# data[].attributes.headline
Sweden`s Eurovision head warns over competition costs

# data[].attributes.subject
Sweden`s Eurovision head warns over competition costs

# data[].attributes.attachment_link.readable_text
The Eurovision song contest has grown unweildy to the point that winning can become a "burden", according to one of the most experienced members of the setup.

Christer Björkman, currently head of the Swedish delegation has been involved in the competition since 1992. He gave Euronews a frank appraisal of its strengths and weaknesses.

"Eurovision is all about Building Bridges, to get to know each others' cultures. It has grown a lot, it has become huge, from 22 countries to 40 entries! When it comes to entertainment, it is the biggest event in the world", he said.

As Vienna has attracted thousands of visitors these days, Christer Björkman absolutely feels that Eurovision is like Olympic Games: "It is built upon the same idea and aims to overcome differences. As the friendly and peaceful games, we have entertainment, fun and easy-going shows".

Despite the fact that everybody wants to win, "Eurovision becomes so expensive, it is a burden to win at times". As Eurovision Reference Group member, he states that the problem is that "it costs a lot of money and we really should size it down a little bit, because we put a lot of pressure on the host broadcaster".

Sharing thoughts on how people is motivated to watch the Contest, Mr. Björkman believes that countries need to have a good national selection pre-show. Sweden has the most-watched national selection show, the very popular so-called "Melodifestivalen", with people attending every year from all over the world. "I would not sell the format, but I would gladly help out if somebody wants to do it".

"For a song to become a hit it has to be updated and you should have a good artist and a unique act. It is the package that wins".

And of course the trump card of Eurovision is its broad appeal: "The target group is everyone. It address to all generations, it has become a social think, as it is watched in groups".

Christer Björkman

Starting as a viewer in 1967, Björkman represented Sweden as a singer in 1992, he is a TV- presenter, and since 2002 he was in charge of the Swedish acts. He now works as Head of the Swedish Delegation and is an elected Eurovision Reference Group member

# data[].attributes.attachment_link.title
Sweden's Eurovision head warns over competition costs

# data[].attributes.attachment_link.description
The Eurovision song contest has grown unweildy to the point that winning can become a "burden", according to one of the most experienced members of the setup. Christer Björkman, currently head of the Swedish delegation has been involved in the competition since 1992. He gave Euronews a frank appraisal of its strengths and weaknesses.

# data[].attributes.headline
Вена: к финалу "Евровидения" все готовы!

# data[].attributes.subject
Вена: к финалу "Евровидения" все готовы!

# data[].attributes.attachment_link.readable_text
В Вене определились все участники финала конкурса "Евровидение - 2015". Накануне вечером в австрийской столице завершился второй полуфинал. Из 17 претендентов были выбраны 10 - путевку на заключительный этап конкурса получили исполнители из Литвы, Польши, Словении, Швеции, Норвегии, Черногории, Кипра, Азербайджана, Латвии и Израиля.

Первый полуфинал состоялся во вторник, по его результатам для участия в финале европейского конкурса песни была квалифицирована и представительница России Полина Гагарина.

К двадцатке победителей полуфиналов присоединятся представители стран большой европейской "пятерки" (Германии, Великобритании, Франции, Испании и Италии), страны-хозяйки и специального гостя юбилейного - 60-го - "Евровидения" - Австралии.

Финал пройдет в субботу, 23 мая. Страна-победитель получит право на проведение конкурса в будущем году.

# data[].attributes.attachment_link.keywords[]
музыкальный фестиваль

# data[].attributes.attachment_link.keywords[]
конкурс песни евровидение

# data[].attributes.attachment_link.title
Вена: к финалу "Евровидения - 2015" все готовы!

# data[].attributes.attachment_link.description
В Вене определились все участники финала конкурса "Евровидение - 2015". Накануне вечером в австрийской столице завершился второй полуфинал. Из 17 претендентов были выбраны 10 - путевку на заключительный этап конкурса получили исполнители из Литвы, Польши, Словении, Швеции, Норвегии, Черногории, Кипра, Азербайджана, Латвии и Израиля.

# data[].attributes.headline
Why Australia in the Eurovision Cong Contest?

# data[].attributes.subject
Why Australia in the Eurovision Cong Contest?

# data[].attributes.attachment_link.readable_text
Australia's participation in the Eurovision Song Contest is a one-off event as part of celebrations for the competition's 60th anniversary.

The inclusion reflects the fact that the nation has been a long time broadcaster of the ESC, which has a strong cult following down under of around 2 million each year.

This is the first time a country from Oceania has taken part. The European Broadcasting Union says it will consider inviting other countries from outside of Europe in the future.
What is the song?
Guy Sebastian is representing Australia with the song Tonight Again

It has a slight Bruno Mars feel about it and tells of a perfect night that he doesn't want to end.

Sebastian wrote it specifically for the Eurovision Song Contest in only one week he says, along with regular collaborators David Ryan Harris and Louis Schoorl.

The Malaysian-born singer-songwriter was the first winner of Australian Idol in 2003 and is currently a judge on the X-factor in Australia.

With eight top ten albums under his belt in Australia, and one in New Zealand, the 33-year-old would already seem to have a head start over the 26 other finalists.
What happens if Australia wins?
Traditionally the ESC is always held at the home city of the winning entry.

If Australia wins, it will be able to return for next year's Eurovision which would be organised by SBS - the Australian channel that broadcasts the ESC - but it would be held in a European host city of their choice.
What are the odds?
Eurovision's notoriously political voting - where countries tend to vote for their neighbours - means that the Oceanic country is unlikely to claim the top spot.

The favourite this year is Sweden's Måns Zelmerlöw with the song Heroes
Odds 2/1

Russia claims the second-favourite spot as the singer songwriter and actress Polina Gagarina performs A Million Voices
Odds 3/1

In third, according to bookmakers, is a young operatic trio from Italy called Il Volo (The flight, in English) who share a manager with Andrea Bocelli. They'll be trying to enchant international audiences with Grande Amore
Odds 7/2

And Austalia are fourth favourites with bookies, with odds of 13/2.

You can judge it for yourself below:

The Eurovision Song Contest is broadcasting live from Vienna, Austria on Saturday night. (May 23)

# data[].attributes.attachment_link.title
Why is Australia in the Eurovision Song Contest?

# data[].attributes.attachment_link.description
Australia's participation in the Eurovision Song Contest is a one-off event as part of celebrations for the competition's 60th anniversary. The inclusion reflects the fact that the nation has been a long time broadcaster of the ESC, which has a strong cult following down under of around 2 million each year.

# data[].attributes.headline
Australia to compere Eurovision song contest

# data[].attributes.subject
Australia to compere Eurovision song contest

# data[].attributes.attachment_link.readable_text
Australia is to enter this year's Eurovision song contest in Austria, Vienna. The annual event has a huge following down under and Australia has been invited as part of the competition's 60th anniversary celebrations.

# data[].attributes.attachment_link.title
Australia to compete Eurovision song contest

# data[].attributes.attachment_link.description
Australia is to enter this year's Eurovision song contest in Austria, Vienna. The annual event has a huge following down under and Australia has been invited as part of the competition's 60th anniversary celebrations.

# data[].attributes.attachment_link.readable_text
Since 2000, France, Germany, Spain and the United Kingdom qualify automatically for every Eurovision Grand Final thanks to their status as the biggest financial contributors to the European Broadcasting Union, the contest's producers. Italy, persuaded to return to the contest in 2011 after a self-imposed 14-year hiatus, is also granted automatic qualification for the same reason. Sweden, as winner of the 2012 event, also gets a pass to the final so that it can defend its title. So, let's take a look at the 'Big Six': Review of the songs from Semi Final 1
Review of the songs from Semi Final 2
Who the hell are we to judge?
The euronews jury is made up of three music-loving but unfortunately not music-playing journalists, who reserve the right to be honest while trying to remain respectful to the performers: Mark Davis (normally found listening to Pearl Jam, Jake Bugg, the Stone Roses), Thomas Seymat (Alt-J, Franck Ocean, Daft Punk) and Marie Jamet (Marvin Gaye, Pulp, Clinic).

France

Amandine Bourgeois - "L'Enfer Et Moi"

TS: It starts out promising, like a French Amy Winehouse, a scorned lover looking for revenge. However, the climactic ending promised by the build-up and guitars never delivers, the singer's highly acclaimed voice never rises up to the challenge and the soufflé ultimately falls flat. 6 points, 40-1 to win.
MJ: Amy Winehouse? You're being too nice. To me, she sounds like Patricia Kaas. And it is not good. The mannered singing turns into a singing performance not serving the song but just the singer's ego. It cries out: "hey listen how well I can sing and all these changes of tone I can make with my voice". I just hate this so much. The music rises in a promising way and sounds kind of good but does fall flat as a soufflé. 0 point for being showy, 66-1 to win.

Germany

Cascada - "Glorious"

MJ: Formulaic. Like a recipe: take a big-voiced singer and a Euro-dance rhythm, add a shiny push-up corset and two token backing singers. Then shake until you have the German Eurovision song. 2 points, 66-1 to win.
MD: A clubbing song that is incredibly similar to many other clubbing songs. Not a bad clubbing song, in as much as it meets the criteria of the genre ('euphoric' crescendo of synthesised beats, arm-waving, lyrics such as "We are young at heart and we're free") but this song should not win any competitions unless it's a 'Make the Most Generic Clubbing Song Contest' and even Eurovision is better than that. 2 points, 80-1 to win.

Italy

Marco Mengoni - "L'Essenziale"

MJ: A sad piano-and-violin ballad that has the potential to get lots of middling scores. 4 points, 66-1 to win
MD: Although Marco - who has a pleasant voice to go with his pretty-boy looks - will probably get some votes and points from the ladies, it's difficult to see the song itself generating enough enthusiasm for Italy to get too near the top of the standings. 8 points, 80-1 to win.

Spain

El Sueno de Morfeo - "Contigo Hasta El Final"

MJ: The video shows perhaps how Spaniards see the Irish and the song is, as you might expect, an irish folk rock song with Spanish lyrics. Going back to the video, there is lots of coastline and lots of cliffs, a white horse running in slow motion across the beach before resting its head on the shoulder of the singer who is draped in a dreamy princess-pink dress. Very Eurovision but probably not a future winner. 4 points, 150-1 to win.
MD: Spain is perhaps trying to emulate Ireland's success at Eurovision by lending from Irish folk music. The result sounds a little like The Corrs, but Spanish. Los Corrs. The singer's voice is fantastic. She is also gorgeous. If Spain wins (which I think is unlikely but not impossible) it will be because she has charmed the judges and audience. I'm not sure the song has got the legs to go all the way though. 8 points, 50-1 to win.

United Kingdom

Bonnie Tyler - "Believe in me"

MD: Bonnie Tyler. The voice (Total eclipse of the heart, Holding out for a hero) is instantly recognisable. If it wasn't Bonnie Tyler, you'd say this song didn't really have a chance. But it is Bonnie Tyler, so it might. Maybe. 6 points, 40-1 to win. *MJ:*A famous name in the Eurovision. Some might find this unfair to the other less-known artists. I don't, as I've never liked Bonnie Tyler and probably never will. I have to admit though, she fits with the Eurovision style, so maybe it is only logical that she is here. 2 points, 66-1 to win.

Sweden

Robin Stjernberg - "You"

TS: Playing at home, the 22-year old smooth-faced singer and his vocal talent manages to turn a silly love song into a catching winning machine. Not our favourite, but definitely a very strong contender. 8 points, 20-1 to win.
MJ: I don't really know Justin Bieber's oeuvres but this young guy looks like him and his song sounds exactly like I imagine Bieber's songs to be. As Thomas said this is perfectly calibrated as a win-at-all-costs song. 4 points, 20-1 to win.

# data[].attributes.attachment_link.description
Since 2000, France, Germany, Spain and the United Kingdom qualify automatically for every Eurovision Grand Final thanks to their status as the biggest financial contributors to the European Broadcasting Union, the contest's producers. Italy, persuaded to return to the contest in 2011 after a self-imposed 14-year hiatus, is also granted automatic qualification for the same reason.

# data[].attributes.attachment_link.readable_text
The 2012 Eurovision Song Contest is back on Saturday, with the grand final in Baku, the capital of last year's winners, Azerbaijan. Twenty countries that qualified from this week's semi-finals will join the five countries that qualify automatically every year (as the largest contributors of funds to Eurovision's organisers, the European Broadcasting Union- EBU). Ahead of the final, euronews examined the points that countries have awarded each other in the history of the competition.
The Eurovision Song Contest wouldn't be the Eurovision Song Contest without the annual accusations of 'political' or bloc voting: where groups of neighbouring countries, or those that are culturally similar or politically sympathetic, will give more points to each other rather than to countries with different tastes on the other side of the European continent.

To some people, the often predictable nature of the voting process only adds to the fun; for them it can be amusing to see the old alliances and rivalries still going strong in the non-threatening arena of a song contest, like a rather camp Euro-pop microcosm of the complex geo-politics of Europe.

Other viewers, though, say they have had enough of the unfairness of the voting system. The predictability of voting patterns and the lack of appreciation of the actual music have completely discredited the contest, which should even be boycotted, some say.

The United Kingdom, once a dominant force in the Eurovision song contest, feels it has particularly suffered since tele-voting by the public was introduced into proceedings in the late 1990s. Veteran British broadcaster Terry Wogan quit after decades commentating on the contest following this exasperated rant on what he called the bloc voting "debacle".

It's argued that the most influential factor in the building of these 'voting blocs', is the passive cultural element, rather than any deliberate agenda to do with politics. For example, the Greeks and the Cypriots, who almost systematically exchange top or high points, do so because most Cypriots are ethnically Greek. The two populations share, as well as a language, musical traditions and tastes. A singer who is a household name in Greece will likely also be one in Cyprus, and vice-versa. In a similar way, Nordic musical preferences are not necessarily appreciated in the Latin, Mediterranean countries.
So who votes for who the most?
The most lucrative Eurovision relationship is that of Greece and Cyprus. Between 1975 and 2003 - the last year before semi-finals were brought in - whenever both countries took part in the same contest, Greece gave an average of 9.7 points to Cyprus and received an average of 10.7 in return. Turkey and Cyprus however form the pairing that exchanges the fewest points: no points at all in fact in 19 contests in which both were present between 1975 and 2003! That would suggest either a clash of musical cultures or, more likely, the interference of historical and political differences; diplomatically, Turkey refuses even to recognise Cyprus.

Looking at voting patterns since the current point system was introduced in 1975, it is clear that countries do, generally speaking, tend to give more points to - and therefore get more from - their immediate neighbours. This pattern was already apparent before tele-voting, when national juries made up of music industry 'experts' had sole responsibility for attributing points.

Between 1975 and 2003 the five countries that gave the most points on average to Sweden were Denmark, Estonia, Iceland, Lithuania and Norway. Similarly, Estonia, Sweden and Norway were among Finland's biggest contributors, while the biggest fans of Denmark's entries were Iceland, Norway, Sweden, Latvia and Estonia. This points to the existence of a 'Viking voting bloc' that includes Scandinavia and countries on its Baltic fringes.

Also emerging from the voting data is a 'Balkan bloc' consisting of Bosnia Herzegovina, Croatia, Macedonia, Slovenia and Turkey. Greece did not seem to be part of this bloc before 2003; the figures show Athens neither gives nor receives either above- or below- average scores from the other Balkan states.

Another main bloc to form in the pre-2004, pre-semi final era was a 'Warsaw Pact' bloc involving Latvia, Lithuania, Poland, Russia, Estonia and Romania. Interestingly, Estonia and Latvia won in 2001 and 2002 respectively and, it seems, benefited from being part of both the 'Warsaw Pact' bloc and the 'Viking' bloc.

The countries that consistently received the most points before 2004 were the United Kingdom and Ireland. Both have no real 'neighbours' except each other, and while the UK provided Ireland's fifth highest point average between 1975-2003, Ireland's contribution to the UK score was unremarkable, around the same as most other countries. In both cases, these countries seem not to benefit from any real bloc voting effect. Their success could be put down to the English language, the most universal in the Eurovision area, being their mother tongue or perhaps their reputations in the mainstream music world, having provided the likes of the Beatles, Bowie, U2 and so many others between them.
Tele-voting and the contest's expansion
When semi-finals were brought in in 2004, it opened up the competition to many countries in the east of the continent that had never before taken part, and the existing voting blocs became larger and more influential. The 'Balkan' bloc welcomed Serbia, Bulgaria and Albania, with Greece also becoming more of an integrated member. The 'Warsaw Pact' bloc grew by incorporating Ukraine, Georgia, Belarus, Romania, Moldova and Azerbaijan.

This development appears to have reaped rewards: since 2004, with the exception of Germany in 2010, the winners have come from one of the three main blocs: the 'Viking bloc' (Finland '06, Norway '09), the 'Warsaw Pact' bloc (Ukraine '04, Russia '08, Azerbaijan '11) or the 'Balkan bloc' (Greece '05, Serbia '07).

The introduction of tele-voting, where viewers themselves can vote for any country except their own, had a significant impact on point-giving patterns and this was particularly the case for countries with a significant diaspora or large numbers of expatriates living abroad. There are, for example, more than 1.6 million Turkish citizens living in Germany, with perhaps twice as many more Germans of Turkish origin. After Germany, the second largest population of Turks and ethnic Turks is in France, with the third being the Netherlands. It's perhaps then no coincidence that the three countries that have given Turkey the most points in the last nine years are Germany, France and the Netherlands. Add those points to the ones given by the 'new kids on the Balkan bloc' such as Albania and Bosnia, and it's no surprise that since 2003 (when it won the contest), Turkey has finished in the Top 5 seven times in nine years, having only had one Top 5 finish before phone voting came in in 1998.

The 2011 contest winner, Azerbaijan, also seems to have been helped by its diaspora. More than 1.5 million Azeris live in Russia and Turkey combined, and those two countries have given more points to Azerbaijan over the years than any other. That is not to take any credit away from Azerbaijan's winners (Eldar and Nigar, 'Running Scared') as Russia and Turkey only have a maximum of 12 points each to give, no more than Cyprus, Switzerland or Ireland, where there are many fewer Azeris to be found. People have tried to figure out exactly how Azerbaijan won, without being able to put their finger on it. Perhaps it was simply the best song.

Other studies on the impact of 'bloc voting' on Eurovision (and there are more than you think), have concluded that it has been a crucial factor in deciding the outcome on a few occasions.

The organisers reject the allegation and find any criticism of the voting process unfounded.

It is true that non-bloc affiliated countries do win, like Germany did in 2010. But being part of a bloc does help, and the more countries in that bloc, the better. Having a wide-reaching diaspora can also do no harm to the chances of winning.

But first and foremost, if you want to win the Eurovision Song Contest, people across Europe have to like your song.
What's the outlook for this year's final?
Sweden go into the final as the bookmakers' favourites at around 5 to 4, thanks to having scored more points than anyone else in the semi-finals (155). Seven countries gave Sweden a maximum 12 points, including the two other Scandinavian/Baltic nations in Sweden's semi-final, Denmark and Estonia.

Russia is installed as the second-favourite with the bookies at between 5/6 to 1, despite the fact that Russia's elderly performers finished only 9th in their semi-final.

Of the 26 countries participating, there are six that fit into the Viking/Baltic fringe bloc, six that could be put down under 'Warsaw Pact', while there are only four in the Balkan bloc. With all the semi-finalists voting, that leaves fewer countries to split the Balkan vote and with Greece having won the first semi-final, bookmakers' odds of 50 to 1 look very enticing indeed.

Complete data: who voted for who 2003-2011 (addition of top scores only. 12, 10, 8 and 7 points)

# data[].attributes.attachment_link.description
The 2012 Eurovision Song Contest is back on Saturday, with the grand final in Baku, the capital of last year's winners, Azerbaijan. Twenty countries that qualified from this week's semi-finals will join the five countries that qualify automatically every year (as the largest contributors of funds to Eurovision's organisers, the European Broadcasting Union- EBU).

# data[].attributes.headline
"Евровидение" - последний отсчёт начался

# data[].attributes.subject
"Евровидение" - последний отсчёт начался

# data[].attributes.attachment_link.readable_text
Начались предварительные этапы песенного конкурса "Евровидения". Концерт состоялся накануне вечером в столице Австрии.

В прошлом году Кончита Вурст и песня "Rise Like A Phoenix" оказались первыми по зрительским симпатиям.

В первом полуфинале участвуют такие страны, как Россия. Армения, Румыния, Венгрия, Греция, Эстония, Грузия, приглашена в качестве гостьи Австралия.

Вне отборочного конкурса проходят, как обычно, представители пяти стран-основательниц Европейского Вещательного Союза: Германии, Франции, Испании, Италии и Британии.

Бурю восторга вызвало выступление греческой исполнительницы Елены Марии Кирияку. Мать троих детей, она считается вундеркиндом: уже в 12 лет она принимала участие в песенных состязаниях.

"Потрясающе, я очень тронута таким приемом, не могу поверить в успех, рада, что прошла этот отбор", - говорит она.

Тепло принимали и представительницу Венгрии.

"Счастье, гордость, целая гамма чувств, не могу точно даже определить", - радуется исполнительница.

Рада и представительница Эстонии Элина Борн.

Выступил и секстет из Армении с композицией "Face The Shadow".

Второй полуфинальный концерт песенного состязания "Евровидения" состоится вечером в четверг.

# data[].attributes.attachment_link.keywords[]
конкурс песни евровидение

# data[].attributes.attachment_link.title
"Евровидение" - последний отсчёт начался!

# data[].attributes.attachment_link.description
Начались предварительные этапы песенного конкурса "Евровидения". Концерт состоялся накануне вечером в столице Австрии. В прошлом году Кончита Вурст и песня "Rise Like A Phoenix" оказались первыми по зрительским симпатиям. В первом полуфинале участвуют такие страны, как Россия. Армения, Румыния, Венгрия, Греция, Эстония, Грузия, приглашена в качестве гостьи Австралия.

# data[].attributes.headline
В пресс-центре «Евровидения» царила праздничная атмосфера

# data[].attributes.subject
В пресс-центре «Евровидения» царила праздничная атмосфера

# data[].attributes.attachment_link.readable_text
Праздничная обстановка царила в пресс-центре, где находились журналисты, освещавшие конкурс "Евровидение". Среди них был и корреспондент "Евроньюс": "Это момент объявления победителя - в пресс-центре. Хотя мы не могли попасть в концертный зал, у меня было чувство, что я нахожусь не среди журналистов, а среди публики".

На конкурс съехались зрители из самых разных стран. С каким настроением расходились они по завершении выступлений?

"Это было ожидаемо. Мы болели за Италию, но, увы, снова победила Швеция".

"Печально, что Германия получила всего два балла, как и Австрия".

"Мы из Финляндии, но к сожалению, мы не попали в финал. Поэтому мы болели за Швецию".

Следующий конкурс "Евровидение" пройдёт через год в Стокгольме.

# data[].attributes.attachment_link.keywords[]
конкурс песни евровидение 2015

# data[].attributes.attachment_link.title
В пресс-центре "Евровидения" царила праздничная атмосфера

# data[].attributes.attachment_link.description
Праздничная обстановка царила в пресс-центре, где находились журналисты, освещавшие конкурс "Евровидение". Среди них был и корреспондент "Евроньюс": "Это момент объявления победителя - в пресс-центре. Хотя мы не могли попасть в концертный зал, у меня было чувство, что я нахожусь не среди журналистов, а среди публики". На конкурс съехались зрители из самых разных стран.

# data[].attributes.headline
“Евровидение-2015”: хрустальный микрофон едет в Стокгольм

# data[].attributes.subject
“Евровидение-2015”: хрустальный микрофон едет в Стокгольм

# data[].attributes.attachment_link.readable_text
Финал юбилейного 60-го конкурса "Евровидение" в Вене завершился победой шведского певца Монса Зелмерлёва.

Песня Heros ("Герои") принесла ему 365 баллов и главный приз - хрустальный микрофон - из рук победителя "Евровидения-2014" Кончиты Вурст.

А конкурс отправляется в Стокгольм, здесь и состоится в будущем году "Евровидение - 2016".

Интересно, что на конкурс Зелмерлёв попал лишь с третьей попытки, а те песни, с которыми он пытался пройти в первые два раза, стал исполнять и российский певец Филипп Киркоров.

Болельщики шведского певца отбили все ладони. Но вот будут ли рады этой победе в Швеции? Накануне финала глава шведской делегации Кристер Бьёркман сказал "Евроньюс", что организация конкурса "Евровидение" обходится слишком дорого

Второе место заняла Полина Гагарина из России. Ее песня A Million Voices понравилась зрителям. Полина долго лидировала в ходе голосования, но затем шведу все же удалось вырваться вперед. Но мощный голос россиянки, милое лицо и волшебное светящееся платье стали одним из самых запомнившихся выступлений финала.

В финале "Евровидения -2015" приняли участие представители 27 стран. Они были избраны по результатам первого и второго полуфиналов.

Текстовая трансляция:

# data[].attributes.attachment_link.keywords[]
конкурс песни евровидение 2015

# data[].attributes.attachment_link.title
"Евровидение-2015": хрустальный микрофон едет в Стокгольм

# data[].attributes.attachment_link.description
Финал юбилейного 60-го конкурса "Евровидение" в Вене завершился победой шведского певца Монса Зелмерлёва. Песня Heros ("Герои") принесла ему 365 баллов и главный приз - хрустальный микрофон - из рук победителя "Евровидения-2014" Кончиты Вурст. А конкурс отправляется в Стокгольм, здесь и состоится в будущем году "Евровидение - 2016".