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Show the building – determine a suitable vantage point and location where you can photograph the building/structure in its entirety.

(Lens choice and converging verticals should be considered)

Submit: One Final Image

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Creative interpretation – a range of images showing a creative photographic approach.

(timing, lens choice, depth of field considerations should be explored)

Submit: Two Final Images

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Who owns the air space in UK?

In the UK, airspace is generally considered to be owned by the Crown, which means it is under the jurisdiction of the government. The Civil Aviation Authority (CAA) is responsible for regulating and managing airspace in the UK.

Airspace is divided into different classes, and various entities, including military and civilian authorities, have specific rights and responsibilities regarding its use. However, individuals do not own the airspace above their properties; instead, there are regulations and permissions in place for its use, especially for activities like flying aircraft or using drones.

Who enforces the regulations on airspace?

In the UK, the enforcement of regulations on airspace is primarily the responsibility of the Civil Aviation Authority (CAA). The CAA oversees the safety and regulation of civil aviation, including the management of airspace and ensuring that all aviation activities comply with the relevant laws and regulations.

Additionally, the Ministry of Defence (MOD) is responsible for military airspace and operations. They work alongside the CAA to manage and coordinate the use of airspace, especially in areas where military activities occur.

If there are any violations of airspace regulations, enforcement can involve various authorities, including the police and aviation security agencies, depending on the nature of the violation.

How do I as a drone operator check for flight restrictions?

As a drone operator in the UK, you can check for flight restrictions by following these steps:

1. Use Official Resources: Visit the UK Civil Aviation Authority (CAA) website, which provides information on airspace restrictions, including no-fly zones and temporary flight restrictions.

2. Drone Safety Apps: Download apps like "Drone Assist" or "SkyDemon," which provide real-time information about airspace restrictions, including controlled airspace, no-fly zones, and any temporary restrictions due to events or emergencies.

3. NOTAMs (Notice to Airmen): Check for NOTAMs, which are issued to inform pilots about temporary changes in airspace usage. You can find NOTAMs on the CAA website or through aviation apps.

4. Local Authorities: Contact local authorities or air traffic control if you're unsure about specific areas, especially near airports or sensitive locations.

5. Community Forums: Engage with local drone flying communities or forums where operators share information about flight restrictions and experiences.

Can drones fly over national parks?

In the UK, flying drones over national parks is generally restricted. Most national parks have specific regulations that prohibit or limit drone flights to protect wildlife, preserve the natural environment, and ensure the safety of visitors.

Before flying a drone in or over a national park, you should:

1. Check National Park Regulations: Each national park may have its own set of rules regarding drone usage. Visit the official website of the national park you plan to visit for specific guidelines.

2. Obtain Permissions: In some cases, you may need to obtain permission from the park authorities before flying your drone.

3. Respect Wildlife and Visitors: Even if drone flying is allowed, you should always prioritize the safety of wildlife and other park visitors.

4. Follow CAA Regulations: Ensure that you comply with all Civil Aviation Authority (CAA) regulations, including maintaining a safe distance from people and property.

Are there restrictions on flying drones near airports?

Yes, there are strict restrictions on flying drones near airports in the UK. Here are the key points to consider:

1. No-Fly Zones: Drones are generally prohibited from flying within a certain radius of airports and airfields. This is to ensure the safety of manned aircraft and prevent any potential collisions.

2. Controlled Airspace: Most airports are located in controlled airspace, which requires drone operators to obtain permission from air traffic control before flying in that area.

3. Distance Requirements: The UK Civil Aviation Authority (CAA) typically requires drones to maintain a distance of at least 1 kilometre (0.6 miles) from airport boundaries.

4. Check Local Regulations: Always check the specific regulations for the airport you are near, as some may have additional restrictions or requirements for drone flights.

5. Use Drone Safety Apps: Apps like "Drone Assist" can help you identify restricted airspace and provide real-time updates on where you can and cannot fly.

Always prioritize safety and legality when operating your drone near airports.

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Interior

A minimum of 2 final interior shots are required for submission. You should carefully consider your approach to your chosen location. Permission may be required to photograph in certain locations and should be sought before any photography is planned.

Your approach to this element of the unit should be consistent with professional practice. Health and Safety when working in a public space should be paramount in your planning.

Your approach should be based on your research images. Viewpoint, lens choice, lighting balance, vertical/horizontal distortions should be considered at shooting stage.

Additional lighting may be required in certain locations, appropriate control of lighting should be considered during each shoot.

Balance between interior and exterior lighting should play an important role in your approach. (HDR approaches may be utilized as an appropriate method to achieve exposure balance)

A general view must be one of your final edit images.

Other final images should show a creative approach to photographing your chosen interior.

Submit: Two Final Images

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Interiors –

Planning and production of 2 interior images. Each image should be carefully exposed and lit to provide exposure balance

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Exterior –

Planning and production of 3 exterior architectural images. Perspective control must be considered in at least one of the images. 2 images should show the building off in a creative manner.

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Research –

A workbook detailing research into historical and contemporary approaches to architectural photography.

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Evaluation –

Your workbook should contain a 500 word evaluation of your approach and techniques to this project.

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In evaluating my approach and techniques to indoor and outdoor architectural photography, I have focused on several key elements that enhance the overall quality and impact of my images. One of the primary techniques I utilised is the convergence of various photographic methods, particularly in the post-processing stage using Photoshop. This has allowed me to create images that not only capture the essence of the architecture but also elevate the visual storytelling aspect of my work.

For outdoor architectural photography, I have paid close attention to the time of day and the quality of natural light. Golden hour, just after sunrise and before sunset, provides a warm, soft light that beautifully highlights the textures and details of buildings. By planning my shoots around these times, I have been able to capture stunning images that showcase the architecture in its best light. Additionally, I have employed techniques such as HDR (High Dynamic Range) imaging to manage the contrast between the bright sky and darker building details. This method allows me to blend multiple exposures and create a balanced image that retains detail in both highlights and shadows.

Using a drone has added a new dimension to my outdoor architectural photography. It allows me to capture unique and creative angles that are often impossible to achieve from the ground. Aerial perspectives can reveal the layout of a structure, its relationship with the surrounding environment, and patterns that might be overlooked at ground level. By utilising drones, I can explore various heights and angles, creating dynamic compositions that highlight the architectural features in innovative ways. This capability not only enhances the visual appeal of my work but also provides a fresh perspective that can engage viewers more deeply.

When it comes to indoor architectural photography, particularly in a church setting, lighting plays a crucial role. This church has intricate designs, stained glass windows, and unique architectural features that were challenging to photograph due to varying light conditions. To address this, I have utilised a combination of natural light and artificial lighting techniques. For instance, I brought and used portable LED lights to illuminate darker areas without overpowering the ambient light, carefully hiding between the rows of chairs so not to appear in the photographs. This careful balance helps to maintain the serene atmosphere typical of church interiors while ensuring that details are visible.

In Photoshop, I have employed convergence techniques to enhance my images further. By combining different layers and using tools such as blending modes, I can create a more dynamic final product. For example, I took a well-exposed photo of the church's interior and blended it with another shot that captures the vibrant colours of the stained glass windows and of the church organ. This approach allows me to emphasise the beauty of these features while maintaining the integrity of the overall composition.

Another important aspect of my technique involves perspective correction. Architectural photography often suffers from distortion, especially when shooting tall buildings or intricate interiors. I utilised Photoshop's perspective correction tools to straighten lines and ensure that the architecture appears as intended. This attention to detail is essential in conveying the true essence of the structure and enhancing its visual appeal.

In evaluating my approach, I recognize the importance of continual learning and adaptation. Each shoot presents unique challenges, and I strived to refine my techniques based on the specific environment and subject matter. Feedback from peers and mentors has also been invaluable in shaping my style and approach.

Overall, my techniques in indoor and outdoor architectural photography focus on the harmonious integration of natural and artificial lighting, careful planning around the best times for shooting, and post-processing methods that enhance the final images. By combining these elements, I aimed to create compelling photographs that not only showcase architectural beauty but also tell a story about the spaces we inhabit. This evaluation reinforces my commitment to evolving as a photographer and exploring new ways to capture the essence of architecture in all its forms.

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Presentation

A digital presentation should be produced showing a minimum of 5 images (interior and exterior) of your chosen location(s)

You should also produce a 500 word reflection on your approach and technique.

(this should be part of your workbook submission)

Submission Details

3 Final optimized exterior images

2 Final optimized interior images

High resolution files are required on CD

Research Workbook

Evaluation (500 words)

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Interior

A minimum of 2 final interior shots are required for submission. You should carefully consider your approach to your chosen location. Permission may be required to photograph in certain locations and should be sought before any photography is planned.

Submit: Two Final Images

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Prior to commencing photography operations at the church, I established communication with the church elders to obtain formal permission to capture images within the interior of the church. Given the impending closure and sale of the church, the elders extended an additional request. They asked for a comprehensive photographic record of the church's architectural details and historical features. This visual archive would serve as a lasting record for the church community and also be shared publicly on the local town's online platform, thereby preserving the church's cultural legacy for the broader community.

Regarding exterior photography, the church elders expressed enthusiasm for the inclusion of aerial imagery in the documentary record, and were happy to give their permission to use a drone.

In advance of utilising the drone, it was explained with assistance from the official Government website, that as a qualified drone user I would be complying with all the pertinent regulations governing unmanned aerial vehicles.

https://www.caa.co.uk/

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UK - EU Transition, and UK Civil Aviation Regulations

To access current UK civil aviation regulations, including AMC and GM, CAA regulatory documents, please use this link to UK Regulation. Please note, if you use information and guidance under the Headings, the references to EU regulations or EU websites in our guidance will not be an accurate information or description of your obligations under UK law. These pages are undergoing reviews and updates.

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Based on your research you should consider creating a series of images from a suitable location. When choosing a location you should consider the lighting, time of day, time of year, sun position and artificial lighting factors that may affect your approach in your workbook.

Your workbook should also show evidence of influential images that are directing your approach. Recces should also be clearly evidenced within your research workbook. Digital techniques applied should also be clearly evident within your workbook. Appropriate permissions should also be present within your workbook.

Three images are required:

1. Show the building – determine a suitable vantage point and location where you can photograph the building/structure in its entirety.

(Lens choice and converging verticals should be considered)

Submit: One Final Image

2. Creative interpretation – a range of images showing a creative photographic approach.

(timing, lens choice, depth of field considerations should be explored)

Submit: Two Final Images

All images should be optimized for presentation.

Converging verticals should be corrected.