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Orchard in Blossom (Apricot Trees) - Vincent van Gogh - Google Arts & Culture

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반 고흐는 1888년 2월에 정착한 프랑스 남부 아 를 주변의 다채로운 과수원을 그리는 데 몰두했습니다. 꽃 사이로 살구 나무 가지의 구조가 여전히 선명하게 보이고 붓질은 수직 나무 방향을 따릅니다. 트렁크스. 그는 Arles에서 활발한 활동을 하는 동안 일련의 과수원 그림을 그렸습니다. 그의 동생 테오에게 보낸 편지에서 표현된 그의 초기 낙관주의는 고갱이 그곳에 합류하도록 격려했습니다. 그러나 그들은 기질적으로 양립할 수 없다는 이유로 곧 말다툼을 했고, 이듬해 반 고흐 는 정신 질환으로 생레미 수용소에 입원하게 되었습니다.

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Van Gogh immersed himself in painting the colourful orchards around Arles in the south of France, where he settled in February 1888. The structure of the branches of the apricot trees is still clearly visible through the blossom and his brushstrokes follow the direction of the vertical tree trunks. He painted a series of pictures of orchards during his prolific bouts of activity in Arles. His initial optimism, expressed in letters to his brother Theo, encouraged Gauguin to join him there. They soon quarrelled, however, being temperamentally incompatible, and the following year Van Gogh's mental illness prompted his admission to the asylum at Saint-Remy.

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Orchard in Blossom (Apricot Trees) - Vincent van Gogh - Google Arts & Culture

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Van Gogh immersed himself in painting the colourful orchards around Arles in the south of France, where he settled in February 1888. The structure of the b...

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Head of a Skeleton with a Burning Cigarette - Vincent van Gogh - Google Arts & Culture

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Head of a Skeleton with a Burning Cigarette

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Head of a Skeleton with a Burning Cigarette

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입에 불 붙인 담배를 물고 있는 이 해골은 어린애들의 농담이다. 반 고흐 는 1886년 초 앤트워프의 미술 아카데미에서 공부하던 중 이 그림을 그렸습니다. 그림은 그가 해부학에 능숙했음을 보여줍니다. 해골을 그리는 것은 아카데미의 표준 운동이었지만, 그것을 그리는 것은 커리큘럼의 일부가 아니었습니다. 그는 이 그림을 수업 중간이나 수업 후에 다른 시간에 그렸음에 틀림없습니다

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Head of a Skeleton with a Burning Cigarette - Vincent van Gogh - Google Arts & Culture

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This skeleton with a lit cigarette in its mouth is a juvenile joke. Van Gogh painted it in early 1886, while studying at the art academy in Antwerp. The p…

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Van Gogh's Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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이 작곡에 대한 반 고흐의 고유 제목은 단순히 침실 (프랑스어: La Chambre à Coucher )이었습니다. 그의 편지에는 세 가지 정통 버전이 설명되어 있으며 오른쪽 벽에 있는 그림으로 쉽게 구별할 수 있습니다.

이 그림은 프랑스 부슈 뒤 론(Bouches-du-Rhône)의 아를( Arles )에 있는 라마르틴 광장(Place Lamartine ) 2번지에 있는 반 고흐의 침실을 묘사하고 있습니다. 오른쪽의 문은 위층과 계단으로 열립니다. 왼쪽 문은 그가 고갱 을 위해 준비한 방의 문이었다 . 전면 벽의 창문은 라마르틴 광장과 그 공공 정원을 바라보고 있습니다. 이 방은 직사각형이 아니라 전면 벽의 왼쪽 모서리가 둔각이고 오른쪽이 예각인 사다리꼴이었습니다.

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 1888, and damaged during a flood that occurred while the painter was in hospital in Arles. Almost a year later, Van Gogh made two copies of it: one, the same size, is now in the Art Institute in Chicago; the other, in the Musée d'Orsay, produced for his family in Holland, is smaller.

In a letter to his brother Theo, Vincent explained what had provoked him to paint such a picture: he wanted to express the tranquillity, and bring out the simplicity of his bedroom using the symbolism of colours. Thus, he described: "the pale, lilac walls, the uneven, faded red of the floor, the chrome-yellow chairs and bed, the pillows and sheet in very pale lime green, the blood-red blanket, the orange-coloured wash stand, the blue wash basin, and the green window", stating "I wanted to express absolute repose with these different colours".

Through these various colours, Van Gogh is referring to Japan, to its crêpe paper and its prints. He explained: "The Japanese lived in very simple interiors, and what great artists have lived in that country".

And although, in the eyes of the Japanese, a bedroom decorated with paintings and furniture would not really seem very simple, for Vincent it was "an empty bedroom with a wooden bed and two chairs". All the same he does achieve a certain sparseness through his composition made up almost entirely of straight lines, and through a rigorous combination of coloured surfaces, which compensate for the instability of the perspective.

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Van Gogh's Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18...

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The Church in Auvers-sur-Oise, View from the Chevet - Vincent van Gogh - Google Arts & Culture

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After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris.

His brother Théo, concerned with his health, incited him to see the Doctor Gachet, himself a painter and a friend of numerous artists, who accepted to treat him. During the two months separating his arrival, on May 21, 1890 and his death on July 29, the artist made about seventy paintings, over one per day, not to mention a large number of drawings.

This is the only painting representing in full the church in Auvers that may sometimes be distinguished in the background of views of the whole village. This church, built in the 13th century in the early Gothic style, flanked by two Romanesque chapels, became under the painter's brush a flamboyant monument on the verge of dislocating itself from the ground and from the two paths that seem to be clasping it like torrents of lava or mud.

If one compares this painting with Claude Monet's paintings of the cathedral in Rouen, painted shortly afterwards, one can measure how different Van Gogh's approach was from that of the impressionists. Unlike Monet, he did not try to render the impression of the play of light on the monument. Even though the church remains recognisable, the painting does not so much offer the spectator a faithful image of reality than a form of "expression" of a church.

The artistic means used by Van Gogh anticipate the work of the fauvists and expressionist painters.(이수빈)

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After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris.

His brother Théo, concerned with his health, incited him to see the Doctor Gachet, himself a painter and a friend of numerous artists, who accepted to treat him. During the two months separating his arrival, on May 21, 1890 and his death on July 29, the artist made about seventy paintings, over one per day, not to mention a large number of drawings.

This is the only painting representing in full the church in Auvers that may sometimes be distinguished in the background of views of the whole village. This church, built in the 13th century in the early Gothic style, flanked by two Romanesque chapels, became under the painter's brush a flamboyant monument on the verge of dislocating itself from the ground and from the two paths that seem to be clasping it like torrents of lava or mud.

If one compares this painting with Claude Monet's paintings of the cathedral in Rouen, painted shortly afterwards, one can measure how different Van Gogh's approach was from that of the impressionists. Unlike Monet, he did not try to render the impression of the play of light on the monument. Even though the church remains recognisable, the painting does not so much offer the spectator a faithful image of reality than a form of "expression" of a church.

The artistic means used by Van Gogh anticipate the work of the fauvists and expressionist painters.

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The Church in Auvers-sur-Oise, View from the Chevet - Vincent van Gogh - Google Arts & Culture

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After staying in the south of France, in Arles, and then at the psychiatric hospital in Saint-Rémy de Provence, Vincent Van Gogh settled in Auvers-sur-Oise, a village in the outskirts of Paris. His brother Théo, concerned with his health, incited him to see the Doctor Gachet, himself a painter and a friend of numerous artists, who accepted to treat him.

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The Bedroom - Vincent van Gogh - Google Arts & Culture

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{침실}
{The bed room}
아를에 있는 동안 반 고흐 는 침실을 이 그림으로 그렸습니다. 침실은 단순한 목재 가구와 벽에 걸린 자신의 예술품으로 장식되어 있었습니다. 강하고 대조되는 색상을 사용하여 반 고흐는 특정 감정을 표현하려고 했습니다. 여기에서 타일의 옅은 보라색, 가구의 노란색, 벽의 밝은 보라색은 침실에서 경험한 나머지 또는 잠을 불러일으키기 위한 것입니다. (이예나)

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While in Arles, Van Gogh made this painting of his bedroom, which he had fitted out with simple wooden furniture and his own art on the walls. By use of strong, contrasting colours, Van Gogh sought to express particular emotions: here the pale purple of the tiles, the yellow of the furniture and the light violet of the walls are intended to evoke the rest or sleep that he experienced in his bedroom. (See letter to Theo van Gogh, 16 October 1888).

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The Bedroom - Vincent van Gogh - Google Arts & Culture

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While in Arles, Van Gogh made this painting of his bedroom, which he had fitted out with simple wooden furniture and his own art on the walls. By use of st...

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The potato eaters - Vincent van Gogh - Google Arts & Culture

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Van Gogh deliberately chose a composition which would challenge his growing prowess as a painter. Like the French master Jean-François Millet, Van Gogh wanted to be a true “peasant painter.”

This meant Van Gogh tried to paint his subjects with deep feeling, but without sentimentality. He spoke of them leading 'a way of life completely different from ours, from that of civilized people.' He strove to paint the faces, 'the color of a good, dusty potato, unpeeled naturally,' and to convey the idea that these people had 'used the same hands with which they now take food from the plate to dig the earth […] and had thus earned their meal honestly.'(이수빈)

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The potato eaters - Vincent van Gogh - Google Arts & Culture

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Van Gogh deliberately chose a composition which would challenge his growing prowess as a painter. Like the French master Jean-François Millet, Van Gogh wan…

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Self-Portrait with a Straw Hat (obverse: The Potato Peeler) - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886–88). Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." This picture, which shows the artist's awareness of Neo-Impressionist technique and color theory, is one of several that are painted on the reverse of an earlier peasant study.(이수빈)

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Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886-88). Short of funds but determined nevertheless to hone his skills as a figure painter, he became his own best sitter: "I purposely bought a good enough mirror to work from myself, for want of a model." This picture, which shows the artist's awareness of Neo-Impressionist technique and color theory, is one of several that are painted on the reverse of an earlier peasant study.

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Self-Portrait with a Straw Hat (obverse: The Potato Peeler) - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced more than twenty self-portraits during his Parisian sojourn (1886-88). Short of funds but determined nevertheless to hone his skills as a...

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미켈라젤로 디 로도비코 부오나르티 시모니는 르네상스  이탈리야
시대 작품이다.

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Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo, was an Italian sculptor, painter, architect and poet of the High Renaissance born in the Republic of Florence, who exerted an unparalleled influence on the development of Western art. His artistic versatility was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Several scholars have described Michelangelo as the greatest artist of his age and even as the greatest artist of all time.
A number of Michelangelo's works of painting, sculpture, and architecture rank among the most famous in existence. His output in these fields was prodigious; given the sheer volume of surviving correspondence, sketches, and reminiscences, he is the best-documented artist of the 16th century. He sculpted two of his best-known works, the Pietà and David, before the age of thirty.

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“The promises of this world are, for the most part, vain phantoms; and to confide in one's self, and become something of worth and value is the best and safest course.”

Michelangelo

Mar 6, 1475 - Feb 18, 1564

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Michelangelo di Lodovico Buonarroti Simoni, known simply as Michelangelo, was an Italian sculptor, painter, architect and poet of the High Renaissance born...

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폴 세잔은 프랑스의 대표적 화가로서 현대 미술의 아버지이다.

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Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.
Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his subjects. Both Matisse and Picasso are said to have remarked that Cézanne "is the father of us all".

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Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century.Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism.

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Sunflowers - Vincent van Gogh - Google Arts & Culture

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반 고흐의 해바라기 그림은 그의 가장 유명한 작품 중 하나입니다. 그는 1888년과 1889년에 프랑스 남부의 아를에서 그렸습니다. Vincent는 꽃병 에 해바라기가 있는 총 5개의 커다란 캔버스를 그렸습니다. 이러한 방식으로 그는 웅변의 손실 없이 단일 색상의 다양한 변형으로 이미지를 생성할 수 있음을 보여주었습니다.
해바라기 그림은 반 고흐에게 특별한 의미가 있었습니다
그는 그의 친구인 화가 폴 고갱 (Paul Gauguin)의 방에 처음 두 개를 걸었고, 그는 그와 함께 옐로우 하우스에 잠시 동안 살게 되었습니다. Gauguin은 해바라기가 '완전히 Vincent'라고 생각한 해바라기에 깊은 인상을 받았습니다. 반 고흐 는 친구가 머무는 동안 이미 새 버전을 그렸고 고갱은 나중에 선물로 하나를 요청했지만 빈센트는 그것을 주기를 꺼렸습니다. 그는 나중에 두 개의 느슨한 사본을 만들었지만 그 중 하나는 현재 반 고흐 미술관에 있습니다.

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow 'and nothing else'. In this way, he demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence.
The sunflower paintings had a special significance for Van Gogh: they communicated 'gratitude', he wrote. He hung the first two in the room of his friend, the painter Paul Gauguin, who came to live with him for a while in the Yellow House. Gauguin was impressed by the sunflowers, which he thought were 'completely Vincent'. Van Gogh had already painted a new version during his friend's stay and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.

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Sunflowers - Vincent van Gogh - Google Arts & Culture

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of fi...

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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《별이 빛나는》
(영어: The Starry Night)은 네덜란드의 화가 빈센트 반 고흐의 가장 널리 알려진 작품이자 정신병을 앓고 있을 당시 고흐가 그린 그림이다. 1889년 생 레미의 정신병원에서 고흐는 정신적 질환으로 인한 고통을 떠올려 그림 속의 소용돌이로 묘사했다.
빈센트 반 고흐의 대표작 중 하나로 꼽히는 《별이 빛나는 밤》은 그가 고갱과 다툰 뒤 자신의 귀를 자른 사건 이후 생레미의 요양원에 있을 때 그린 것이다. 그는 병실 밖으로 내다보이는 밤 풍경을 기억과 상상을 결합시켜 그렸는데, 이는 자연에 대한 반 고흐의 내적이고 주관적인 표현을 구현하고 있다.
고흐에게 밤하늘은 무한함을 주는 대상이었고, 이보다 먼저 제작된 아를의 《밤의 카페 테라스》나 《론 강 위로 별이 빛나는 밤》에서도 별이 반짝이는 밤의 정경을 다루었다. 고흐는《별이 빛나는 밤》의 작업을 마쳤을 때 그다지 좋게 생각하지 않았다고 한다. 작품이 소개될 당시 미술계의 반응도 변변찮았다. 현재 이 그림은 1941년부터 뉴욕 현대미술관(MOMA)에서 상설 작품으로 전시되고 있다.
연속적이고 동적인 터치로 그려진 하늘은 굽이치는 두꺼운 붓놀림으로 사이프러스와 연결되고, 그 아래의 마을은 대조적으로 고요하고 평온한 상태를 보여준다. 교회 첨탑은 그의 고향인 네덜란드를 연상시킨다. 그는 병실 밖으로 내다보이는 밤 풍경을 상상과 결합시켜 그렸는데, 이는 자연에 대한 반 고흐의 내적이고 주관적인 표현을 구현하고 있다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...