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To fade in a clip's audio, drag an audio transition from the Effects panel to a Timeline panel so that it snaps to the In point of the audio clip.

To fade out a clip's audio, drag an audio transition from the Effects panel to a Timeline panel so that it snaps to the Out point of the audio clip.

A sound bridge is a type of sound editing that occurs when sound carries over a visual transition in a film. This type of editing provides a common transition in the continuity editing style because of the way in which it connects the mood, as suggested by the music, throughout multiple scenes.

Editing on the beat caps your music tracks for a soft editing

In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve and wipe serve as the three primary transitions.

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Diegetic Sound- This is the sound that can be seen on screen and the source of the sound is present by an action on the film. I.E, an punch, a telephone, a kettle.

Non-Diegetic Sound: This is sound that can not be seen on screen and the source of the sound is not present. I.E, a soundtrack, a character's theme.

Ambient- Ambient sounds are sounds that are present in the background of a location. Common types of these ambient sounds tend to be water, wind, birds, crowds, noises, frogs and traffic. Ambient sounds in film are very important because they add a sense of reality to what is being shown to the audience.

Synchronous Sound- Synchronous sound is sound that matches an action that is being shown on screen, this tends to be in form of footsteps that correspond with feet walking, this is even the case with a character's speech.

Asynchronous Sound- Asynchronous sounds match the action that is being made by something on screen, however, they are not precisely synchronised with the action.

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Voice over -
A voice over can be a narration over the film.

Mode of address - A genre is semiotic code in which we are seen as the ideal readers- through particular modes of address. This can be a way an addresser and the addressee are constructed in a text.
1st/2nd/3rd person -narration

Direct address- This is the name of the person you are directly talking to.

Accent- A certain way of pronouncing a language- this varies based on where you are from, and your social class.

Tone- This is the attitude, behaviour and style that you use when talking. This can change based on emotions or who you are addressing.

Rhythm-The flow or words and phrases in a verse- based on the long or shot/ stressed or unstressed syllables.

Overlapping dialogue- This is when you arrange the dialogue so that it crosses over from a shot of character A to a shot of character B.

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Soundtrack - A soundtrack is a bunch of recorded music put together with a bunch of moving images for a video game or a TV show.
Score - The sound recorded specifically for film.
Incidental music - Incidental music isn't necessarily music but more so is background sound that adds to the atmosphere you want to create.
Theme music - Theme music is the intro music that plays before the production to signal the beginning.
Sound/Musical motifs - A certain piece of music that links us to a certain character in a piece of film.

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180 degree rule: The 180° rule is a cinematography guideline that states that two characters in a scene should maintain the same left/right relationship to one another . When the camera passes over the invisible axis connecting the two subjects, it is called crossing the line and the shot becomes what is called a reverse angle.
cutaways: a cutaway shot is the interruption of a continuously filmed action by inserting a view of something else. It is usually, although not always, followed by a cut back to the first shot, when the cutaway avoids a jump cut.
shot/reverse shot: Shot reverse shot (or shot/countershot) is a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character.
eyeline match: Eyeline matching is a film editing technique associated with continuity editing to help establish a logical coherence between shots and make the storytelling smooth, logical and continuous.
action match:Cutting on action or matching on action refers to film editing and video editing techniques where the editor cuts from one shot to another view that matches the first shot's action.
cross-cutting: Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross-cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case.
flashback or forward: A character may suddenly remember an event that triggers a flashback or flash forward which may simply occur without warning. (normally accompanied by narration)
intercutting: alternate (scenes or shots) with contrasting scenes or shots to make one composite scene in a film.
parallel editing: Parallel editing (cross cutting) is the technique of alternating two or more scenes that often happen simultaneously but in different locations
elliptical editing:Elliptical editing is a type of editing that cuts unnecessary actions from a sequence. This means the sequence is shorter than real time and so doesn't last as long.
montage: the technique of selecting, editing, and piecing together separate sections of film to form a continuous whole.
continuity cuts:Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence so as to direct the viewer's attention to a pre-existing consistency of story across both time and physical location.
jump cuts: A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly if at all.
fade in and fade out: an optical effect in which a shot appears gradually out of darkness and then gradually... (a fade indicates that time has passed)
wipe: The most common uses of the wipe effect is the "Invisible Wipe" where a camera follows a person into another room by tracking parallel to the actor.
dissolve: In the post-production process of film editing and video editing, a dissolve is a gradual transition from one image to another.
slow motion: slow motion is an effect in film-making whereby time appears to be slowed down.
fast motion:  fast motion definition, action that appears to move faster than normal on the screen
freeze frame: In film and video, a freeze frame is when a single frame of content shows repeatedly on the screen

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A jump cut is a cut in which two sequential shots of the same subject are taken from camera positions that vary only slightly if at all.

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This is where the film fades from black to the image or from the image to black can mean that time has passed.

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When the action in the movie appears faster to the audience than the actual scene would play out in real life.

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This is a visual effect that makes things move slower to add dramatic effect.

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Continuity Editing is the process of creating a smooth and seamless narrative experience for the audience

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Cross-Cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place.

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A flashback is an interjected scene that takes the narrative back in time from the current point in the story.

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A cutaway shot is an interruption of a continuously filmed action by inserting a view of something else.[

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Elliptical editing is a type of editing that cuts unnecessary actions from a sequence. This means the sequence is shorter than real time and so doesn't last as long.

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A jump cut is where two succession from the exact same angle causing the footage to almost jump forward in time.

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A montage is a compilation of fragmented clips and audio to produce a new whole that serves to cut down time.

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Parallel editing (cross cutting) is the technique of alternating two or more scenes that often happen simultaneously but in different locations. If the scenes are simultaneous, they occasionally culminate in a single place, where the relevant parties confront each other.