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Really good gender neutral costume as well^^

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Oz the Great and Powerful (Doorman/Guard)

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Oz the Great and Powerful (Doorman/Guard)

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The HAT. This costume may be better for the guard/doorman. I think it would be most powerful for Emma to be wearing simple Oz clothing underneath this so when she enters as the real Oz she is fully herself without any baubles or disguises- more honest when Oz reveals himself.

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More magic sounds for Glinda/Wicked Witch

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More magic sounds for Glinda/Wicked Witch

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Perhaps used for the Wicked Witch casting spells/using her magic ball?

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Layer these on top of howler monkeys?
**Note: this clip is ten minutes long so I would suggest splicing it and isolating the individual sound clips within it.

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Monkey Sounds  _  Beautiful Monkey Sounds From Each Other

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This sound layering would be perfect for the crows- if you'd rather their cawing be a sound effect as opposed to them orating it.

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I had a thought that it may be cool to have the poppies whispering? I don't know if this is any good- but since they're magical maybe the sound of them whispering is a audible manifestation for the audience to hear them poisoning the friends and putting them to sleep?

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This sound effect would work best if layered underneath other monkey sounds- would make the effect more full as opposed to just having a normal monkey sound effect playing.

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I think the second sting may be the best one to use? Or the closest to what I was envisioning/what is used in the movie. There are a couple that would work well though.

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Flower Detailing & Raised Yellow Brick Road

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Flower Detailing & Raised Yellow Brick Road

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In this production, the yellow brick road leads up to a platform, and while I know in our show the main platform will have bricks on either side, it may be interested to see if we could continue the road down the side of the right and left platforms (or on the 1 ft. step we're building in Tech Theater). Also- it may look cool if we attached some loose "bricks" (blocks painting yellow/spray painted bricks), near the bottom of the facade to make it seem like they were bricks that had come dislodged from the road (as seen above).

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flower inspiration for munchkinland/Lion's forest/haunted forest- similar making as the plants in shrek.

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^^ I really love this set color scheme for the haunted forest!

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I know you mentioned that we probably wont have people playing the tornado, but I just wanted to add this visual because I really liked it, and it may be visually more interesting if we have people carrying around pieces of dorothy's home so she isn't alone onstage (even if they aren't necessarily playing the tornado).
- Since the munchkin/tree puppeteers will most likely be wearing darker/nondescript clothing they could do it without a quick change!

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I saw this photo and it reminded me of Glinda so much that I wanted to include it- it's not necessarily from a production but I thought it may be good inspiration. I love the paper stars hanging down (don't know how we could include this).

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^^Design inspiration for Dorothy's bed/movable set piece (I love the iron headboard)

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Yes... I do realize this is a "Wizard of Oz: On Ice!" production, but I loved this costume visual so much!! The jitterbugs are not specifically defined creatures and I love this jazzy butterfly, beetle, fly hybrid. I think this costume design in INCREDIBLE. The visual of the wings dancing would be great movement too.

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I added this because I love the chainmail head cover situation, and it would make the quick change/makeup application much more simple.

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Notes:
- Dark green/black/violet lipstick instead of red
- green base; dark green contour/green highlight
- dark eyeliner

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Notes:
- definitely this hair!! (would look so good on Adia)
- maybe different color of bows (depending on color scheme of the costume)
- very simple base
- simpler lip (red seems too mature for Dorothy) (Judy Garland wears a lighter color in the movie)

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Notes:
- I loved this scarecrow makeup concept that I found:
- It's on the simpler side- easy application/removal
- red/orange circles on cheeks
- gold or brown coloring on the nose
- detailing around mouth (brown/plum lip)
- maybe add more contour?

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Notes:
- I think this is a great overall makeup look for the Lion- but maybe more detail/contour would be helpful?

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Notes:
- add rust details on top of silver coloring!
- draw screws on nose/ temples

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Diploma, Testimonial, and Medal (three props)

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Diploma, Testimonial, and Medal (three props)

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Iconic reoccurring visual in Oz's chamber- could be downstage of platform on SR and SL (or could hug platform and smoke could come from behind).

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I really like how Scarecrow's Cornfield is just a singular moveable prop in most productions I've seen. I think the corn is really effective in appearance/masking the platform Scarecrow is on. Also, in most photos I've seen, the fence in front of scarecrow is broken/worn down so the person playing the character/dorothy can travel back and forth easily to get behind the pole.

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I am obsessed with Nicco's goggles here AH! Also, the similar color scheme between the Wicked Witch and Nicco is very visually compelling and sets him apart from the rest of the flying monkeys which I love.

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A more visually traditional portrayal of Nicco (similar to the movie costume).

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I love the mixture of patterns, textures, and general clothing styles used in this production's costuming of the "Ozians". While there seems to be a consistent allusion to vaudeville/turn-of-the-20th century styles throughout portrayals of these characters, I love the idea that the cultures of the Emerald City transcend time or the effects of time. Though in contrast, the Americana styles featured give more reason as to why this show is a tribute to the developement of America and why so many people find it comforting/familiar.

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I think having Marvel's Caravan as a smaller set piece would be very helpful- and I love the way this one looks!

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This set piece struck a chord with me:
- I know that this is an example of something already in the projections, but using windows/doors/broken pieces of wood that look similar to this for people to carry throughout the tornado would be super cool!

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While I don't think we'll actually be needing a literal door to Oz, I really like the way the "Oz" gold-foiled logo looks in this photo (and maybe we can include it on other set pieces in the Emerald City).

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In this one shot alone, outstanding contrast in lighting is shown. While most of the stage is covered in purple/blue hues, the four friends/yellow brick road are lit up by yellow lighting. Because of how numerous the different locations/characters are in Oz and how uniquely they are each portrayed onstage- I think some sorts of character-specific lighting would be very interesting. For example, some sort of lighting motif that occurs when we first meet the Cowardly Lion and also during the song "King of the Forest" would definitely add to the catharsis of Atticus' character.

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This thought could be used throughout the show, not necessarily just in the Jitterbug, Lion Forest, or Haunted Woods scenes.
- Could be used during transitions to darken the stage a bit?
Anyhow- the idea of having specific lighting to replicate the forest/trees moving in the wind could be compelling- or including some extra trees besides the orchard in the set to cast light through?
- On each side of the stage/frame?

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Obviously we have the projections, so this amount of set detail is unneeded, but I thought I would include it as inspiration for smaller set pieces in Emerald City.

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Takes inspiration from the movie/original costuming- but provides a less elaborate and more unifying choice. Sun detailing correlates with winkie country because the sun sets in the west- "Wicked Witch of the West"?? Less layering than movie costumes may prove easier for quick changes if needed. Red also compliments the Wicked Witch's green tones and invokes the feeling of danger.

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While I'm aware for our production we already have a pretty well-conceptualized idea of how the evil apple trees will be portrayed, I wanted to add this image because I like the detailing of the leaves/apples. I also chose this photo because I was drawn to the violet/darker lighting design that may contrast well with the optimism later in the scene when the friends meet the Tin Woodman.

I'm intrigued to see what you're brainstorming for this- how will the apples be removed/replaced for each show?
-^^Also- the trees in our show are going to be puppets held in front of the actors?

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I LOVE THE SPIRAL YELLOW BRICK ROAD SEQUENCE/SET PIECE IN THE MOVIE. Definitely one of my favorite parts of the show's visual. Regardless if we're actually able to put the yellow brick floor on the stage deck, it would be very effective to still have Dorothy walk in a circle as she's exiting munchkinland.

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I don't know what plans already exist in terms of quick changes and their relation to costume design, but I believe that there can be a great correlation with making quick changes efficient and making sure costumes are non- traditional and rather give nods to characters:
- Notes on Miss Gulch, etc: What I love about this costume/makeup is that it is very clearly a unique character, but not only gives nod to the alternate person of Miss Gulch as the witch in Dorothy's dream, it also allows the actor playing the character to not alter very much about their appearance (besides the green face paint) in their quick change(s). In this variation, the bottom layer (dress) could be left while accessories/top layers would need to be changed.

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I found this sound and it made me think of the Emerald City/ the Wizard's great hall- but also there may not be a viable place for it.

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could be layered over the orchestration for this scene

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I cannot remember if this is explicitly mentioned in the script, but I added this sound effect for the scene when the farm hands release the horses in the tornado.