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on 03/10/2024 I emailed Lewis asking if he'd like to present our show

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On 03/10/2024 Lewis accepted the role of presenter and I emailed him back about the idea of a meeting.

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When visiting the science centre on 4/10/24 I found a book that had information on the Garden Festival

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When visiting the science centre on 4/10/24 I found a book that had information on the science centre

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On the 04/10/2024 I visited the Science Centre and spoke to the staff at Glasgow Tower. After the staff helped me with some research they took my details to pass on to the media team. Still waiting to hear back.

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Held a group meeting requesting all paperwork to be done by next Tuesday 29th October.

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05/11/24 - Tech rehearsal with presenter

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05/11/24 - Tech rehearsal with presenter

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Overall a decent rehearsal, highlighted a lot of flaws that I now know what to fix. Paperwork not completed by group, had to do it all myself in the end. Nobody brought their hard drive either, so I had to spend precious time helping transfer prompter script and VTS in the rehearsal set up, would have liked more time to brief the cameras and presenter. Mia Z wasn't in and is camera 2 for my show, I would like to try and have another small rehearsal if possible just to practice camera movement since she wasn't in and get Lewis more familiar with queues. Need to focus on set building next.

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Held a tech rehearsal for Line of Duty 1. Had both actors and hair and makeup attend. Went really well, highlighted a couple extra kit requirements that I booked for the real shoot (stands for the reflectors, extra batteries)

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Went to Helensburgh Police station to enquire about any filming locations for Line of Duty shoot and also about borrowing police uniform for Happy Valley. Unfortunately the Helensburgh police station isn't suitable for filming (kind of knew that already) but they told me to potentially ask in Clydebank (they said no) they couldn't think of anywhere else unfortunately. As for the uniform they told me to get in contact with Inspector Symonis (works 9-3, Monday-Wednesday) who might potentially let us use uniform that doesn't have POLICE on the back of the vest.

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Created lighting tech notes

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Lighting Studio notes - Colour Correction

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Lighting Studio notes - Colour Correction

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Erin replaced Kyle in our group, so I briefed her on our project. I’d began to do a couple bits for Kyles role anyways since he’d never been in so I handed it over to Erin.

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An Act of the Scottish Parliament to amend the law in relation to marriage, divorce and the jurisdiction of the courts in certain consistorial actions; to amend the Matrimonial Homes (Family Protection) (Scotland) Act 1981; to amend the law relating to the domicile of persons who are under 16 years of age; to make further provision as respects responsibilities and rights in relation to children; to make provision conferring rights in relation to property, succession and claims in damages for persons living, or having lived, together as if husband and wife or civil partners; to amend Part 3 of the Civil Partnership Act 2004; to make further provision in relation to persons entitled to damages under the Damages (Scotland) Act 1976; to make provision in relation to certain rules of private international law relating to family law; to make incompetent actions for declarator of freedom and putting to silence; and for connected purposes.

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People in Scotland regularly use the term "common law wife" or "common law husband". These terms in fact belong to a time long forgotten where co-habitation was frowned upon and unmarried couples often held themselves out to be married to friends, neighbours and even family members. Long ago, the common law of Scotland protected such couples upon separation or death. However, for the common law to apply couples had to prove that the wider community, in fact, believed them to be married.

While modern attitudes saw the demise of the common law, the position of modern co-habitants was not codified until 2006 with the advent of the Family Law (Scotland) Act that year. In terms of that Act, co-habitants now have rights in certain property; have the right to apply for financial provision following separation, and; have the right to apply for a share of the Estate in the event of the death of their co-habitee. The Act does not, however, place co-habiting couples on the same footing as married couples. Co-habitants still do not have the same rights as married couples and, even now, almost 13 years after the coming into force of the Act, recent Court decisions continue to demonstrate that co-habitees' rights still fall short of those enjoyed by their married counterparts.

In addition, upon separation or death, co-habitees have very strict time limits within which to present their claims. Upon separation, claims must be presented to the Court within one year and following death, claims must be presented to the Court within 6 months. Co-habitants must not allow the time limits to pass while negotiations continue. To do so, is fatal to their claims.

It is also important to note that co-habitants only have claims on death in the event that their co-habitee did not leave a Will. Where there is a Will, the deceased's estate will be distributed in accordance with their Will not withstanding the terms of the 2006 Act.

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People in Scotland regularly use the term "common law wife" or "common law husband". These terms in fact belong to a time long forgotten

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What Are the 5 Love Languages®?

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The premise of The 5 Love Languages® book is quite simple: different people with different personalities give and receive love in different ways. By learning to recognize these preferences in yourself and in your loved ones, you can learn to identify the root of your conflicts, connect more profoundly, and truly begin to grow closer.

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Bob Langley reports on the Pussy Cat Club, a group formed by women who do not agree with sexual equality and think the role of a housewife should be to pamper and serve her husband. The club also teaches single women about what they view as 'feminine graces', such as flirtation, as well as household tasks like wine making, so that they too can fulfil the role of a 'Pussy Cat' one day.

Aspects of this programme reflect the time when it was made.

BBC Archive: Originally broadcast 7 April 1970.

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BBC Archive 1970: Pussy Cat Club - Nationwide

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Bob Langley reports on the Pussy Cat Club, a group formed by women who do not agree with sexual equality.

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Made prison bars out of cardboard and painted it black. Had to destroy part of it to make a mini version on location to try and problem solve a shot (it didn't end up working) but forgot to take a picture before destroying a part of it so only have this.

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The mini bars, mentioned previously ^

I also helped Erin use photoshop to recreate the police documents.

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Helped all crew plan a route to travel to the location

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Made sure everyone knew the details for our production meeting

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After the cafe last minute said we couldn't film there, I decided to phone the Bethesda Church who have a small cafe. The lady took my details but she told me it was probably unlikely. Unfortunately I had to go to work so I couldn't keep looking for locations, but when I was at work my group decided to film in Robyn's house so it was okay.

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For Happy Valley Chris booked the kit, although when I double checked it for him I realised it was wrong and that some of the kit was booked for different days, so I helped him change it.

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Chris was late to upload the shooting script for the actors to have for the rehearsal so I made one incase he didn't. He did in the end but when we looked at it in the rehearsal it wasn't edited, it was just the script template printed? So we ended up using my shooting script, so I was glad I made a backup.

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I helped a lot with the general set up of the room, scrunching napkins to go not the plates (even eating the sandwich to make the crusts), wrote down a coffee board for the background. Despite being boom operator I actually helped a lot with camera, Helping set up the dolly tracks and moving the tripod, helping frame shots etc. Helped as best I could with lighting but it is definitely my weakest role. Boom operating went well, I had no issues pop up on the day. Tentacle sync worked this time round, I went through the set up for ALL equipment step by step to double check EVERYTHING. At the end of the shoot I helped to pack everything away and was overall pleased with the shoot. I think the only issue was losing daylight, having shot facing a window.

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I researched colour grading videos to teach me how to colour grade

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After researching artefacts from the garden festival, the floating tap was a piece that stood out to me. The optical illusion was going to be tricky to pull off but I knew if I managed to do it it would work really well on stage

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Unfortunately despite attending the rehearsal and knowing the recording date, my presenter wasn’t available for the shoot. Giving me less than 24 hours notice I managed to get a new presenter up to speed with the script and guests and keep the show going

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After months of the science centre being unsure whether they’d be able to attend I came up with a back up plan of stem students that would be able to cover both topics of science and young people.

The Rector last minute said he couldn’t come but I managed to persuade the school to send another member of staff in his place, luckily we got the deputy. However in this moment of uncertainty I also got another guest incase that plan of persuasion fell through and got a lecturer from Glasgow uni. The last minute changes all happening at once was overwhelming but I think I managed to think strategically and calmly.

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Communication with my guests was great. I asked if they had any relevant footage/pictures I could use and they were kind enough to give me some. This was especially useful for the garden festival as it was from the past, so I’d struggled to source my own footage

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Jack, Ceri and I filmed extra footage at Strathclyde for Kirsten and Kiera’s section of the show.

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Ayann Qureshi:

Showed a variety of different projects however I don't think it was their strongest work selected. For example the colour correction sections camera pan was very shaky and the red chairs were far too saturated. The transitions used between clips were a bit too distracting and flashy. The title fonts were tricky to read as well. Interview audio was good.

Chloe Thomson:

Used a well fitting song for the background. Clips were cut well to the beat. Kept your attention throughout, with a creative use of effects. Showed a variety of skills without it being too in your face, clips used were strong. Contact details should've been put at the beginning.

Erin Mair:

Visuals used were strong, audio was clear. Pacing was good, never felt it dragged on. Swearing was used which could be taken negatively. Red font was used for contact details which was hard to read.

Gabriel McNeill:

Good use of masking with titles, strong visuals selected. Pacing was good. Swearing was used which could be taken negatively. Audio effects were added over the top which added to the immersion.

Finlay Mobeck:

Colour grading in the beginning clip was very blue. Song used is a very generic TikTok song, unsure whether it's copyright free. Visuals were strong, audio was clear.

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Put little reminders on everyone’s scripts

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Put little reminders on everyone’s scripts