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From Sebastian Jose Guzman, module 5/week 5 discussion 

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Christ the Redeemer: A monumental statue in Rio de Janeiro, Brazil, this modern piece represents Jesus Christ and has become a symbol of Christian faith and cultural identity. Its towering height and outstretched arms create a sense of both openness and divine protection, a powerful statement of Brazil’s Christian roots.

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From Tyler Joseph Boos, module 3/week 3 discussion 

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The Granite Sphinx of Amenemhat III, ancient Egyptian, 12th Dynasty (1831-1786 BCE)

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The Granite Sphinx of Amenemhat III, ancient Egyptian, 12th Dynasty (1831-1786 BCE)

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The Granite Sphinx of Amenemhat III: This ancient Egyptian sphinx, crafted during the Middle Kingdom period, depicts Pharaoh Amenemhat III as a lion with a human head, symbolizing strength and divine kingship. Such sphinxes were crafted as symbols of protection and power, connecting rulers to the gods.

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From Isbely Del Rosario, module 3/ week 3 discussion 

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Apis, The Sacred Bull, ancient Egyptian, 664-30 B.C.

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Apis, The Sacred Bull, ancient Egyptian, 664-30 B.C.

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Apis (The Sacred Bull): In ancient Egyptian religion, Apis was a highly revered deity symbolized by a live bull. The bull was believed to embody fertility and power, bridging the physical and spiritual worlds, and was worshipped in elaborate ceremonies, underscoring the Egyptian emphasis on animal deities.

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From Roselyn Ortiz,  module 5/ week 5 discussion 

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The Virgin of Guadalupe: A revered image of the Virgin Mary in Mexican Catholic tradition, this artwork is associated with divine appearances in Mexico and has come to represent both religious faith and Mexican cultural identity. Its iconography blends Catholic and indigenous elements, symbolizing a cultural and spiritual synthesis.

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From Roselyn Ortiz, module 3/week 3 Discussion 

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The Figure of a Baboon, ancient Egyptian, 664-535 B.C.

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The Figure of a Baboon, ancient Egyptian, 664-535 B.C.

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The Figure of a Baboon: This ancient Egyptian figure, dating back to 664-535 B.C., represents Thoth, the god of wisdom and knowledge, often depicted as a baboon or ibis. This figure demonstrates the Egyptians’ use of animal forms to symbolize abstract qualities, here emphasizing reverence for knowledge.

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What does all these artwork have in common?

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What does all these artwork have in common?

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All the artworks—Christ the Redeemer, The Granite Sphinx of Amenemhat III, Apis (The Sacred Bull), The Virgin of Guadalupe, and The Figure of a Baboon—share a central theme of religious significance, representing divine figures or sacred beliefs across cultures. This common thread highlights the universal human drive to represent and venerate the divine, revealing how cultures from ancient Egypt to modern Christianity have historically expressed spiritual devotion through art. Examining this group also shows the evolution of sacred art: from the monumental statues of ancient Egypt, which were immovable and bound to temples, to the more portable representations of faith in Christianity, like images of the Virgin of Guadalupe. This variety reflects art’s progression from physically imposing religious symbols rooted in a place of worship to accessible, widely reproduced images capable of spreading devotion across regions and time periods.