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Drummer

Bandleader

Yo, I am Senaru! I am a drummer and percussionist. I have been playing drums for more than 6 years and percussion for more than 7 years. I love to play any kind of genre, as I like to challenge myself and learn more. I get my inspiration for drums from reggae and Sinhalese pop from Sri Lanka. And for percussion, I get inspiration from Latin and reggaeton music. I like to mix my percussion experience into my drumming as well.

My end goal is most likely to get into studio work like mixing and mastering. But at the same time I love to perform with my friends and bandmates. although i might not go into the performance side I would still to continue performing as a hobby (who knows what would happen hehehe).

When it comes to performing, my goal is to get better as much as in my instrument and get more experience when playing with different other people.

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HIVI! is a band originating from Jakarta, Indonesia that started around 2009. When HIVI! first appeared on the music scene, the Jakarta-based group quickly released their debut album titled Say Hi! To HIVI!. Their first single, “Indahnya Dirimu,” became quite well-known and tells the story of two teenagers falling in love at first sight.

Not long after, in 2015, HIVI! released another single called “Siapkah Kau ‘tuk Jatuh Cinta Lagi” under the Seven Music label. This song significantly boosted their popularity, as it was widely recognized by the public.

Three years later, HIVI! released another album titled Ceritera. In this album, they collaborated with guitarist Tohpati as the producer and explored a variety of genres, ranging from pop ballads to rock.

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Merci, by Ryan Pynam is a French song with the theme of being thankful, staying emotionally connected, and the bittersweet feeling of saying goodbye.

It shows the singer’s deep appreciation for the people (friends or family) who have always been there, through both the good and the tough times. The lyrics look back on those shared memories with warmth, and even though the singer has to leave to chase their dreams, there is this strong belief that the love they share will still stay the same, no matter the distance.

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Pop music started to become popular in Indonesia around the 1960s. Teenagers and lots of people enjoyed it because it sounded fresh and fun. Pop music uses instruments like the guitar, bass, drums, and piano.

Between the 1950s and 1970s, Indonesian music began to change. Old styles like kroncong mixed with music from other countries, like rock and jazz. This mix created a new, exciting sound.

In the 1970s, a famous band called Koes Plus became very popular. They were one of the first pop and rock bands in Indonesia. Their songs were easy to remember and fun to sing. They also tried many different music styles.

Over time, Indonesian pop music grew into two types which are Children’s pop, which has simple words and teaches good lessons and Adult pop, which talks about things like love, the world, and people's lives.

In the 1980s, pop music became more modern. Singers like Chrisye and Vina Panduwinata made songs in the Indonesian language and talked about local stories and feelings.

The 1990s were a big time for pop music in Indonesia. Bands like Sheila on 7, Dewa 19, and Gigi made lots of love songs and became very famous.

In the 2000s, styles like pop-rock and pop Melayu (Malay-style pop) became popular. Bands like Peterpan and Ungu got more fans, helped by TV and the internet.

From the 2010s until today, new singers like Raisa, Tulus, and Pamungkas became stars. Pop music also got new influences from K-pop (Korean pop) and indie music. Now, Indonesian pop is full of fun, emotion, and is a big part of life in Indonesia.

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The world of French music: Afrobeats and rap. (2024, October 28). Project Frafrica. https://projectfrafrica.blog/2024/10/21/the-world-of-french-music-afrobeats-and-rap/

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Satu-satunya, by HIVI! is an Indonesian song with the theme of love and romantic relationships.

This song is actually meant to encourage people who often feel insecure about themselves—those who don’t feel confident enough to make changes because they feel different or not good enough. The song conveys the message that every person has their own strengths and weaknesses. There is definitely something special in each individual. That’s why we need to believe in ourselves—that we’re capable of facing each day and overcoming daily challenges. And most importantly, believe that we are valuable.

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HIVI! - Satu-Satunya (Official Lyric Video)

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This song starts with conflict/insecurity (tension), then it moves toward reassurance(resolution), lastly ends with affirmation and celebration of lasting love (emotional climax)

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The intro, verses and bridge share the same chord progression

The song does not start with the tonic chord of G Major, instead the vi- chord, which is still common

Common chord progression found was 6-4-1

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Our first choice is "Satu-Satunya" by HIVI!, an Indonesian pop ballad infused with a funky groove and infectious rhythm. Its soothing melodies and steady, upbeat tempo invite listeners to move their feet and lose themselves in the music, creating an atmosphere of joy and celebration. Lyrically, the song conveys a powerful message in which that true love endures through change and challenge. The lyrics emphasize that the beloved remains the only one or one of a kind. Its relatable themes and melodic structure offer us, the band, an opportunity to connect with audiences on a personal level, highlighting the song's enduring appeal in contemporary Indonesian music.

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Members

The original lineup included:

Ilham Aditama (vocals)

Febrian Nindyo (guitar/vocals)

Dalila Azkadiputri (Dea) (vocals)

Ezra Mandira (guitar/vocals)

Line-up Changes

Dea left the band in 2016 and was replaced by Neida Aleida.

Ezra Mandira departed in 2023.

In early 2025, Keisha Cinantya officially joined as the new vocalist, replacing Neida, who had stepped down the previous year.

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Tempo: 125bpm

Time: 4/4

Genre: Disco Pop

This song follows a conventional pop Structure, which makes it easily to follow along, reinforces the song's core message, and creates space for emotional build-up

It follows a classic pop structure: intro – verse – pre-chorus – chorus – bridge – outro, keeping the momentum and emotional dynamics flowing throughout the song.

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Repetition: same chorus and pre chorus throughout

Variation: Melody of verse 2 is different from verse 1, backup vocals harmony of chorus 2 is different from chorus 1

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Yee Xiao You - Asylum cover by Brendan Ross [Saxophone Solo] (Transcription)

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Yee Xiao You - Asylum cover by Brendan Ross [Saxophone Solo] (Transcription)

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https://youtu.be/1VlCXlQU4oM?si=tV5gRoG2-Ey_E2j8&t=70

1:10-1:56

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Full Name: Pynam Quinsley Ryan

Career: Singer

Debut Year: 2014

Albums/Originals:

1.⁠ ⁠Merci - August 2022

2.⁠ ⁠⁠Secret Santa - December 2023

Awards/Achievements:

1.⁠ ⁠Dewan Dan Pustaka PALMA - Juara

2.⁠ ⁠⁠International Children’s Peace Prize - Finalist

3.⁠ ⁠⁠The Giving Sunwayian Award

4.⁠ ⁠⁠1.5M views on TikTok

Label:

1.⁠ ⁠Kenny Leonore Production - 2021 - 2023

Ryan composes and makes covers quite often. He usually works on songs and creates his own interpretations of them. When he feels overwhelmed, he finds comfort in sitting down to write. After performing for two and a half years in Malaysia, Ryan has learned to accept and love himself more through the eyes of his audience. He realized that by showing them all of his small cracks and emotions, they connect with him more deeply. This experience has helped him embrace his differences and scars, growing to love who he is as a person. As a result, his upcoming songs will focus more on himself and his emotions. If given the chance to try something totally new in his music, Ryan would explore Chinese and Korean Pop, though he is still working on mastering the languages.

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A modal interchange of V-7b5 and bVIImaj9 was found in the pre chorus

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Lyrics in French

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The chorus finally starts with the tonic chord (G Major)

Common chord progression of 2-5-1 was found

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1. Universal Music Indonesia
2012 – 2015

Debut album: Say Hi! To HiVi! (2012)

Known for launching their early hits like “Indahnya Dirimu.”

2. Seven Music
2015 – present

Second album: Kereta Kencan (2017)

Third album: Ceritera (2019)

Continued to release singles and projects under this label.

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Keyboardist

Backup Vocalist

Studio Booker

Kon'nichiwa! I'm Xiao You, a keyboardist and backup vocalist for band 3! I love to perform at gigs and competitions. I started my own band playing musicals from Wicked and Hamilton this year and left with champion in both APU and Sunway's Battle of the Band! I used to play Jrock a lot, but as time past and everyone comes and leaves, I met a new bunch of people this year to explore new genres of music with me, like indie, Neo soul and musicals!

Though I may look like I only play keyboard often, but I do sing as main vocalist in outside gigs. It's just that I think there's a higher demand of instrumentalist than vocalist, and I can't find enough keyboardist to play for me as well. And that's when I started learning to sing harmonies, playing and singing was a really a good skill coz I helped a lot of my other bands with one singer to elevate their song just because of the vocal harmonies :)

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Our band name 'Groove Atlas' symbolizes a musical journey across styles and cultures, putting out ryhthms and emotions from around the world. It suggests the band is both rooted in feel-good music and open to global infulences.

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Keyboardist

Music Director

Hellooo I'm Zac. I am the keyboardist for this band. I have been in love with music ever since I could remember. Before I join this course I never even know what is contemporary keyboard playing as I have only learnt Classical piano up to grade 2. But I am very happy to be able to stumble into this course and meet my wonderful friends, where we could grow our music knowledge together and make meaningful connections.

In my future endeavours, I wanna be a full-time music producer, maybe even try singing. I will work hard and keep on learning to improve myself and reach my goals!

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Satu-Satunya

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HIVI! - Satu-Satunya (Official Lyric Video)

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Guitarist

Greetings, I am Adam, I am the guitarist for the band. I only started playing the guitar when I joined this course. Even though I was slow to music theory and live performance throughout the the beginning, I can see some improvements that I have made. I plan on further improving on this especially on soloing for this current semester. Main problem was playing with confidence, however now I'm focusing on to continuous playing without caring if I played incorrectly as long as I don't stop. By the end of the semester I hope to see huge improvements in my play styles especially by playing smoothly and confidently.

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Vocalist

HIIII I'm Grace. I am the vocalist of this band. After joining CMAT, I started to love more genres of music other than pop and ballad. I realized that other genres like jazz, reggae and funk are also very good and fun to play. Recently, I also started to have acoustic gigs outside of the campus. I hope that I can be a better vocalist and a musician to reach more milestones. For me, reaching small milestones helps me to gain more confidence, and it is something that gives a dopamine boost for me to do more productive things.

I hope in this AM I can be better than my last AM's performance in terms of my breathing stability, intonation and vocal placement.

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Translations:

You said I'm not the same
Not like I was at the start
I said maybe it’s just in your mind

Something that someone said to their partner

The lyrics shows that someone feels insecure and feels like their partner have changed

Their partner reaffirm them saying that they think too much

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Merci (ver.3)

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symbolises personal reflection on good and bad moments in the past

"You did not let me fall" reflects the idea of protection from loved ones, possibly family or close friends

acknowledges the role of “you” in preventing the singer from breaking down during difficult times

emphasises the deep importance of "you" in the singer's life

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the word "fallen" here is used again but with a different meaning, it shows that the singer is feeling despair as he has to leave his loved ones behind

Verse 1b shows the sadness of singer due to the separation of him and his loved ones, but he will forever remember their moments together

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"Thank you" being the direct translate of this song title "Merci" shows the theme of the song - showing gratitude to his loved ones

the chorus reveals the reason behind the separation of the singer and his loved ones

the singer is leaving behind his loved ones, leaving behind their memories, as he chase after his dreams

Chorus 1 shows a strong love bond between the singer and "you" because of the phrase "But even from afar, the love remains the same"

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Verse 2 reveals the rationale behind the writing of the song, implies that words may not be enough, so music becomes the true language of emotion

the singer finally accepts his faith, and just hoping for reunion, even if symbolically (their bond never truly breaks, even in absence)

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the first phrase "When I have to go" shows that the singer has not actually left his loved ones yet, anticipating the moment of departure

the song is being sung in the present, during the final moments before parting

The bridge captures a mix of emotions: sadness from having to leave, and joy from the strength and support that loved ones have provided

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all the choruses actually repeat its lyrics, reinforcing the core message of gratitude and love, but this time, it is delivered with more finality

the same chorus that repeated 3 times also shows that the singer is trying to hold on a little longer, repeating the words as a way to delay the moment of goodbye emotionally

the last chorus was extended with the same phrase "the love remains the same" 3 times excluding the outro

the repetitive emphasis at the end, signals the singer’s faith in unbreakable bonds

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The melody is not memorable because there is no exact repeated melody line in one section

The melody changes across the song, even verse 1 and verse 2 sounds totally different but they share the same chord progression

The average interval used in verse is major 3rd, while pre-chorus has a few major 4th interval, while chorus has more bigger intervals like major 6th, minor 7th and minor 6th

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Instrumentation

Electric Guitar: Plays subtle chordal textures that add rhythm and depth without overpowering the vocals.

Bass Guitar: Provides a steady foundation with warm, rounded tones. It is lock in tightly with the drum's groove.

Keyboards/Piano: Adds soft harmonic support with sustained chords and melodic fills that create a mellow atmosphere.

Drums & Percussion: The side stick on the snare stands out, playing a syncopated rhythm throughout the song, especially during the verse and chorus, giving the groove a relaxed yet driving feel.

Vocals: Ryan’s expressive lead vocals are supported by lush backup vocals, especially in the pre-chorus and chorus, creating emotional intensity and fullness.

Timbre (Sound Color)

Overall Feel: The sound is warm, intimate, and heartfelt, evoking sincerity and emotional depth.

Mix of Sounds: Combines acoustic elements like piano and guitar with soft rhythmic percussion, resulting in a soothing and soulful texture.

Vocal Quality: Smooth, emotional, and slightly raw. The lead voice carries vulnerability, while layered backing vocals enrich the emotional tone of the song.

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Lead vs backup: The harmonies are arranged with 3rds and 8ve apart during choruses

Many use of call-and-response

Dynamics: Towards the second half of the song, more higher pitch harmonies were used to increase vocal intensity

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The tempo is constant throughout the whole song

Intro: Keys only

Verse 1: drum loops, backup vocals (fills), guitar and bass

Pre-Chorus 1: keys changed to piano (many lines), guitar and backup vocals were removed

Chorus 1: all instruments played and backup vocals were heavy and separated into fills and harmonies

Verse 2: (same as Verse 1)

Pre-Chorus 2: Heavy backup vocals and guitar were removed

Chorus 2: All instruments enter, but the melody changed with more higher peaks

Bridge: First half only drums and pads, second half bass enter

Chorus 3: (same as Chorus 2) but repeated once more

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The Melody of this song is straightforward, most of the melody follows the chord tones. And the notes follow the structure of the song where the chorus have higher notes for more dynamic.

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The harmony includes rich and jazzy chords which sets a warm, romantic tone to the song. For example in the 1st verse.

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Indonesian Choice Awards

2016: Nominated for Song of the Year with “Siapkah Kau Tuk Jatuh Cinta Lagi”

2016: Nominated for Band/Group/Duo of the Year .

Dahsyatnya Awards

2017: Nominated for Outstanding Song with “Pelangi” .

2017: Nominated for Outstanding Duo/Group

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French Afrobeats is a vibrant musical genre that blends West African Afrobeats with French urban music such as rap, R&B, and pop. It emerged in the early 2010s, driven by the strong African diaspora in France, particularly from francophone countries like Senegal, Mali, and Côte d'Ivoire. As Nigerian and Ghanaian Afrobeats gained international popularity, French artists began incorporating these Afro rhythms into their own sound, creating a unique fusion style.

A key figure in the rise of French Afrobeats is MHD, who pioneered the “Afro Trap” genre by mixing African rhythms with trap beats and street rap. His viral series “Afro Trap” helped popularize the genre among French youth. Around the same time, artists like DJ Arafat (from Côte d’Ivoire) influenced the scene with Coupé-Décalé rhythms, which were widely embraced in Paris nightlife and among the diaspora.

Other artists like Aya Nakamura, of Malian descent, brought Afrobeats to the mainstream with international hits like “Djadja,” blending Afropop with French R&B. Naza, Vegedream, and Gradur also infused Afro rhythms with humor, danceable beats, and urban lyrics, contributing to the genre’s popularity. Meanwhile, Tayc and Dadju added a romantic, R&B-flavored twist to the style, often dubbed “Afrolov’.”

Today, French Afrobeats has become a commercial and cultural force across Europe and Africa. Artists frequently collaborate with international stars and dominate streaming platforms and social media, particularly through dance trends on TikTok. The genre reflects the multicultural identity of modern France and continues to shape the global Afrobeats movement.

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Instrumentation

Electric Guitar: Uses a funky, rhythmic style to create an upbeat feel.

Bass Guitar: Provides a bouncy groove that drives the rhythm. (Especially during the Prechorus part where the bass "walks" on every beat)

Keyboards/Synths: Add warmth and fill out the chords with a smooth, gentle sound.

Drums & Percussion: Keep a steady, danceable beat.

Strings & Brass: Enhance the song with richer layers and retro accents.

Vocals: The male and female voices blend together, adding emotion to the track.

Timbre (Sound Color)

Overall Feel: The sound is warm and nostalgic, like 70s disco and funk.

Mix of Sounds: Combines natural, organic sounds (like guitar, strings, and brass) with smooth electronic textures (from keyboards and synths).

Vocal Quality: Smooth, which ties the entire sound together.

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Ryan didn’t grow up in a musical family. His two brothers were into sports, and that kind of shaped the environment at home. His parents believed that every child should have a hobby, so between the ages of 8 and 10, he tried a bit of everything, like karate, football, all sorts of activities. But none of them really clicked. At that time, music wasn’t even something he considered seriously.

Still, music was always present in the background. At home, there would be music playing during Sunday chores, and occasionally he’d sing at family gatherings. But it wasn’t anything anyone paid much attention to, not him, not his family. It was just there.

Part of the reason music wasn’t seen as an option was because music education in Mauritius, where he’s from, is expensive. It’s viewed as a privilege. Coming from a lower-income household in a modest neighborhood, access to music lessons simply wasn’t realistic.

That all changed when he was about 10 years old. A South African pianist, a professional recorder player, came to his area and started an NGO. Her goal was to make music education accessible to kids like Ryan. She began by teaching the recorder, which was the most affordable instrument, and thanks to a sponsor, each student got one for free.

His mom was hesitant at first, but about a year later, Ryan joined. He started learning the recorder and eventually became part of the NGO’s choir. At the beginning, choir wasn’t compulsory, but over time, it became integrated into the program. Every weekday after school, from around 3:30 to 6 p.m., he’d go straight to the NGO centre for music sessions. It became a consistent part of his life, something he looked forward to, something that gave him a sense of direction.

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History of Indonesian pop music. (n.d.). https://www.playlistresearch.com/article/indonesianpop.htm

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Adinugraha, S. (2016, July 15). Sejarah musik pop Indonesia – KelasMusik.Com. https://www.kelasmusik.com/sejarah-musik-pop-indonesia.html

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Lagu Anak Anak | Balonku Ada Lima dan Lainnya

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Raisa - Tak Berharap Lagi (Official Lyric Video)

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Pangerang, A. M. K. (2022, January 31). Sudah 13 Tahun Berkarya, Ini 5 Fakta Menarik tentang HIVI! KOMPAS.com. https://www.kompas.com/hype/read/2022/01/31/095759666/sudah-13-tahun-berkarya-ini-5-fakta-menarik-tentang-hivi

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Siapkah Kau 'Tuk Jatuh Cinta Lagi - Hivi!

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Siapkah Kau 'Tuk Jatuh Cinta Lagi - Hivi!

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HIVI! - Siapkah Kau 'Tuk Jatuh Cinta Lagi (Official Lyric Video)

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Translations:

You said I don't care
Not like I did the first time
I said don't be doubtful all alone

Someone is insecure about their partner being ignorant and not as good as before

Their partners also reaffirm them again by telling them to not be doubtful

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Translations:

Why, oh why
Is there so much doubt in your heart, my love?

It is a very straightforward question asking them about why they are being doubtful, usually this kind of sentence shows that their partners love them so much that they don't understand why their lovers have so much doubt.

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Translations:

Listen, you are the only one
Among all who’ve ever touched the depths of my soul
And there will never be another
One is enough—only you are the one and only

In the chorus, the ones who were being doubted uses beautiful words to describe their love, mainly to reaffirm their doubtful love ones.

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Translations:

You said you've changed
Used to be skinny, now like an elephant
I said every human changes

Verse 2 indicates that the doubtful person feels insecure about gaining some weight, but their partner comfort and reaffirm them by saying "It's okay to gain weight, everyone changes"

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Translations:

Humans are created in pairs
To love each other, to trust one another

The Bridge part is a part where the writer wrote a good message about love and that we should love and trust one another

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Tempo: 93 bpm, ideal for dancing

Time Signature: 4/4

Groove: Afrobeats, with syncopation and emphasis on off-beat side stick

There's a lot of syncopation happening with vocals and drums.

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The phrase "Mengapa" repeats for 3 times in the prechorus, making it very fun and easy to sing.

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HIVI! - Satu-Satunya (Cover Band Strange Arrangement) by Sub-Record Studio

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On the other hand, "Merci" by Ryan Pynam is our senior song choice, offering a contrasting but complementary tone. This contemporary R&B track is rich with emotive harmonies, soulful melodies, and a minimalist yet impactful arrangement. The subtle instrumentation provides space for Ryan Pynam’s vocals to shine, capturing the emotional essence of the song. Lyrically, "Merci" explores themes of gratitude and heartfelt acknowledgment, potentially directed toward a loved one or an important figure in the singer’s life. The song’s sincerity and emotional resonance make it an ideal song for us performers to express vulnerability and depth, inviting the audience to reflect and connect on a more intimate level.

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In the verse, the melody are written in call & response method.

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During the interlude section which are the synth strings solo. There are instances of secondary dominants. This perks the listeners ears as it adds some colours to the progression.

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In the bridge after the synth strings solo section, the acoustic guitar is used to play some lines. This transitions the listeners to feel more of the organic instruments sound from the previously rich synth instruments.

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Together, these two songs present a well-rounded and dynamic setlist that showcases the range of our musical abilities. From the lively energy of an upbeat pop ballad to the tender nuances of an introspective R&B piece, they allow us to demonstrate our versatility as performers, while also engaging our audience through both joy and emotional depth. Through this selection, we aim to not only entertain but also create lasting emotional impressions, resonating with listeners through rhythm, melody, and meaningful storytelling.

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At the outro part of the song, the the sung melody is repeated 3 times to give the sense of finality and familiarity.

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This song neither with a bang nor a suspense feeling, instead it uses Fade-out technique to end the music, to retain the 80s disco music vibe. By using this technique, the song maintains the groove and let the listeners to enjoy the music until it is slowly fade away.

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Senaru Thathsara Rathnayake - Bruno Mars Drum Solo SuperBowl Halftime show (Transcription).

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Senaru Thathsara Rathnayake - Bruno Mars Drum Solo SuperBowl Halftime show (Transcription).

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https://www.youtube.com/watch?v=2UUTUSZjPLE&ab_channel=mistervalido

0:00 - 0:30

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Senaru Thathsara Rathnayake - Bruno Mars Drum Solo SuperBowl Halftime show (Video).

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Senaru Thathsara Rathnayake - Bruno Mars Drum Solo SuperBowl Halftime show (Video).

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Yee Xiao You - C.H.R.I.S.Y.E by Diskoria [Strings, Brass and Flutes] (Transcription)

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Yee Xiao You - C.H.R.I.S.Y.E by Diskoria [Strings, Brass and Flutes] (Transcription)

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https://youtu.be/ThYGrYiyvA8?si=xObV3Se6hhCAxelu&t=191

3:12-3:47

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Interview session with the artist, Ryan Pynam

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Though the motif (a short musical ideas) only developed by changing two notes, it gives an emotional impact to the listener because it was the climax of the song

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Showing contrast between Pre-chorus and Chorus

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There's a contrast between pre-chorus vs chorus in terms of instrumentation and phrase lengths

Pre-chorus has lesser phrase, more rests whereas Chorus is busy with a lot of call and response and phrases happening right after one another

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The call and response between vocals are shown in Chorus in the previous post (refer to the video)

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Every pre-chorus was building tension gradually through harmony, dynamics, layering and then resolving it in a chorus

It involves rising melodies and chord substitutions

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There are NO modulations in this song

Chord substitution: replacing a basic chord with something more colourful by using using sus, dim and 7th chords

Secondary dominants and modal interchange were also applied for harmonic interest

More of this technique are seen in pre-chorus

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Showing Different Layers between Choruses and Bridge

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Adding or removing instruments/sounds across sections to shape dynamics and texture

This happens more obviously from Chorus 2 to Bridge (removed) then to Chorus 3 (added)

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A repeated melodic pattern was done by the backup vocals at every end of the phrase in Verse 1, which helps drive the groove and mood

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Music reflects the literal meaning of the lyrics

The melody rises on the word “Merci” at the second half of Chorus 3, highlighting the emotional release and sincerity behind the gratitude expressed

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The phrases are NOT EVEN throughout the entire song

This is called Free Form

This type of phrasing is unpredictable and flexible, which allows the song to feel more emotional and conversational

This is the composer's choice that’s effective in this context, as it mirrors the natural flow of speech and enhances the personal, heartfelt tone of the lyrics

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Yee Xiao You - C.H.R.I.S.Y.E by Diskoria [Strings, Brass and Flutes] (Video)

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Yee Xiao You - C.H.R.I.S.Y.E by Diskoria [Strings, Brass and Flutes] (Video)

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Yee Xiao You - Asylum cover by Brendan Ross [Saxophone Solo] (Video)

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Yee Xiao You - Asylum cover by Brendan Ross [Saxophone Solo] (Video)

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The original cover was actually Alto Sax but my VST range could not reach that high so the last three bars I switch to Soprano Sax instead

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Adam Kamaruddin bin Mikhail Raj - Benighted by Opeth (transcription)

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Adam Kamaruddin bin Mikhail Raj - Benighted by Opeth (transcription)

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https://youtu.be/RPUi2EFgvWU?si=-gfPOz-cqo-1RfVh&t=168

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Adam Kamaruddin bin Mikhail Raj - Benighted by Opeth (video) 

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Adam Kamaruddin bin Mikhail Raj - Benighted by Opeth (video) 

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1 week wasn't enough for 16 bars so I only did 8, from bar 17 onwards

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Grace Chong - It Could Happen To You by Chet Baker Scat Solo (Transcription)

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Grace Chong - It Could Happen To You by Chet Baker Scat Solo (Transcription)

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https://youtu.be/xqwZJwakaIk?si=drPqwUUkLW_aY2ND

1.22-1.58

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It could happen to you by Chet Baker Scat Solo

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Grace Chong - It Could Happen To You by Chet Baker Scat Solo (Video)

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Grace Chong - It Could Happen To You by Chet Baker Scat Solo (Video)

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Don't mind my facial expression, the notes are hard, it's not as easy as it seems

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Lee Min Zac - Here I am Again (Yohan Kim) (transcription)

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Lee Min Zac - Here I am Again (Yohan Kim) (transcription)

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Lee Min Zac - Here I am Again (Yohan Kim) (Video)

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Lee Min Zac - Here I am Again (Yohan Kim) (Video)

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Ryan applied to all universities in the world that offers the music course, surprisingly all accepted him. But it was at the time when he was offered a job to teach recorder at a secondary school, and he needed funds for education, only Sunway University waited for him to finish teaching for a year then only he entered Sunway and CMAT.

He was stepping into a space where he could grow, be challenged, and be fully himself as a musician. Now he has graduated, ending with a FYP recital where he showcases some of his originals and arrangements of classics this August!

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It was after Ryan joined many jam sessions in Malaysia, and the boss of Jao Tim noticed his abilities, contacted him to come perform in his restaurant. Ryan rejected at first because he wanted to focus on his CMAT academics more rather than performing. But after Jao Tim's successfully persuaded him, he managed to perform his first personal show at the end of year 2022 in Jao Tim, where he started to caught more eyes in Malaysia.

One of the challenges of working in the music industry in Malaysia, to Ryan, is the grey area. As he started to get more renowned, people started to question him whether as an international full time student, is he allowed to perform even with a work VISA? This has still been a very problematic issue that he is currently trying to resolve as his long term plan is to stay in Malaysia and work for at least 5 more years.

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Senaru Thathsara Rathnayake

Padlet Organisation

Meaning of band name

French Afrobeats.

Yee Xiao You

Artist 2 Background (Ryan Pynam)

Interview with Artist 2 (Ryan Pynam)

Lyrics & Music 2 Analysis (Merci)

Compositional Techniques 2 (Merci)

Grace Chong

Indo Pop

Artist 1 Background (Hivi!)

Lyrics 1 Analysis (Satu-satunya)

Adam Kamaruddin

Rationale

Lee Min Zac

Music 1 Analysis (Satu Satunya)

Compositional Techniques 2 (Satu Satunya)

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Senaru Thathsara Rathnayake - Keep yourself alive by Queen, Roger Taylor live drum solo (Transcription)

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Senaru Thathsara Rathnayake - Keep yourself alive by Queen, Roger Taylor live drum solo (Transcription)

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Senaru Thathsara Rathnayake - Keep yourself alive by Queen, Roger Taylor live drum solo (Video)

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Senaru Thathsara Rathnayake - Keep yourself alive by Queen, Roger Taylor live drum solo (Video)

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From 0.07seconds.

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Lee Min Zac - Random Synth Solo on YouTube

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Lee Min Zac - Random Synth Solo on YouTube

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https://www.youtube.com/shorts/0v9DoA7B1fA

0.10-0.47s

I think I haven't master the expression wheel, I only incorporated pitch bend.