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This is my work of the violin . Judith granero 2B

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Sol, re, la, mi

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Italian, 1782-1840. He was a violinist , violist , guitarist and composer

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Hermosa melodia de Paganini de la pelicula El Violinista del Diablo

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Gana dinero por internet con este facil negocio de redes de mercadeo totalmente accesible para todas las personas, date la oportunidad de conocerlo: https://www.website.ws/antonioms Fragmento de la pelicula el violinista del diablo. paganini, nicolo paganini, el violinista del diablo, the devil`s violinist,

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An important violinist of the history

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Antonio Lucio Vivaldi ( Italian: [anˈtɔːnjo ˈluːtʃo viˈvaldi]; 4 March 1678 - 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognized as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe.

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If the violin had not existed, the orchestras would not exist, because

the half of the orchestra are violinist . This instrument is very important for the history of the western Music

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There are different types of violins, it depends of the  size, of the time period and of the genre

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Details on the different types and variations of violins that are in existence including styles that are obsolete.

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It cost 16 millions € or more, because they are the best ones and very ancient instruments. They are from the italian family Stradivarius, that they made a lot of violins

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Samvel Yervinyan, he was born in Yerevan (Armenia). He began studying at the age of 7 , now he is 50 . It's  amazing

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A violin solo by Samvel Yervinyan. MUST watch.

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The family of the violin is bowed string, the standard modern violin family consists of the violin, viola, cello, and double bass, this instruments date back to the 17 century. Their size determines what they  sound like. The smallest of these  instruments produce higer sounds and largest ones ,lower sounds. The violin is the highest pitched of these instruments

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The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole da gamba). The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.

Instrument names in the violin family are all derived from the root viola, which is a derivative of the Medieval Latin word vitula (meaning "stringed instrument"). A violin is a "little viola", a violone is a "big viola" or a bass violin, and a violoncello (often abbreviated cello) is a "small violone" (or literally, a "small big viola"). (The is not part of the modern violin family; its place is taken by the modern double bass, an instrument with a mix of violin and viol characteristics.)

Violin, viola, and cello bow frogs (top to bottom)

The instruments of the violin family may be descended in part from the lira da braccio and the medieval Byzantine lira.[7]

While the cello (which developed from the bass violin), the viola and the violin are indisputable members of the ancestral violin or viola da braccio family, the double bass's origins are sometimes called into question. The double bass is sometimes taken to be part of the viol family, due to its sloping shoulders, its tuning, the practice of some basses being made with more than four strings and its sometimes flat back. Others point out that correlation does not imply causation and say that these external similarities are either arbitrary or that they arose from causes other than a relationship to the viol family. They point to the internal construction of the double bass, which includes a sound post and bass bar like other violin family instruments as a more weighty piece of evidence than the external features. Its origins aside, it has historically been used as the lowest member of the violin family.

All string instruments share similar form, parts, construction and function, and the viols bear a particularly close resemblance to the violin family. However, instruments in the violin family are set apart from viols by similarities in shape, tuning practice and history. Violin family instruments have four strings each, are tuned in fifths (except the double bass, which is tuned in fourths), are not fretted and have four rounded bouts while always having a sound post and bass bar inside. In contrast, the viol family instruments usually have five to six strings with a fretted fingerboard, are tuned in fourths and thirds, often have sloping shoulders, and do not necessarily have a sound post or bass bar.

French (top) and German (bottom) double bass bows

The playing ranges of the instruments in the violin family overlap each other, but the tone quality and physical size of each distinguishes them from one another. The ranges are as follows: violin: G ₃ to E ₇ (practical, notes up to A7 are possible); viola: C ₃ to A ₆ (conservative); violoncello: C ₂ to A ₅ (conservative); and double-bass: E ₁ to C ₅ (slightly expanded from conservative estimate). The double bass is often equipped with a mechanical extension or a fifth string that increases its lower range to either C ₁ or B ₀, respectively.

Both the violin and viola are played under the jaw. The viola, being the larger of the two instruments, has a playing range that reaches a perfect fifth below the violin's. The cello is played sitting down with the instrument between the knees, and its playing range reaches an octave below the viola's. The double bass is played standing or sitting on a stool, with a range that typically reaches a minor sixth, an octave or a ninth below the cello's.

The top of the instrument, crafted from spruce, is thinner at the edges than the center. Similarly of a variable thickness, the back is most commonly crafted from maple ( poplar and willow were used for some baroque instruments). The neck, bridge and ribs are maple, while the nut is often ebony.

The instruments of the violin family are the most used bowed string instruments in the world today. Although all share a place in classical music, they are also used to a lesser degree in jazz, electronic music, rock, and other types of popular music, where they are often amplified, or simply created to be used as electric instruments. The violin is also used extensively in fiddle music, country music, and folk music. The double bass plays an indispensable part in both classical and jazz music forms.

One of the most popular and standardized groupings in classical chamber music, the string quartet, is composed entirely of instruments from the violin family: two violins, one viola and one cello. This similarity in the manner of sound production allows string quartets to blend their tone colour and timbre more easily than less homogeneous groups. This is particularly notable in comparison to the standard wind quintet, which, although composed entirely of wind instruments, includes four fundamentally different ways of producing musical pitch.

An octobass

The octobass, a larger version of the double bass, is a rarely used member of this family constructed in the 19th century. It is extremely unwieldy to play and thus has not found much acceptance; nevertheless, it can be found in some Romantic-era scores and is called for occasionally in modern works. The octobass is played standing and its range typically reaches an octave below the double bass.

1. ^ Viola da braccio literally means "viol [played or held] on the arm". Not all members of the family were or are held against the chest or between chin and shoulder, but that some were was enough to distinguish them from the violas da gamba, literally "viol [played or held] on the leg", which, except for the biggest ones, were held between the knees or resting in the lap, and, most significantly, none of which were played a braccio

2. ^ Some sources do not include the double-bass in the violin family

3. Until the end of the 17th century the violin family also included the ^ tenor violin tuned a fifth above the cello; until the 18th century there was also the violino piccolo tuned one fourth above the violin; besides the Syntagma Musicum of Michael Praetorius shows two types of three string treble violins tuned one octave above the violin called in that work "kleine Poschen" and which seem to be very similar to the later Kit violins or pochettes: see Syntagma Musicum, vol. 2, page XXI

Grillet, Laurent (1901). Les ancêtres du violon et du violoncelle. Vol. 1. Paris.

Harper, Douglas. "Viola". Online Etymology Dictionary.

Hoffman, Miles (1997). The NPR Classical Music Companion. New York: Houghton Mifflin Company. ISBN 0-395-70742-0.

Regazzi, Roberto, ed. (1990). The Complete Luthier's Library. A Useful International Critical Bibliography for the Maker and the Connoisseur of Stringed and Plucked Instruments. Foreword by Charles Beare; revision of the English text by Jane Helen Johnson. Bologna: Florenus Company. ISBN 88-85250-01-7.

Witten, Laurence C. II (Oct 1982). "The Surviving Instruments of Andrea Amati". Early Music. 10 (4): 487-494. doi:10.1093/earlyj/10.4.487.

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The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole da gamba). The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.