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The Language we use influence the way we think

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Although literary works portray the contact in which the writers wrote

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Summury of the two first Chapter of 1984 by Georg Orwell

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Intertextuality: Dilem of a ghost and things fall apart 

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Intertextuality: Dilem of a ghost and things fall apart 

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Authors use various methods to convey their themes( dilem of a ghost and things fall apart)

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Authors use various methods to convey their themes( dilem of a ghost and things fall apart)

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Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody. or by interconnections between similar or related works perceived by an audience or reader of the text.

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Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody. or by interconnections between similar or related works perceived by an audience or reader of the text.

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Analyse Shakespears use of comparartive devices of any two of his sonnet

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Tone in literature refers to the author’s attitude toward a certain topic. Through specific word choice, the author reveals their feelings and opinions to the reader, conveying the author’s intentions behind the text. The tone of a story is always described using an adjective.

Tone often reveals itself through narrative details.

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A literary device is a tool used by writers to hint at larger themes, ideas, and meaning in a story or piece of writing. There are many styles of literary devices, each serving a different purpose. Some operate at the sentence level, while others serve the piece of writing as a whole.

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Propaganda is today most often used in reference to political statements, but the word comes to our language through its use in a religious context. The Congregatio de propaganda fide (“Congregation for propagating the faith”) was an organization established in 1622 by Pope Gregory XV as a means of furthering Catholic missionary activity. The word propaganda is from the ablative singular feminine of propogandus, which is the gerundive of the Latin propagare, meaning “to propagate.” The first use of the word propaganda (without the rest of the Latin title) in English was in reference to this Catholic organization. It was not until the beginning of the 19th century that it began to be used as a term denoting ideas or information that are of questionable accuracy as a means of advancing a cause

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How is the IB learner profil related to literary

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Analysis of the song (Blind Faith) by Devlin featuring Ed Sheeran

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Analysis of the song (Blind Faith) by Devlin featuring Ed Sheeran

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Analysis of the song.docx english A assignement (1244)

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How the author used the figures devices in the dilemma of the ghost

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https://www.thoughtco.com/how-to-analyze-a-sonnet-2985269

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My glass shall not persuade me I am old,
So long as youth and thou are of one date;
But when in thee time's furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee,
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me:
How can I then be elder than thou art?
O! therefore, love, be of thyself so wary
As I, not for myself, but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
Presume not on thy heart when mine is slain,
Thou gav'st me thine not to give back again.

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Sonnet IV

Unthrifty loveliness, why dost thou spend
Upon thy self thy beauty's legacy?
Nature's bequest gives nothing, but doth lend,
And being frank she lends to those are free:
Then, beauteous niggard, why dost thou abuse
The bounteous largess given thee to give?
Profitless usurer, why dost thou use
So great a sum of sums, yet canst not live?
For having traffic with thy self alone,
Thou of thy self thy sweet self dost deceive:
Then how when nature calls thee to be gone,
What acceptable audit canst thou leave?
Thy unused beauty must be tombed with thee,
Which, used, lives th' executor to be.

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William Shakespeare was a renowned English poet, playwright, and actor born in 1564 in Stratford-upon-Avon. His birthday is most commonly celebrated on 23 April (see When was Shakespeare born), which is also believed to be the date he died in 1616.

Shakespeare was a prolific writer during the Elizabethan and Jacobean ages of British theatre (sometimes called the English Renaissance or the Early Modern Period). Shakespeare’s plays are perhaps his most enduring legacy, but they are not all he wrote. Shakespeare’s poems also remain popular to this day.
https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/william-shakespeare/william-shakespeare-biography/

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Mariama Bâ, born April 17, 1929 in Dakar, and died in the same city on August 17, 1981, is a Senegalese woman of letters. She comes from a Muslim Lebou family. In her work, she criticizes the inequalities between men and women due to African tradition. Feminist, she campaigns for a better consideration of women's issues. She is notably the founder and president of the Cercle Fémina. She is a member of the Federation of Women's Associations of Senegal1 (FAFS). But also the Amicale Germaine Legoff, bringing together all the former normaliennes.

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Ferdinand Oyono, French-speaking Cameroonian novelist, was born in 1929 in N'Goulémakong. He studied law and political science in Paris, while writing his first novels: Une vie de boy (Julliard, 1956) and Le Vieux Nègre et la médaille (Julliard, 1956).

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Biographie Of Ama ata Aidoo
Ama Ata Aidoo, in full Christina Ama Ata Aidoo, (born March 23, 1942, Abeadzi Kyiakor, near Saltpond, Gold Coast [now Ghana]), Ghanaian writer whose work, written in English, emphasized the paradoxical position of the modern African woman.
Aidoo began to write seriously while an honours student at the University of Ghana (B.A., 1964). She won early recognition with a problem play, The Dilemma of a Ghost (1965), in which a Ghanaian student returning home brings his African American wife into the traditional culture and the extended family that he now finds restrictive. Their dilemma reflects Aidoo’s characteristic concern with the “been-to” (African educated abroad), voiced again in her semiautobiographical experimental first novel, Our Sister Killjoy; or, Reflections from a Black-Eyed Squint (1966). Aidoo herself won a fellowship to Stanford University in California, returned to teach at Cape Coast, Ghana (1970–82), and subsequently accepted various visiting professorships in the United States and Kenya.

https://www.britannica.com/biography/Ama-Ata-Aidoo

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how the author used the figure devices in the dilemma of the ghost

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how the author used the figure devices in the dilemma of the ghost

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Chimamanda Ngozi Adichie, (born September 15, 1977, Enugu, Nigeria), Nigerian author whose work drew extensively on the Biafran war in Nigeria during the late 1960s.

Early in life Adichie, the fifth of six children, moved with her parents to Nsukka, Nigeria. A voracious reader from a young age, she found Things Fall Apart by novelist and fellow Igbo Chinua Achebe transformative. After studying medicine for a time in Nsukka, in 1997 she left for the United States, where she studied communication and political science at Eastern Connecticut State University (B.A., 2001). Splitting her time between Nigeria and the United States, she received a master’s degree in creative writing from Johns Hopkins University and studied African history at Yale University.

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Born on February 6, 1945, in St. Ann Parish, Jamaica, Marley helped introduce reggae music to the world and remains one of the genre's most beloved artists to this day. The son of a Black teenage mother and much older, later absent white father, he spent his early years in St. Ann Parish, in the rural village known as Nine Miles.

One of his childhood friends in St. Ann was Neville "Bunny" O'Riley Livingston. Attending the same school, the two shared a love of music. Bunny inspired Marley to learn to play the guitar. Later Livingston's father and Marley's mother became involved, and they all lived together for a time in Kingston, according to Christopher John Farley's Before the Legend: The Rise of Bob Marley.

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Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter and dancer. Dubbed the "King of Pop", he is regarded as one of the most significant cultural figures of the 20th century. Over a four-decade career, his contributions to music, dance and fashion, along with his publicized personal life, made him a global figure in popular culture. Jackson influenced artists across many music genres; through stage and video performances, he popularized complicated dance moves such as the moonwalk, to which he gave the name, as well as the robot. He is the most awarded music artist in history.

The eighth child of the Jackson family, Jackson made his professional debut in 1964 with his elder brothers Jackie, Tito, Jermaine and Marlon as a member of the Jackson 5 (later known as the Jacksons). Jackson began his solo career in 1971 while at Motown Records. He became a solo star with his 1979 album Off the Wall. His music videos, including those for "Beat It", "Billie Jean" and "Thriller" from his 1982 album Thriller, are credited with breaking racial barriers and transforming the medium into an artform and promotional tool. He helped propel the success of MTV and continued to innovate with videos for the albums Bad (1987), Dangerous (1991) and HIStory: Past, Present and Future, Book I (1995). Thriller became the best-selling album of all time, while Bad was the first album to produce five U.S. Billboard Hot 100 number-one singles.[nb 1]

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Analyzing of the short story private experience

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It's close to midnight
And something evil's lurking in the dark
Under the moonlight
You see a sight that almost stops your heart

You try to scream
But terror takes the sound before you make it
You start to freeze
As horror looks you right between the eyes
You're paralyzed

'Cause this is thriller, thriller night
And no one's gonna save you from the beast about to strike
You know it's thriller, thriller night
You're fighting for your life inside a killer thriller tonight, yeah

Oh oh oh

You hear the door slam
And realize there's nowhere left to run
You feel the cold hand
And wonder if you'll ever see the sun

You close your eyes
And hope that this is just imagination
Girl, but all the while
You hear the creature creepin' up behind
You're out of time

'Cause this is thriller, thriller night
There ain't no second chance against the thing with forty eyes, girl
Thriller, thriller night
You're fighting for your life inside a killer thriller tonight

Night creatures call
And the dead start to walk in their masquerade
There's no escapin' the jaws of the alien this time (they're open wide)
This is the end of your life, oh

They're out to get you
There's demons closing in on every side
They will possess you
Unless you change that number on your dial

Now is the time
For you and I to cuddle close together, yeah
All through the night
I'll save you from the terrors on the screen
I'll make you see

That it's a thriller, thriller night
'Cause I can thrill you more than any ghost would ever dare try
Thriller, thriller night
So let me hold you tight and share a killer, thriller
Chiller, thriller here tonight

'Cause it's a thriller, thriller night
Girl, I can thrill you more than any ghost would ever dare try
Thriller, thriller night
So let me hold you tight and share a killer, thriller

I'm gonna thrill you tonight
Darkness falls across the land
The midnight hour is close at hand
Creatures crawl in search of blood
To terrorize y'awl's neighborhood
And whosoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse's shell

I'm gonna thrill you tonight
Thriller, ohh baby (Thriller)
I'm gonna thrill you tonight (Thriller night)
Thriller, all night, oh baby
I'm gonna thrill you tonight
Thriller, thriller night (oh baby)
I'm gonna thrill you tonight
Thriller, all night (oh baby)
Thriller night (Thriller night)

The foulest stench is in the air
The funk of forty thousand years
And grizzly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller

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Get up, stand up (Oh yeah) stand up for your rights (Lord, Lord)
Get up, stand up (In the morning) stand up for your rights (Stand up for your rights)
Get up, stand up (Stand up for your life) stand up for your rights (Stand up for your life)
Get up, stand up (Stand up for your life) don't give up the fight!

Oh I say
Preacher man, don't tell me
Heaven is under the earth
I know you don't know
What life is really worth
It's not all that glitters is gold
'Alf the story has never been told
So now you see the light, eh
Stand up for your rights

Get up, stand up (Lord, Lord) stand up for your rights (What you got to give?)
Get up, stand up (For the life you live) don't give up the fight (Yeah)
Get up, stand up (Life is your right) stand up for your rights (Without life you can't fight)
Get up, stand up (Keep the good time calling) don't give up the fight (Oh Lord)

Most people think
Great god will come from the skies
Take away everything
And make everybody feel high
But if you know what life is worth
You will look for yours on earth
And now you see the light
You stand up for your rights jah

Get up, stand up! (Jah, jah!)
Stand up for your rights! (Oh-hoo!)
Get up, stand up! (Get up, stand up!)
Don't give up the fight! (Life is your right!)
Get up, stand up! (So we can't give up the fight!)
Stand up for your rights! (Lord, lord!)
Get up, stand up! (Keep on struggling on!)
Don't give up the fight! (Yeah!)

We sick an' tired of-a your ism-schism game
Dyin' 'n' goin' to heaven in-a Jesus' name, lord
We know when we understand
Almighty god is a living man
You can fool some people sometimes
But you can't fool all the people all the time
So now we see the light (What you gonna do?)
We gonna stand up for our rights! (Yeah, yeah, yeah!)

So you better
Get up, stand up! (In the morning! git it up!)
Stand up for your rights! (Stand up for our rights!)
Get up, stand up!
Don't give up the fight! (Don't give it up, don't give it up!)
Get up, stand up! (Get up, stand up!)
Stand up for your rights! (Get up, stand up!)
Get up, stand up! (Don't be a neighbour in your neighbourhood)
Don't give up the fight! (Get up, stand up!)
Get up, stand up! (I don't think that should be very good, Lord)
Stand up for your rights!
Get up, stand up!
Don't give up the fight

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How does Ngozi Adichie convey her theme to her audience

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What message does Chimamanda Adichie want to coveys in A Private Experience

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How do the authors use structure and style to convey the message

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Discuss how a private experience explores Nigerian culture