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With a dog named Lulu by his side, Army Ranger Briggs races down the Pacific Coast to make it to a soldier's funeral on time. Along the way, Briggs and Lulu drive each other completely crazy, break a handful of laws, narrowly evade death, and learn to let down their guards to have a fighting chance of finding happiness.

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We use cookies to enable the use of our platform's paid features and to analyse our traffic. No personal data, including your IP address, is stored and we do not sell data to third parties.

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12 of the World’s most celebrated artists to expand the boundaries of immersive art and blur the lines between the physical and virtual worlds.

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Time Out says

Deep beneath the street, the machines have taken over. Because 180 The Strand is back again with a labyrinthine, overwhelming, immersive, dizzying group show of computer generated installations to totally lose yourself in.

This time they're collaborating with Korean curatorial body SUUM to pull together a show about light, AI, the environment and perception, deep in the basement of this former office block.

You enter through Es Devlin's long pink oesophagial tunnel, before being spat out into a maze of rooms draped in red curtains and light. The best works here play with the limits of CGI and AI technology. Universal Everything's video shows a giant figure stomping endlessly, constantly morphing through various states, turning from fur to rock to liquid to fire. Cao Yuxi's curved screens swoop and spin with patterns created by an AI trained on millions of images of calligraphy, the human hand slurring into digital gestures. Hito Steyerl uses a neural network to predict plant growth: images, literally, from the future. Random International create a flock of algorithmic geometric figures. And upstairs, you can bathe in digital waves by a'strict.

All these works make sense together, they're art that pushes and manipulates technology to create intense, enveloping visual experiences. Even when it all looks a bit like a Dubai mall, or feels like it's not about very much, you still get that this is about programming being used to extreme visual ends. The art is the tech, that's the point

But some pieces here are a little more incongruous, like Julianknxx's moving installation of a black choir singing the worth 'breathe', or Je Baak's video of spinning fairground rides, or Es Devlin's fleshy tunnel. There's nothing wrong with them, but it's hard to figure out how they fit in with the rest of the art here.

So it's a bit of a mess, but a messy 180 show is still better than most other video art exhibitions around. Their signature approach to showing new media art has such a distinct feel that it's almost become its own genre. And if you're going to get stuck in a terrifying nightmare basement, it might as well be one filled with good video art.

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Lux: New Wave of Contemporary Art at 180 The Strand review

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Time Out says Deep beneath the street, the machines have taken over. Because 180 The Strand is back again with a labyrinthine, overwhelming, immersive, dizzying group show of computer generated installations to totally lose yourself in.

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I attended this exhibition

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'LUX: New Wave of Contemporary Art' puts light as the key focus of new media art

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LUX: New Wave of Contemporary Art at 180 Studios in London, attempts to deconstruct the boundaries between the fields: arts and sciences, humanity and technology.

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The window is an opening, an aperture for light and ventilation. It opens, it closes; it separates the spaces of bere and there, inside and outside, in front of and behind. The window opens onto a three-dimensional world beyond: it is a membrane where surface meets depth, where transparency meets its barriers. The window is also a frame,
a proscenium: its edges bold a view in place. The window reduces the outside to a two-dimensional surface; the window becomes a screen. Like the window, the screen is at
once a surface and a frame- a reflective plane onto which an image is cast and a frame that limits its view. The screen is a component piece of architecture, rendering a wall
permeable to ventilation in new ways: a "virtual window" that changes the materiality of built space, adding new apertures bat dramatically alter our conception of space and (even more radically) of time.

-Heinrich WalAtin, Principles of Art History

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BOOK- The virtual window by Anne Friedberg

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BOOK- The virtual window by Anne Friedberg

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From the Renaissance idea of the painting as an open window to the nested windows and multiple images on today's cinema, television, and computer screens: a cultural history of the metaphoric, literal, and virtual window.

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This is an exhibition called the Lux: New wave of contemporary art, this is a digital art gallery/show. Lux consists of 13 self-contained digital works of art.

A lot of the works are so interesting that I sat and watch them from beginning to end. You can see in near real-time how technologies like neural networks or algorithm generation software are becoming more popular and available to artists to experiment with and they are making amazing art with it, as you can see from the content provided.

My favourite piece from all of the art was the Black Corporeal (Breathe) by Julianknxx because is such a powerful piece, calming. This is a work about the relationship between matter and the black soul. A choir keeps a constant chorus, encouraging us to focus on the act of breathing and all it can mean. I love it because I just got so in tune with it and focused that I stayed and watched it over again.

What I learnt from this exhibition is how light and sound is one of the most important

component in any piece of art and in general making my understanding of light, sound and movement even clearer, this taught me how I can include these types of components into future projects for post-production, such as what type of light I can use in a certain scenario and what sounds can be effective in a situation, which is going to be impactful to the viewers and what can resonate with the audience and how it can make them feel like they are lost in a different world.

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Attending this class was an eye-opener L:NS was a class I took to learn something new, and so I did. This class was for us to see and learn a bit more about the website L:NS and what the company itself does, all the research that they do, have done and how they do it.

This is for anyone interesting in reading about different topics, like fashion, the virtual world, the next new thing, climate change, etc. it has a variety of different categories where you can also get some research done for yourself and there are infinite articles of any topic.

This class definitely made me develop a further understanding of different topics within any industry, which I found intriguing and wanting to learn more about what they do in general. This is a website where you can explore in so many different ways and find what you are looking for and more, as they have done so much research towards it by implementing different strategies on how they work on each of the things they do, like for example how they can reach a variety of their audience is by investigating them in a deeper way, as they go in detail, for instance, the seven human needs, that is something that not many companies look at in full detail and this made me understand the importance of how you research for an audience how much more and deeper you will have to go to find the right people and answers.

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This is a podcast that has a segment on reviewing films, called mark reviews. Here they are talking about how the film is very much predictable but is a very warm and fun film to watch. This made me want to watch the film and so I did.

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A listener solves another's film mystery and we get a fresh puzzle from a listener who once saw a film featuring hilarious false eyebrows, or potentially just imagined it.
If you think it exists and even know what it is, let us know: mayo@bbc.co.uk

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BBC Radio 5 live - Kermode and Mayo's Film Review - The Witterlist - 18th February 2022

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A listener solves another's film mystery and we get a fresh puzzle from a listener who once saw a film featuring hilarious false eyebrows, or potentially just imagined it.If you think it exists and even know what it is, let us know: mayo@bbc.co.uk

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I went to watch this film in specific because I was watching the news and they were showing some trailers of different films in which they put the film Dog, this is film is from the genre comedy/family and sentimental, I’m not used to watching this type of films at the cinema, but I’m glad I did. It was featuring Channing Tatum and a Dog, so I was convinced immediately.

As I went to watch the film and didn’t have much expectation, but for me to be emotionally invested in the film and it was just an easy and very emotional film all throughout.

This film made me think about why I’m doing this specific course. All films have messages that touch people in different aspects of their lives and the film DOG was just one of those films. This film influenced me in many ways, from what types of films to genres I would want to be involved in and create, because as a film student there are many different parts that you can be in a set, from gaffer, to scriptwriter to director etc. and the cinematography and the story in this film were just something that I liked and was excited about when I watched the film, so it inspired me to lean towards that in future projects and develop further research towards movies like this.

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The Pursuit of Happyness (2006) Official Trailer 1 - Will Smith Movie

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Me Before You Official Trailer #1 (2016) -  Emilia Clarke, Sam Claflin Movie HD