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The Starry Night is Vincent Willem Van Gogh’s oil painting.

1:There is no obvious golden ratio in the work, but the overall elements and colors create a sense of layering in the composition.

2:In this work, both cool and warm colors are used, among which cyan and cobalt yellow are the most obvious, but overall there are more cool colors.

3.Here is an image of a stylized illustration of a starry night sky with swirling stars and a bright crescent moon, mirroring the artistic style of Vincent van Gogh's 'The Starry Night'. The scene includes a dark, tranquil village below, with gentle rolling hills in the background, creating a sense of depth and enchantment in a vibrant color palette of blues, yellows, and whites.

4.

5.From the image, we can see that the stars and the moon he painted are all spiral, which brings a sense of dynamics to the picture.

6.

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1. The protagonist in the middle in the painting and the background is the curved form.

2. The artist have been used complementary colors, blue for the foreground and orange for the sky background, giving the painting a bright color contrast.

3. The painting uses a perspective system which is Mathematical one-point perspective is used in the foreground railing to give the painting a sense of depth.

4. The paintings are expressionism and abstract forms.

5. The outline of the figure in the middle of the picture is distorted.

6. Twisted lines and frightened expressions made every reader feel as if they had heard a scream.

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The Starry Night by Vangogh

1.Vangogh used the Golden Section.

2.When he lived in a mental hospital, he drew this picture using blue and yellow colors.

3.This picture features curved forms in the sky for the light and shadows.

4.Regarding the lines, they are straight, curved, and chaotic.

5.The most important elements of the painting create a sad atmosphere through the use of light.

6. In the picture, he used blue for shadows, yellow for light, he used overlapping planes show on the house and tree, a winding path leads the eyes, as we can see that from near, it appears large, and from afar, it looks small.

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1.The format of this painting is landscape.

2.This painting is not arranged in form, it has no central axis, so it is asymmetrical.

3.It's a monochromatic painting that gives us a sense of calm.

4.The painting does not have any perspective because it is an abstract work.

5.This painting looks very simple because the whole painting was created with line, but in fact, it is very complicated for others to imitate.

6.This work shows the artistic expression of lines,and express the charm of ink painting.

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Guernica by Pablo Picasso (1937)

1"Guernica" has a chaotic composition, and it features fragmented forms and dramatic figures that show the turmoil of war while emphasizing an anti-war message.

2In "Guernica," the colours are primarily applied in blocks with little blending

3In "Guernica," the viewpoint is relatively high, and it allows the viewer to observe the chaotic scene from an elevated perspective.

4The effect in "Guernica" is mostly flat and abstract, as it uses overlapping forms to suggest depth rather than achieving true three-dimensionality.

5The size of "Guernica" emphasizes its emotional impact. Its large scale overwhelms viewers, making them feel the intensity of war.

6"Guernica" is monumental in scale, measuring about 11.5 feet tall and 25.6 feet wide, which enhances its dramatic impact.

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1. The Cumbersome and repetitive pattern of the wooden floor, creates a great contrast to the empty walls. Also it makes the subjects (spectators)are more prominent, since both the wall and floor are coloured in grayscale colour and the clothes has a relatively dark and white colour (the higher the contrast the more attention it catches).

2. The artist used a limited warm tone palette of orangish-red, yellow, and a bit blue which forms a contrast to the orangish-red. In addition, the author's paintings are highly critical, thus he all use lower saturation and fewer colors to fit the theme.(COMPOUND-COMPLEX)

3. He used a far viewpoints which creates a third-personal viewpoint and makes the painting more objective and does not contain and personal feeling.(COMPOUND)

4. The light source is an Artificial spotlight. (SIMPLE)

5. The scale of the work is quite large, because it is measured as 120*160.(COMPLEX)

6. The forms are convincingly three-dimensional.

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1. Angel Song is a mythological theme painting.

2. The three angels are playing music, and the Virgin Mary soothes the sleeping Son in her arms.

3. The picture adopts a circular composition when combining the left and right semicircles to reflect Bouguerot's love and worship of classicism.

4. This painting inherits the classicism since the Renaissance.

5. Buguerot used this painting to emphasise the redemption and divinity of angels because angels are messengers of God and protect people from demons, and highlights the love and glory of angels when the colour of the picture is warm and bright, the whole painting is full of peace and peaceful atmosphere

6. The sleeping Virgin Mary‘s platinum on the head is as holy as an angel.

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The Starry Night is Vincent Willem Van Gogh's oil painting.

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The Starry Night is Vincent Willem Van Gogh's oil painting.

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1. ﻿﻿﻿There is no obvious golden ratio in the work, but the overall elements and colors create a sense of layering in the composition.

2. ﻿﻿﻿In this work, both cool and warm colors are used, among which cyan and cobalt yellow are the most obvious, but overall there are more cool colors.

3. ﻿﻿﻿The scene includes a dark, tranquil village below, with gentle rolling hills in the background, creating a sense of depth and enchantment in a vibrant color palette of blues, yellows, and whites.

4. The contrasting colors, especially the deep blues paired with bright yellows, create a sense of depth and intensity.

5.  From the image, we can see that the stars and the moon he painted are all spiral, which brings a sense of dynamics to the picture.

6.The lines are bold and swirling, particularly in the sky, where they create a sense of movement and dynamism.

7. The work is about two feet, five inches high and three feet wide.

8. seen in clouds, water, and other natural objects.

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The School of Athens by Raffaello Sanzio

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1). The structure of the entire painting is symmetrical.

2). The artist used burnt brown as the main color and the whole picture gave people a feeling of being in the religious society at that time.

3). The picture uses the reduction of the size of the characters to suggest space.

4). It belongs to the 1:1 realistic style of characters

5). The scale of the work itself is a huge mural.

6). The form of depiction is realistic historicism,but the author inserts himself into the scene.

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1. The Cumbersome and repetitive pattern of the wooden floor, which creates a great contrast to the empty walls….

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Both The Emperor Napoleon in His Study at the Tuileries and Elizabeth I, The Armada Portrait exhibit striking similarities, particularly in their use of decorative accessories that serve symbolic functions. The artists meticulously arranged these elements to reflect the power and status of their subjects. Both paintings utilize oil on canvas, a medium that not only enhances the richness and depth of color but also conveys a sense of dignity and luxury associated with royalty.

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In contrast to both given masterpieces, there are a number of differences between “The Arnolfini Portrait” and “Mr. and Mrs. Clark and Percy.” Different social backgrounds and time periods are reflected in the works, showing clearly visible differences. For instance, a traditional medium like oil paint is used in “The Arnolfini Portrait.” However, David Hockney used modern pigments known as acrylic.

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Vermeer uses a realistic style with soft, natural lighting that creates a calm and personal feeling, making it easy for viewers to connect with the subjects. In contrast, Hockney’s work features bright colors and more abstract shapes, which bring energy to the painting and reflect a modern style. While Vermeer focuses on the detailed clothing and surroundings, Hockney simplifies the forms and uses bold patterns to express emotions. So, even though both artists show intimate relationships, their styles reveal how art has changed from the subtle realism of the 15th century to the lively and expressive qualities of the 20th century.

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Those paintings both are portraits, with figures as the primary subject and serve the purpose of commemoration and display. you can see they take the characters as the protagonists, but another side, those painting have different artistic style, One is realism, the other is pop art, with distinct styles, the colours also totally different, the former has soft colors, while the latter has vibrant colors. Although both paintings are portraits, they present vastly different aspects due to the differences in their historical contexts and artistic styles. The former reflects the religious beliefs and social hierarchy of the Middle Ages, while the latter expresses the values and artistic views of modern society.

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"Mr and Mrs Clark and Percy"and "The Arnolfini Portrait"

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"Mr and Mrs Clark and Percy"and "The Arnolfini Portrait"

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Similarities：

Both paintings center on the portrayal of a couple, emphasizing the bond between them.In "The Arnolfini Portrait," the couple stands close together, signifying their unity and commitment. Similarly, in "Mr and Mrs Clark and Percy," the couple is depicted in a relaxed and intimate setting, suggesting a deep connection.

Differences：

The Mr and Mrs Clark and Percy differs from The Arnolfini Portrait in that the former uses a more straightforward lighting scheme with less emphasis on creating a three-dimensional space, focusing instead on the flatness of the canvas and the directness of the figures whlie the later uses a complex system of lighting and perspective to create a sense of depth and realism.

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1.The pumpkin is arguably the oldest and most familiar lawn art totem in history

2.Lusaka Yayoi is a psychopath

3.Patterns recur in her art , so pumpkins feature bright colours and signature polka dots

4.Pumpkins symbolize the richness and diversity of life in Kusama work

5.Her artistic style is a fusion of surrealism,pop art and folk art.

6.Pumpkins are popular, but they also have negative reviews

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Although these two works by Jan van Eyck and David Hockney are both mainly portraits, they are different. From these two works, we can see the contrast of colors and the different feelings between the two works. The former prefers bright colors, using red and crimson to attract people's eyes, and the dark parts are more obvious, giving people a solemn and sacred feeling; the latter prefers softer colors such as light yellow or light blue, and the colors are not too strong. Even if some colors have a deep feeling, they will be matched with some lighter colors, which can give people a sense of calmness.

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The two paintings are different in their artistic style. In The Emperor Napoleon in His Study at the Tuileries, the Neoclassical style creates a sense of realism and gravitas, making Napoleon look like a normal but strong leader. However, in Elizabeth I which is more decorative and symbolic, using rich textures and vibrant colors, making Elizabeth look like a grand and untouchable queen.

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Compared with figure 5, the most obvious performance of figure 6 is that the distance between the two characters is more distant and the atmosphere is more awkward. Therefore, we can find the clues of their emotions from the two paintings, that is, the pets are different. The car in figure 6 represents emotional infidelity at that time; the dog in figure 5 represents loyal love. For example, the color tones of the two paintings are also different. Compared with figure 5, figure 6 is low-key and natural, which is in sharp contrast with the passionate red of figure 5.

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There are number of differences between "The Arnolfini Portrait" by Jan van Eyck and "Mr and Mrs Clark and Percy" in the atmosphere and family decoration Van Eyck's work, noted for its intricate paneling and symbolic objects like the mirror and candle, exudes a formal, almost mystical air. The couple is posed rigidly under a single, strong light source that casts sharp shadows, creating a static, almost stage-like composition imbued with drama.

In contrast, Wordsworth's painting, bathed in soft, natural light streaming through a window, bursts with warmth and affection. The cozy sofa, casual attire, and the inclusion of the family cat all contribute to a relaxed, everyday ambiance. The Clark family is captured in this intimate setting, forming a natural, triangular composition that draws the viewer in.

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The medium used in both given masterpieces “The Arnolfini Portrait” and “Mr. and Mrs. Clark and Percy” are different. Different social backgrounds and time periods are reflected in the works, showing clearly visible differences. For instance, a traditional medium like oil paint is used to glaze over the monochrome underpaintings in “The Arnolfini Portrait.” However, David Hockney used quick-drying modern pigments known as acrylic, allowing him to correct and cover errors or add another layer immediately.

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The two paintings, "The Arnolfini Portrait" by Jan van Eyck and "Mr. and Mrs. Clark and Percy" by David Hockney, present both striking differences and intriguing similarities. The former, created in 1434, depicts a couple in an indoor setting, rich in details and symbolism, with elaborate clothing and various objects that often symbolize marriage. In contrast, Hockney's 1970 work features a modern couple with their pet dog, Percy, in a more simplistic and vibrant style, conveying a relaxed atmosphere. Despite these differences, both paintings center around couples, showcasing their relationships and life status within indoor environments filled with furniture and decor reflective of their respective eras. Each work demonstrates meticulous attention to detail, emphasizing visual appeal while conveying cultural and social meanings related to marriage and family. Ultimately, both paintings, though stylistically distinct, reveal the artistic techniques and aesthetic pursuits of their times.

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Both paintings show a man and a woman in an indoor space, but they show different ideas about marriage. In The Arnolfini Portrait was paint in the 15th century, marriage looks serious and formal. The couple stands close together, holding hands, which shows loyalty and love. The small dog at their feet meaning their marriage is strong. In contrast, Mr. and Mrs. Clark and Percy shows a colder and less loving relationship. The man sits while the woman stands, making them look distant. The cat in the painting turns its back to the couple, which can mean unfaithfulness. This reflects the reality. The man was unfaithful in real life, showing that modern marriage can be more complicated. The Arnolfini Portrait represents a traditional and strong marriage, while Mr. and Mrs. Clark and Percy shows a more troubled relationship.

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"Mr and Mrs Clark and Percy"and "The Arnolfini Portrait"（修改后）

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"Mr and Mrs Clark and Percy"and "The Arnolfini Portrait"（修改后）

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Both paintings center on the portrayal of a couple, emphasizing the bond between them.In "The Arnolfini Portrait," the couple stands close together, signifying their unity and commitment. Similarly, in "Mr and Mrs Clark and Percy," The couple is described holding their shared cat in the bedroom, suggesting a deep connection.

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Both The Emperor Napoleon in His Study at the Tuileries and Elizabeth I, The Armada Portrait share several key features, particularly in how the artists use clothing and decorative accessories surrounding the sitters to serve a symbolic function in conveying their power and status. In The Emperor Napoleon, Napoleon is depicted with military symbols, such as the uniform of an Imperial Guard Foot Grenadier colonel and the Legion of Honour, showcasing him as a powerful and heroic figure of the 19th century. Similarly, in The Armada Portrait, Elizabeth I is portrayed in formal regal attire with symbols of her reign, including the globe under her hand, the crown, and the backdrop representing the victory of the English navy in defeating the Spanish Armada in 1588, emphasizing her status as one of the most powerful monarchs of her era. These works incorporate symbolic elements to highlight the power and position of the historical figures.