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Strong purple/pink/blue backlighting, White overhead/ lighting

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Strong overhead lighting focused on the host and contestant

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Ambient, white, overhead lighting

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Multi-Directional ambient lighting

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White spotlight lighting breaking up the monochromatic red lighting

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General ambient, white, overhead lighting

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Ambient lighting appears more like spotlights for a more dramatic aesthetic

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Strong forward lighting to mimic the diegetic light from the lighter and back lighting

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Difficult to create hard shadows with the red lighting, the reflections on the helmet create an interesting effect

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Again, the intense red lighting means that it is difficult to cast harsh shadows

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The blue background light highlights and contrasts the red lighting and makes the actors faces easier to read

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Again, strong overhead lighting focused on the host and participant

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Completely black void, reflection below, no rings of light, subject is lit from above yet no reflections of the lights can be seen

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Figure is lit from the back (or the front) creating a silhouette effect, if we do shoot black and white this is a viable aesthetic to aim for.

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The Green Light at the end of the dock is symbolic in the great gatsby of hope but of alos trying to recreate the past, both of which are key themes in Recompense

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there aren't many examples of pure, overpowering green lighting used in film, the most notable use I could find was in La La Land.