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18/03/2022- ideas for showcase pieces
25/03/2022- Millie and charity completed
28/03/2022- 01/04/2022- Degree week
04-18/04/2022- Easter
WC 02/05/2022- final showcase of Millie Charity and showcase

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- Tables
- Chairs
- Menus
- bread rolls
- ballet barre
- box (babs)
- hats
- magazines
-

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1- Elise , sam, Charlotte H, Lauren H
2- Ellie Gs, Nicola, Neve,
3- Chloe, Charlotte D, Ellie L
4- Liv , Kacey, Allysha, Lauren F

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Nude heels
Slick low pony
Red lip
Black leotard thin strap
Black tights
Black tap shoes

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Millies in red

Charity in gloves

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NOT FOR THE LIFE OF ME
- charlotte build on character, interactions
- soften entrances and exits of duets
- soften edges to match numbers
- thin out coming on/ pace
THOROUGHLY MODERN MILLIE
- calm down bands getting jazzier
- sam project last line
- harmonies need to be balanced
BIG SPENDER
- ewan play with character coming across
- up characters (too dancey)
- vocals- too sexy? bring in darkness and weight
- aged vibe
FRUG
- table too far away, part of focus
- charity’s open space
- balance dance breaks and scenes
- boundaries of waiter character
- projection
- Charity scenes, find comedy
FORGET ABOUT THE BOY
- see neves journey to Jimmy
- facial expressions
- Neve- build drama into track

DONT WATCH YOURSELF IN THE MIRROR

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ALOOF
- distant, uninvolved
- seem disinterested
- looking down the nose
- high society etiquette

THE HEAVYWEIGHT
- battle between sexes
- competitiveness
- symbolic of a boxing match
- women against the waiter

THE BIG FINISH
- expression
- high class letting their hair down
- bold/ shaking expectations away

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MILLIE
- explore New York
- experience a new life in the big city
- match expectations of what she's seen in books
-

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- couples pocket leave in choose
- gentle leave of the train
- charlotte and ewan engage cross ball change

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change them up when ewan enters and exits
fake smiles
forced face
think about intentions
individual- fun

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- transitions, table, getting on and off
- charlotte- interact with ewan more, react to situations
- thoroughly modern millie- match energy, make vocals crisp, don’t drown kacey out, brow not brows
- Big Spender- good entry, change dynamics, shout last HEY
- Frug- make more angular, fosse style rigid, nail moves, strong sharp cannon
- Ellie, leave pause after ME….., have a moment to soak in
- scenes need more push and pull, know who you’re talking to, make a distinction between conversations and attention
- Forget about the boy- boys interaction further to the side, cartoon the boys meeting, CHLOE OWN TAPPING, cut the chord needs to be quieter , earn the boy into tap break, build into the aggression

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JOE:
- charlotte- bring eyeliner out front more
- kacey- play with flow of lines
- diction
- singing softer, not too breathy
- big spender- diction, move mouth a lot
- faces reflective of character
- everyone move at the tables
- don’t draw focus from scenes
- project scene lines
- ewan and lauren- using stillness?
- bring on set as characters
- neve- hand movements, move arms from shoulders
- watch for breath forget about the boy
- step up the tap break
- Chloe and neve - eyeline

MARCOS
- kacey- don’t turn back to audience
- keep dynamics could go more
- try keep tapping quiet
- don’t drown neve out
- wait for applause

ZOE:
- beware of what’s going on in the space
- know where the audience is
- keep characters all the way through performance
- big spender- turn tables in slightly
- more facial expression
- placement of restaurant table needs to be further along
- isaac slightly more character
- don’t throw away lines “who is it”
- push volume in scenes
- act in office
- chloe- be more authoritative
- see reaction to Barney