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In Frankenstein, Mary Shelly uses sensory diction, uncertain tone, and dramatic cadence to show the monster's overwrought experience of coming into a new world

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In Frankenstein, Mary Shelley uses vivid imagery, symbolism, and flashback to show the creature's experience and reaction of coming into the world.

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In Frankenstein, Mary Shelley uses sensory imagery, a fearful tone, and cynical diction to show the creature's daunting first impression of the world.

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In Frankenstein, Mary Shelly uses intense sensory imagery, the motif of wonder, and stark changes in tone to show the overwhelming experience of the creatures introduction into the world.

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In Frankenstein, Mary Shelley's use of personification of the elements and an uncertain tone show how foreign all of these new sensations are to the creature as the world would be to a newborn.

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In Frankenstein, Mary Shelly uses sensory imagery, a curious tone, and linear sequencing to show how the monster reacted to being born into a new world and how he adapted to it.

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In Frankenstein, Mary Shelly uses sensory imagery, uneasy tone, and explicit symbolism to show the growth and adaptation of Frankenstein's monster.

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In Frankenstein, Mary Shelly uses vivid imagery, specific language, and chronological events to show the process in which the creature adapted to a strange and foreign world.

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In Frankenstein, Mary Shelly uses sad tones and imagery, and an anecdote to show the difficult process of the monster's learning of the real world.

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In Frankenstein, Mary Shelly uses rather dark imagery, flashbacks, and various forms of symbolism, to convey the monster's first impressions on his new world.

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In Frankenstein, Mary Shelly uses sensory imagery, curious and confused descriptions, and a frame story in the first-person perspective to demonstrate the similarity between monster and person, specifically one new to this world.

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In Frankenstein, Mary Shelly uses flashbacks, to weave an image of the past that may or may not be entirely true, this gives the monster a innocence since we see things from his perspective, it also uses imagery that depicts the world in a way from someone who does not understand it.

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In Frankenstein, Mary Shelly uses sensory imagery, dark shades of color, and linear thinking to show the peculiarity of the natural human world to someone who was made into rather than born into it.

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In Frankenstein, Mary shelly uses chilling diction, natural imagery and a helpless tone to convey the perspective of this creature being brought into an unfamiliar world.

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In Frankenstein, Mary Shelly uses repetitive syntax, chronological sequencing, and basic sensory imagery to illustrate the rapid and rudimentary nature of the monster's learning process

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In Frankenstein, Mary Shelley uses sensory diction, a sense of confusion, and an uneasy tone to convey the impression of the creature having an innocent and childlike view on his new world.

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In Frankenstein, Mary Shelly uses a dreary tone, darkened word choice and childlike descriptions of to show the monsters impression of the human world.

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In Frankenstein, Mary Shelley uses tones of fear as well as curiosity to help the reader understand the monster's childlike understanding of the world.

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In Frankenstein, by Mary Shelly, she uses dark imagery, hopeless tone, and motif of curiosity, to show the monsters first impression on the world he's been brought to.

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In Frankenstein, Mary Shelley uses the motif of wonder, colorful imagery, and a slightly fearful tone  to convey the creature impressions of the world similarly to a babies impression of the world

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In Frankenstein, Mary Shelley uses a curious tone, nature imagery, and symbolism to illustrate the creature’s first experience with the world he is now part of.

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In Mary Shelley's Frankenstein, sensory imagery, concrete diction, and a tone of vulnerability are used to convey the creature's impression of his life and world.

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In Frankenstein, Mary Shelley uses a first-person, chronological narrative and simple imagery to convey the impressions of the creature as a baby just learning about life and his world.

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In Frankenstein, Mary Shelley uses vivid imagery, a dark tone, and a feeling of curiosity to show the monster's first impressions of the world.