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At the beginning of the scene, Juliet is filled with eager anticipation for nightfall and Romeo's arrival. 'Gallop apace, you fiery-footed steeds' shows her impatience and excitement for their wedding night. Her happiness is evident in her poetic language about love.

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Refer to your copy of Act 3 Scene 2. Look for Juliet's language choices, her use of metaphors, and her reactions to the news. Consider how her emotions change throughout the scene.

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The prologue of Romeo and Juliet calls the title characters "star-crossed lovers"-and the stars do seem to conspire against these young lovers.

Romeo is a Montague, and Juliet a Capulet. Their families are enmeshed in a feud, but the moment they meet-when Romeo and his friends attend a party at Juliet's house in disguise-the two fall in love and quickly decide that they want to be married.

A friar secretly marries them, hoping to end the feud. Romeo and his companions almost immediately encounter Juliet's cousin Tybalt, who challenges Romeo. When Romeo refuses to fight, Romeo's friend Mercutio accepts the challenge and is killed. Romeo then kills Tybalt and is banished. He spends that night with Juliet and then leaves for Mantua.

Juliet's father forces her into a marriage with Count Paris. To avoid this marriage, Juliet takes a potion, given her by the friar, that makes her appear dead. The friar will send Romeo word to be at her family tomb when she awakes. The plan goes awry, and Romeo learns instead that she is dead. In the tomb, Romeo kills himself. Juliet wakes, sees his body, and commits suicide. Their deaths appear finally to end the feud.

0001 Two households, both alike in dignity
0002 (In fair Verona, where we lay our scene),
0003 From ancient grudge break to new mutiny,
0004 Where civil blood makes civil hands unclean.
0005 5From forth the fatal loins of these two foes
0006 A pair of star-crossed lovers take their life;
0007 Whose misadventured piteous overthrows
0008 Doth with their death bury their parents' strife.
0009 The fearful passage of their death-marked love
0010 10And the continuance of their parents' rage,
0011 Which, but their children's end, naught could remove,
0012 Is now the two hours' traffic of our stage;
0013 The which, if you with patient ears attend,
0014 What here shall miss, our toil shall strive to mend.

Enter Sampson and Gregory, with swords and bucklers,
of the house of Capulet.

SAMPSON 0015 Gregory, on my word we'll not carry coals.
GREGORY 0016 No, for then we should be colliers.
SAMPSON 0017 I mean, an we be in choler, we'll draw.
GREGORY 0018 Ay, while you live, draw your neck out of
0019 5collar.
SAMPSON 0020 I strike quickly, being moved.
GREGORY 0021 But thou art not quickly moved to strike.
SAMPSON 0022 A dog of the house of Montague moves me.
GREGORY 0023 To move is to stir, and to be valiant is to
0024 10stand. Therefore if thou art moved thou runn'st
0025 away.
SAMPSON 0026 A dog of that house shall move me to stand. I
0027 will take the wall of any man or maid of Montague's.
GREGORY 0028 That shows thee a weak slave, for the weakest
0029 15goes to the wall.
SAMPSON 0030 'Tis true, and therefore women, being the
0031 weaker vessels, are ever thrust to the wall. Therefore
0032 I will push Montague's men from the wall and
0033 thrust his maids to the wall.
GREGORY 0034 20The quarrel is between our masters and us
0035 their men.
SAMPSON 0036 'Tis all one. I will show myself a tyrant.
0037 When I have fought with the men, I will be civil
0038 with the maids; I will cut off their heads.

GREGORY 0039 25The heads of the maids?
SAMPSON 0040 Ay, the heads of the maids, or their maidenheads.
0041 Take it in what sense thou wilt.
GREGORY 0042 They must take it ⌜in⌝ sense that feel it.
SAMPSON 0043 Me they shall feel while I am able to stand,
0044 30and 'tis known I am a pretty piece of flesh.
GREGORY 0045 'Tis well thou art not fish; if thou hadst, thou
0046 hadst been poor-john. Draw thy tool. Here comes
0047 of the house of Montagues.

Enter ⌜Abram with another Servingman.⌝

SAMPSON 0048 My naked weapon is out. Quarrel, I will back
0049 35thee.
GREGORY 0050 How? Turn thy back and run?
SAMPSON 0051 Fear me not.
GREGORY 0052 No, marry. I fear thee!
SAMPSON 0053 Let us take the law of our sides; let them
0054 40begin.
GREGORY 0055 I will frown as I pass by, and let them take it
0056 as they list.
SAMPSON 0057 Nay, as they dare. I will bite my thumb at
0058 them, which is disgrace to them if they bear it.
⌜He bites his thumb.⌝
ABRAM 0059 45Do you bite your thumb at us, sir?
SAMPSON 0060 I do bite my thumb, sir.
ABRAM 0061 Do you bite your thumb at us, sir?
SAMPSON 0062 Is the law of our side if I
0063 say "Ay"?
GREGORY 0064 50No.
SAMPSON 0065 No, sir, I do not bite my thumb at you, sir,
0066 but I bite my thumb, sir.
GREGORY 0067 Do you quarrel, sir?
ABRAM 0068 Quarrel, sir? No, sir.
SAMPSON 0069 55But if you do, sir, I am for you. I serve as
0070 good a man as you.
ABRAM 0071 No better.

Enter Benvolio.

GREGORY 0073 Say "better"; here comes
0074 60one of my master's kinsmen.
SAMPSON 0075 Yes, better, sir.
ABRAM 0076 You lie.
SAMPSON 0077 Draw if you be men.-Gregory, remember
0078 thy washing blow.They fight.
BENVOLIO 0079 65Part, fools!
0080 Put up your swords. You know not what you do.

Enter Tybalt, ⌜drawing his sword.⌝

TYBALT
0081 What, art thou drawn among these heartless hinds?
0082 Turn thee, Benvolio; look upon thy death.
BENVOLIO
0083 I do but keep the peace. Put up thy sword,
0084 70Or manage it to part these men with me.
TYBALT
0085 What, drawn and talk of peace? I hate the word
0086 As I hate hell, all Montagues, and thee.
0087 Have at thee, coward!

Enter three or four Citizens with clubs or partisans.

0088 Clubs, bills, and partisans! Strike! Beat them down!
0089 75Down with the Capulets! Down with the Montagues!

Enter old Capulet in his gown, and his Wife.

CAPULET
0090 What noise is this? Give me my long sword, ho!
LADY CAPULET
0091 A crutch, a crutch! Why call you for a
0092 sword?

Enter old Montague and his Wife.

CAPULET
0093 My sword, I say. Old Montague is come
0094 80And flourishes his blade in spite of me.
MONTAGUE
0095 Thou villain Capulet!-Hold me not; let me go.
LADY MONTAGUE
0096 Thou shalt not stir one foot to seek a foe.

Enter Prince Escalus with his train.

PRINCE ⌜All but Montague, Lady Montague,
0097 Rebellious subjects, enemies to peace,
0098 Profaners of this neighbor-stainèd steel-
0099 85Will they not hear?-What ho! You men, you beasts,
0100 That quench the fire of your pernicious rage
0101 With purple fountains issuing from your veins:
0102 On pain of torture, from those bloody hands
0103 Throw your mistempered weapons to the ground,
0104 90And hear the sentence of your movèd prince.
0105 Three civil brawls bred of an airy word
0106 By thee, old Capulet, and Montague,
0107 Have thrice disturbed the quiet of our streets
0108 And made Verona's ancient citizens
0109 95Cast by their grave-beseeming ornaments
0110 To wield old partisans in hands as old,
0111 Cankered with peace, to part your cankered hate.
0112 If ever you disturb our streets again,
0113 Your lives shall pay the forfeit of the peace.
0114 100For this time all the rest depart away.
0115 You, Capulet, shall go along with me,
0116 And, Montague, come you this afternoon
0117 To know our farther pleasure in this case,
0118 To old Free-town, our common judgment-place.
0119 105Once more, on pain of death, all men depart.

and Benvolio⌝ exit.

MONTAGUE
0120 Who set this ancient quarrel new abroach?
0121 Speak, nephew, were you by when it began?
BENVOLIO
0122 Here were the servants of your adversary,
0123 And yours, close fighting ere I did approach.
0124 110I drew to part them. In the instant came
0125 The fiery Tybalt with his sword prepared,
0126 Which, as he breathed defiance to my ears,
0127 He swung about his head and cut the winds,
0128 Who, nothing hurt withal, hissed him in scorn.
0129 115While we were interchanging thrusts and blows
0130 Came more and more and fought on part and part,
0131 Till the Prince came, who parted either part.
LADY MONTAGUE
0132 O, where is Romeo? Saw you him today?
0133 Right glad I am he was not at this fray.
BENVOLIO
0134 120Madam, an hour before the worshiped sun
0135 Peered forth the golden window of the east,
0136 A troubled mind ⌜drove⌝ me to walk abroad,
0137 Where underneath the grove of sycamore
0138 That westward rooteth from this city side,
0139 125So early walking did I see your son.
0140 Towards him I made, but he was 'ware of me
0141 And stole into the covert of the wood.
0142 I, measuring his affections by my own
0143 (Which then most sought where most might not be
0144 130found,
0145 Being one too many by my weary self),
0146 Pursued my humor, not pursuing his,
0147 And gladly shunned who gladly fled from me.
MONTAGUE
0148 Many a morning hath he there been seen,
0149 135With tears augmenting the fresh morning's dew,
0150 Adding to clouds more clouds with his deep sighs.

0151 But all so soon as the all-cheering sun
0152 Should in the farthest east begin to draw
0153 The shady curtains from Aurora's bed,
0154 140Away from light steals home my heavy son
0155 And private in his chamber pens himself,
0156 Shuts up his windows, locks fair daylight out,
0157 And makes himself an artificial night.
0158 Black and portentous must this humor prove,
0159 145Unless good counsel may the cause remove.
BENVOLIO
0160 My noble uncle, do you know the cause?
MONTAGUE
0161 I neither know it nor can learn of him.
BENVOLIO
0162 Have you importuned him by any means?
MONTAGUE
0163 Both by myself and many other friends.
0164 150But he, ⌜his⌝ own affections' counselor,
0165 Is to himself-I will not say how true,
0166 But to himself so secret and so close,
0167 So far from sounding and discovery,
0168 As is the bud bit with an envious worm
0169 155Ere he can spread his sweet leaves to the air
0170 Or dedicate his beauty to the same.
0171 Could we but learn from whence his sorrows grow,
0172 We would as willingly give cure as know.

Enter Romeo.

BENVOLIO
0173 See where he comes. So please you, step aside.
0174 160I'll know his grievance or be much denied.
MONTAGUE
0175 I would thou wert so happy by thy stay
0176 To hear true shrift.-Come, madam, let's away.
⌜Montague and Lady Montague⌝ exit.

BENVOLIO
0177 Good morrow, cousin.
ROMEO 0178 Is the day so young?
BENVOLIO
0179 165But new struck nine.
ROMEO 0180 Ay me, sad hours seem long.
0181 Was that my father that went hence so fast?
BENVOLIO
0182 It was. What sadness lengthens Romeo's hours?
ROMEO
0183 Not having that which, having, makes them short.
BENVOLIO 0184 170In love?
ROMEO 0185 Out-
BENVOLIO 0186 Of love?
ROMEO
0187 Out of her favor where I am in love.
BENVOLIO
0188 Alas that love, so gentle in his view,
0189 175Should be so tyrannous and rough in proof!
ROMEO
0190 Alas that love, whose view is muffled still,
0191 Should without eyes see pathways to his will!
0192 Where shall we dine?-O me! What fray was here?
0193 Yet tell me not, for I have heard it all.
0194 180Here's much to do with hate, but more with love.
0195 Why then, O brawling love, O loving hate,
0196 O anything of nothing first ⌜create!⌝
0197 O heavy lightness, serious vanity,
0198 Misshapen chaos of ⌜well-seeming⌝ forms,
0199 185Feather of lead, bright smoke, cold fire, sick health,
0200 Still-waking sleep that is not what it is!
0201 This love feel I, that feel no love in this.
0202 Dost thou not laugh?
BENVOLIO 0203 No, coz, I rather weep.
ROMEO
0204 190Good heart, at what?

BENVOLIO 0205 At thy good heart's oppression.
ROMEO 0206 Why, such is love's transgression.
0207 Griefs of mine own lie heavy in my breast,
0208 Which thou wilt propagate to have it pressed
0209 195With more of thine. This love that thou hast shown
0210 Doth add more grief to too much of mine own.
0211 Love is a smoke made with the fume of sighs;
0212 Being purged, a fire sparkling in lovers' eyes;
0213 Being vexed, a sea nourished with loving tears.
0214 200What is it else? A madness most discreet,
0215 A choking gall, and a preserving sweet.
0216 Farewell, my coz.
BENVOLIO 0217 Soft, I will go along.
0218 An if you leave me so, you do me wrong.
ROMEO
0219 205Tut, I have lost myself. I am not here.
0220 This is not Romeo. He's some other where.
BENVOLIO
0221 Tell me in sadness, who is that you love?
ROMEO 0222 What, shall I groan and tell thee?
BENVOLIO
0223 Groan? Why, no. But sadly tell me who.
ROMEO
0224 210A sick man in sadness makes his will-
0225 A word ill urged to one that is so ill.
0226 In sadness, cousin, I do love a woman.
BENVOLIO
0227 I aimed so near when I supposed you loved.
ROMEO
0228 A right good markman! And she's fair I love.
BENVOLIO
0229 215A right fair mark, fair coz, is soonest hit.
ROMEO
0230 Well in that hit you miss. She'll not be hit
0231 With Cupid's arrow. She hath Dian's wit,
0232 And, in strong proof of chastity well armed,

0233 From love's weak childish bow she lives uncharmed.
0234 220She will not stay the siege of loving terms,
0235 Nor bide th' encounter of assailing eyes,
0236 Nor ope her lap to saint-seducing gold.
0237 O, she is rich in beauty, only poor
0238 That, when she dies, with beauty dies her store.
BENVOLIO
0239 225Then she hath sworn that she will still live chaste?
ROMEO
0240 She hath, and in that sparing ⌜makes⌝ huge waste;
0241 For beauty, starved with her severity,
0242 Cuts beauty off from all posterity.
0243 She is too fair, too wise, wisely too fair,
0244 230To merit bliss by making me despair.
0245 She hath forsworn to love, and in that vow
0246 Do I live dead, that live to tell it now.
BENVOLIO
0247 Be ruled by me. Forget to think of her.
ROMEO
0248 O, teach me how I should forget to think!
BENVOLIO
0249 235By giving liberty unto thine eyes.
0250 Examine other beauties.
ROMEO 0251 'Tis the way
0252 To call hers, exquisite, in question more.
0253 These happy masks that kiss fair ladies' brows,
0254 240Being black, puts us in mind they hide the fair.
0255 He that is strucken blind cannot forget
0256 The precious treasure of his eyesight lost.
0257 Show me a mistress that is passing fair;
0258 What doth her beauty serve but as a note
0259 245Where I may read who passed that passing fair?
0260 Farewell. Thou canst not teach me to forget.
BENVOLIO
0261 I'll pay that doctrine or else die in debt.
They exit.

Enter Romeo, Mercutio, Benvolio, with five or six other
Maskers, Torchbearers, ⌜and a Boy with a drum.⌝

ROMEO
0483 What, shall this speech be spoke for our excuse?
0484 Or shall we on without apology?
BENVOLIO
0485 The date is out of such prolixity.

0486 We'll have no Cupid hoodwinked with a scarf,
0487 5Bearing a Tartar's painted bow of lath,
0488 Scaring the ladies like a crowkeeper,
0489 ⌜Nor no without-book prologue, faintly spoke
0490 After the prompter, for our entrance.⌝
0491 But let them measure us by what they will.
0492 10We'll measure them a measure and be gone.
ROMEO
0493 Give me a torch. I am not for this ambling.
0494 Being but heavy I will bear the light.
MERCUTIO
0495 Nay, gentle Romeo, we must have you dance.
ROMEO
0496 Not I, believe me. You have dancing shoes
0497 15With nimble soles. I have a soul of lead
0498 So stakes me to the ground I cannot move.
MERCUTIO
0499 You are a lover. Borrow Cupid's wings
0500 And soar with them above a common bound.
ROMEO
0501 I am too sore enpiercèd with his shaft
0502 20To soar with his light feathers, and so bound
0503 I cannot bound a pitch above dull woe.
0504 Under love's heavy burden do I sink.

0505 And to sink in it should you burden love-
0506 Too great oppression for a tender thing.
ROMEO
0507 25Is love a tender thing? It is too rough,
0508 Too rude, too boist'rous, and it pricks like thorn.
MERCUTIO
0509 If love be rough with you, be rough with love.
0510 Prick love for pricking, and you beat love down.-
0511 Give me a case to put my visage in.-
0512 30A visor for a visor. What care I
0513 What curious eye doth cote deformities?
0514 Here are the beetle brows shall blush for me.

BENVOLIO
0515 Come, knock and enter, and no sooner in
0516 But every man betake him to his legs.
ROMEO
0517 35A torch for me. Let wantons light of heart
0518 Tickle the senseless rushes with their heels,
0519 For I am proverbed with a grandsire phrase:
0520 I'll be a candle holder and look on;
0521 The game was ne'er so fair, and I am ⌜done.⌝
MERCUTIO
0522 40Tut, dun's the mouse, the constable's own word.
0523 If thou art dun, we'll draw thee from the mire-
0524 Or, save ⌜your⌝ reverence, love-wherein thou
0525 stickest
0526 Up to the ears. Come, we burn daylight, ho!
ROMEO
0527 45Nay, that's not so.
MERCUTIO 0528 I mean, sir, in delay
0529 We waste our lights; in vain, ⌜light⌝ lights by day.
0530 Take our good meaning, for our judgment sits
0531 Five times in that ere once in our ⌜five⌝ wits.
ROMEO
0532 50And we mean well in going to this masque,
0533 But 'tis no wit to go.
MERCUTIO 0534 Why, may one ask?
ROMEO
0535 I dreamt a dream tonight.
MERCUTIO 0536 And so did I.
ROMEO
0537 55Well, what was yours?
MERCUTIO 0538 That dreamers often lie.
ROMEO
0539 In bed asleep while they do dream things true.
MERCUTIO
0540 O, then I see Queen Mab hath been with you.

0541 She is the fairies' midwife, and she comes
0542 60In shape no bigger than an agate stone
0543 On the forefinger of an alderman,
0544 Drawn with a team of little ⌜atomi⌝
0545 Over men's noses as they lie asleep.
0546 Her wagon spokes made of long spinners' legs,
0547 65The cover of the wings of grasshoppers,
0548 Her traces of the smallest spider web,
0549 Her collars of the moonshine's wat'ry beams,
0550 Her whip of cricket's bone, the lash of film,
0551 Her wagoner a small gray-coated gnat,
0552 70Not half so big as a round little worm
0553 Pricked from the lazy finger of a ⌜maid.⌝
0554 Her chariot is an empty hazelnut,
0555 Made by the joiner squirrel or old grub,
0556 Time out o' mind the fairies' coachmakers.
0557 75And in this state she gallops night by night
0558 Through lovers' brains, and then they dream of love;
0559 On courtiers' knees, that dream on cur'sies straight;
0560 O'er lawyers' fingers, who straight dream on fees;
0561 O'er ladies' lips, who straight on kisses dream,
0562 80Which oft the angry Mab with blisters plagues
0563 Because their ⌜breaths⌝ with sweetmeats tainted are.
0564 Sometime she gallops o'er a courtier's nose,
0565 And then dreams he of smelling out a suit.
0566 And sometime comes she with a tithe-pig's tail,
0567 85Tickling a parson's nose as he lies asleep;
0568 Then he dreams of another benefice.
0569 Sometime she driveth o'er a soldier's neck,
0570 And then dreams he of cutting foreign throats,
0571 Of breaches, ambuscadoes, Spanish blades,
0572 90Of healths five fathom deep, and then anon
0573 Drums in his ear, at which he starts and wakes
0574 And, being thus frighted, swears a prayer or two
0575 And sleeps again. This is that very Mab
0576 That plats the manes of horses in the night

0577 95And bakes the ⌜elflocks⌝ in foul sluttish hairs,They march about the stage
0578 Which once untangled much misfortune bodes.
0579 This is the hag, when maids lie on their backs,
0580 That presses them and learns them first to bear,
0581 Making them women of good carriage.
0582 100This is she-
ROMEO 0583 Peace, peace, Mercutio, peace.
0584 Thou talk'st of nothing.
MERCUTIO 0585 True, I talk of dreams,
0586 Which are the children of an idle brain,
0587 105Begot of nothing but vain fantasy,
0588 Which is as thin of substance as the air
0589 And more inconstant than the wind, who woos
0590 Even now the frozen bosom of the north
0591 And, being angered, puffs away from thence,
0592 110Turning his side to the dew-dropping south.
BENVOLIO
0593 This wind you talk of blows us from ourselves.
0594 Supper is done, and we shall come too late.
ROMEO
0595 I fear too early, for my mind misgives
0596 Some consequence yet hanging in the stars
0597 115Shall bitterly begin his fearful date
0598 With this night's revels, and expire the term
0599 Of a despisèd life closed in my breast
0600 By some vile forfeit of untimely death.
0601 But he that hath the steerage of my course
0602 120Direct my ⌜sail.⌝ On, lusty gentlemen.
BENVOLIO 0603 Strike, drum.

and ⌜then withdraw to the side.⌝

Servingmen come forth with napkins.

0604 Where's Potpan that he helps not
0605 to take away? He shift a trencher? He scrape a
0606 trencher?
0607 When good manners shall lie
0608 5all in one or two men's hands, and they unwashed
0609 too, 'tis a foul thing.
0610 Away with the joint stools, remove
0611 the court cupboard, look to the plate.-
0612 Good thou, save me a piece of marchpane, and, as
0613 10thou loves me, let the porter let in Susan Grindstone
0614 and Nell.-Anthony and Potpan!
0615 Ay, boy, ready.
0616 You are looked for and called for,
0617 asked for and sought for, in the great chamber.
0618 15We cannot be here and there too.
0619 Cheerly, boys! Be brisk awhile, and the longer liver
0620 take all.

Enter ⌜Capulet and his household,⌝ all the guests and
gentlewomen to ⌜Romeo, Mercutio, Benvolio, and⌝ the
⌜other⌝ Maskers.

CAPULET
0621 Welcome, gentlemen. Ladies that have their toes
0622 Unplagued with corns will walk ⌜a bout⌝ with
0623 20you.-
0624 Ah, my mistresses, which of you all
0625 Will now deny to dance? She that makes dainty,
0626 She, I'll swear, hath corns. Am I come near you
0627 now?-
0628 25Welcome, gentlemen. I have seen the day
0629 That I have worn a visor and could tell
0630 A whispering tale in a fair lady's ear,
0631 Such as would please. 'Tis gone, 'tis gone, 'tis gone.

0632 You are welcome, gentlemen.-Come, musicians,
0633 30play.Music plays and they dance.
0634 A hall, a hall, give room!-And foot it, girls.-
0635 More light, you knaves, and turn the tables up,
0636 And quench the fire; the room is grown too hot.-
0637 Ah, sirrah, this unlooked-for sport comes well.-
0638 35Nay, sit, nay, sit, good cousin Capulet,
0639 For you and I are past our dancing days.
0640 How long is 't now since last yourself and I
0641 Were in a mask?
CAPULET'S COUSIN 0642 By 'r Lady, thirty years.
CAPULET
0643 40What, man, 'tis not so much, 'tis not so much.
0644 'Tis since the nuptial of ⌜Lucentio,⌝
0645 Come Pentecost as quickly as it will,
0646 Some five and twenty years, and then we masked.
CAPULET'S COUSIN
0647 'Tis more, 'tis more. His son is elder, sir.
0648 45His son is thirty.
CAPULET 0649 Will you tell me that?
0650 His son was but a ward two years ago.
ROMEO
0651 What lady's that which doth enrich the hand
0652 Of yonder knight?
SERVINGMAN 0653 50I know not, sir.
ROMEO
0654 O, she doth teach the torches to burn bright!
0655 It seems she hangs upon the cheek of night
0656 As a rich jewel in an Ethiop's ear-
0657 Beauty too rich for use, for Earth too dear.
0658 55So shows a snowy dove trooping with crows
0659 As yonder lady o'er her fellows shows.
0660 The measure done, I'll watch her place of stand
0661 And, touching hers, make blessèd my rude hand.
0662 Did my heart love till now? Forswear it, sight,
0663 60For I ne'er saw true beauty till this night.

TYBALT
0664 This, by his voice, should be a Montague.-
0665 Fetch me my rapier, boy.
0666 What, dares the slave
0667 Come hither covered with an antic face
0668 65To fleer and scorn at our solemnity?
0669 Now, by the stock and honor of my kin,
0670 To strike him dead I hold it not a sin.
CAPULET
0671 Why, how now, kinsman? Wherefore storm you so?
TYBALT
0672 Uncle, this is a Montague, our foe,
0673 70A villain that is hither come in spite
0674 To scorn at our solemnity this night.
CAPULET
0675 Young Romeo is it?
TYBALT 0676 'Tis he, that villain Romeo.
CAPULET
0677 Content thee, gentle coz. Let him alone.
0678 75He bears him like a portly gentleman,
0679 And, to say truth, Verona brags of him
0680 To be a virtuous and well-governed youth.
0681 I would not for the wealth of all this town
0682 Here in my house do him disparagement.
0683 80Therefore be patient. Take no note of him.
0684 It is my will, the which if thou respect,
0685 Show a fair presence and put off these frowns,
0686 An ill-beseeming semblance for a feast.
TYBALT
0687 It fits when such a villain is a guest.
0688 85I'll not endure him.
CAPULET 0689 He shall be endured.
0690 What, goodman boy? I say he shall. Go to.
0691 Am I the master here or you? Go to.
0692 You'll not endure him! God shall mend my soul,

0693 90You'll make a mutiny among my guests,
0694 You will set cock-a-hoop, you'll be the man!
TYBALT
0695 Why, uncle, 'tis a shame.
CAPULET 0696 Go to, go to.
0697 You are a saucy boy. Is 't so indeed?
0698 95This trick may chance to scathe you. I know what.
0699 You must contrary me. Marry, 'tis time-
0700 Well said, my hearts.-You are a princox, go.
0701 Be quiet, or-More light, more light!-for shame,
0702 I'll make you quiet.-What, cheerly, my hearts!
TYBALT
0703 100Patience perforce with willful choler meeting
0704 Makes my flesh tremble in their different greeting.
0705 I will withdraw, but this intrusion shall,
0706 Now seeming sweet, convert to bitt'rest gall.
He exits.
ROMEO , ⌜taking Juliet's hand⌝
0707 If I profane with my unworthiest hand
0708 105This holy shrine, the gentle sin is this:
0709 My lips, two blushing pilgrims, ready stand
0710 To smooth that rough touch with a tender kiss.
JULIET
0711 Good pilgrim, you do wrong your hand too much,
0712 Which mannerly devotion shows in this;
0713 110For saints have hands that pilgrims' hands do touch,
0714 And palm to palm is holy palmers' kiss.
ROMEO
0715 Have not saints lips, and holy palmers too?
JULIET
0716 Ay, pilgrim, lips that they must use in prayer.
ROMEO
0717 O then, dear saint, let lips do what hands do.
0718 115They pray: grant thou, lest faith turn to despair.
JULIET
0719 Saints do not move, though grant for prayers' sake.

ROMEO
0720 Then move not while my prayer's effect I take.

0721 Thus from my lips, by thine, my sin is purged.
JULIET
0722 Then have my lips the sin that they have took.
ROMEO
0723 120Sin from my lips? O trespass sweetly urged!
0724 Give me my sin again.
JULIET 0725 You kiss by th' book.
NURSE
0726 Madam, your mother craves a word with you.
⌜Juliet moves toward her mother.⌝
ROMEO
0727 What is her mother?
NURSE 0728 125Marry, bachelor,
0729 Her mother is the lady of the house,
0730 And a good lady, and a wise and virtuous.
0731 I nursed her daughter that you talked withal.
0732 I tell you, he that can lay hold of her
0733 130Shall have the chinks.
ROMEO 0734 Is she a Capulet?
0735 O dear account! My life is my foe's debt.
BENVOLIO
0736 Away, begone. The sport is at the best.
ROMEO
0737 Ay, so I fear. The more is my unrest.
CAPULET
0738 135Nay, gentlemen, prepare not to be gone.
0739 We have a trifling foolish banquet towards.-
0740 Is it e'en so? Why then, I thank you all.
0741 I thank you, honest gentlemen. Good night.-
0742 More torches here.-Come on then, let's to bed.-
0743 140Ah, sirrah, by my fay, it waxes late.
0744 I'll to my rest.
⌜All but Juliet and the Nurse begin to exit.⌝

JULIET
0745 Come hither, nurse. What is yond gentleman?
NURSE
0746 The son and heir of old Tiberio.
JULIET
0747 What's he that now is going out of door?
NURSE
0748 145Marry, that, I think, be young Petruchio.
JULIET
0749 What's he that follows here, that would not dance?
NURSE 0750 I know not.
JULIET
0751 Go ask his name. If he be marrièd,
0752 My grave is like to be my wedding bed.
NURSE
0753 150His name is Romeo, and a Montague,
0754 The only son of your great enemy.
JULIET
0755 My only love sprung from my only hate!
0756 Too early seen unknown, and known too late!
0757 Prodigious birth of love it is to me
0758 155That I must love a loathèd enemy.
NURSE
0759 What's this? What's this?
JULIET 0760 A rhyme I learned even now
0761 Of one I danced withal.
One calls within "Juliet."
NURSE 0762 Anon, anon.
0763 160Come, let's away. The strangers all are gone.
They exit.

0764 Now old desire doth in his deathbed lie,
0765 And young affection gapes to be his heir.
0766 That fair for which love groaned for and would die,
0767 With tender Juliet ⌜matched,⌝ is now not fair.
0768 5Now Romeo is beloved and loves again,
0769 Alike bewitchèd by the charm of looks,
0770 But to his foe supposed he must complain,
0771 And she steal love's sweet bait from fearful hooks.
0772 Being held a foe, he may not have access
0773 10To breathe such vows as lovers use to swear,
0774 And she as much in love, her means much less
0775 To meet her new belovèd anywhere.
0776 But passion lends them power, time means, to meet,
0777 Temp'ring extremities with extreme sweet.

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Romeo and Juliet - Entire Play | Folger Shakespeare Library

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In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the...

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When the Nurse arrives with news, Juliet experiences intense confusion and horror learning about the fight. Her emotional state shifts dramatically as she tries to understand who is dead and who is banished. Notice her scattered questions and exclamations.

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Despite the tragic news, Juliet's love for Romeo remains steadfast. She defends him against the Nurse's criticism, showing her unwavering loyalty. This demonstrates the maturity of her love, even in crisis.

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Upon learning of Romeo's banishment, Juliet falls into deep despair. Her line 'Romeo is banished' is repeated, showing how this news overwhelms her. She feels that banishment is worse than death, revealing the depth of her grief.

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Create your own post agreeing with one of the emotions posted that Juliet experiences in this scene. Include a specific quote from the text and explain how it reveals her feelings.

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I agree with this because she shows he dedication and love for Romeo when all she does is wish it night so she can be with him unseen I know this when she say''Spread thy close curtain, love-performing "night,"

That runaways’ eyes may wink and Romeo

Leap to these arms, untalked of and unseen.'

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In Act 3, Scene 2, Juliet shows a yearning for love, she can't wait for the night to come. "Come night, come Romeo, come thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come gentle night, come loving black-browed night,  Give me my Romeo; and when I shall die," She shows that night allows her to express her love for Romeo with any restrictions.

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In Act 3, Scene 2 of "Romeo and Juliet," Juliet is overwhelmed with despair and grief after hearing about Romeo's banishment. She cries, “My only love sprung from my only hate!” This line shows her pain as she struggles with loving someone who has brought her such sorrow. her deep emotional conflict shows the intensity of her feelings in this heart-wrenching moment.

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I agree with this because once the nurse shares the news with Juliet, she soon starts asking many questions expressing her horror and confusion with the fight that took place. She tries to understand and acknowledge who has passed and is still alive.

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In Act 3, Scene 2 of "Romeo and Juliet," Juliet shows her strong love for Romeo when she defends him after Tybalt's death. Even though she feels upset about Romeo's banishment, she quickly stands up against the Nurse’s negative comments about him. Juliet insists that her heart belongs to Romeo, showing her loyalty and maturity in a tough situation. This moment highlights how deeply she loves him, even when things are difficult.

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In Act 3, Scene 2, Juliet begins to question whether Romeo has truly slain his self and whether Tybalt is dead. "What storm is this that blows so contrary? Is Romeo slaughtered, and is Tybalt dead,

My dearest cousin and my dearer lord?

Then, dreadful trumpet, sound the general doom," It reveals her feelings because she then doesn't know whether they are dead but she is also scared If they are.

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I agree because They show their love by growing over the top and disobeying their family traditions by marrying one another even tho Romeo murders Tybalt Juliet's cousin she still remains loyal and shows her love for him in act 3 scene 2 Juliet initially expresses grief for the loss of Tybalt, but then her focus shifts to Romeo's banishment, and she declares her love for him.

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I agree with this because Juliet shows in act Act 3 Scene 2 because she is sad about Romeo's banishment and she is devastated. Juliet says "Romeo is banished. O God! O God! Why, any is so much to do with my life; for his death was but a little pin prick to my heart: no, no, but banishment, thou art worse than death." This showcases her intense grief and she believes that banishment is worse than death because it means an indefinite separation from Romeo which shows despair and grief.

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In act 3 scene 2 -43 "What devil art thou that dost torment me thus?" She expresses how many terrible things are happening to her and it is as if she is being punished or tormented. This also shows her emotions and feelings for the fact that a person close to her is dead

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In Act 3, Scene 2 of "Romeo and Juliet" Juliet shows her love for Romeo by saying lovers should be able to do anything on their own and if love is blind is best a night."Lovers can see to do their amorous rites,By their own beauties, or, if love be blind,It best agrees with night."

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I agree with this because Juliet was focused on whether Romeo was banished or killed, and after she found out Romeo killed Tybalt, she came up with a conclusion that if Romeo didn't kill Tybalt, Tybalt would've killed Romeo she says. "That villain cousin would have killed my husband.

Back, foolish tears, back to your native spring" This shows that Juliet sides with Romeo even though he killed her cousin.

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I agree with this because, at the end of Act 3, Scene 2, she states "O find him. Give this ring to my true knight, And bid him come to take his last farewell." this shows that even though he did something wrong, she still loves him dearly. Juliet doesn't want to lose someone she has a connection with who has more potential than anyone else's, even if he slaughters her cousin.

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As Juliet battles her feelings following Tybalt's passing and Romeo's exile, she encounters love and loyalty in Act 3, Scene 2. "Shall I speak ill of him that is my husband?" she asks, demonstrating her devotion. This demonstrates that she still has a deep affection for Romeo and chooses to support him in spite of her pain.