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the research process is important to me ,because i find a lot of information that i did not know

When Ruth talks about arts as prayer I felt so happy and inspired by her words yes arts is nice to brings new things to people

Responsibility is the state of fact having a duty to deal with something or having control over someone ,And response ability is the ability to have thoughts and feeling that we exprience as a results of intend and extra stimuli

custume design is a way of telling stories because is a creation of clothes for the overall appearance or character or perfomance

i will be connected to my design

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tjis is a windows sticker showing us back/fore ground contrast ,showing the difference in brightness between foreground and background

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this is the color theory of watercolor paiting which i used to shoe warm and cool color contrast

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this picture is clearly showing geomentric contrast with triangles and squares negative and positive shapes

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i took this picture at cape town street for this assignment i liked the way it demonstrate rough  contrast

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the tonal in this photo is created by difference in brightness between the white flower and dark background from nature flower

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high tonal contrast is created by wall and bicycle the piscture show high tonal by whitish wall reflection of light and also a bicycle is too dark

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positive & negative shapes
ass 1.2
jewellery design & manufacture

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🧒Rambau Pfano
🏡Limpopo(Masakona)
📍capetown
📚cape peninsula university of technology
📔Jewellery design and manufacture
📃 faculty of informative and design
Design student🇿🇦

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a nice pictuce of a shape with with a horizontal lines and round making a a patten of 3D sphere with a bright colour this a nice texture made by designers

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this iis a nice picture of same shapes made by lines crossing each other to create a nice pattern with colour  on itto make a textre

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this a picture showing cloud ,watwer waves ,mountain and houses which all this makes a fantastic 3D texture

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here is a nice art creation with a 3D round stand i like the lines on a face randomly designed and horizontal line at the back 

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here is the natural texture created a 3D shape where can see vertical lines and nice cool colours they i can see neither organic and inorganic shapes

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and theres this spining machine with geomentric shapes creating textures a 3D texture i love the texture createed by the spinning machine and sky .

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this is another texture from nature leaves with differentt colours other are complementary colours other are pprimary colours all together made a nice texture

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teh texture was captured in local  swimming pool with clean water and the sky blue is appearing nice ,small waves creating lines randomly 

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another beautiful texture with different shapes i see geomentric shapes are there and organic  shapes is there colour that is more visible is white 

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here there is more colours but they are not that visible but they are 3D texture with more different shapes and colours 

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“The freedom. The freedom to dress as you like, to think differently, to paint your nails, color your hair, and brighten your cheeks in as many shades as you desire...to express your identity loud and clear, to celebrate your differences. The very first issue of Vogue France will pay tribute to and celebrate individuality," writes Eugénie Trochu, Head of Editorial Content, in her first editorial which sees Vogue Paris become Vogue France in the November 2021 edition.

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To talk about Naomi Campbell is to take a peek into the glory days of fashion in the 1990s. You’d expect the runway veteran, who began her career playing muse to the likes of Yves Saint Laurent and Azzedine Alaïa, to enter any room with a grand announcement of sorts. Instead, we had a tall Amazonian silhouette gliding through the set, all business. It’s a day after the Schiaparelli spring/summer 2023 show at Haute Couture Week in Paris, where Campbell, garbed in a wolf head coat dress, had made headlines. After all, she’s one of the original supermodels—the big six.

The fashion scene then was a vacuum, equal parts wildly exciting as it was exclusionary. In an industry notorious for gatekeeping access to the inner sanctum and holding its seasoned runway recruits to impossible standards of beauty, Campbell was the one who abolished that status quo. In 1988, at the age of 18, she became the first Black model to bag a French Vogue cover.

Back then, diversity and representation were not familiar terms in the fashion space, and yet somehow, this force of fashion managed to elbow her way in. Now some 66-plus Vogue covers down, she is adding another one to the roster, all while still ruling the catwalk for decades, which equals light years in the modelling business.