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Czechoslovak poster artist, lithographer, photographer, graphic designer, painter and postage stamp designer Czechoslovak photographer, painter, illustrator and patriot. Apart from his artistic production he was an advocate for the union of Czechoslovakia for which he designed the first banknotes in 1918.

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"Daydream 1897" is one of Alphonse Mucha's famous Art Nouveau paintings. It depicts a young woman with flowing hair adorned in complex floral patterns, surrounded by lush flower and ethereal repetitive patterns. The painting captures the essence of the Art Nouveau movement, characterized by its ornate and decorative style inspired by natural forms and curved lines. "Daydream 1897" is celebrated for its romanticism, elegance, and symbolic representation of feminine beauty and introspection typical of Mucha's work.

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"Gismonda" is a poster he created in 1894 to promote the play of the same name starring the famous actress Sarah Bernhardt. The poster features a captivating depiction of Bernhardt in profile, surrounded by intricate decorative elements and text. It's one of Mucha's most iconic works and is highly regarded for its contribution to the Art Nouveau movement.

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The "Job Cigarettes" poster was created by Alphonse Mucha in 1896 to advertise Job cigarette papers. It features a serene female figure, often referred to as "The Goddess of Smoke," with billowing hair adorned with flowers and surrounded by wisps of smoke. The poster is renowned for its elegant Art Nouveau style, featuring intricate patterns and decorative elements. Mucha's "Job Cigarettes" poster became an iconic representation of the Art Nouveau movement and helped solidify Mucha's reputation as one of its leading artists.

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Gustav Klimt (born July 14, 1862, Vienna, Austria—died February 6, 1918, Vienna) was an Austrian painter, founder of the school of painting known as the Vienna Sezession. After studying at the Vienna School of Decorative Arts, Klimt in 1883 opened an independent studio specializing in the execution of mural paintings.

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The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt.[3] It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period".[4] It was exhibited in 1908 under the title Liebespaar (the lovers)[5] as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate beautiful robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.

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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is an oil painting on canvas, with gold leaf, by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer, a Viennese and Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere. The portrait is the final and most fully representative work of Klimt's golden phase. It was the first of two depictions of Adele by Klimt—the second was completed in 1912; these were two of several works by the artist that the family owned.

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Death and Life (German: Tod und Leben, Italian: Morte e Vita) is an oil-on-canvas painting by Austrian painter Gustav Klimt. The painting was started in 1908 and completed in 1915.[1] It depicts an allegorical subject in an Art Nouveau (Modern) style. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum in Vienna.

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Antoni Gaudí i Cornet (June 1852 – 10 June 1926) was a Catalan architect and designer from Spain, known as the greatest exponent of Catalan Modernism.[5] Gaudí's works have a highly individualized, sui generis style. Most are located in Barcelona, including his main work, the church of the Sagrada Família.

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The Palau Güell (Catalan pronunciation: [pəˈlaw ˈɣweʎ], English: Güell Palace) is a mansion designed by the architect Antoni Gaudí for the industrial tycoon Eusebi Güell, and was built between 1886 and 1888. It is situated on the Carrer Nou de la Rambla, in the El Raval neighborhood of Barcelona in Catalonia, Spain.

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Antoni Gaudí, one of the best international architects from the end of the 19th century and the beginning of the 20th century, was also a bold designer of furniture, metalwork, and some of the decorative pieces of his buildings.  For the chairs of the Casa Batlló in the Passeig de Gràcia of Barcelona, the architect designed a type of chair, unseen of until that moment, that aimed to use rounded shapes that adjusted to the human morphology and did without unnecessary the upholstery and ornamentations of the time, to leave a nude shape, so to speak. 

Gaudí was the precursor of ergonomic designs and broke away from academic repertoires, bringing forward industrial design, as architects who were his contemporaries also did.

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Overview. Wildly colorful ceramic flowers? And tiles that look like a green and white chessboard? No, we haven’t been tippling the lunchtime vermouth—this is the feeling upon discovering Casa Vicens down an unsuspecting side street in arty Gràcia district. Built in the 1880s as a summerhouse for stockbroker Manel Vicens, it was the very first house Gaudí designed. Following a refurb, it opened in November 2017 as a museum space and a fascinating house to snoop around. Forget the Gaudí of La Sagrada Família fame, this is his Orientalist Period. What’s it like? Imagine a Moorish palace married a Rubik’s cube and had a child. It’s crazy.