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Rhine II, 1999

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Born 1955

Well known for large Scale architecture and landscape colour photographs

Often employing a high point of view

Famous for selling the world's most expesive photograph - £4 million

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as quoted from the website: a group of photographers who studied at the Kunstakademie Dusseldorf in the mid 1970s

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Lee Miller

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Henri Cartier-Bresson

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4/5

The photoshoot for today was to emulate the photographer SERGEY PONOMAREV, with two pieces taken from his work.

The task was to be in groups. In terms of teamwork, it was mixed due to time keeping and co-ordination, many times were confusing and mostly all of us were sending mixed messages to each other, but there was communication throughout the group task.
Two separate images were being taken, and Ihad to take 35 images, splitting it into 18 (roughly) for each image. Due to time, I managed to do 30 photos alltogether.

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Plan for photoshoot 3/5 - image emulation

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an art design movement of the European avant-garde in the early 20th century

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About the photographer

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This photograph is of a boy throwing something in a certain direction. The image seems to be taken place at sdome sort of riot, where next to the boy, there are flames and toxic-like smoke.
There are a crowd of people in background, but in the distance. I can see that the photographer performed a mid/shallow depth-of-field, whgere mostly the boy is in focus and the background isn't. Shutter speed looks roughly at 1/2000, to 1/1000 per sec. The imagery makes me feel enhanced with distortion as well as awe and agony. Types of emotion in this image seems unsteady, as if the photo is ready to explode. Atmospheric image, really catches the eye on what actually happened at the time of the event. Rule of thirds being used, excellent composition, bold and gets the message across.

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16th September 2015

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from the photo series 'The Exodus', 2015

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SERGEY PONOMEREV: A LENS ON SYRIA

held at the Imperial War Museum

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This image already has a lot to look at than what meets the eye. There is a sense of conflict or, a fight between 2 groups, one with the same colours, the other group with the same.. A very abstract image created with graphics as well as photos of people. It could be a controversial but strong and emotional take on a real-life event to do with war. This particular image caught my eye out of the series because There is something to look at, and you have to really look into the iamge to see what is actually happening.

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This was a personal favorite of the female artist. It is actually a self portrait of her wearing some sort of wig on her head, to create a different kind of indentity and tell a story about somene who could be mysterious. The image caught my eye because as well as seeing something so abstract, I can sense that there is some kind of emotional effect with the person in the picture. This looks like a mid to close-up shot of the person so it seems like there could be a mid depth of field, adding also that this is a monochrome image.

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FAVORITE PHOTOGRAPHS FROM EACH PHOTOGRAPHER

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Also taken from the project Allegoria Sacra

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this digital collage is called: Allegoria Sacra, Angels and Demons
The group wanted to capture the art historians, as quoted: "where the souls of the righteous, of virtuous pagans and of unchristened children await their fate – heaven or hell."

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Taken from the installment 'Last Riot'
Quote taken from the website:
"The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish."

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From the project 'Inverso Mundus'.
The idea was to capture the imaginative take on the medieval times where there was brutality on pigs. This picture was maybe shown of workers getting rid of pig waste.

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A behind the scenes shot of production with the project 'KING OF THE FOREST'

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This image is of a gay man dressed in nothing but heels and a piece of clothing covering half the the body and a neck piece.
The photographer wanted to capture a unique look on the South African LGBTQ community groups.

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This is probably a self portrait of the photographer herself, maybe she wanted to capture unseen beauty, which is unusual to the stereotype.

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Taken from the 'Faces and Phases' series.
Zanele wanted to capture the faces or women, that are within the LGBTQ community, that have been through mostly unwanted situations, such as rape and discrimination.

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a group photo of all the artists.

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Both imagery of these women, are all supposely, gay lesbian women. What Zanele would want to capture is that there is no right or worng with the same gender having the same affection and closeness as a normal heterosexual.

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a self portrait of the photographer herself.

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specific dates

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personal fav

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personal fav

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What I loved most about her work is the simplicity. How she incorporates her passion for supporting what she wants into her photography. From gay women to self portraits, she captures so much feeling through the imagery. Monochrome images are my personal favorite

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I took the time to paint and decorate with printed pictures on the pinhole camera I created.

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I loved how diverse and ugly these pieces of artwork was performed in. You really have to take a second look at each piece to really see what is going on. That's what catched my eyes. I felt it wasn't the traditional photography type, it was all walks of art infused into one block.

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A Russian group made with 4 people
GROUP FORMED: 1987
MEMBERS: Tatiana Arzamasova, Lev Evzovich, Evgeny Svyatsky and Vladimir Fridkes
OCCUPATION: specializes in photography, video art and installation

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BORN: South Africa, 19th July 1972
OCCUPATION: Visual activist
Supports black gay lesbian women

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the two photographers i have personally picked for inspiration

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the theory of the name PHOTOGRAPHY , made by Sir John Herschel

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are all artists that used this technique.