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Los efectos de audio son la transformación controlada de un sonido basada normalmente en algunos parámetros de control. Como tal, el término transformación de sonido puede considerarse sinónimo de efecto de audio. Los efectos de audio que se utilizan para manipular el sonido grabado o interpretado, desde el punto de vista de un ingeniero o productor de audio y lo que comúnmente se conoce como efectos de audio en un estudio de producción musical.
Los efectos de audio son herramientas esenciales en la producción y composición musical contemporánea. Se aplican para mejorar la calidad percibida de una señal de audio o para el diseño creativo del sonido y la composición musical. Para conseguirlo, las transformaciones del sonido alteran uno o varios atributos perceptivos, como la sonoridad, el tiempo o el ritmo, el tono, el timbre y la espacialización.

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https://www.proquest.com/openview/4d77b6ca3cfe1d7a4a9f6a9b31c17bcd/1?pq-origsite=gscholar&cbl=18750&diss=y

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Explore millions of resources from scholarly journals, books, newspapers, videos and more, on the ProQuest Platform.

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https://www.taylorfrancis.com/books/mono/10.4324/9781315707501/audio-mastering-artists-russ-hepworth-sawyer-jay-hodgson

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Audio Mastering: The Artists collects more than twenty interviews, drawn from more than 60 hours of discussions, with many of the world's leading mastering engineers.　 In these exclusive and often intimate interviews, engineers consider the audio mastering process as they, themselves, experience and shape it as the leading artists in their field.　 Each interview covers how engineers got started in the recording industry, what prompted them to pursue mastering, how they learned about the process, which tools and techniques they routinely use when they work, and a host of other particulars of their crafts.　 We also spoke with mix engineers, and craftsmen responsible for some of the more iconic mastering tools now on the market, to gain a broader perspective on their work.

This book is the first to provide such a comprehensive overview of the audio mastering process told from the point-of-view of the artists who engage in it.　 In so doing, it pulls the curtain back on a crucial, but seldom heard from, agency in record production at large.

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Audio Mastering: The Artists | Discussions from Pre-Production to Mast

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Audio Mastering: The Artists collects more than twenty interviews, drawn from more than 60 hours of discussions, with many of the world's leading mastering engineers.　 In these exclusive and often intimate interviews, engineers consider the audio mastering process as they, themselves, experience and shape it as the leading artists in

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https://books.google.com.mx/books?hl=es&lr=&id=KoN8DwAAQBAJ&oi=fnd&pg=PP1&dq=audio+mixing+and+mastering&ots=czQBKB2wOl&sig=pAsNf7DEiHKEaAOIewGQh7MxkFg#v=onepage&q=audio%20mixing%20and%20mastering&f=false

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The Recording, Mixing, and Mastering Reference Handbook

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The Recording, Mixing, and Mastering Reference Handbook provides an easy-to-read guide for music-making in the studio setting, from equipment fundamentals to recording and mixing almost any instrument. In six sections, lessons give a comprehensive introduction to microphone settings and techniques, audio processing and effects, controlling acoustics, and history lessons on songs recorded with a given technique.

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https://www.mdpi.com/2076-3417/10/3/791

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Mixing and mastering are the final challenges in creating great recordings. Great mixes require both creativity and a practical understanding of process, while final masters require both a clear sense for purpose and specialized ears for achieving artistic goals. Mixing and Mastering in the Box give…

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https://books.google.com.mx/books?hl=es&lr=&id=BbIiBAAAQBAJ&oi=fnd&pg=PP1&dq=audio+mixing+and+mastering&ots=m752O-znbx&sig=hGZJPUJercjctBwRp7org-PNIbw#v=onepage&q=audio%20mixing%20and%20mastering&f=false

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Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early arch…

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Contexto histórico

El nivel de posibilidades y complejidad de que dispone el ingeniero de mezclas ha aumentado progresivamente desde que se creó esta función. Para apreciar
de la creciente delicadeza que puede aplicarse al proceso de acceso y manipulación de los componentes de una pieza de audio.

Originalmente, la mezcla estaba íntimamente relacionada con la interpretación, ambas asociadas a lo inmediato y transitorio, desvaneciéndose con las vibraciones físicas del sonido para residir únicamente en la memoria del oyente.
La mezcla se limitaba a la disposición y dirección de las piezas, un trabajo que a veces realizaba un director de orquesta.

Esto cambió en 1853, cuando se creó un artefacto soportable que representaba el audio, entregado a un medio de hollín sobre papel.
El parisino Edouard-Léon Scott de Martinville grabó un incomprensible ruido que probablemente sea una voz humana. Pasaron siete años después, el 9 de abril de 1860, antes de que pudiera grabar en su aparato algo inteligible que ahora llama fonógrafo, una grabación de alguien, posiblemente él mismo (MacKinnon, 2012), cantando ‘Au Claire dela Lune’, en medio de un mar de ruido. Scott de Martinville nunca fue capaz de reproducir su grabación o incluso pareció contemplar la posibilidad, y se necesitarían 147 años antes de que se desarrollara un lápiz virtual por Carl Haber y su equipo en el Laboratorio Nacional Lawrence Berkeley en Berkeley, California, permitirían que se escuchara por primera vez y abrirían la puerta a una mezcla duradera, en este caso entre la señal y el sonido.

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https://www.taylorfrancis.com/books/mono/10.4324/9781315716947/mixing-audio-roey-izhaki

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Mixing Audio: Concepts, Practices, and Tools, Third Edition is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process - from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and then take it a step further. The book describes the theory, the tools used, and how these are put into practice while creating mixes.

The companion website, featuring over 2,000 audio samples as well as Pro Tools/ Multitrack Audio Sessions, is a perfect complement to the third edition.

The new edition includes:

A new 'Mixing and The Brain' chapter that provides a cognitive/psychological overview of many　aspects related to and affecting mixing engineers (and, to a narrow extent, listeners).

Updated figures and text reflecting recent software updates and trends.

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Mixing Audio | Concepts, Practices, and Tools | Roey Izhaki | Taylor &

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Mixing Audio: Concepts, Practices, and Tools, Third Edition is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process - from fundamental concepts to advanced techniques.

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https://books.google.com.mx/books?hl=es&lr=&id=QUAlDwAAQBAJ&oi=fnd&pg=PP1&dq=audio+mixing+and+mastering&ots=Fl9_Fv7Bov&sig=-kWQQ5bsgpy7lJCXXC6nfKIQ-ak#v=onepage&q=audio%20mixing%20and%20mastering&f=false

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This series, Perspectives On Music Production, collects detailed and experientially informed considerations of record production from a multitude of perspectives, by authors working in a wide array of academic, creative, and professional contexts. We solicit the perspectives of scholars of every di…

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https://www.taylorfrancis.com/books/mono/10.4324/9781315750071/metal-music-manual-mark-mynett

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shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information. Assisted by clear discussion of critical audio principles and theory, and a comprehensive array of illustrations, photos, and screen grabs, Metal Music Manual is the essential guide to achieving professional production standards.

The extensive companion website features multi-track recordings, final mixes, processing examples, audio stems, etc., so you can download the relevant content and experiment with the techniques you read about. The website also features video interviews the author conducted with the following acclaimed producers, who share their expertise, experience, and insight into the processes involved:

Fredrik Nordström (Dimmu Borgir, At The Gates, In Flames)

Matt Hyde (Slayer, Parkway Drive, Children of Bodom)

Ross Robinson (Slipknot, Sepultura, Machine Head)

Logan Mader (Gojira, DevilDriver, Fear Factory)

Andy Sneap (Megadeth, Killswitch Engage, Testament)

Jens Bogren (Opeth, Kreator, Arch Enemy)

Daniel Bergstrand (Meshuggah, Soilwork, Behemoth)

Nick Raskulinecz (Mastodon, Death Angel, Trivium)

Quotes from these interviews are featured throughout Metal Music Manual, with additional contributions from:

Ross "Drum Doctor" Garfield (one of the world's top drum sound specialists, with Metallica and Slipknot amongst his credits)

Andrew Scheps (Black Sabbath, Linkin Park, Metallica)

Maor Appelbaum (Sepultura, Faith No More, Halford)

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Metal Music Manual | Producing, Engineering, Mixing, and Mastering Con

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shows you the creative and technical processes involved in producing contemporary heavy music for maximum sonic impact. From pre-production to final mastered product, and fundamental concepts to advanced production techniques, this book contains a world of invaluable practical information.

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https://www.taylorfrancis.com/books/mono/10.4324/9781315618173/audio-engineering-101-tim-dittmar

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Audio Engineering 101 | A Beginner’s Guide to Music Production | Tim D

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Practical, concise, and approachable, Audio Engineering 101, Second Edition covers everything aspiring audio engineers need to know to make it in the recording

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https://journals.sagepub.com/doi/pdf/10.1177/2053951718808553