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'Finnegan's Wake' at the White Cube, Bermondsey 

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Anselm Kiefer is an artist who uses found objects to illustrate the cyclical nature of time, and how materials can be manipulated and reused to express their history - I like the use of these rusted and aged objects to give a distressed look to the peices

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I love the over exaggeration of the characters in the box trolls within the features as well as the colours within the skin using hues of blues and purples

I would like to use this within my own characters to create this gruesome and dishevelled look I want to convey throughout this piece

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I want to keep the same feel of my ugly head project with the idea of exaggerated features within the puppetry

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I want to use the these dada dolls as inspiration for the make of my puppets but create them with exaggerated features as mentioned before. I like the idea of using found materials to create this piece because of the idea that the materials hold memories throughout their time

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I like the grotty and overpacked aesthetic of tank girl - the jamie hewitt illustrated comic

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I want to make puppets in the aesthetics shown above, similar to punch and judy, and animate them using a cog system

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I want to use a cog system to animate the puppets I want to create, and have them on show behind the set (houses made of clay)

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I want to create the set out of clay and found objects to create the grotty feeling similar to the box trolls wonky and mismatched/misshaped

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I want to visit the curious school of puppetry to see the methods used to create puppets and how puppeteers animate the puppets to make them look lifelike

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I need to visit the young VA as they have a lot on the history of puppets and how they have developed over the years

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Old halloween costumes were a big inspiration for the exaggerated heads and i’m going to use this as well for the inspiration for my puppets

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I love antique machines and how they work together to create something

I should visit a museum that holds some of these machines like the imperial war museum

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Taking inspiration from the cog work of Tim Lewis’ kinetic sculptures, I want to create a form of kinetic sculpture using an intricate and aesthetically pleasing cog structure to animate the puppets

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Intricate Cog systems (on the back of the housing sculptures)

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What emotions do I want the puppets to convey, and how will I achieve this through their movements and expressions?

What narrative or story do I want the puppetry piece to tell?

What materials and techniques will I use to create the puppets, and how do they contribute to the overall artistic concept?

How do I plan to address the relationship between the puppeteer and the puppets within the performance?

How will I balance precision and irregularity in the design of the cogs to create visual interest?

In what ways can the characteristics of different types of clay influence the visual and tactile aspects of the puppets and the set?

How will the fragility or durability of ceramics be used to convey specific qualities in the puppetry set?

In what ways can different types of clay or ceramic materials be used to achieve specific textures, colours, and atmospheres within the set?

Will the ceramic set pieces undergo transformations during the puppetry performance, and if so, how will this be executed?

In what ways can cogs be used to represent the passage of time or the cyclical nature of life?

What materials and textures will I use to bring depth and dimension to the cog art piece?

How can lighting be used to enhance the visual impact of both the cogs and the ceramic set within the puppetry performance?

How can the firing and glazing process of ceramics contribute to the overall aesthetics and ambience of the puppetry scenes?

What role will colour play in both the ceramics and the puppetry performance, and how can it be used to enhance the visual storytelling?

Will the ceramic set pieces serve as static background elements, or will they be actively manipulated during the puppetry performance?

How might the viewer's perspective change as they move around the cog art piece?

In what ways can the arrangement of cogs evoke a sense of order or chaos?

How can the fragility of ceramics be used metaphorically or symbolically within the context of the puppetry narrative and set design?

What story or message do you want to convey through the interaction between puppetry and the mechanical elements of cogs?

Will the cogs play a symbolic or metaphorical role in the narrative, and how will they be visually represented in the performance?

How will the puppetry characters interact with the cogs, and how might the cogs influence their movements and behaviours?

What challenges might arise in combining the dynamic movements of cogs with the more delicate movements of puppetry, and how do you plan to address them?

How can the colour palette of the ceramics be used to enhance the visual storytelling and create a cohesive aesthetic with the cogs?

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To visit to explore the relationship of cogs and study the workings of them

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The MAD Museum 4-5 Henley Street Stratford upon Avon Warwickshire CV37 6PT

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Ceramic Studios London offers open access membership to a shared ceramic studio in the heart of Wood Green, North London. We focus on independent practice and skill development, welcoming all abilities.

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Inspired by the prostitutes from the Hungarian-French artist Brassaï and his voyeuristic photographs of Paris at night

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Maison Margiela Spring 2024 Couture Fashion Show

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The complete Maison Margiela Spring 2024 Couture fashion show now on Vogue Runway.

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The industrial revolution aka the rise of the machines has hugely inspired this piece, which was a period in the 18th century in which the introduction of machinery within factories led to an uprising of products and therefore consumerism, causing a huge spike within the british economy. this was because this industrial revolution not only changed the rate at which products could be produced and how work was done, but also altered the trade systems with britain across the world.

Pros:
-  Goods Became More Affordable and More Accessible
- The Rapid Evolution of Labor-Saving Inventions
- The Rapid Evolution of Medicine
- Enhanced Wealth and Quality of Life of the Average Person
- The Rise of Specialist Professions

Cons:
- Overcrowding of Cities and Industrial Towns
- Pollution and Other Environmental Ills
- Poor Working Conditions
- The Rise in Unhealthy Habits (replacing manual labour/exercise with machinery

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I love the use of slip on this ceramic, to create texture created using this as well as the viscious glaze that is used on the ceramics

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How To Make Cogwheels Without Fancy Machinery