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Sandro Botticelli, The Birth of Venus, c. 1482

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Bright color, Non symmetrical, often focused on many people in a spacious background

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Hieronymus Bosch, The Garden of Earthly Delights, 1505-1510

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often zoomed out, not focused on anything but the detail and small depictions of many things are shown.

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Hieronymus Bosch _ Garden of Earthly Delights (Triptych, 1490) Canvas Gallery Wrapped Giclee Wall Art Print

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Michelangelo, Sistine Chapel Ceiling, 1508-1512

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natural forms used in geometric backgrounds

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Сотворение Адама — Википедия

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Circular lines

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Albrecht Dürer - The Fall of Man - Woodcut, 126x97mm - 1510

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Michelangelo, Tomb of Giuliano de’ Medici, 1519-34

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Central figures with other figures creating circular imagery around them

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Annibale Carracci, Ceiling Frescoes in the Farnese Gallery, 1597-1601

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3 areas of focus

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Triumph of Bacchus and Ariadne, 1597 - 1602 - Annibale Carracci - WikiArt_org

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Peter Paul Rubens, Arrival of Marie de’ Medici at Marseilles, 1621-25

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lines dividing the image

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Rubens, Peter Paul (1577-1640) - 1622-26 The Arrival of Marie de Medici at Marseilles (Louvre)

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dream like use of texture

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Rococo _ Definition, Art, Painting, & Characteristics

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Jean Auguste Dominique Ingres, Grande Odalisque, 1814

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use of light and shadow to highlight certain things

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Eugene Delacroix, Liberty Leading the People, 1830

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Dramatic use of light and shadow

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A Liberdade Guiando o Povo, Paris, França (La Liberté Guidant le Peuple _ Liberty Leading the People) - Eugène Delacroix

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Edouard Manet, Le Dejeuner sur l’herbe (Luncheon on the Grass), 1863

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Realistic use of shadows and color

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The Luncheon on the Grass by Edouard Manet

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not many dramatic shadows or lighting, mostly flat

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Bright, heavy contrast of color

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Why Art History Is Full of People Taking Baths

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Henri Matisse, Harmony in Red (Red Room), 1908-09

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Bright colors heavy contrast

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Matisse - Desserte, harmonie rouge - LANKAART

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Pablo Picasso, Les Demoiselles d’Avignon, 1907

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sharp lines and angles

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 Jean Arp, Collage Arranged According to the Laws of Chance, 1916-17

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Greyscale muted colors

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collage with squares arranged according to the laws of chance_  jean arp, 1916

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Frank Lloyd Wright, Robie House, Chicago, Illinois, 1909

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Heavy use of pattern

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Random use of lines

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Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950

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Cartoonish use of color and lines

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Marilyn Diptych, 1962 - Andy Warhol - WikiArt_org

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Rather than a use of many colors and lines and subjects, one subject, one or two colors, only a few lines. Very simple.