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Thanks so much to both of you for such an enjoyable talk. I was struck by what you set at the start about singularity and keynotes. Talking together and then Sobcheck’s bringing together of body and film. It made lots of sense in the feet moving down the stairs. Could you talk more about singularity and viewing and film?

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Kinesthetic Empathy in Creative and Cultural Practices
Edited by Dee Reynolds and Matthew Reason
https://press.uchicago.edu/ucp/books/book/distributed/K/bo12323986.html

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I believe we need to address other films, filmmaking that falls more into experimental film art that also yields kinaesthetic tethers, bringing in questioning as to what is/can be movement, novel ideas around continuity, light, patterns, materialities, other bodies etc. that go beyond the ‘human body’ and yet associate directly with it.

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There is something about watching the films in this festival (incl the migration film you just showed) which helps me to find stillness and orientation and listening…like my being is listening at a deeper level - which is different from everyday life where I might get pulled in many directions. Orientation is coming up for me as a ‘kinaesthetic’ experience. thanks.

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There is something about watching the films in this festival (incl the migration film you just showed) which helps me to find stillness and orientation and listening…like my being is listening at a deeper level - which is different from everyday life where I might get pulled in many directions. Orientation is coming up for me as a ‘kinaesthetic’ experience. thanks.

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"I Exist." by Ruby Gray
Available as part of this programme: https://www.youtube.com/watch?v=Sgnu4KjsMLI

Migration Dance Film Project by Marlene Millar and Sandy Silva
https://www.marlenemillar.com/mdfp

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Many thanks to the artists Mary Trunk, Collettivo Conflunze, Jack Thompson and Alexa Velez for their works. 

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Many thanks to the artists Mary Trunk, Collettivo Conflunze, Jack Thompson and Alexa Velez for their works. 

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All were fascinating. Particularly the Collettivo Confluenze cinematic work with great aesthetics: we really enjoyed the combination of human performance with nonhuman elements of the land. We are wondering about the location? Alexa Velez performance and video was stunning. We did not expect this sort of ending :)
Michal + Giulia

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To all who came and all who organised - thanks so much for your support, responses both in the book and in person - we are all very grateful and we relished being 'out in the world' sharing work and meeting once again.  I hope our paths cross in the future- feel free to contact via my website www.angelawoodhouse.co.uk

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Angela Woodhouse & Caroline Broadhead

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Adesola Akinleye

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Claire Loussouarn and Dominique Rivoal

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Margarita Zafrilla Olayo & Pato Bosich

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Super grateful for the comments on LAND/SCAPE! Giulia and Michal

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Festival and The Shared space of Hackney Marshes

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Festival and The Shared space of Hackney Marshes

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hello everyone! What an honour to have been part of this festival... just imagined the beauty of being there together! The only film we could watch so far was the Hackney Marshes installation, great aesthetics. Loved the passing of the seasons. The haptic quality. The non-linearity. The sensuous movements of both the mover with her body and the filmmaker with his body and camera. Loved it! Looking forward to seeing the others, cheers, Giulia and Michal

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I have follow the festival online.
Really outstanding screenings, specially 3, 5 and 6.
The fold: Great workshop this morning with Glenna Batson and Susan Sentler. It expanded my world and taught me to expand my children's world. Never thought this could be possible out of poetry. Incredible folding experience!
Marvellous Installations also. I have seen "Peace/Lemon", Sayaka Kasumoto and "The Floating Book IX", Margarita Zafrilla Olayo and Pato Bosich.
Thank you also for the multiple ways of approaching the works conceived by the festival (sound, touch and sight, Claire Loussouarn videos)
Congratulations to all the artists! Great festival, I enjoyed a lot! Many thanks

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If interested, check out for future workshops on http://humanorigami.com

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If interested, check out for future workshops on http://humanorigami.com

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thank you all for participating, for co-creating! Glenna & Susan

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Light, patterns, folding

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the curatorial lens
the caring lens

harvesting
curating
caring

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Claiming the space between the screen and the audience space

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reverse blinking >< jump cuts

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I m doing the festival ' at home' so a bit behind the group... the screening I ve seen so far have been brilliant. I ve loved every film - it's an amazingly rich collection and food for the heart ( after the long winter) congratulations to those who made them and those who selected them for this weekend and thank you.

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Outstanding recordings in Screaning 2. Shocked with the last one: "This dance has no end". Fenia Kotsopoulou, Greece

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Outstanding recordings in Screaning 2. Shocked with the last one: "This dance has no end". Fenia Kotsopoulou, Greece

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Thanks for the six remarkable tutorial videos, really enriching in many ways

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Great works! And a highly suggestive festival. Loved "Venus by the river", chapter IX of the Floating Book, Margarita Zafrilla and Pato Bosich

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Thrilled by some of the footage in the screenings.  The satisfaction I got from Land/scape was incredible. Thank you

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Interesting to hear Rosa Cisneros reference this in the keynote - awareness of how we are in a space

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I liked what someone said about claiming a space for the body in film / moving image context - does someone remember this moment better? :)

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Heartening to see a keynote structured as a conversation.. focussing on collaboration and recognising your wider lives.  Thank you!

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stillness, listening (whole body), orientation - as kinaesthesia in experiencing the festivals films. Difference from everyday experience of being pulled in all directions. Reflecting on the liveliness of conversation as keynote bringing excitement and new ideas as a centrifugal force. Punctuated with the framing and containing experience in the films - celebrating the different rhythms of life - how stillness can provoke lively conversation, and vibrant experiences can creating stilling films. How we can hold all these things together in the festival. thank you.

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stillness, listening (whole body), orientation - as kinaesthesia in experiencing the festivals films. Difference from everyday experience of being pulled in all directions. Reflecting on the liveliness of conversation as keynote bringing excitement and new ideas as a centrifugal force. Punctuated with the framing and containing experience in the films - celebrating the different rhythms of life - how stillness can provoke lively conversation, and vibrant experiences can creating stilling films. How we can hold all these things together in the festival. thank you.

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Research Space - conversation with Philippe Blanchard

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Research Space - conversation with Philippe Blanchard

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“Philippe invited us to reflect on our own decision making process and the choices that we make, reflecting on our own body as a landscape, and our ability to choose”

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Workshop presentation by Bhargavi Gopalan and Sumedha Battacharyya

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Workshop presentation by Bhargavi Gopalan and Sumedha Battacharyya

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Programme 2 really made me think about the sound but then also all the other senses - sound and visuals are part of the film, but even those that are not part of the cinematic experience (touch, smell, taste) are really present and conscious

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Such a special experience to move together (very gently) in the space before watching, thinking about sound, hearing, listening
And then a film like LAND/SCAPE which is so sonic

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from automatic harvesting notes, susan sentler

I drifted from the prompts, via a desire of my object, dissolving into its materiality, its reflective qualities and of light

Recalling my wandering, catching light and at times my reflection, in the glass of the window, in between the blinds, the slots between and how my reflection merged

Or better yet, became a slot itself

The object was not object, it was vibrations, moments of bubbles, one by one

A shaking

I felt inside an agitation

The object is not the object, but a mass filled of particles all colliding

The hue…green

A glow of something from the jungle, or of something chemical

A mix, a hybrid

Then I quickly photographed 5 images, an extension of my automatic harvesting

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Soft against my back, sunlight streaming in. How to hold a sofa? How to hold a plant pot?

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Remember there are pre-recorded invitations if you would like to frame your viewing

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Some comments from the Opening Night zoom: 

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Some comments from the Opening Night zoom: 

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Wow - such beautiful works!!
Great mix of ideas visuals and sounds
Hello all, what a great opening. Loved all three films.
Bravii!!!!!!!
Astounding films!
Great films with some fascinating sounds and sensations!

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Find the scores here: https://heikesalzer.wixsite.com/wanderlust/basic-01

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Mira's workshop - focus on touching an object and how the object holds memories and history that might be used every day but not thought about.

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Mira's workshop - focus on touching an object and how the object holds memories and history that might be used every day but not thought about.