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In this source, it seems as though what are deemed to be
'Gods' are sacrificing an animal for their beliefs. Sacrificing was one of the main components of worshipping in ancient rome. Worshipping was a sign of gratitude, in order to please the gods. Certain people in this source are wearing crowns of nature on their heads. This depicts that they were important people because they were wearing certain crowns

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Bronze gladiator’s helmet

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house of julia felix

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Terracotta theatrical mask

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Juvenal (c.55-c.130 A.D.) wrote in Satire VI The Women of Rome:

“Now tell me — if you can not love a wife,
Made yours by every tie, and yours for life,
Why wed at all? Why waste the wine and cakes,
The queasy-stomach=d guest, at parting, takes?
And the rich present, which the bridal right
Claims for the favors of the happy night,
The platter where triumphantly inscroll'd
The Dacian hero shines in current gold?
If you can love, and your besotted mind
Is so uxoriously to one inclined,
Then bow your neck, and with submissive air,
Receive the yoke you must forever wear.

“To a fond spouse, a wife no mercy shows
But warmed with equal fires, enjoys his woes.
She tells you where to love and where to hate,
Shuts out the ancient friend, whose beard your gate
Knew from its downy to its hoary state:
And when rogues and parasites of all degrees
Have power to will their fortune as they please,
She dictates yours, and impudently dares
To name your very rivals for your heirs.

“"Go crucify that slave." "For what offence?
Who=s the accuser? Where=s the evidence?
Hear all! no time, whatever time we take
To sift the charges, when man's life's at stake,
Can e'er be long: hear all, then, I advise!" —

“"You sniveler! is a slave a man" She cries:
"He's innocent? - be it so, - tis my command,
My will: let that, sir, for a reason stand."
Thus the virago triumphs, thus she reigns
Anon she sickens of her first domains,
And seeks for new; — husband on husband takes,
Till of her bridal veil one rent she makes.
Again she tires, again for change she burns,
And to the bed she lately left returns,
While the fresh garlands and unfaded boughs,
Yet deck the portal of her wondering spouse.
Thus swells the list - "Eight husbands in five years"

“A rare inscription on their sepulchers!
While your wife's mother lives, expect no peace.
She teaches her with savage joy to fleece
A bankrupt spouse; kind creature! she befriends
The lover's hopes, and when her daughter sends
An answer to his prayer, the style inspects,
Softens the cruel, and the wrong corrects. . .

“Women support the bar, they love the law,
And raise litigious questions for a show,
They meet in private and prepare the bill
Draw up instructions with a lawyer's skill,
Suggest to Celsus where the merits lie,
And dictate points for statement or reply.

“Nay more, they fence, who has not marked their oil,
Their purple rugs, for this preposterous toil?
Equipped for fight, the lady seeks the list
And fiercely tilts at her antagonist,
A post! which with her buckles she provokes,
And bores and batters with repeated strokes,
Till all the fencer's art can do she shows,
And the glad master interrupts her blows.

“The house appears like Phalaris' court,
All bustle, gloom and tears.
The wretched Psecas, for the whip prepared,
With locks disheveled, and with shoulders bared,
Attempts her hair; fire flashes from her eyes,
And Awretch! why this curl so high? she cries.
Instant the lash, without remorse, is plied,
And the blood stains her bosom, back and side.
Another trembling on the left prepares
To open and arrange the straggling hairs
To ringlets trim; meanwhile the council meet,
And first the nurse, a personage discreet,
Gives her opinion; then the rest in course
As age or practice lend their judgment force,
So warm they grow, and so much pains they take,
You'd think her honor or her life at stake,
So high they build her head, such tiers on tiers,
With wary hands, they pile, that she appears
Andromache before; — and what behind?
A dwarf, a creature of a different kind!”

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Pepetua, a famous Christain martyr

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(its very dusty)

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Institutional Portal of the Archaeological Park of Pompeii

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Medical instruments from Pompeii

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https://www.walksofitaly.com/blog/art-culture/pompeii-art-guide

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Few things could be as fascinating to the historically minded as Pompeii - a town buried by the volcanic eruption of Mount Vesuvius in 79 A.D. Much of what we know about Ancient Rome has come from the artifacts archeologists have discovered under the ash, revealing a host of insights into ancient Roman civilisation. Chief among these are the murals, mosaics and paintings lining the city's walls and villas.

The ultimate guide to Pompeii's art

From mythic retellings to scandalous frescoes, Pompeii's art has fascinated archeologists and art historians alike. And for good reason! Art was a vital element of Roman society and can reveal much about its values and traditions.

Of course, though Pompeii is a popular visitor destination, it's also an active archeological site,meaning new discoveries continue to be found - many of which includes frescoes and artwork. So, from the methods used to the stories told, here's your ultimate guide to the magnificent art frozen in time in Pompeii.

Why was art so important in Pompeii?

One of the strongest methods of communication in the ancient world, it would be difficult to overemphasise how important art was in Pompeii. Long before filmmaking and photography (or even the good old printing press), paintings were used as the main method by which stories were told and people could learn about history and mythology. The Romans, much like any other ancient civilisation, had a host of myths and legends which were vital to their understanding of themselves, as well as their place in the world at large. So it makes sense mythology is one of the most popular themes in the art discovered at Pompeii.

On a smaller scale, art in Pompeii was, of course, also used for aesthetic and decorative purposes. It helped to turn houses into bona fide status symbols for the Roman elite. Wealthy Romans would invest hugely in commissioning grand frescoes to adorn their walls in order to impress their visitors. In fact, because these wall-paintings held such pride of place, the archeologists who discovered the Roman villas often named the houses after the frescoes on display, and this still serves as our way of identifying most of Pompeii's villas.

Seeing red: Pompeian cinnabar

Anyone who has been lucky enough to visit the ancient Roman town will have noticed the distinctive red pigment used throughout many of the frescoes (and if you haven't visited the city yet, we suggest taking a tour of Pompeii with Walks!). Through extensive study and testing, archeologists have discovered that the distinctive red colour comes from the use of a pigment called cinnabar - a toxic mercury sulphide mineral with a bright red pigment.

Cinnabar was commonly used in cities throughout Ancient Rome. However, researchers have noted that there is something distinctive about the particular type used in Pompeii. As it turns out, the mineral was ground to a much finer granule when it was used in Pompeii and mixed with liquid to produce a more brilliant shade of red, as opposed to larger grains which produced a duller hue, and were used elsewhere.

Though the ash and dust may have somewhat dulled the original hue, roughly 2,000 years later the pigment remains an impressive testament to the ingenuity of the city's painters.

Initiation frescoes in the House of the Mysteries

Located just outside of Pompeii, The House of the Mysteries or Villa dei Misteri got its name from the large series of ornate frescoes in the residential section of the building. Often considered the masterpiece of Pompeii, the vivid red in use throughout the fresco is a prime example of the cinnabar used throughout the city.

The series of wall-paintings is commonly thought to depict an initiation into an ancient Roman mystery cult - believed to be that of Dionysus (or his Roman equivalent, Bacchus). One of the frescoes at the back of the wall shows the god in the lap of his mortal consort Ariadne, while the rest seem to show a young woman going through the stages of initiation into the cult.

The Cult of Bacchus was somewhat of a hot-topic in Ancient Roman society. The Roman god presided over wine, revelry and dramatics. Although these were all was integral parts of Roman life, the cult gained a reputation for bizarre rituals and frenzied gatherings which posed a challenge to the strict regime governing Roman Society. In fact, in A History Of Rome contemporary Roman historian, Livy, gives a scandalised account of their rituals and practices. He remarked, "when the wine had enflamed their minds, and the dark night and the intermingling of men and women, young and old, had smothered every feeling of modesty, depravities of every kind began to take place because each person had ready access to whatever perversion his mind was inclined". Though his views are acknowledged to be exaggerated, this still provides a fascinating insight into how the cult was perceived during the time.

The rich colours can be thought of as a representation of the cult's dynamic and vibrant energy while the life-sized depictions of the subjects have been noted to give a sense of communality to the scene, implicating the viewer into the initiation ritual themselves.

Mosaic of Alexander the Great in The House of the Faun

©CaroleRaddato/WikiCommons

The House of the Faun was the largest and most impressive villa discovered in Pompeii's excavation. So in many ways it's unsurprising that a dedication to one of the most iconic leaders in the ancient empire, Alexander the Great, was housed here.

Roman appreciation for Greek themes, history and art was significant, and this mosaic provides a perfect example of how Greek culture was often repurposed within a Roman context. The elaborate mosaic depicts an epic scene from the Battle of Issus in 333 BC showing Alexander and his army defeating the Persian King Darius. Remembered as one of history's most iconic names, Alexander conquered a number of nations, instilling them with Greek culture; something the Roman Empire clearly admired and was emulating on a large scale.

It is also notable that Alexander's breastplate bears the head of the gorgon Medusa from Greek mythology, widely considered a protection spell against evil.

Riot at the Amphitheatre Fresco at The House of Actius Anicetus

Gladiator games weren't just limited to the Colosseum - though that's certainly the place to go if you want to walk in the footsteps of Gladiators. The arena in Pompeii actually boasts the title of being the oldest surviving amphitheatre from Ancient Rome (built around 70 BC), and has some fascinating stories of its own to tell.

One of these stories can be found in a fresco discovered in The House of Actius Anicetus, depicting a riot that broke out between the people of Pompeii and the citizens of Nuceria in 59CE. Like football games today, gladiatorial games often enflamed town rivalries in Ancient Rome. In this case, the riot not only resulted in maiming, bloodshed, and death but a ban on holding games in Pompeii's amphitheatre at all for a subsequent 10 years.

What we know of the event comes from an account from Roman senator and historian Tacitus. In The Annals, he remarks, " About the same time a trifling beginning led to frightful bloodshed between the inhabitants of Nuceria and Pompeii, at a gladiatorial show exhibited by Livineius Regulus, who had been, as I have related, expelled from the Senate. With the unruly spirit of townsfolk, they began with abusive language of each other; then they took up stones and at last weapons, the advantage resting with the populace of Pompeii, where the show was being exhibited".

While there is some disagreement as to whether the owner of this house was an ex-gladiator or not, it's certainly interesting that an event which earned Pompeii it's fair share of reproaches from the senate is depicted so proudly on the walls of this villa.

Cupids in the House of the Vettii

The House of the Vettii is one of the most important villas in Pompeii in terms of artwork. The fresco above comes from the Triclinium - or dinning room - of the villa and displays a series of Cupids performing tasks such as making perfume, and working as goldsmiths, bakers and oil merchants. Of course, as the son of Venus, The Roman goddess of love, and Mars, The Roman god of war, Cupid presided over passion. So it could be that this series of frescoes is supposed to represent being passionate about one's work. It's also notable that a number of these trades are related to the senses which feeds into his symbolic nature as a god of love and desire.

The House of the Vettii is believed to have belonged to two freed brothers (thought to be craftsmen) who bought their way out of slavery. So it's pretty understandable why they'd place such an emphasis on whistling while you work!
Read More: 9 Facts about Leonardo da Vinci They Didn't Teach You in School
Hercules as a Child in the House of the Vettii

Located in the House of the Vettii, in what archeologists believe to have been either a dining or guest room, this fresco of Hercules depicts a famous scene from the hero's childhood.

The focal point of a number of religious cults, Hercules was widely worshipped throughout Pompeii and was viewed as a protector of the region. He was even heralded as the founder of the neighbouring town Herculaneum, and ironically the town's destroyer, Mount Vesuvius.
Of course, the best way to appreciate Pompeii's stunning art is to go and see it yourself! The best way to do this is in the hands of an expert guide to give you the context behind the pieces, which you can do on our At Walks of Italy our comprehensive travel blog covers everything from Ancient Roman history to authentic Italian cuisine, with plenty of tips to help you make the most of your time in the Bel Paese. So why not get exploring and take a look at our award-winning walking tours in Italy and worldwide at Walks.Best of Pompeii Tour. Or take the scenic route with our Pompeii and Amalfi Coast Day Trip from Rome.
The story goes that Hercules' mother Queen Alcmene was tricked into sleeping with Jupiter one night when he took on the guise of her husband. When she gave birth to two sons, his mortal parents soon discovered that while one, Iphicles, was the son of her husband (King Amphitryon), the other, Hercules, was the son of the god Jupiter. Jupiter's wife, Juno, became enraged at her husband's betrayal. But being King of the gods made Jupiter a difficult target. So Juno took her rage out on the young Hercules instead and sent two snakes to kill him in his crib. However, the demigod child had the strength of 10 men and dispatched them both easily. The legend continues that when Hercules came into adulthood, Juno plagued him with madness which caused him to murder his wife and child. In atonement, he performed the 12 labours - and the rest is, if not history, legendary!

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Few things could be as fascinating to the historically minded as Pompeii - a town buried by the volcanic eruption of Mount Vesuvius in 79 A.D. Much of what we know about Ancient Rome has come from the artifacts archeologists have discovered under the ash, revealing a host of insights into ancient Roman civilisation.

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The sheer beauty and extent of the ruins of Pompeii - and the treasures it held secret for almost 2,000 years - have made it the most famous of archaeological sites. Browse here for a glimpse of the surviving art and architecture of the city - which provides fascinating evidence of how life was lived in ancient Roman days.

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The sheer beauty and extent of the ruins of Pompeii - and the treasures it held secret for almost 2,000 years - have made it the most famous of archaeological sites. Browse here for a glimpse of the surviving art and architecture of the city - which provides fascinating evidence of how life was lived in ancient Roman days.

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With the focus on domestic - rather than city - life, the exhibition's more unusual items include kitchen perishables such as figs, dates, walnuts and onions. There is even a loaf of bread that had been baking in the oven as the city was engulfed by ash.

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British Museum explores domestic life in Pompeii

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With the focus on domestic - rather than city - life, the exhibition's more unusual items include kitchen perishables such as figs, dates, walnuts and onions. There is even a loaf of bread that had been baking in the oven as the city was engulfed by ash.

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A painting of Sappho, a woman who was a poet at the time.

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What is Roman Architecture?
Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture. Roman architecture flourished in the Roman Republic and even more so under the Empire, when the great majority of surviving buildings were constructed, some of which the ruins remain, to which we've researched and learned..
What was it famous for?
Ancient Roman architecture used new materials, particularly concrete, and newer technologies such as the arch and the dome to make buildings that were typically strong and well-engineered. Large numbers remain in some form across the empire, sometimes complete and still in use to this day.
How popular is it outside of Rome?
In Europe the Italian Renaissance saw a conscious revival of correct classical styles, initially purely based on Roman examples. Numerous local classical styles developed, such as Palladian architecture, Georgian architecture and Regency architecture in the English-speaking world, Federal architecture in the United States, and later Stripped Classicism and PWA Moderne.
Roman influences may be found around us today, in banks, government buildings, great houses, and even small houses, perhaps in the form of a porch with Doric columns and a pediment or in a fireplace or a mosaic shower floor derived from a Roman original, often from Pompeii or Herculaneum. The mighty pillars, dome and arches of Rome echo in the New World too, where in Washington, D.C. stand the Capitol building, the White House, the Lincoln Memorial, and other government buildings. All across the US the seats of regional government were normally built in the grand traditions of Rome, with vast flights of stone steps sweeping up to towering pillared porticoes, with huge domes gilded or decorated inside with the same or similar themes that were popular in Rome.
History
While borrowing much from the preceding Etruscan architecture, such as the use of hydraulics and the construction of arches, Roman prestige architecture remained firmly under the spell of Ancient Greek architecture and the classical orders. This came initially from Magna Graecia, the Greek colonies in southern Italy, and indirectly from Greek influence on the Etruscans, but after the Roman conquest of Greece directly from the best classical and Hellenistic examples in the Greek world. The influence is evident in many ways; for example, in the introduction and use of the Triclinium in Roman villas and terraces as a place and manner of dining. Roman builders employed Greeks in many capacities, especially in the great boom in construction in the early Empire.

Roman architecture covers the period from the establishment of the Roman Republic in 509 BC to about the 4th century AD, after which it becomes reclassified as Late Antique or Byzantine architecture. Almost no substantial examples survive from before about 100 BC, and most of the major survivals are from the later empire, after about 100 AD. Roman architectural style continued to influence building in the former empire for many centuries, and the style used in Western Europe beginning about 1000 is called Romanesque architecture to reflect this dependence on basic Roman forms.
Corinthian Roman architecture
The word "Corinthian" describes an ornate column style developed in ancient Greece and classified as one of the Classical Orders of Architecture. The Corinthian style is more complex and elaborate than the earlier Doric and Ionic Orders. The capital or top part of a Corinthian style column has lavish ornamentation carved to resemble leaves and flowers. Roman architect Vitruvius observed that the delicate Corinthian design "was produced out of the two other orders."
Doric Roman architecture
The Doric Order was the first style of Classical Architecture, which is the sophisticated architectural styles of ancient Greece and Rome that set the standards for beauty, harmony, and strength for European architecture. The other two orders are Ionic and Corinthian. Doric Order is recognizable by two basic features: the columns and the entablature.
Ionic Roman architecture
The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart.
The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine).
Famous Roman architects
Any list of Roman architects has to begin with a single name: Marcus Vitruvius Pollio. Vitruvius was not just a Roman architect, he was the Roman architect. So, what made Vitruvius so great? Well, Vitruvius was the architect of Julius Caesar from 58 to 51 BCE. Not only did he build several structures, but he also traveled extensively around the Mediterranean and studied architecture from a theoretical perspective. The result was a major text entitled De Architectura, written between 30 and 20 BCE.

De Architectura was the first major Roman treatise on architecture, and in it Vitruvius tackles several issues. For one, he outlined the architectural styles of the Greeks, and organized them into what we call the Greek orders of architecture. He discussed building in terms of math and science, as well as philosophy, arts, and social welfare. He saw architecture as a unification of arts and sciences, in which the final product could help create a more ideal society.
Apollodorus of Damascus

After Vitruvius, there were many architects who helped Rome grow. Only one, however, can really be said to rival Vitruvius's fame. Apollodorus of Damascus was a 2nd century CE architect from Damascus, then part of the Roman Empire (today part of Syria). Apollodorus was the favored architect of the emperor Trajan, who ruled from 98-117 CE. Under Trajan, Rome stretched its imperial borders further than ever before. Trajan celebrated the success and wealth of Rome by commissioning a large number of building projects, most of them executed by Apollodorus.
10. Arch of Septimius Severus
This monumental arch was constructed in 203 AD in recognition of the unprecedented Roman victories over the Parthians in the dying years of the second century. It was under Septimius Severus' rule that Rome was able to successfully suppress a raging civil war among its neighboring states. But the icing on the cake came when he immediately declared war on the Parthian Empire and brought the Parthians to their knees. In recognition of his achievements, the Roman Senate had one of the most beautifully decorated triumphal arches erected on his return to Rome.
Originally, it had a bronze gilded inscription as homage to Septimius and his two sons Caracalla and Geta for having restored and expanded the Roman Republic. It was a unique triumphal monument by all standards in contemporary Rome. Even today, despite some heavy damage, it stands as a lasting reminder of the once flamboyant Roman Republic.
9. Temples of Baalbek
A major attraction and a remarkable archaeological site in present-day Lebanon, Baalbek is considered as one of the most spectacular wonders of the ancient world. It also happens to be one of the largest, most prestigious, and mostwell-preserved Roman temples built in the ancient Roman era. The first of the Baalbek temples was constructed in the first century BC and over the next 200 years, the Romans built three more, each dedicated to the gods Jupiter, Bacchus, and Venus respectively.
The largest temple among them was the Temple of Jupiter, which had 54 huge granite columns, each one around 70 feet (21 meters) tall. Although only six of these columns survive today, their sheer scale is enough to show the majesty of the Baalbek temples. After the fall of Rome, the Baalbek temples suffered from theft, war, and natural disaster, but they are still able to conjure up the aura of magnificence to this day, with thousands of people visiting the famous Baalbek temples every year.
8. Library of Celsus
Named after the famous former governor of the city of Ephesus, the Library of Celsus was actually a monumental tomb dedicated to Gaius Julius Celsus Polemaeanus. This amazing piece of Roman architecture was constructed on the orders of Celsus' son Galius Julius Aquila. It was also a popular repository for important documents and at the height of its use, the Library of Celsus housed over 12,000 different scrolls.
It had beautifully carved interiors and equally mesmerizing architectural designs on the exterior, making it one of the most impressive buildings in the ancient Roman Empire. The architecture of the library is typically reminiscent of the building style that was popular during the rule of Emperor Hadrian. The entire structure is supported by a nine-step podium which is 69 feet (21 meters) long. The surviving facade of the building retains its amazing decorations and relief carvings which only add to the grandeur of the structure.
7. Pont du Gard
The Pont du Gard, literally the Gard bridge, is one of the few surviving aqueducts constructed during the Roman Empire. Located in present-day southern France, it was built somewhere in the middle of the first century AD. This aqueduct was constructed without the use of any mortar; Roman engineers built this three-story masterpiece by fitting together massive blocks of precisely cut stones. These huge blocks of stone weighed up to six tonnes each, and the bridge itself measured up to 1180 feet (360 meters) at its highest point.
The Pont du Gard was a pivotal structure in an aqueduct that stretched over 31 miles (50 kilometers) in length. The success of this engineering marvel was essential in making the entire aqueduct functional because it supplied water to the city of Nimes. In the end, the Roman engineers pulled off an outstanding feat of contemporary engineering and hydraulics. The Pont du Gard has been used as a conventional bridge throughout the Middle Ages, right up until the 18th century.
6. Aqueduct of Segovia
Located on the Iberian peninsula, the Aqueduct of Segovia still retains its structural integrity to this day, making it one of the best-preserved pieces of architecture from ancient Rome. It was built somewhere around 50 AD to facilitate the flow of drinking water from the River Frio to the city of Segovia. On its completion, it was an unprecedented 16km-long structure built using around 24,000 giant blocks of granite.
Just like the Pont du Gard, Roman engineers built the entire structure without any mortar. With 165 arches, all of which are over 30 feet (9 meters) in height, this architectural phenomenon has been a symbol of Segovia for centuries. The aqueduct had to go through an extended period of reconstruction during the 15th and 16th centuries after years of use and structural neglect. By the 1970s and 1990s, some urgent and necessary conservation action was undertaken to preserve the monument and its glory.
5. Maison Carrée
Maison Carrée is the only temple constructed in the time of ancient Rome that is completely preserved to this day. This marvel of Roman engineering was built around 16 BC in the city of Nimes. Maison Carrée is an architectural gem that stands 49 feet (15 meters) tall and runs along a length of 85 feet (26 meters). It was built by Roman General Marcus Vipanius Agrippa in memory of his two sons who died young. With the imminent fall of the Roman Empire on the horizon, Maison Carrée was given a fresh lease of life when it was turned into a Christian church in the fourth century.
This decision spared this majestic temple from the neglect and destruction faced by many other Roman monuments and landmarks. Since then, it has been used for various purposes such as a town hall, stable, and storehouse. At present, it is a museum.
4. Diocletian's Palace
This marvelous building was built by the famous Roman emperor Diocletian in preparation for his retirement. Diocletian was the first Roman emperor who voluntarily retired from his position, citing declining health issues. After his retirement on May 1, 305 AD, he went on to spend a quiet life in this majestic palace.
The palace covers around 705 feet (215 meters) from east to west and its walls are about 85 feet (26 meters) high. At a time when the Roman civilization was in transition from the classical to the medieval era, architects were able to incorporate different building styles that had been used over the ages. It also helped that Christians used the palace as a cathedral in the Middle Ages, preserving its structural integrity throughout the medieval period. At present, Diocletian's Palace is one of the most popular archaeological attractions in Croatia, and also a world heritage site as declared by UNESCO.
3. Amphitheater, Nimes
When this famous amphitheater was built in the city of Nimes, the city was known by the name of Nemausus. From around 20 BC, Augustus started to populate the city and give it a structure more akin to a typical Roman state. It had a number of splendid buildings, a surrounding wall, more than 200 hectares of land, and a majestic theater at its heart. Better known as the Arena of Nimes, this astoundingly large theater had a seating capacity of around 24,000, effectively making it one of the biggest amphitheaters in Gaul.

It was so large that during the Middle Ages, a small fortified palace was built within it. Later, somewhere around 1863, the arena was remodeled into a huge bullring. It is still used to host annual bullfights to this day.
2. Pantheon
The Pantheon is arguably the most well-preserved architectural marvel from the ancient Roman era. Unlike many other contemporary Roman temples that were almost always dedicated to particular Roman deities, the Pantheon was a temple for all the Roman gods. The construction of this temple was completed in 125 AD during the rule of Hadrian.
The Pantheon has a large circular portico that opens up to a rotunda. The rotunda is covered by a majestic dome that adds a whole new dimension to its grandeur. The sheer size and scale of this dome is a lasting testimony to the skills of ancient Roman architects and engineers. The fact that this astounding piece of engineering still stands to this day, surviving 2,000 years' worth of corrosion and natural disasters, speaks volumes for its build quality.
1. Roman Colosseum
When the famous amphitheater, the Colosseum, was built in ancient Rome, it had an area of 620 by 523 feet (189 by 159 meters)), making it the largest amphitheater of its time. The construction of the Colosseum, the largest and most popular ancient Roman monument, began during the reign of Emperor Vespasian in 72 AD. By the time it was finished by his son Titus in 80 AD, a never-before-seen amphitheater with a seating capacity of over 50,000 was ready for use.
It could accommodate such large numbers of spectators that as many 80 different entrances were installed. It is said that its opening ceremony - the grandest of all spectacles - lasted for about 100 days. In that time, about 5,000 animals and 2,000 gladiators fought to their deaths in an unprecedented extravaganza of gladiatorial and bestiarius battles.

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Roman Architecture: Famous Buildings from Ancient Rome | Architecture & Design

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What is Roman Architecture? Roman architecture adopted the external language of classical Greek architecture for the purposes of the ancient Romans, but was different from Greek buildings, becoming a new architectural style. The two styles are often considered one body of classical architecture.

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Artwork of Isis

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The ancient snack bar of Pompeii that was unearthed during recent excavations in an area of the ancient city.