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In literature, characters’ experiences and how they navigate their social worlds are often shaped by overlapping identities like race, gender, religion, class and family roles. These identities influence how characters experience and respond to systems of power in society. In this padlet, I will do an intersectional analysis of two of Kamila Shamsie’s characters in Home Fire: Isma and Aneeka Pasha. Through a close reading of these two characters, I hope to elucidate how the intersectionality of their identities—most notably their gender, religion, ethnicity, national identity, and familial roles—contribute to their experiences and social standings. This essay will discuss how their identities influence both their experience within the family, and how they respond to larger social and political forces, as well as the limitations or opportunities they face in their lives.

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Home Fire is contemporary-Britain-realist, in a nation dealing with human fragmentation, post-9/11 anxieties and an Islamophobia bordering on state-sponsored terrorism, whose politics include knotty conversations about national identity and belonging. The novel centers a British-Pakistani family, the Pashas, as they grapple with the challenges of their dual identity — British citizens in name, but Muslims and Pakistanis in ethnicity and faith. Home Fire’s political landscape is one of increasing security, suspicion and racial profiling, especially aimed at Muslims, in the context of the so-called “War on Terror.” The environment governs how the characters see themselves and how they’re perceived, hindering their ability to integrate into British society. The narrative is also interested in questions of loyalty, betrayal and the tension between private and political identity, themes that are inextricably woven through the experiences of marginalized communities.

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Home Fire focuses on the Pasha siblings: Isma, Aneeka, and Parvaiz. As the eldest child, Isma has dedicated her life to raising her younger siblings after their parents died. Parvaiz, the youngest, is radicalized and ends up travelling to Syria to join ISIS; the other, Aneeka, the beautiful and headstrong sister, seeks to bring him back.) The novel follows the ramifications of Parvaiz’s actions, which come to drive the fate of the family. The other story is that of Eamonn, the son of a British politician, whose own political ambitions are deeply influenced by his relationship with Aneeka. The characters wrestle with themes of identity, loyalty, sacrifice, and the conflict between loyalty to family and nation.

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Character Analysis

Isma Pasha

As the eldest daughter of the Pasha family, Isma occupies a complex social location defined by her gender, religious identity, ethnicity, and familial obligations. Isma is a British-Pakistani Muslim woman whose various challenges, possibilities and role within the family and society highlight a number of issues of interest in the novel. She is the voice of reason and the rational one who tries to balance her duties as wife and mother with her ambitions as a person. In a patriarchal society like this one, Isma’s gender relegates her to a lower caste, but her education and the fact that she is the main caretaker of her siblings give her a measure of power within the family.

As a Muslim woman living in post-9/11 Britain, her identity sits at the intersection of racism and religious discrimination. Muslims in England, particularly if they have South Asian ethnic backgrounds, face suspicion or antipathy that makes Isma’s life even more challenging. Her own experiences of racism, in addition to the general social tendency to see Muslim women only in the lens of victimization or as suspicious, shoulder her social location to the tightrope.

Isma’s social location not as a caregiver but as a scholar does provide her with a distinct perspective, however. She understands the limits of her own power and agency, and many of the tensions in her narrative spring from her desire for independence and the obligations she feels to her family. Even though she has access to education and is a smart person, she is still subject to the gendered duties of her family.

Aneeka Pasha

Isma’s younger sister Aneeka stands in stark contrast to Isma in personality, choices, and treatment of her social location. Whereas Isma is cautious and measured, Aneeka is bold, assertive and passionate. Aneeka’s beauty, youth and rebelliousness signal her social power in a different way. For one, as a British-Pakistani Muslim woman, Aneeka also faces her own form of the challenges of racial and religious discrimination, but she adopts a far more defiant attitude toward these limitations.

Aneeka’s social identity complicates and intersects with her ethnic and national identity, as a woman. Being both a product of the British society into which she was born and the Pakistani Muslim culture of which her family is a part. Isma believes it is better to follow the rules, be a good daughter and a good sister. While Isma has to live her life according as to not to bring shame or scrutiny to the family, Aneeka fights against the established norms by taking control of her life and choices. Her connection to Eamonn, the son of a British politician, adds another layer to her plight, but she's willing to use it to her advantage to achieve her goal of rescuing Parvaiz from Syria.

Aneeka’s lack of agency is not solely a function of her gender, but of her powerlessness to determine the trajectory of her brother’s fate. Even as she remains defiant, her social location as a woman of color places her in the position of being vulnerable to the actions of others, especially political and legal institutions that see her as a pawn in realms of political and religious struggle. She endures the double pressure of family loyalty and social expectations. In navigating these competing forces, Aneeka’s actions reflect an effort to assert agency over her own fate.

Most of what you describe has a lot to do with intersectionality and power dynamics.

The identities that intersect in Isma and Aneeka construct their social locations and their experiences of both power and powerlessness. The eldest daughter Isma, reflects a sense of duty and responsibility. Her identity as the caretaker of her family shapes most of her action, and her gender and religious identity place her at the margins of British society. Her education and intellect offers her a sense of freedom, but she is still limited by what society expects of Muslim women and the traditional roles set upon her by her family.

Aneeka, by contrast, is caught between personal desires and her obligations to family. Being young, she has a sense of urgency to do something for her brother Parvaiz, and she uses her relationship with Eamonn as an impetus to re-exert control. Although she is endowed with beauty and youth, allowing her, to some extent, to exert power within a society which values appearance, her role as a woman still has limits, especially when she defies national and familial power.

In Home Fire, therefore, power dynamics are influenced by a complicated interplay of identities —Islam, nationality and gender. In their own ways, Isma and Aneeka are torn between intimate wants, kin obligations, and the larger systems of political and social structures. They both feel powerless — Isma, weighed down by family obligation, and Aneeka, as she attempts to navigate the world to secure her destiny in the face of a system that desires to define her by her religion and ethnicity.

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Concordia University

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Isma and Aneeka Pasha in Home Fire occupy intersectional positions that shape their experiences of power and powerlessness due to their identities and social relations and the ways in which they are defined by gender, ethnicity, religion and family roles. Both characters are constrained by social structures that limit their agency, yet they traverse these limits differently. Isma’s sense of duty and responsibility contrasts with her sister Aneeka’s defiance and desire for control, and works to underscore the different ways that people from marginalized communities experience power and react to it. Pokemon, Romeo had clamped onto the shaft of hurdle like a viceand without more than doubling back on himself, as he went on bipedal;limpettightly fastened around the ropy piece of pipe space, when he was thelaughterashead and thought that much was happily onto his feet, why not to get a liefthere.

Why this analysis matters: Because in a divided, discriminatory world, the line between oppressed and oppressor cannot always be easily drawn, and understanding these complexities is crucial. By acknowledging the ways in which intersecting identities inform characters’ experiences of power and resistance, we gain important insights into the lived realities of people from marginalized communities and the struggles that they face as they navigate societal structures that work against them.

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Shamsie, Kamila. Home Fire. Riverhead Books, 2017.

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Shamsie, Kamila. Home Fire. Riverhead Books, 2017.