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With our current setup, some people cannot see the conductor, which can lead to an unbalanced tempo if not listening to the percussion. We also might not know when to cut of fermatas, so it forces the band to listen to eachother and cut off all together. Because of the multiple fermatas in th introduction of Waterdance, it might be hard to know when to cut off.

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With our current setup, we cannot see our conductor and we are required to hear different instruments instead of the concentrated sound of our own instrument. We may get confused with the different parts of the music all across the band. Tempo and fermatas can cause confusion within the band.

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With the solos at the beginning they will not kno when to cut off, also when we get to 16th notes we might not know the tempo we are supposed to take.

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I think some challenges will be that at the beginning, since there are a lot of fermatas, we don’t have a conductor to cut us off and start us off. also, since we are in a different setup, it may be harder to stick with your section since we’re sitting with different people of different sections.

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How fast or slow we go at different sections in the music

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I think we might slow down at certain parts and not know when to cut off at fermatas

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The tempos speeding up and slowing down in different spots

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We can’t listen to other people with the same part/ beat 

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We can’t listen to other people with the same part/ beat 

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Tempo

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Keep the time signature and we might slow down and rush

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Keep the time signature and we might slow down and rush

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Water dance is always changing tempo, and in the beginning there are a lot of f

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Knowing the tempo, staying on beat, how fast to go when the style changes, when to cut off fermatas,

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It will be difficult because our songs have many tempo changes and we have no conductor

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There are a LOT of abrupt changes in the price and if we do not have a conductor, the 2/4 and the 5/4 and the speed change at 24 and all the other things in Waterdance

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It is hard to listen to different instruments because we’re so used to listening to ourselves. It’s also difficult to have no conductor because then we don’t have someone to keep us in tempo but ourselves.

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We don't know how fast the music goes without the conductor and we won't know how how much faster or slower the music will change without the conductor.

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Tempo changes

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Knowing when to start and fast to go when the tempo changes.

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It will be harder because the tempo will not be able to be seen. It will be cool to see what other instruments sound like.

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We might have a hard time counting the fermata’s in the beginning, because we will have to be able to cut off all together at the right time

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We will have a lot of trouble with Fermatas and Retardandos.

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We will have a lot of trouble with Fermatas and Retardandos.

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Most people will be off tempo and won’t know where we are

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We can’t see the conductor and our tempo as a band and we don’t know what our tempo is since there no condu

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The possible challenge will hard to get right beats.

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The possible challenge will hard to get right beats.

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The tempo chances and the music will sound different for us because we are with different instruments

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Our timing with each other. Also matching our sound

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Since we cannot look at our conductor, we must listen to each other. In order to stay together, we have to keep a steady beat, which will be hard if we don't listen to the percussion or tap our feet.

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It will be tough since it’s new and we need a composer to know where we’re going

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Not know when to cut off on fermatas

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We did we

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It is going to be bad because people are going to be on different tempos

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Because of our current setup we are not able to see the conductor. This may affect how we play when the music slows down or speeds up.

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It is different because the instruments are scattered around the room so it is mixed and the tempo is off

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We do not know when to cut off or slow and speed up

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I think we will slow down a lot during the 16th notes
Also I think 11-16 fermatas will be hard

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We won’t know when to cut off with fermatas and it will be difficult to keep a steady tempo

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When we are playing in this formation, we might have random tempo changes because people can’t see the  conductor

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We don't now how fast to go on 16th notes since flutes can go faster on them than some insturments.

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There are a lot of tempo changes and fermatas, so with no conductor, there might not be balance.

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We won’t know where we are going our speed will be off and people will rush

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We will most likely change our pace frequently and we have lots of fermata so we won’t know when to cut off. Some people really depend on the person around them for

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Not starting together

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We think that at the end of Waterdance we will not play at the same tempo. Especially in places with 16th notes. We may rush and ignore time signatures and dynamics.

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We think that at the end of Waterdance we will not play at the same tempo. Especially in places with 16th notes. We may rush and ignore time signatures and dynamics.

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Not starting together

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Tempo changes and it will sound different to Yanit because of the set up

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We did well starting and stopping together, but all of us keeping the thempo throughout the piece is one of our main struggles

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We did well starting and stopping together, but all of us keeping the thempo throughout the piece is one of our main struggles

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Some possible challenges that I think we might face is that we might rush because we do not have a counductor

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A challenge is we won’t be able to see the conductor, thus leading to random tempo changes

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We will slow down during the 16th notes
Also the  Fermatas will be hard to play in meseaures 11-16

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We will not be in time, however we will learn way more being with each other. And it will force us to listen to each other. Also, we will not know when to cut off.

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We

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Most people will be off tempo

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We might have problems with rushing and tempo mistakes

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We might not stick together as a band

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Because of our current position around the room it may be hard to stay together when we need to speed up or slow down.

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We

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We didn't know when to end the fermatas, and ended up being slower than normal.

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Not everyone can go at a fast speed with their certain instrument, so that will definitely be something to look out for.

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I think we did a nice job with the tempo but could improve on listening to each other

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Overall it didn't sound too bad, but I think we're lost without the conductor. The flutes were unsure with where to start at around 25.

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We did not stay on tembo but we did pay the right notes

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We did pretty good with dealing with the fermatas, but the flutes did not all come in together on the 16th notes

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We definitely struggled with counting because we didn’t have a conductor

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We were pretty good with tone but pretty bad with tempo and we did not cut off at the right time

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We did v good on the fermatas bc we are used to cutting off at the same time every time. We did not know when to cut off at the end tho. The tempo was questionable at measure 25.

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I guess we did well in listening to each other and balancing it out, but we struggled with knowing when to start.

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Our tempo was changing depending of our parts, and so people messed on different parts.

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Some people played the fermata and some didn’t, which means some people started in the wrong note

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we didn’t start together and need to work on that

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We did well on the fermatas but when we got to the tempo change we slowed down a lot

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Fermatas in general

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Sound and intonation sounded well. Timing was a off but overall sounded good

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We played at the same tempo for most of Waterdance. We also did not play fermata for the same amount.

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We played at the same tempo for most of Waterdance. We also did not play fermata for the same amount.

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For the most part it was good besides of the rush on 33 but it was good

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We started together but we didn't end together

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I think we played pretty well however we struggled with rhythm and dynamics

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The flutes weren’t able to come in together.

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We played fairly well except the flutes were kind of all split up

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One thing that we worked well on was playing the fermatas. One thing that we struggled on was the 16th notes and when we came in.

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One thing that we worked well on was playing the fermatas. One thing that we struggled on was the 16th notes and when we came in.

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The tempo was not

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Counting good, farmadas bad

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We didn't rush the tempo too much, but in measures 7-25 we didnt listen to each other and started and stopped at different times.

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The fermatas messed us up and when the first 2/4 came it threw everyone out of whack

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We did well on the fermatas but we slowed down a lot

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Some people didn’t play the fermatas and some did which means some people started on the wrong note

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We did well with note accuracy and and articulation. We struggled with our tempo and when to come in.

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It sounded bland

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The flutes didn’t come together at the same time

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We struggled with fermatas and mostly

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We did well at first but the fast part at 25, we are not together 

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We did well at first but the fast part at 25, we are not together 

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tempo and starting point

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We were really off beat oof

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We did v good at the fermatas bc we are used to doing that same thing. We did not know when to cut off. And the tempo at measure 25 was n good.