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Beyond the immediate scope of this project, Greentea Peng’s political and controversial lyricism definitely gains my full respect. Musically, her sound is a fusion of soul and dub, enhanced by an experimental edge wich I find so brain tickling. I find the psychedelic elements in her production incredibly compelling and they offer a fresh, mind bending take on familiar genres.

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I am deeply inspired by Eartheaters mastery of atmosphere and emotion. Her work frequently uses minor keys to craft a sound that is melancholic, yet beautifully electronic. Her compositions often feel otherworldly and ethereal to me. They demonstrate how electronic music can convey complex, beautiful sadness and create immersive and almost transcendental listening experiences. This approach to combining raw emotion with sophisticated sound design is something I aim to capture.

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Her music evokes a very specific, potent mood that I want to channel. Qendresa’s sound possesses a distinct '80s conversation pit type of energy' creating a world that is incredibly ethereal and dreamy. It brings to mind the cinematic imagery of driving on a highway at night through the city in a red convertible smoking a skinny cigarette while the sky is lit up with colours of pinks & purple’s. This fusion of vintage mood with an electronic, dreamy atmosphere is the essence of the aesthetic I am pursuing for my track

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I just think she is an exceptional example of an artist whose limitless creativity serves as a core inspiration for my work. I felt so deeply moved by her most recent album (Eusexua) She consistently challenges conventions across her sound and visuals. I am particularly drawn to her willingness to experiment with electronic soundscapes she weaves such intricate and future forward productions that push the boundaries of genre. Her artistry is a model for true uncompromising creative expression and I just really love and respect her as an artist.

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The foundation of my track is built on a desire to explore the convergence of raw emotion and sophisticated sound design.

My vision involves creating a sonic world that is both transcendental and deeply atmospheric.

I want the core production to draw heavily on electronic soundscapes, valuing intricate sound experimentation over conventional structure. I want to demonstrate how cutting edge sound synthesis can be used to convey complex feeling, particularly by utilising minor keys to establish a mood that is at once melancholic and very beautiful. I want the overall atmosphere of the track to feel otherworldly, pushing the boundaries of typical electronic music into a more profound, emotionally resonant space.

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Amidst the intense schedule of band rehearsals and production assignments I've made some truly wonderful connections and rediscovered the fun in co-creation. These moments of musical enjoyment have been vital for my creativity.

A perfect example was a very fun jam session I had with Ellie one evening after college. She's an incredible keyboardist, we just made stuff up and it was honestly so much fun! There’s something uniquely rewarding about just letting go and jamming freely with another person because it allows for creative ideas to spark without the pressure of a deadline.

~ I’ve attached a snippet of that session as a reminder that beyond project requirements, the best part of music is the simple joy of playing together.

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This project has made me have a surprising realignment of my core musical interests. While my artistic identity has long been rooted in neo-soul and jazz, the practical engagement with this track unlocked something profound within me around electronic sound design. This experience has cemented my intention to formally explore the synthesis of soul and electronic music hopefully paving the way for a distinct 'electronic soul' sound in my future work. However, the path to this discovery was far from seamless and the process proved to be

incredibly humbling 🤣

~ in production it recalibrated my expectations around proficiency. I quickly realised that the creative learning curve is not linear!

I’ve had a series of breakthroughs and breakdowns mixed with persistent technical hurdles. Embracing this struggle and recognising that there is vast knowledge yet to acquire, has ultimately been one of the most valuable elements of my growth throughout this project.

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Our band name was born out of pure spontaneity wich I 💜!!

It was the second Wednesday of the project, and we had just received our official Band reflection rehearsal sheet from Andy. As a group, we worked through the form filling every field until we reached the one glaring part of the sheet

<<the Band name section>> 🥲

I posed the obvious question to the group, "Have we actually thought of a band name yet?" When the answer was a unanimous "no," I half jokingly suggested, "Should we just leave it blank?" It’s funny because that simple thought was instantly seized upon.

And Kieran said "That’s it! Why don’t we call ourselves Blank?"

Immediately we embraced the name while also acknowledging its accidental creation 🤣😂 To give it a distinctive visual and sonic flair, I stylised the name by adding the two dots above the (ä) and just like that

~Blänk was born.

It's a name that perfectly reflects both the initial high pressure void on the form and our quick creative solution and I just think it’s a great origin story to how we chose our name

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My 1st project track (with visuals)

TRACKID: LUVFREQ - ærielsun

It took me 6 hours (with breaks) to arrange and edit this, it’s not my original artwork it’s originally from a very talented artist called ~trippyphosphenes

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Our band consists of 8 people so compromising with 7 other members of varying ages and energy including 3 vocalists has presented a dynamic and a very rare occasion but maybe once or twice a challenging creative environment. Collaborative work on this scale naturally involves navigating a diverse range of perspectives and there have been moments of difficulty as we've tried to come to agreements but despite these complex interpersonal dynamics I have found the overall experience super enjoyable and rewarding, and I honestly we got lucky with our band and how we all get on with each other!

The Setlist Journey

Our initial setlist choices;

~ Zombie by The Cranberries

~ Play That Funky Music by Wild Cherry

—————————————

Our song choices were made under a perceived sense of urgency that lead us to quick, reactive decisions rather than thoughtful deliberation. While both songs are solid, neither truly align with my personal passion. And to be honest both tracks are vocally outside my comfort zone. However, I am embracing this as an opportunity and consistent effort to push myself beyond established limits and to be honest it's been extremely valuable in expanding my vocal capabilities!! When I sing these songs I can be quite hard on myself often thinking I’m not a good singer even thought I know this is just because I’m out of my comfort zone vocally!

We got the opportunity to add a 3rd track to our setlist so I proposed to my band the song "You Really Got Me" by The Kinks. I feel this song serves as an excellent linking piece for our set, offering a straightforward arrangement while also allowing for so much creative freedom with the vocals. The track is also relatively accessible and very quick to learn, which was a strategic consideration from myself given our limited rehearsal time 😉

Rehearsal Commitment

We have successfully completed 4 rehearsals outside of college time. I attended three of these, and while I unfortunately missed the fourth due to an arm injury, I ensured my bandmates were fully and proactively informed well in advance 🙏🏾

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It’s nice to receive the information like this, it’s better for me so it never disappears and I can read over it as needed.

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honestly I can't even lie it has been so stressful, I think at times I can be very hard on myself and I need to constantly remind myself that music is fun and to not be so critical of myself. Unfortunately I ended up loosing the final touched up and adjusted project so I have just decided to just submit the one before that (which is also good) Its just the final one in my opinion was a lot better especially the ending but I'm happy with it regardless, and I'm glad to have set a goal to get it done today and actually complete that goal, I am so proud of my progress with logic and even though I have said about how stressful it has actually been, its been a lot of fun and I'm so excited to just learn more and more!

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Came into college on Monday to have band practise before our performance on Wednesday!

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I created this track for my UAL3 production assignment, I thought I’d share it even with all the imperfections 🙏🏾 PS: that’s my bracelets jingling in the backround

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In this class we were talking about what actually separates a performance from just a rehearsal. This was my breakdown of the core factors I felt were crucial in what makes a good & unforgettable performance.

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I have a big Yamaha keyboard and often I get bursts of creativity so I sit at my keyboard & close my eyes I let my fingers lead the way and I start singing whatever comes to the front of my mind and that’s how I lot of my songs are born, this has been the best method for song creation for me & to get lyrics, Melodie’s and for some reason when I’m at my keyboard with my eyes closed I often feel transported to another realm within myself and it can be a very spiritual experience, and that’s something I would love people to see first hand in any solo performances I do~ I want any performance I do to be a really beautiful visual and auditory experience

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The process of completing this track was a study in creative resilience for sure, wich came with both deep frustration & pride.

And losing the final, adjusted version of the song's ending was profoundly upsetting for me and to be radically honest it nearly halted my momentum entirely, especially given my tendency to feel overwhelmed and defer crucial tasks -.-

However, the silver lining was discovering a potent ability to perform under pressure despite the initial setback, I managed to create my song in the first place and complete the entire final version from re tracking to mixing in 17 hours over two full days.

And that’s a paradox I’ve come to appreciate is that my best work often emerges when the deadline is immediate 🤣 The final piece is is raw and authentic so raw that you can hear my bracelets jangling in the back 🤣🤣🤣🤣 I like that because it reminds me of aphex twins 2014 album (syro) and there’s one song in particular called aisatsana and he never edited out the cars driving in the background or the birds he just left it raw and I really think that’s cool I did the same for mine (on purpose)

For my track (LUVFREQ) I relied  exclusively on live performance, featuring my own guitar, bass and vocals, consciously opting out of any digital logic loops. Sonically, I aimed for atmosphere I introduced a slightly electronic texture to the instruments using a combination of pedals and what I call a “wonky donky" effect, while the vocals were soaked in heavy reverb to achieve a distinctive dreamy soundscape the lyrics flowed effortlessly, i wrote them in 25 minutes, This rapid creation stemmed from inhabiting a deeply personal space, centered on a specific individual for whom I still hold immense affection so I managed to transport myself to a very specific time and place in my 🌀~mind~🌀 it’s in this form of emotionally charged writing that I find the most creative fulfillment. While the current ending was an improvised first take (just to test the waters of the spoken word part and how it would sound on the track) it just doesn’t quite land with the emotional resonance of the lost version, I am ultimately happy with the submission. The completed track, achieved in such a short window and in my opinion I feel it has potential.

My plan after this project is marked, I intend to dedicate significant time to a full re recording and polish of this track because I genuinely believe this song deserves to be heard, and I look forward to properly finishing and sharing it on SoundCloud. This project has proven that my creative drive is stronger than my procrastination, and I am unbelievably proud of that regardless!

Also definitely a lesson learned to save as I go and save multiple copies 🤣

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Went to a cafe with Ellie and we worked on our presentation together and submitted our slides! Feels like a giant weight off my shoulders 🐱🙏🏾

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my progress so far on the black hole project: I've found it really challenging not just creatively but personally too. Over the same period I've been dealing with a lot in my personal life which has definitely made it hard to stay focused and consistent at times. balancing personal things alongside this work has been intense and i think that has shaped my approach to this project.

because of this, i decided to lean into the emotional weight of the theme, i have went with a dark techno style music video using sound and atmosphere to reflect the feeling of “the black hole”.

Although my progress has been slower than originally planned i feel that this approach allows me to express the concept in a more authentic way.

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The scales we’ve been learning in vocal class on Wednesday mornings 🎹

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The scales we’ve been learning in vocal class on Wednesday mornings 🎹

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I came up with this name and it felt fitting at the time. it reflects the idea that we all experience and process things differently, especially as neurodivergents. we haven't fully agreed yet and its something were still discussing and developing as there are other names in the works.

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Today I had a lot of fun jamming with Evan, who’s also in my band. We were both doing our own things while sharing the same space and even though our energy was low it still felt really connected. There was something really beautiful about that two people just co-existing creatively, without needing to push or perform. It made me realise how much I appreciate the people you can show up with exactly as you are, in any state and without expectations or pressure to be anything other than yourself, i value that quality in people.

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Also popping in and getting involved with street mash on Wednesday evenings has been really really fun 🥁🪘

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Also popping in and getting involved with street mash on Wednesday evenings has been really really fun 🥁🪘

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Coming up with a melody for our original song 

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Coming up with a melody for our original song 

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Me & Ellie going over miss moonlight together

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Me & Ellie going over miss moonlight together

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In this voice note i had just discovered how we should sing the song, so i recorded it with Ellie and sent it into the group chat, because up until that point we weren't entirely sure how to sing it, i guess not really how to sing it but more how to make it sound really good.

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Post performance pic!

I cannot wait for what's next 💕

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SONG NAME : Star Girl

BAND NAME : SEXWAX (our band) Original song by~ McFly

BAND MEMBERS : ⬇️

Jacob - Guitarist (vocals)

Ellie - Keys (vocals)

Mayson - Lead vocalist

Nadz - Lead vocalist

Jackson - Guitarist

Evan - Drummer

Aidian - Bassist

Oliver - Guitarist

Ethan West - Guitarist

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STYLE : Pop- Rock, Power pop

STRUCTURE : Verse 1, Pre chorus, Chorus, Verse 2, Pre chorus, Chorus, Guitar solo

TEMPO : 156- 157 BPM

TIME SIGNATURE : 4/4

GROOVE :

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THEME :

I would say its storytelling while many early 2000s pop songs are bout the girl next door this is about a “galaxy girl” which is basically the same thing with a little extra ✨magic✨ the song uses 1st & 2nd person perspective.

the word count is moderate, the song relies heavily on repetition to make that “sticky” ear worm like verse/ chorus so you always find yourself singing it, its been stuck in my head since the first day we started singing it.

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This is the version of stargirl that we learned together as a band

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This is the version of Mr Blue Sky we learned as a band, because of timing we took the ending out but if we decide to do it for our mash house performance we would add the the ending back in, but i think we have different ideas for mashouse performance

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Electric Light Orchestra - Mr. Blue Sky (Official Animated Video)

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As a lead vocalist alongside Mayson, my role was to work together to decide how the vocals were shared across each song, how we wanted to deliver them, and to create harmonies, while also collaborating closely with Jacob and Ellie on backing vocals (which they absolutely smashed with their beautiful lungs)

In Mr Blue Sky, Jacob took the hook and in Miss Moonlight he sang the chorus, while me and Mayson took more of a backseat vocally by supporting with backing vocals, including call and response sections which was honestly really fun and added a lot to the songs. During the writing stage of Miss Moonlight, I was off sick as my mental health really affected me throughout a lot of Project 2, which I found upsetting and at times discouraging especially when it came to the Black Hole project. Despite this, I stayed as present as I could and was always available for band rehearsals, apart from two sessions where I had the flu. Even on my down days, I still showed up because our band doesn’t expect anyone to perform inauthentically which is something I really value about our dynamic. We communicated constantly through WhatsApp, sending voice notes, videos, hopping on calls, making plans, and giving each other constructive criticism about what could be improved or what wasn’t quite working. Me and Mayson felt that the final chorus in our original song made it feel unfinished so as a band we collectively decided to replace it with a call and response section instead, which worked so much better and really elevated Miss Moonlight. Reflecting on Star Girl, I think we all realised after the performance that having everyone sing the “oooos” together sounded messy so that’s something we’d definitely rethink moving forward. Overall I feel incredibly lucky to be part of this band, the chemistry we have both on and off stage is so special, and we share a lot of similar musical influences. While Ellie and Oliver are more drawn to progressive rock, which isn’t usually my go to performance style, I’d genuinely love to explore that direction too and I think it’s important that everyone gets a voice in shaping what we do next 💜

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Overall I think my performance was strong, and I really noticed how much my stage presence has evolved compared to my first performance not just in myself, but across all the bands, which honestly felt really beautiful to witness and be part of. In Star Girl, there were a couple of moments where I forgot the “oooos” and I think subconsciously that came from feeling like everyone doing them together sounded a bit messy and unfortunately I ended up projecting that thought into my performance. I was still a little nervous (maybe around 15%) but nowhere near the level of nerves I had in my first band which really shows how much I’ve grown and evolved as an artist.

In Mr Blue Sky I fumbled the lyrics a few times and in hindsight learning them to a higher standard would have helped, but it was also a big positive because even during rehearsals I’d been really scared of getting on stage and not knowing the lyrics at all and that didn’t happen. Realising that was a huge confidence boost and reminded me how powerful muscle memory actually is and I honestly love how the human brain can retain so much information without us even realising.

With Miss Moonlight, we didn’t quite have enough time to get the lyrics completely locked in which is why it was the only song we had lyrics on stage for but despite that, I’m really happy with the performance. Out of all three songs, I think Miss Moonlight was our strongest and I felt the most grounded and connected during that one.

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This project was right up my street when i found out what we were doing, i was so excited to explore messing around with with adding sound & music to a short story, it's something I was really buzzing about and I had a really strong creative idea from the start.

However, during last semester my mental health took a significant dip, living with Bipolar can be very unpredictable and at times it can feel almost self-sabotaging, especially when i want to be fully creative and engaged.

As things became harder, the project unfortunately started to feel discouraging and it got to a point where I struggled to even look at it, as I began associating it with a particularly difficult period rather than the creativity I originally felt. Because of that, I wasn’t able to finish the middle section of the piece or really be as engaged and creativeas i hoped i would be. That said, I’m still proud of the concept and the work i did manage to create, and I believe the idea had real potential. I do wish I could turn back time and explore it fully, and I may still choose to share what I’ve completed, as it reflects my creative instincts even if the project remains unfinished.

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SEXWAX wasn’t some deep, edgy concept it actually came about completely by accident.

If you don’t know what it is, it sounds sexual… but it’s literally just surfboard wax 😂

Ni made a joke about it one day, and for some reason it just stuck. No overthinking, no master plan just one of those moments where the name chose us 🤷🏾‍♀️

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Miss moonlight is one of those songs that really reminded me why I love creating music with my band. Before I went to Ireland, we had a jam where we worked out the melody together. We experimented with a few different melodic ideas, but this one just felt right, so we settled on it as the foundation of the song.

While I was away in Ireland, Jacob wrote most of the lyrics. When I came back, we went through them together they were still in a rough draft stage, so I made a few changes and tweaks but the heart of the song was already there. It felt very natural, like we were shaping something that already knew what it wanted to be.

Overall, I absolutely love how Miss Moonlight has turned out. It feels happy, light and uplifting and there’s such a good energy to it. It’s a song we’re all really very proud of and the whole process just reinforced how much I value collaboration and trust within our band 🌺

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Me and Ethan doing our last bits of padlet together 

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Me and Ethan doing our last bits of padlet together 

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Useful things I learned about songwriting from pat pattenson when I completed Berklee college of music online 

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Useful things I learned about songwriting from pat pattenson when I completed Berklee college of music online 

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For my solo performance I have chosen to perform the song “other side of the game by Erkyah Badu” i chose thing song because Erykah has been such a huge influence on me both musically and personally. I grew up listening to her music, so her sound feels really natural and close to me. Her voice, lyrics and overall energy were some of the first things that made me fall in love with neo-soul, this song in particular has a really groovy feel perfect for a performance.

As an artist, I’m very inspired by how herself she is. She doesn’t just sing songs, she tells stories & expresses emotion in a way that feels raw. That’s something I really admire and try to bring into my own music. Neo-soul is a genre I feel deeply connected to and in my eyes Erykah Badu is the queen of it. Her music has shaped my taste, my vocal style, and the way I approach songwriting & performance. So to me I feel like performing her music feels like paying respect to an artist who helped shape who I am musically today.

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Before choosing my final song, I considered “We’re still friends” Originally by Donny Hathaway but the Amy Winehouse version. This song is very deeply personal to me, and every time I sing it, it takes me straight back to 2015, when my best friend was still alive. Because of the emotional connection I have to this song, I find it difficult to perform it without becoming overwhelmed. Singing it often brings up a lot of grief, and I’m not yet able to sing it in front of others without crying. For this reason, I felt it wouldn’t be the right choice for this performance at this time. I still see this song as something I would love to perform in the future, when I feel emotionally ready to do it justice.

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Amy Winehouse - We're Still Friends (Donny Hathaway Cover)

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My friend is in this amazing band called ~modernistic~ it’s a fusion of hip hop/ neo soul & jazz they are based in Glasgow & and had event at the jazz bar in Edinburgh for the release of their new EP, I just love seeing my friends doing beautiful things and this was a very proud and inspiring moment for me 🌀

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My friend is in this amazing band called ~modernistic~ it’s a fusion of hip hop/ neo soul & jazz they are based in Glasgow & and had event at the jazz bar in Edinburgh for the release of their new EP, I just love seeing my friends doing beautiful things and this was a very proud and inspiring moment for me 🌀

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A special moment caught on the live stream between me, Anna & Ellie during the Cuban fundraiser 🌀

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A special moment caught on the live stream between me, Anna & Ellie during the Cuban fundraiser 🌀

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It has been so vital having these close connections during my time on the course, building these bonds has been such a beautiful experience and I have made friends for life 🌙

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I feel like I totally want to just infiltrate the jazz & soul scene LOL like “heyyyyyyyyy 😜” I already have so many connections between Edinburgh & Belfast like genuine ins which makes it even more confronting to admit that the only real thing holding me back… is (DRUM F ROLL PLS)…. me…

It’s only February and this year already feels totally different to me. I been showing up to open jams, putting myself in rooms with musicians I and actually networking instead of hiding behind potential. Cause I’m at that point now where im tryna consciously push myself out of my musical comfort zone & not because im lost, but because ive outgrown where i been sitting i just been musically stagnant for too long I fear ~ n i like to think of myself as someone who lives outside their comfort zone quite regularly & usually act on instinct and do things on a whim i defo leap before I overthink wich can be problematic but hey,ho we love a bitta chaos BUT with music though it’s so different and because it’s the thing that matters most, i hesitate. its so strange and contradictory n feels so claustrophobic AF Like I’m standing in front of an open door and still checking if I’m “allowed” to walk through 🙄 classic.

I know the fear underneath it is completely my shit I gotta work through and it’s the same shit that comes up all the time

~not being good enough or feeling like I wouldn’t be accepted within the music scene. Naming it makes it sound small and almost laughable & kind of embaressing but it’s been so real n scary to me but something is shifting and that fear just doesn’t have the same grip on me anymore, honestly is been psychological warfare 😭 but i feel like this is the start of me trusting myself publicly and fully letting myself be seen and letting myself belong in a community WHERE I BELONG.

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A poem I wrote at 5.30am about mental block when I’m trying to write songs/ padlet or just general creative ideas 😭 

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A poem I wrote at 5.30am about mental block when I’m trying to write songs/ padlet or just general creative ideas 😭 

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♾️

Im trying to write.

i’ve tried to write

when the night leans heavy,

and the world goes quiet.

the words hide from me

but why?

my mind is full

yet I’m mindful

holding space for my feelings

that move with the ocean.

the waves pull me under,

then carrying me back to shore

in every direction at once.

every emotion sways with the tide.

And my perception sharpens.

i see it now.

i always have.

i can write.

i could always write.

the blockage wasn’t silence,

it was psychological warfare

between me

and my page.

now, energetically,

i’m floating.

flying.

cruising.

soaring, through the night sky.

but why night?

i’ve tried it the daylight

i’m too exposed,

its too loud,

too demanding.

too distracting.

so I wait for the darkness.

because my mind opens up like a lotus

willing and ready to receive

whatever information comes my way.

Now im ready for the night

so I pray

to my god, my paper.

pray, and pray again

that my pen listens

this time.

so i bid u goodnight.

because now, i must write.

~ signing off 5.30am

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co-working with Ellie & Anna on a Tuesday 

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co-working with Ellie & Anna on a Tuesday 

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Project 3 has been such a beautiful experience for me SO FAR. I’ve found myself really enjoying the process rather than rushing toward the outcome, which feels new and grounding in the best way and I think there’s something really special about being in a space where creativity is encouraged to unfold naturally, without pressure and I feel like this project has allowed me to reconnect with why I make music in the first place not just to perform but to express to process and to exist honestly through sound and I guess a big part of it is also that I’m in a very healthy place mentally, i know its only very early days but im super excited especially for the band work plus I am super excited about my solo performance. It feels like a moment where I get to fully step into my own voice and trust it. There’s a big confidence growing in me around this like I know I’m ready even if nerves show up along the way. I’ve been learning to honour that feeling rather than fight it and this performance feels like a chance to show up as I am right now, not who I think I should be.

I’ve also been really enjoying Scott’s class It’s been grounding and informative, and I appreciate the structure and insight it brings. At the same time, I’ve noticed that I’m even more excited when it comes to doing my own thing, particularly with mixing I do like the taste he gave us but will enjoy it more when I get to mix my own stuff there’s something so satisfying about being hands on with sound. It feels intuitive, almost meditative, like I can lose time in it and come back feeling more connected to myself. Alongside this, I’m writing another original with my band 💅🏾 which feels really exciting and there’s a deep sense of momentum building creatively, like ideas are flowing more freely and collaborations are aligning at just the right time, i feel so lucky to have the band that i do they are amazing artists & people and we have really connected. I’ve also started working with Dan Baxter from HND, exploring more soul focused music which has been really inspiring. Soul music feels close to my spirit and it’s expressive n emotional n working in that space feels very aligned with where I’m at musically and personally right now 🧚🏽‍♀️✨ On top of that, I’ve joined a band with Gilly and my best friend Amz (who isn’t in college) and that’s been such a joy. We’ve been having loads of jams, just playing for the love of it with no expectations & no pressure. Those sessions remind me that music doesn’t always need to be productive or polished & sometimes it just needs to exist, I find that really ✨healing✨ Overall, things have been feeling really good so far this year. Everything seems to be moving at such a nice pace not rushed and definitely not stagnant just steady and intentional. I feel more present, more trusting of the process, and more open to what’s unfolding for me AND…… I also got the job I’ve always wanted, which feels like a huge affirmation from the universe that I’m on the right path  It’s brought me a sense of stability and gratitude and it’s allowed me to show up creatively with a clearer mind and a fuller heart. Right now, I feel aligned and not in a perfect way but im still m learning, growing, creating, flowing and allowing myself to enjoy where I am without constantly looking ahead. This project so far and this period of my life feels like a reminder that when I move with intention and trust that things naturally fall into place 🌛🌝🌜

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watching videos on the pentatonic scale for bass and trying to learn new techniques 

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watching videos on the pentatonic scale for bass and trying to learn new techniques 

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this is something that just blew my mind over the weekend, i dont even listen to rosalia, i love björk but this live performance is INCREDIBLE like wow, i just cant believe what a masterpiece this is, i am GAGGED i have watched it repeatedly and everytime i get goose pimples hehe what an inspiration.  

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this is something that just blew my mind over the weekend, i dont even listen to rosalia, i love björk but this live performance is INCREDIBLE like wow, i just cant believe what a masterpiece this is, i am GAGGED i have watched it repeatedly and everytime i get goose pimples hehe what an inspiration.  

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ROSALÍA - Berghain (Live at The BRIT Awards 2026) ft. Björk

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vibing with my bestie aka (practising parts for our band SPIRALS 🌀) i like how with this band i have more of a role playing bass, its not something i wanted to really dive into with SEXWAX because this is more chill and i feel with SEXWAX i can focus more on vocals and really improving that, plus Aidian is a great bassist ~ But with spirals its cool because i can do both but take a little more of a back seat vocally which i like actually.

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vibing with my bestie aka (practising parts for our band SPIRALS 🌀) i like how with this band i have more of a role playing bass, its not something i wanted to really dive into with SEXWAX because this is more chill and i feel with SEXWAX i can focus more on vocals and really improving that, plus Aidian is a great bassist ~ But with spirals its cool because i can do both but take a little more of a back seat vocally which i like actually.

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harmonising with Amz for SPIRALS 🌀 we are currently learning ~ no mornings by Lyza jane. for this song i'm on bass, harmonies & add libs (i love add libs im really good at them), Amz is guitar and main vocals & Gilly is drums

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harmonising with Amz for SPIRALS 🌀 we are currently learning ~ no mornings by Lyza jane. for this song i'm on bass, harmonies & add libs (i love add libs im really good at them), Amz is guitar and main vocals & Gilly is drums

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working on mixing & using compression on vocals for my track 

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working on mixing & using compression on vocals for my track 

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I have found it so useful what Scott has taught us during the production class and i just feel really lucky & blessed that we have these amazing facilities/ tutors n opportunities for us ~

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For my solo performance, I chose to sing Other Side of the Game by Erykah Badu, she is one of my most influential artists, both mentally and musically. her music has had a big impact on me & she was one of the reasons i became so interested in soul music. Artists like Erykah and Alice Coltrane have really shaped my taste and the way i connect with music ~ Alice Coltrane has a beautiful soul/ spiritual feel about her music but anyway this is not about that lol!! overall, I think my performance went well vocally however, part of me wishes that maybe i had performed my original song choice which was ~ we’re Still Friends by Amy Winehouse but i made the concious decision not to perform it because it's a very emotional song for me and everytime i sing it can become quite overwhelming due to the personal meaning it holds for me. & to be honest everytime i perform, i like to really feel the emotion of the music & project that feeling outward to the audience, so choosing something THAT intense felt just so F challenging at the time, i was like “hell nawwwww” But I do believe my performance was vocally strong in many ways, there were parts of my vocal range that i just wasnt fully happy with and i guesss in all honesty i really think i should have rehearsed alot more than i did, n i feel that this showed in some moments of the performance but despite this, i really really enjoy doing solo projects i find them both challenging & exciting at the same time & they push me outside of my comfort zone sooo much. Performing solo also allows me to see how much this course has helped me grow compared to before, I really notice a hugeeeeeeeeee difference in my stage presence and confidence when performing in front of others and it makes me so happy to whiteness the ✨evolution of self✨

Overall, this experience reminded me how much I enjoy performing and how important it is for me to continue developing both my confidence and my vocal ability, was so so fun i loved the solo perfromance ALOT.

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cant even express how lucky we are to have all got to work together, all the bands have beef and drama and i think we are one of the only bands to not experience that, we genuinely like and appreciate each other and when it comes to choosing songs we pretty much have the same vibe, I would love the opportunity to work with these guys again in HND i would be so lucky

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I went to support a friend @ HMV on Saturday ~ the music was beautiful ~ 

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I went to support a friend @ HMV on Saturday ~ the music was beautiful ~ 

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I thought it would be so fun to do some trance music but make it funk, so I suggested “touch me by riu da silva” and my band loved the suggestion and now we are currently in the process of making it FUNKKKKKKADELIC ~ I’m thinking it sounds good sooo far 🌀🌀🌀

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I thought it would be so fun to do some trance music but make it funk, so I suggested “touch me by riu da silva” and my band loved the suggestion and now we are currently in the process of making it FUNKKKKKKADELIC ~ I’m thinking it sounds good sooo far 🌀🌀🌀