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Sign up | Miro | Online Whiteboard for Visual Collaboration

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Scalable, secure, cross-device and enterprise-ready team collaboration whiteboard for distributed teams. Join 35M+ users from around the world

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Artstor's ever-growing Public Collections offer approximately 1.3 million freely accessible images, videos, documents, and audio files from library special collections, faculty research, and institutional history materials, as well as hundreds of thousands of open access images from partner museums. Anyone may view and download these collections; no subscription or login required.
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The public collections are cataloged, managed, and shared by institutions such as Cornell University, Colby College, RISD, and MIT using JSTOR Forum, a cataloging and image management tool. They are also discoverable alongside the core collections of more than 2.5 million images from leading museums, archives, scholars, and artists available to Artstor Digital Library subscribers.

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Artstor's ever-growing Public Collections offer approximately 1.3 million freely accessible images, videos, documents, and audio files from library special collections, faculty research, and institutional history materials, as well as hundreds of thousands of open access images from partner museums. Anyone may view and download these collections; no subscription or login required.

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Specific class system and society rules showed in the story

Alpha to epsilon

Control people mind through technology and medicine

The happiness of state is based on the control of individual

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Reflection: giving me more feeling and ideas on how to create and design a dystopian world.
All the details in the background represent the how society come to this way
Protest activities
School violence

Character used to reflect the dark side of society, how they trapped in the shadow, it’s the start point of the storyline

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Digital art- beeple

using same color scheme make image more harmony,
Symmetrical structure, serious, ceremonious place

The sign on the flag told audience that the story of this moment in the image.

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Beeple's masterwork: the first purely digital artwork offered at Christie's | Christie's

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How Mike Winkelmann, aka the digital artist Beeple, has combined 5,000 images to create a monumental NFT-based work

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‘I almost look at it now as though I’m a political cartoonist,’ Beeple explains. ‘Except instead of doing sketches, I’m using the most advanced 3D tools to make comments on current events, almost in real time.’

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Beeple's masterwork: the first purely digital artwork offered at Christie's | Christie's

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How Mike Winkelmann, aka the digital artist Beeple, has combined 5,000 images to create a monumental NFT-based work

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Storyboard

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The Impact of Akira: The Film that Changed Everything

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It's not the most auspicious of song titles. 'The Music Written on This Dude's Butt', however, has one of art's most celebrated paintings as its inspiration. After looking closely at The Garden of Earthly Delights, student Amelia Hamrick decided to transcribe "music written upon the posterior of one of the many tortured denizens of the rightmost panel of the painting". This particular denizen appears to have been crushed by a giant harp plunged into a lute, with an audience of nuns, monsters and a person wielding a flaming toad on a spear. Welcome to the mind of Hieronymus Bosch, who died 500 years ago.

The Early Netherlandish painter's artwork (c. 1490-1510) is a vision of sin and morality: and the devil is in the detail. As the art critic Alastair Sooke wrote in BBC Culture, The Garden of Earthly Delights has been called 'probably the most famous scene of the underworld in all Western art'. If hell is other people, Bosch's version involves people cavorting with owls, strawberries - and derrières tattooed with musical scores.

"I decided to transcribe it into modern notation, assuming the second line of the staff is C, as is common for chants of this era," Hamrick wrote on her blog, before promptly going viral. The 500-Year-Old Butt Song from Hell, as it's also known, is an entrancing piece: played on lute, harp and hurdy-gurdy or sung in a Gregorian choral arrangement, the music soars beyond a tiny patch of paint on the third panel of a triptych. And that is where Bosch's genius lies: in among what appears to be a sweeping panorama encompassing Eden, a place of hedonistic abandon and Hell, small details pop up to reveal the unexpected.
Gamblers

Torture, mutilation - and backgammon. One area of the painting's third panel shows diabolical creatures stabbing a man in the back and impaling a heart on a sword, as well as dice and board games. The grotesque figures aren't just inflicting pain; they're gambling with their victims. According to an interactive tour of the painting created as part of a 'transmedia triptych' including the new documentary Jheronimus Bosch, Touched by the Devil, "Bosch's hell panel is a far cry from other mediaeval depictions of inferno, where we often see people being boiled, burned or eaten alive. The suffering going on in this panel is not just on the physical level, it's also psychological: the souls are being driven mad by fear, anxiety, chaos and distress".
Birds

Alongside the suffering, there is humour. In the central panel, we see naked people riding oversized birds including a robin, a duck and a woodpecker. Bosch might have been making a visual joke: according to the interactive tour, "the birds could also be taken as a double entendre. As well as being an obsolete plural form, the Dutch word 'vogelen' (vogel meaning bird) could refer to having sexual intercourse". There are other hidden messages to decode: art critic Kelly Grovier has written in BBC Culture about an "Easter egg that's concealed in plain sight: the secret symbol that centres the eye... to find it, one's eyes need merely draw an 'X' from the four corners of the work and an egg marks the spot, smack before us at the dead centre of the painting". Despite depicting damnation, the painting is playful. According to Sooke, "Bosch has a reputation, above all, as the preeminent image-maker of hell... It seems he found jubilation in his peculiar creations, as well as fire and brimstone".
Mussel shell

The Garden of Earthly Delights was first documented in 1517, when the Italian canon Antonio De' Beatis, who was accompanying the Cardinal of Aragon on a visit to Brussels, wrote in his travel journal that "there are some panels on which bizarre things have been painted. They represent seas, skies, woods, meadows, and many other things, such as people crawling out of a shell, others that bring forth birds, men and women, white and black doing all sorts of different activities and poses". Writing in A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature, Gordon Williams suggests that shellfish have been 'venereal symbols' since ancient times, arguing that although Bosch's shell is from a mussel rather than an oyster, "it has a scattering of semen pearls... Pliny mentions a species of mussel called Venereae, or Venus-Shell".
Strawberries

Early descriptions of the triptych refer to it as the 'strawberry painting', and the fruit appears several times in the central panel. It allows Bosch to reference other forms of imagery: in one section, people pick apples from trees while a man offers a strawberry to a woman with a leering expression, a twist on biblical depictions of Eden. In another, couples feed each other berries, a scene traditionally associated with courtly romance, yet here they are doing more than merely flirting. According to one critic, Bosch 'subverts and perverts' the theme of courtly love, with "'love fruit', a traditional metaphor for amorous union, both religious and worldly, now transformed into a hellish prison".
Pig nun

It might seem that the pig in a nun's habit is the most significant element of this detail: but the amputated foot in fact offers the more surprising insight. Bosch paints the sawn-off appendage as a reminder of a condition known as St Anthony's Fire - gangrene caused by eating bread infected with a black mould, or ergot fungus. In the 1950s, a component of the fungus was synthesised to create LSD. According to Pieter van Huystee's interactive documentary, "If you ate bread from the wrong baker... limbs would rot away while the mind would be addled by hallucinations, ultimately leading to insanity. Did Hieronymus Bosch paint his Garden of Earthly Delights while suffering from a bad trip?"
Tree man

Hans Belting - who sees the painting as utopian rather than apocalyptic - believes that this figure is a self-portrait of Bosch. Art historian Reindert Falkenburg argues that the painter's anthropomorphic images are 'double' or Gestalt, requiring an imaginative response by the viewer to see the veiled imagery. Ultimately, The Garden of Earthly Delights evades analysis. According to Falkenburg, it's a work deliberately designed to resist interpretation; while Erwin Panofsky claims in Early Netherlandish Painting that "In spite of all the ingenious, erudite and in part extremely useful research devoted to the task of 'decoding Jerome Bosch', I cannot help feeling that the real secret of his magnificent nightmares and daydreams has still to be disclosed. We have bored a few holes through the door of the locked room; but somehow we do not seem to have discovered the key".

What are your favourite details in Bosch's paintings? Share them on our Facebook page or message us on Twitter.
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Hidden meanings in The Garden of Earthly Delights

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It's not the most auspicious of song titles. 'The Music Written on This Dude's Butt', however, has one of art's most celebrated paintings as its inspiration. After looking closely at The Garden of Earthly Delights, student Amelia Hamrick decided to transcribe "music written upon the posterior of one of the many tortured denizens of the rightmost panel of the painting".

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Bosch’s vision was highly fantastical with a strong moral message that made his work very popular during his time. His style was widely imitated, and his influence on Pieter Bruegel the Elder was particularly apparent. The imaginative quality of his work was to have a significant effect on the development of Surrealism in the 20th century.

https://www.britannica.com/topic/The-Garden-of-Earthly-Delights-by-Bosch

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British-Liberian artist Lina Iris Viktor creates striking, large-scale artworks characterized by detailed patterning and a vibrant-but strictly controlled-color palette, featuring gilded sections crafted from 24-karat gold.

Living between New York and London, the artist's most recent exhibition, , is currently on show at the Lina Iris Viktor: A Haven. A Hell. A Dream Deferred. New Orleans Museum of Art. Drawing from her previous work, this exhibition offers a view of the past and present simultaneously as it reflects on the founding of Liberia-the first and oldest modern republic of Africa.

The nation was established by the American Colonization Society in 1817, initially imagined as a place where free-born and formerly enslaved Black Americans could be resettled in instead of being emancipated in America. During this period, a mystical figure emerged, borne of the tales of two women combined: The Libyan Sibyl, a prophetess of tragedy from antiquity, and Sojourner Truth, a freed slave and activist. In this series of self-portraits, Viktor references this female figure frequently-collapsing time and space, and offering a narrative that is as much about then as it is about now. Though thoroughly personal, Viktor's work acts as a strong conversation starter about the politicization of bodies and historical preconceptions surrounding 'Blackness'.

Viktor sees gold as a "conduit between worlds", and it is used symbolically in her work to reference both the richness of African culture and the use of the precious metal for ornamentation by ancient civilizations throughout history. By contrast, the black in her work argues against history-for Viktor, it is not a color characterized by absence, but instead by presence. Black is a combination of all colors, and must, therefore, be the richest and most vibrant of them all.
All images © Lina Iris Viktor

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Lina Iris Viktor Creates A 24-Karat Gold Conduit For History - IGNANT

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British-Liberian artist Lina Iris Viktor creates striking, large-scale artworks characterized by detailed patterning and a vibrant-but strictly controlled-color palette, featuring gilded sections crafted from 24-karat gold. Living between New York and London, the artist's most recent exhibition, Lina Iris Viktor: A Haven. A Hell. A Dream Deferred., is currently on show at the New Orleans [...]

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Color contrast, yellow and blue, using gold color instead yellow
The background pattern relevant with Egypt culture or other areas culture.

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Nick cave found out more new things through the making process, The sound and movement of the author after putting on the suit make the work more complete and vivid.

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https://publicdelivery.org/nick-cave-soundsuits/
inspired by the newfound sense of freedom, Cave set off on a journey that he never knew would reach this far. He began to work on more outrageous and fabulous sculptures from simple materials he found in thrift shops, flea markets, and across the country.

The artist admits that he usually doesn’t know what he is looking for when creating the sound suit or how he will put it in use once found. But when he discovers the most suitable materials, he usually spends a considerable amount of time identifying the best part of the body the found material can sit. When this is resolved, he gradually starts developing the Soundsuitfrom this point.

Commenting on his exhibition at The Anderson Collection at Stanford University in 2016 and 2017 ³, Nick Cave said:

I never think anything is finished. But I do know when a piece has life, when it has a pulse, when it’s breathing…Then I can walk away because I know it can sustain itself in the world.

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It was a very hard year for me because of everything that came out of the Rodney beating. I started thinking about myself more and more as a black man - as someone who was discarded, devalued, viewed as less than.

I started thinking about the role of identity, being racially profiled, feeling devalued, less than, dismissed. And then I happened to be in the park this one particular day and looked down at the ground, and there was a twig. And I just thought, well, that's discarded, and it's sort of insignificant. And so I just started then gathering the twigs, and before I knew it, I was, had built a sculpture.

I was inside a suit. You couldn't tell if I was a woman or man; if I was black, red, green or orange; from Haiti or South Africa. I was no longer Nick. I was a shaman of sorts.

I never think anything is finished. But I do know when a piece has life, when it has a pulse, when it's breathing...Then I can walk away because I know it can sustain itself in the world.

I think he has picked up the threads of these - I wouldn't say outlaw but slightly marginalized - traditions and pulled them into the front and center of museum culture.

And if I do, lashing out for me is creating this. The Soundsuits hide class, gender, race, and they force you to look at the work without judgment.

There is not a day that people aren't calling about his work or museums interested in putting on shows. I think it's what's called a 'luxury problem,' but we've been having to turn down museum shows.

In the past few years, as they come to market, more and more people recognize that not only are they incredibly beautiful sculptural works that have a performative history, but they are also an investigation into each of the stories for the impetus for their creation.

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Nick Cave's Soundsuits - What you should know

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It was a very hard year for me because of everything that came out of the Rodney beating. I started thinking about myself more and more as a black man - as someone who was discarded, devalued, viewed as less than. I started thinking about the role of identity, being racially profiled, feeling devalued, less than, dismissed.

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2015, wire, bugle beads, buttons, sequined appliqués, fabric, metal, mannequin, 261.6 x 81.3 x 53.3 cm (103.0 x 32.0 x 21.0 in.)

I like the way he chose the material from experience and exploration of learning, random thing to represent the main element of the whole costume, a shell of marine life hide the identity of people who wear this suit.

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Nick Cave – Soundsuit, 2011, mixed media, 121 x 42 x 33 in

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Nick Cave – Soundsuit, 2011, mixed media, 121 x 42 x 33 in

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https://www.artsy.net/artwork/nick-cave-soundsuit-25

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extended play
7 Oct 2016

I don’t ever see the Soundsuits as ‘fun,’ they’re really coming from a very dark place.”

Nick Cave

https://art21.org/artist/nick-cave/

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Art21 is a celebrated global leader in presenting thought-provoking and sophisticated content about contemporary art, and the go-to place to learn first-hand from the artists of our time. A nonprofit organization, Art21's mission is to inspire a more creative world through the works and words of contemporary artists.

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Split 32 days in to 4 routine
Each routine could be flexible according to the real situation.
Blog recording per routine
(Plan to use 3D model for final outcome, nomad practice through whole break)
8 Dec- 15 Dec: Exploration and exhibition visiting
16 Dec- 23Dec: Secondary research on artist, viewed novel and film

Dec 24- Jan 1: Flexible time for sketch and nomad

Jan2-Jan8: summary info, pdf set up
Articles relevant to AI, Dystopia and Utopia

Expectation: full blog with 2052 world inspirations
Nomad practice models for 3 scene
More sketches for 2052 world

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Identify Key words research in title

Expanding narrow shift

Lib search

Fine relevant research from book, identify

Evaluate sources

How to fit research when why where how who

View the table of the content

Check the Bibliography from relevant books or article

Index

Database

Credo general reference

Database within text

Exhibition

Library-artstor-org.arts.dim.oclc.org

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3 images show specific scenes in 2052
A meal
A costume
A domestic room

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Porcelain steel and adhesive

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Pie #1, 2020
Reduced puisaye stoneware with titanium, oni- shino and pine ash glazes

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Installation view of Brie Ruais, "Movement at the Edge of the Land," 2021. Courtesy to Moody Center for the Arts, Houston and albertz benda gallery, NYC. Photo by Nash Baker.

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Expand more on graffiti (details, more quick sketch, intaglio art)
More photo
Relevant with the pub
Artifact: Magazine collage, scan, edit, add more details

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Create new mood in pics

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Texture, zoom in details
Quick sketch

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Roomy pub in 1960s- built complex with broad column and tiled floors,  offering an electric bar menu.

Our history: Metro Central Heights is the former headquarters of the Department of Health and Social Security. Purpose built in the early 1960s, it covers the site of the long-standing Rockingham Arms. From towards the end of the 19th century, this site was occupied by the Tarns Department Store and the Isaac Waltons Store after that. The emporium was destroyed during the 40s’ Blitz, like the long-standing Rockingham Arms pub, on the corner of what is now Metro Central Heights.

https://www.jdwetherspoon.com/pubs/all-pubs/england/london/the-rockingham-arms-elephant--castle

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Cupboard
Tape, iron wire

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Texture and pattern inspiration

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Ethnographic
Psycho geographic

Written sentence
Quick on site sketches
Artefact