as it allows him to show things in a different light, he also talks about discarded objects, and when I think about how the orange actually would look I find that I would probably not want to consume it but with the way Harold had lit it it looks appetising. Also the plate looks very old which I find adds to the aesthetic of the image as the plate is still usable which correlates to the fruit, the orange is old and loosing its life but Harold has captured it in such a beautiful way and the grapes look like they are starting to go mushy but again Harold has captured them in such a amazing way that bring out the smoothness but also the soft wrinkled bits.

He works in a completely dark studio to allow him to control the light and its direction and with that u can paint the light onto each object. This kind of work also means opening the camera for a long period of time. With all of this the texture comes out and that is at the heart of his work.

He has a lot of different work on his website that find very inspiring and will be looking for similar objects for my work.

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1. Harold Ross
2. A success was the depth of field the photographer managed to fabricate with light, as you can see, although not the focus point the sprouts are still pretty sharp in the back right hand corner, at first glance though they seem a lot more out of focus because of how the light was used. The staging of the objects was also a success as the the objects get gradually smaller and you can start to feel the scale/dynamics of them in relation to one another
3/4. The natural colours of the wood and food (brown/white/green/yellow) make the harshness of the manmade silver product really stand out, by posing this in the centre of the image it also brings attention to how unusual it looks in comparison to the other objects.
The light is fairly soft throughout so the light would've been pretty far away from the objects, I've mentioned the light on the sprouts but, its also worth mentioning the highlights on the greater which help bring it out as the "different" object in the picture. The shadows on an around the chopping board also help to bing out the grain of the wood as well as depth in the image

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the textures in this photo gives you a feeling of ease with the light coming from the house but it's also gives off the feeling of uncertainty with all the trees dead infant off the house .
the use off the colours in this photo have a dark and mysterious look using brown, black, blue and a dark green which gives you a unsettling vibe.

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tim cooper painting with light photography

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painting with light research task - image 4

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painting with light research task - image 4

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The key success of this image is how the photographer has used the painting with light technique to create a atmospheric type of image. He took inspiration from master painters and gave a more contemporary feel to it. I especially like the highlights on the fruit as it brings the image to life more and gives the fruit a very painterly feel to them. The muted colours of the background contrast well with the bright colours of the fruit, which brings them forward a lot more and instantly draws the viewers eyes to the fruit bowl.
https://www.nickchurchphotography.co.uk/articles/behind-the-shot-still-life-lighting

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the emphasis on tree give a dark and gloomy aspect which makes you wonder where this photo was taken almost envisioning yourself in the photo.
the natural green to the brown and blacks give a mysterious look as it makes you wonder what else is out there

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Painting with Light - Part 2 (Stock research)

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Painting with Light - Part 2 (Stock research)

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As a student, you can make up to £3500 yearly if you really commit to stock photography (uploading around 100 images per week.) You can also receive 100% commission for 2 years.
Through the photography industry, stock photography makes around 3 billion pounds anually. Keywords are very important in stock photography as this helps discovery (captions and tags.) Alamy has quality control over submitting images, they check the sharpness, noise and look for any technical faults. It will go through a test and will either pass or fail depending on said techincal elements of the images. The average license price on Alamy is around £30.

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This is one of Harold Ross' Still Life's which I sourced from (haroldrossfineart.worldpress.com) This one stood out to me because of the colours, the blue tones in the bottle and background, the yellowy tones of the olive oiled the vibrant red/ purple tones of the shallots. The smooth textures of the glass that he has brought out by painting the light on brings a subtlety and calmness to the image and this could easily be a Rembrandt oil painting by how smoothly the textures and tones blend together using the technique, making this simple composition very beautiful. The contrast of textures is also notable between the rough ware and tear of the shallots skin and the smooth glass bottles. This contrast in texture makes the man-made objects and the natural objects very different from each other within the composition. Ross is a master of his craft and this is just one example of how he can paint with light to create a powerful image.

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Image is by Caryn Esplin. To start off my eye it directly to the highlight of the navy blue bike, the texture of it is shown to look rusty with the contrast of the natural green and flower colours such as pinks , purples and whites. The background doesn't attract straight away as its low shades of colours contrasting with the rest of the image.

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painting with light research task - image 3

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painting with light research task - image 3

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The key success of this image is the simplicity of the vegetables and the dark background. The warm colours of them gives the image a very hearty feel to it as these are all key ingredients for a nice meal. I like how each one of the red peppers appears to be lit individually from the right side as they all have a distinct highlight on them which gives the image a more painterly feel to it. I especially like the pop of side highlight on the left side of the garlic as it really brings it forward more so that it doesn't get lost in the background. The textured material also gives the image some depth and makes it more interesting to look at.
https://heidiegerman.com/introduction-to-light-painting-article

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https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=video&cd=&ved=2ahUKEwiF34uqqtH8AhW7TUEAHc5NBvwQtwJ6BAgBEAI&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DXWSGTzc9NrY&usg=AOvVaw3mb8j5JVgdNnI8HK5aqFem

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1. Mark Hogan.
2. The texture he was able to bring out on the rose and the depth created by the spoons (you can faintly see their leading lines in the background).
3/4. The simple pink/white/black/silver colour palette created a striking image and allowed the editor to bring out the different hues of the rose without the colours starting to clash. The light is taken from above and slightly in front of the rose, briefly all along the background as well as under the spoons. The light will also have been from above the spoons as you can see a highlight as well as a refection of that light onto the lower half of the rose.

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Heidi Eggerman is a photographer who deals with mostly still life images with the use light painting. The background of this image is simplistic but it works with the tone of the image. The white of the jug contrasts with the dark backdrop. I am attracted to the loaf of bread due to the texture of it.

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Light Painting Still Life (February 24th 2014) (This was one photo of a whole collection)

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Week 6 - Painting with light research photographer 2 

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Week 6 - Painting with light research photographer 2 

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This photographer is called Giovanna Griffo from Rome. I sorted this image from https://www.behance.net/gallery/14883569/Light-Painting-Still-Life

Bringing out the colour in this image I find to be one of the key successes as each fruit are different colours and are made from many different colours, along with the texture and the individual seeds.

She says in the description that this was a case study of table tops using different fruit and this is just one image of many that I picked, a lot of them where very good and peeked my interest but this one stood out to me, I find that I like the simplicity of there being one main colour scheme against the black/grey background and cloth. Also the texture in the image just completely stand out to me you can see all the imperfections of the fruit and it makes for a very visually interesting image.

She uses photoshop, adobe camera raw to edit her images and the camera she used for this shoot is the Nikon D800.

Again I recommend looking at this shoot she done as it has a lot of other fruit and gives you an idea of the texture and colour, not a lot of information on how she done it but if you want to look visually at different textures and colours I recommend a look.

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I think this is my favourite image out of the 5, for different reasons. First being that everything is fairly even about this image, there is not much emphasis in it for me. I appreciate the composition and the reflection from the tree on to the water in this nighttime vibe. The colours in it are very well saturated also and I think that that's the key success here for Harold Ross. I sourced this image from - thisiscolossal.com

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the texture off both the background and objects are dule but still give off a clear and rusty look which catches the viewers eyes.
the browns off the rusty tools and the wood background give off a gloomy look as if they have been used for years

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1. The photographer was Megan L H Nelson
2. The texture of the fabrics (hat, scarf, and silk box) and the shadows around the flowers and beads brings out their shape and beauty.
3/4. The colours separate the photo into three sections. A brown/pink/yellow section, a blue/green/yellow section, and a red/cream/ gold section on the far right. This helps the image have depth with the darker colour closer to the camera and the lighter ones further away. The lighting is softer and further away on the jewels and harder on the scarf and hat, I believe this was to create the illusion that these items were under a window.

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Harold Ross is an American photographer who is well known for using the painting with light technique in his outdoor and still life images. I found this image on his website and i was immediately attracted to it at first glance due to its liminal space that it has. You are immediately attracted to the highlights of the white clothing line. This image feels cold but contrasting with the slight warmness of light in the centre of the image.

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the texture and the background are simplistic but the crowded but smooth set catches the eye of the viewers and makes us think how these objects go together.
the natural greens of the leaves to the bright red off the tomatoes give this photo a playful aspect compared to the grey, blacks, and whites off the alarm clock.

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caryn esplin painting with light photography

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painting with light research task - image 2

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painting with light research task - image 2

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The key success of this image is the use of painting with light technique in the background. It really shows the silhouette of the tree in front of it well, which makes it the focal point of the image. The light hitting the grass gives the image a pop of colour and highlights the bluebells growing in the grass. This gives the image an eerie feel to it as the cold colours makes you feel alone in this forest and the light coming from above makes it look like the moonlight shining down.
https://www.escapeintolife.com/photography/tim-simmons/