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pend 20 minutes carefully reviewing your latest design or artwork. Reflect on the following questions:

Post 3 images of your ES project

What did you do well? Identify at least 3 strengths you're proud of.

What areas could use improvement? Identify at least 2 areas for growth or refinement.

What were the key decisions you made during the design/creative process, and why?

What did you learn from working on this project that you can apply to future work?

Document your self-reflection by writing a concise 100-word summary of your key insights and takeaways.

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You will be assigned to review the work of

1) 1 of your peers from the same programme

(1 tutor-assigned (the next panel student at right)

2) 2 students (two students from other programmes - one each) Spend 10 minutes carefully examining and evaluating your peer's design or artwork

Post 1-2 images (with programme and full name) of your peer's work (E.g. BAGD-Chan Tai Man)

Identify the aspects of the work that you think are particularly strong or well-executed

Provide at least 2 constructive suggestions for improvement or refinement

Write a 50-word peer review for your peer's work

Spend the remaining 5 minutes sharing your peer review with the designer/artist and discussing the feedback.

3) Peer's feedback: Record your peer's feedback (as many as you have) at the last row.

4) You can rate other people's feedback (stars)

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The three good strength that I think I had during this project are:

The usage of new materials and technique

The scale of the project is challenging

The overall theme coordination

The two improvements points are:

The quantity of the artwork seems lesser

The scales of some artwork can be reconsidered

The key decisions I made was to utilise the technique of resin casting and mild making. Also settling down on the theme of not creating something beautiful but rather horrifying and out-of-the-norm.

The thing I learnt from this project is commitment. How I should able to fully commitment to my work, and put high amount of effort and time onto creating art.

After completing this module, I have learnt a lot about the world of art. How can one create art, how should we value our art, and the audiences, and so much more? This module gave us an introduction to how we should approach our lifestyle and journey as artists.

I would say this module has pushed me out of my comfort zone. Which I am very glad about. At first, I was still stuck to just ‘drawing’ and traditional art. But it introduced me to materials and techniques that are new and challenging to me. I am sure that this whole year of artmaking will be an important core memory for me in life.

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The three good strength that I think I had during this project are:

The usage of new materials and technique

The scale of the project is challenging

The overall theme coordination

The two improvements points are:

The quantity of the artwork seems lesser

The scales of some artwork can be reconsidered

The key decisions I made was to utilise the technique of resin casting and mild making. Also settling down on the theme of not creating something beautiful but rather horrifying and out-of-the-norm.

The thing I learnt from this project is commitment. How I should able to fully commitment to my work, and put high amount of effort and time onto creating art.

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This is the biggest work in my artistic career. I like it very much, but it still has some shortcomings that need to be addressed.

This artwork of mine still has many shortcomings. If my ability allows, I would like to make the background more cyberpunk. If possible, I would like to expand the background a bit. The bone part is a bit droopy and I didn't think about the mechanics part.

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BAFA Student: Michelle Hon

The strong suit in this amazing project finished by Michelle Hon so the the overall theme and production is well finished and considered. The whole project is like a full series with shared insights and theme. The finishing of the pet strap art is very well done and detailed. And also the stall set up is well coordinated.

The two improvements I would suggest are:

The scale of the artwork could be larger

The arrangement of the artworks could be considered more since some of the artwork is overly blended together, making it sometimes hard to define wether or not it is in the series

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3 strengths

painting skills

Storytelling - the whole series

Improvement

Using more media except painting

Add sth outside the canvas

Key decision

Not finishing my last piece

The finishing in this project is unfinished what I want to express

What I learn

Time arrangement is important for making artwork

Know more features about oil paints

Reflection

This year has transformed me both as an artist and as an individual. Through exploring new mediums, I discovered my true passion for painting —a path I now confidently pursue. I've learned to embrace feedback, both positive and critical, as essential fuel for growth. Most importantly, I realized that artistic success isn't just about skill or passion, but also sustainability: balancing focused work with self-care protects both my health and my creative spark. These lessons —discovery, resilience, and mindfull practice-have given me not just better art but a stronger foundation for my future as an artist.

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Suggestion: The visual effect can be more prominent

Advantages: Creative combination of traditional Chinese culture and relief

Disadvantages: Carving technique, the fish can try to change direction

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I am satisfied with my own arrangement and boldly cut the A1 board, using a different approach from my classmates to express my ideas temporarily.

Three advantages:

1. Exquisite

2. Rich

3. Mixed materials

Three disadvantages:

1. Insufficient stability

2. During the process, I set my expectations too high

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I excelled in revealing hidden elements with UV light, successfully tackled a larger piece for the first time, and experimented with new materials to enhance theme relevance. I also conducted deeper research on the previous theme. Areas for improvement include exploring soil textures more thoroughly and enhancing overall stability and layering. A key decision was to consistently use UV light to highlight hidden effects. From this project, I learned the importance of innovative concepts in my work, which will benefit future projects.

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Advice:

The lighter lighting area can be bigger

Good:

the title are interesting and well present

nice technic

Bad:

need more layers on the card board，effect of lighting not strong enough

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Peer review: BA Illustration Augusta Chan So Ching

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Peer review: BA Illustration Augusta Chan So Ching

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The strong suit in her project is the dedication and the finishing. She made over 300 pieces of beautifully dawn tiles resembling Hong Kong city. The details of her works is truly amazing. Every tile has its own story and they matches with the theme she is trying to convey.

The two thing I would suggest are :

The set up could be nicer because it seems like the main pieces are separated from the booth

The image on the side of the booth could be larger. To show the details and hard-work within.

Review of her project

The project is amazing. The details and hard-work is well seen through her work. The tiles are well drawn and colourful with the theme being close to our culture. The sketches and process are also impressive. Sharing the same detailed look and feeling to them.

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Peer review: BA Illustration Chan So Ching 

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Peer review: BA Illustration Chan So Ching 

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Sculpting features are realistic

Improvements

Can use other media to make it ( real doll, coins)

Make it bigger

Review

The theme over love is a pretty common nowadays . I can see the things about over love and see some connection between them. But the work can’t really see the topic you want to express .

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3strengths

-have a thought of using PET strap to form graphic or character works

-to collect old related objects and search for old news from the Hong Kong Central Library

-to have in depth knowledge and have ways to find out history and information

2 improvements

-I dont know how to set up since this is nearly the first time for a really big set up, for the lightings, the fitting for a venue area

-probably time management or lower expectation

Key decision

-to choose the material PET strap and create it on the theme Fruit Market

Learn to apply for future

-to continue exploring PET strap for future artworks

Self reflection

-For the first semester, as the way of the tutor limited our materials or medium of art form, it directly leads me to try to make crafts instead of drawing, I tried four new medium to create artpieces, which is embroidery on aluminium foil, beads curtain, weaving PET straps and beading tiny handcraft.

On the other hand, during the second semester, since I chose to continue working on PET straps, and changed my theme from Hong Kong signboard to Yau Ma Tei Fruit Market, that are both related to Hong Kong’s culture disappearing from the implementation of urban renewal.

In the use of the material of PET strap, i found out the possibility of it, the strap can form both 2D and 3D shapes. Primarily, I just think of using strap to form flat surface or boxed shape, as it is easy and normally we will only think of weaving it squared alternately, such as the bamboo and rattan basket we can see in daily life.

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Advantages

1. Environmental Awareness: Promotes sustainability by using natural materials, reducing reliance on synthetic fibers.

2. Interesting Theme: Unique aesthetic that stands out, appealing to those who appreciate innovative fashion

Disadvantages

1. Low Preservation Rate: May not be as durable as traditional fabrics, making it prone to wear and tear.

2. Care Requirements: Often requires special washing and maintenance to maintain quality.

3. Higher Costs: Production can be more complex, leading to increased prices for consumers.

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Pros.

Successful sewing technique. The different combinations with the peels have a natural color scheme. Finally, the photography technique was used to express the emotions. Successfully achieved the sense of sight, smell and touch. I feel that I am making progress.

There are two areas that I need to improve, the first one is that I think I should learn some theories of clothing design. The paper pattern for the cape was not perfect. If I had enough time, I think I could have made it double-sided, and it would have had more feeling.

The idea was to repair emotional damage and relationships. It is also true that the dress has improved my relationship with my friends and family. The act of touching the orange and sharing the fruit and the act of sewing made me feel calmer and more willing to communicate with others. I really like the quote in my centerpiece. Find strength in imperfection, so my work is also imperfect and irregular, but I accept it.

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Good

Interesting Titles: The titles are engaging and well-presented, capturing attention effectively.

Bad

Need More Layers: The cardboard could benefit from additional layers for added depth and texture.

Lighting Effects: The lighting effects are not strong enough, which could enhance the overall visual impact.

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Strengths:

- The patterns are drawn meticulously.

- The style of the first and third pieces is consistent and unified.

- The theme is prominent.

- My favorite is the fourth piece; the composition is simple.

Weaknesses:

- The four pieces are not unified.

- The edges of the frames are not colored.

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I found this piece of his work interesting because as soon as I walked in, I smelled a very strong odor of stale leather. And then the colors are also very harmonious. It's a very interesting concept, and it's the first time I've seen a finished product made into a group.

What I think needs to be improved is that I don't think the space for his scene setting is too good. As well as the style of the clothes, I also think that there can be a little bit of small changes, may appear this thing more dynamic cute and interesting!

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Throughout my ES project, I discovered a dynamic interplay between structured planning and creative experimentation. One of my core strengths lay in my ability to swiftly outline project details and transition into execution mode. This efficiency allowed me to maintain momentum, consistently meeting daily objectives despite time constraints. Perhaps the most rewarding aspect was pushing beyond conventional methods by incorporating **plaster casting**—a technique I had never attempted before. This not only expanded my artistic repertoire but also reinforced my belief in embracing unfamiliar processes to achieve unique outcomes.

However, the journey was not without its challenges. While I prided myself on rapid execution, certain design elements revealed room for refinement. For instance, choices around wax color and material selection occasionally felt disconnected from the project’s thematic essence. In hindsight, a deeper analysis of the core theme—such as the symbolic significance of endurance—might have guided more intentional material decisions. Similarly, experimenting with alternative mediums could have elevated the visual and conceptual coherence of the final piece.

A pivotal moment in the creative process was my decision to handcraft wax figures rather than outsourcing them. While custom-made candles (designed to burn for seven hours) initially seemed practical, I chose to sculpt the figures myself. This choice stemmed from a desire to immerse myself in the tactile process, ensuring precise control over textures and durability. More importantly, it transformed the project into a learning opportunity—a chance to master wax sculpting while aligning the material’s symbolic longevity (the seven-hour burn time) with the metaphor of enduring a “long night.”

The project also taught me to think holistically about presentation. Questions like *How do I suspend installations to evoke a specific mood?* or *What spatial arrangements enhance viewer engagement?* became integral to my process. I explored吊装 techniques, experimenting with height and balance to create an immersive environment. These considerations underscored the importance of exhibition design as an extension of the artwork itself.

This project deepened my understanding of balancing creativity with technical rigor. Strengths like agile planning and innovative plaster casting were tempered by lessons in thematic alignment and material experimentation. Handcrafting wax figures taught me the value of hands-on craftsmanship, while symbolic choices (e.g., seven-hour candles) emphasized conceptual storytelling. Designing the exhibition space revealed how spatial dynamics shape viewer experience. Moving forward, I aim to integrate symbolic materials more intentionally and explore unconventional mediums. Ultimately, the experience highlighted that art is not just about execution—it thrives at the intersection of deliberate planning, fearless experimentation, and a willingness to let the process itself inform the outcome.

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Well executed

-craftsmanship

-fine art work

-details

-multiple experiments

-the overall unity and atmosphere

-the disgust and fear of the work crumble

-the booklet atmospheres can feel the fear

-the drawing imitated a child drawing which is really really good and the feeling is precise

2 refinement

-maybe to add background for the set up which can help presenting more fearful and stressful environment

-maybe to find another font that pervade horrible feeling to enhance the description’s unity to the theme

reflections

For the work Crumble, this is the work i like the most, which the materials are unknown for me, idk how to create the skin, and the stretch and thickness of the skin are really mind blown and impressive. If the scale are bigger and have lighting on it, the shadows of the skins and nails can help enhance the fearfulness.

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I think it is very creative and the content of the story book is so fascinating.

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It can be seen that a lot of effort was put into this work. A lot of perfume stickers and postcards were prepared.

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It can be seen that a lot of effort was put into this work. A lot of perfume stickers and postcards were prepared.

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There are a lot of elements in it, the cupcakes and bears are cute and quite vivid. Quite a fun little piece, as it's been a while since I've seen this kind of stacking. The colors of the book are great.

I feel like I could do another synthesis with other materials besides pottery. It might be more interesting. For example, it would be more interesting to add something realistic to make a stack or change the angle.

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Good ：Very creative

bad：You can consider layering and hanging it up for display

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I love the way Janet's booth is set up because it feels so tranquil and peaceful, her artwork is stunning and professional and I enjoy the interactive aspect with the mirrors. One suggestion could be to create some additional more dynamic pieces that are not confined to a canvas but could experiment with full sculptures. But other than that everything looks perfect.

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Black and white, comfortable, Tai Chi, thought-making

Improvements:

Gypsum can be good d, and the material can be good d

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Chan So Ching's "Hong Kong City Density" project is truly remarkable. The detailed illustrations and creative use of materials vividly capture the essence of Hong Kong's dense urban landscape. The visual consistency across the works is a strong point, drawing viewers into the crowded living spaces.

To refine it, consider adding more varied textures to break the visual monotony. Also, incorporating some multimedia elements, like short audio clips of city sounds, could heighten the immersive experience.

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BA(Hons) Graphic Design Shek Pui Ying, Angie

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Shek Pui Ying (Angie)'s “AroBay” and “Aroma Amulet” projects in graphic design are impressive. The “AroBay” concept addresses the challenges of local aroma brands in Hong Kong, with a well - thought - out design statement aiming to enhance connections between merchants and enthusiasts. The “Aroma Amulet” project is equally compelling, responding to Hong Kong's low happiness index by creating aroma - based products.

The visual design of both projects is clean and professional. The product mock - ups for “Aroma Amulet” are aesthetically pleasing, and the information layout for “AroBay” is user - friendly.

However, for “AroBay,” incorporating more interactive elements in the website design mock - ups could make it more engaging. For “Aroma Amulet,” additional real - life case studies or testimonials on the positive impact of the amulets would strengthen the concept.