# data[].attributes.headline
Gucci's Fall Winter 2019 Collection: The "magical" mask as a cut between visible and invisible

# data[].attributes.subject
Gucci's Fall Winter 2019 Collection: The "magical" mask as a cut between visible and invisible

# data[].attributes.body
" We all have been or are forced to be someone we aren’t - in other words - put on masks. The human tendency to showcase what we think people want to see is often misconstrued to being fake and superficial, but there could be other reasons to it." , Luxury Facts

For Milan Fashion Week 2019, Italian luxury brand, Gucci presented its Fall Winter collection, opening a new perspective of diversity and gender-neutral through masks.

Originating from the viewpoint of the German philosopher Hannah Arendt, all things that appear outside never show completely. The masks carry in itself a tension between opposing forces: exposing and hiding, showing and protecting, frivolous and humble.

To watch more about Gucci Fall Winter 2019 Collection:
http://www.fashionela.net/fashion/the-mask-as-a-cut-between-visible-and-invisible-gucci-fall-2019-collection/
https://www.luxuryfacts.com/index.php/sections/article/Guccis-Fall-Winter-2019-collection-focuses-on-mask
https://www.vogue.com/fashion-shows/fall-2019-ready-to-wear/gucci

# data[].attributes.headline
Marchesa Spring 2019 Collection: Something out of Sleeping Beauty or a Renaissance paiting?

# data[].attributes.subject
Marchesa Spring 2019 Collection: Something out of Sleeping Beauty or a Renaissance paiting?

# data[].attributes.body
"Marchesa gowns are the stuff of fairy tales, and Spring 2019 looked like an actual storybook." - Vogue
Marchesa always brings dreamy, fairy-style designs, with dresses, especially gorgeous and charming wedding dresses. Back to Marchesa Collection Spring - Summer 2019, Georgina Chapman and Keren Craig want to bring us a story about elegant and mysterious fairies hiding in deep forests. It also promises to become great wedding dresses for brides in the coming Spring-Summer season.
With a sumptuous and luxurious style with a part of classical Italian style, Marchesa's Spring-Summer 2019 collection features with meticulous and delicate details, blown-up version of the pattern in iridescent crystals, plus "weightless, hand-pleated, and hand-curled ruffles, which seemed to float in midair". Accessories included in the collection denote master techniques of UK's brands.

To watch Marchesa Spring 2019 Collection:
https://www.vogue.com/fashion-shows/spring-2019-ready-to-wear/marchesa

# data[].attributes.headline
What the Cool Kids Wore This Season at Seoul Fashion Week

# data[].attributes.subject
What the Cool Kids Wore This Season at Seoul Fashion Week

# data[].attributes.attachment_link.title
What the Cool Kids Wore This Season at Seoul Fashion Week

# data[].attributes.attachment_link.description
Seoul never disappoints when it comes to Fashion Week street style. Season after season, showgoers dress to impress at Seoul Fashion Week in bold plaids and prints, neon colors, and plenty of streetwear.

# data[].attributes.headline
Viktor&Rolf slogan dresses say what you want to say

# data[].attributes.subject
Viktor&Rolf slogan dresses say what you want to say

# data[].attributes.body
"Wear what you really feel" is  a message that designers duo Viktor Horsting and Rolf Snoeren want to bring for you at Paris Haute Couture Week.

Many people may have thought that couture fashion are not for them, but from now, Viktor&Rolf's new collection is truly the most relatable thing you have ever seen on the runway, according to Cosmopolitan.

Inspired by Instagram and social media's famous memes, the designers made everyone laugh at their colorful dresses along with sassy slogans, which are on behalf of those who wear them to say their "heart" like "I'm not shy, I just don't like you" or "Sorry I’m late I didn’t want to come".

Featuring on the background of voluminous tulle and chiffon, witty quips or even your inner sarcastic thoughts that often comes to your mind like "Sorry I'm late I didn't want to come", "Go f*ck yourself", "No photos please", " Go to hell", or some short and simply to read like "Whatever" and "No".

The memes weren't all negative though. Viktor&Rolf also convey beautiful and optimistic messages with a dress bearing "I want a better world" or "Freedom", as well as expressing a strong ego like "I am my own muse"

To watch more about the Viktor&Rolf's new collection:
https://www.today.com/style/viktor-rolf-s-spring-summer-2019-slogan-dresses-have-lot-t147370

Citation:
https://www.cosmopolitan.com/uk/fashion/style/a26019993/viktor-and-rolf-slogan-dresses/
https://www.independent.co.uk/life-style/fashion/fashion-range-memes-viktor-rolf-couture-2019-dresses-a8744011.html

# data[].attributes.headline
Ao Dai- Beauty and Essence comes from Vietnamese tradions

# data[].attributes.subject
Ao Dai- Beauty and Essence comes from Vietnamese tradions

# data[].attributes.body
Appeared in the Nguyen Dynasty and went through many vicissitudes along the historical length, Ao dai is always considered as the traditional costume of Vietnamese women.

Whether designed in traditional or innovative style, single or polychromatic colors, primitive fabric or silk brocade, every piece of cloth created is the process of craftsmen's enthusiasm and creativity and the combination of honest, goodness and beauty ( chân- thiện- mỹ)

Ao dai is charming. elegant, sexy but still discreet, which reveal the beauty of Asian women

To explore more about Ao dai at the fashion week:

AODAI VIETNAM DOMINATES THE FASHION WEEK CLOSING CEREMONY
http://vifw.vn/en/news/press-coverage/aodai-vietnam-dominates-fashion-week-closing-ceremony

Ao Dai collection opens Couture Fashion Week New York, https://english.vov.vn/culture/ao-dai-collection-opens-couture-fashion-week-new-york-358279.vov#p4

Ao dai collection opens Paris Fashion Week-Haute Couture 2018, https://en.vietnamplus.vn/ao-dai-collection-opens-paris-fashion-weekhaute-couture-2018/124289.vnp

# data[].attributes.headline
Dior 'Circus' Comes To Town:“Is it a man or a woman? It’s neither one nor the other – it’s a clown.” 

# data[].attributes.subject
Dior 'Circus' Comes To Town:“Is it a man or a woman? It’s neither one nor the other – it’s a clown.” 

# data[].attributes.body
A lavish circus with yellow lights and colorful tiles, Dior has heralded multi-dimensional perspective on the world of luxurious and high-end fashion.

To Dior, circus is a magical place where stimulates the imagination of many artists, including creative director Maria Grazia Chiuri. Circus is supposed to be where brings her to the fantasy world of clowns, magicians, acrobats and jugglers.

The colors in "Dior 'Circus' Comes To Town" collection change gently from neutral colors such as white, black, beige to more vibrant colors such as red, yellow, pink, coral orange with the harmonious blend of elegant striped lines. Hoods and veils create mysterious and dramatic look when going with punk-spirit makeup style and sharp eyeliner lines. On the background of organza silk, chiffon silk, the designs appeared as funny, gentle and graceful dances.

Explore more: https://www.dior.com/en_ch/woman/shows/haute-couture/spring-summer-2019-haute-couture-show

# data[].attributes.body
Nature/ Purity is where you can "close your eyes, take a deep breath of the flower-scented air of the broad expanse around you and for a moment, you realize that you have rediscovered the purpose of your life".
Also, that is where create many rich sources of fashion's inspirations for centuries.
Fashion inspires our shared delight and fascination for natural world, and it is also diversed stories and images about human beings harmornizing with Mother Nature.

Explore more: https://www.vam.ac.uk/exhibitions/fashioned-from-nature

# data[].attributes.headline
Vogue: #SuzyCouture: Iris van Herpen Proves That The Future Is Now

# data[].attributes.subject
Vogue: #SuzyCouture: Iris van Herpen Proves That The Future Is Now

# data[].attributes.body
The only designer in the Spring 2019 couture season who embraced absolutely that ‘the future is now’ was Iris van Herpen. Yet the Dutch designer found inspiration in the distant past – specifically in the 1660 constellation atlas Harmonia Macrocosmica by Dutch-German cartographer Andreas Cellarius who created a preliminary map of the heavens.
“I looked at the evolution of the human shape, its idealisation through time and the hybridisation of the female forms within mythology,” said Valentino’s Pierpaolo Piccioli

# data[].attributes.attachment_link.readable_text
I don't believe in modernism in couture - today's couture should reach out to the past," said Valentino's Pierpaolo Piccioli, whose show was indisputably the most powerful, moving and important of Paris fashion week.

Yet however strong his work, I have to differ with the designer on his dedication to modernising historical materials and their construction. Even by making them infinitely lighter and easier to wear, his choice of fabrics and aesthetic are still rooted in the past.

The only designer in the Spring 2019 couture season who embraced absolutely that 'the future is now' was Iris van Herpen. Yet the Dutch designer found inspiration in the distant past - specifically in the 1660 constellation atlas Harmonia Macrocosmica by Dutch-German cartographer Andreas Cellarius who created a preliminary map of the heavens.

But Van Herpen's translation of cosmic effects on dresses looked entirely modern in this collection named 'Shift Souls'.

"I looked at the evolution of the human shape, its idealisation through time and the hybridisation of the female forms within mythology," the designer explained.

"The imagination and fluidity in Japanese mythology gave me the inspiration to explore the deeper meaning of identity and how immaterial and mutable it can become."

The other transformation was in her use of colour. The depth of brown lightening to orange and honey, the deep celestial blue and the olive-green made an imaginative canvas of just 18 outfits.

The fabric was brought closer to the female form, outlining the body shape or sitting in puffy clouds on the skin. That made this Van Herpen's collection far more 'body-friendly' than previously, when models might be tortured with shards of glass or other unwearable creations.

But this was not a collection to suggest that the designer had fallen to earth, leaving behind her celestial fashion cosmos. Both in imagination and execution, Van Herpen is still way up there.

# data[].attributes.attachment_link.title
#SuzyCouture: Iris van Herpen Proves That The Future Is Now

# data[].attributes.attachment_link.description
I don't believe in modernism in couture - today's couture should reach out to the past," said Valentino's Pierpaolo Piccioli, whose show was indisputably the most powerful, moving and important of Paris fashion week. Yet however strong his work, I have to differ with the designer on his dedication to modernising historical materials and their construction.

# data[].attributes.body
1920s fashion had an important impact on the culture. Fashion became a career choice for women, which helped women serve themselves and earn money while their husband was participating in the war.

The improvement in the way women dressed denotes that the value of women in the society at that time has increased, which makes them feel more comfortable.

The boring style was leaded up to the modern with more skin had shown as well as society’s opinions were no longer extremely valuable as before.
Women's style was more suitable from top to toe. They gradually became more concerned about beauty and fashion's new trends, and each classes has different styles.

To explore more about 1920s fashion- style in The Jazz Age:
https://roaringtwentieshistoryproject.weebly.com/women-and-fashion.html
http://www.1920s-fashion-and-music.com/1920s-fashion.html
https://vintagedancer.com/1920s/when-to-wear-what-in-the-1920s/