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Arnold Schoenberg: Piano Concerto op. 42 (Excerpt)

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When I listen to this music, I get the impression (or feeling) of....

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When I listen to this music, I get the impression (or feeling) of....

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I get the impression (or feeling) of __________ when I listen to this music

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I get the impression (or feeling) of __________ when I listen to this music

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I think that this music is (predictable or hard to follow)  because.... 

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I think that this music is (predictable or hard to follow)  because.... 

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Erik Satie was a composer and musician in the Impressionism period. Impressionism was a radical art movement that began in the late 19th century in Paris. Erik Satie (1866–1925) was a French composer and pianist. Today he is best known to us through his well-loved Gymnopédies, the small melancholic piano pieces from 1890, but at the time of his death in 1925, Satie was barely known beyond the city limits of Paris.

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The main melody of “Boléro” is adapted from a tune composed for and used in Sufi [religious] training. Ravel decided that the theme had an insistent quality and thus repeated it over and over without any real development, only a gradual crescendo as the instrumentation grows throughout the piece. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. ... A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries.

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I get the impression of melancholy or feeling sullen when I listen to this music. It's a delicate piece and truly speaks through emotion using music as its outlet.

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The piece was published in 1905 as the third of four movements in the composer's Suite Bergamasque, and unlike the other parts of this work, Clair is quiet, contemplative, and slightly melancholy, evoking the feeling of a solitary walk through a moonlit garden. The slow tempo, and the always- harmonically unfinished phrases in the piece create a sense of ambiguity and suspense. It almost seems to annoy the listener as it lacks a sense of completion, but this feeling evokes curiosity and thought at the same time, making the piece reflective.

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The piece was published in 1905 as the third of four movements in the composer's Suite Bergamasque, and unlike the other parts of this work, Clair is quiet, contemplative, and slightly melancholy, evoking the feeling of a solitary walk through a moonlit garden. The slow tempo, and the always- harmonically unfinished phrases in the piece create a sense of ambiguity and suspense. It almost seems to annoy the listener as it lacks a sense of completion, but this feeling evokes curiosity and thought at the same time, making the piece reflective.

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"The Classical Tradition and Arnold Schoenberg's Concerto for Piano and Orchestra, Op. 42: Monothematic Sonata Form, Long-range Voice-leading and Chromatic saturation. " Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951). ... All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Arnold Schoenberg was an Austrian-American composer who created new methods of musical composition involving atonality, namely serialism and the 12-tone row. He was also an influential teacher; among his most significant pupils were Alban Berg and Anton Webern.

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I get the feeling of peace and joy when I listen to this music. The chords are subtle and the notes are high.