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This represents post impressionism, and Cezanne exemplifies this because of his focu on pointillism and his use of daily leisurely activities. It is good art because all art is good art.

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"Card Players" By Cezanne - Dmitri Kessel - Google Arts & Culture

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A Girl With a Watering Can- Pierre Auguste Renoir

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A Girl With a Watering Can- Pierre Auguste Renoir

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This painting is also Impressionist because it captures the moment and seems like photography, which influenced impressionism greatly. It also contains natural lighting from the sun.

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In 1876, Renoir began to paint anecdotal depictions of women and children, subjects in which he excelled. A Girl with a Watering Can, typical of these works, displays a mature impressionist style attuned to the specific requirements of figure painting. Renoir's colors reflect the freshness and radiance of the impressionist palette, while his handling is more controlled and regular than in his landscapes, with even brushstrokes applied in delicate touches, especially in the girl's face. Brilliant prismatic hues envelop the child in an atmosphere of warm light and charmingly convey her innocent appeal.

Specific identifications have been proposed for the girl, but none is convincing. More likely, Renoir depicted a neighborhood child whose pretty features pleased him. A girl with similar curly blond hair, sparkling blue eyes, plump pink cheeks, and smiling red lips appears, dressed the same way in other paintings by Renoir, suggesting she was a favorite figure in the artist's repertory. A Girl with a Watering Can is a showcase of the grace and charm of the artist's work.

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A Girl with a Watering Can - Auguste Renoir - Google Arts & Culture

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In 1876, Renoir began to paint anecdotal depictions of women and children, subjects in which he excelled. A Girl with a Watering Can, typical of these works, displays a mature impressionist style attuned to the specific requirements of figure painting.

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This is Impressionism because it attempts to capture a moment, in this case of water lilies floating about. Additionally, its colors mix when looked at, molding them into a water-like green-blue

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In the spring of 1883, after having wandered along the banks of the Seine from Le Havre to Paris for 20 years, Claude Monet (1840-1926) settled in Giverny. The painter participated in the collective adventure of Impressionism and displayed works at the group's four first exhibitions from 1874 to 1879. Crowned with success, he withdrew and purchased the house known as Le Pressoir in 1890. His painting soon took a new direction. While continuing to exalt colour, he delved increasingly deeper into the study of the pictorial space. In 1893, Claude Monet requested permission to divert water from the Ru river to create a "water garden". He made a pond spanned by a footbridge, a reference to his love of Japanese art.
In 1899, through his work on the Waterlilies series, Monet embarked on unprecedented research as he focused almost exclusively on a motif that would become like a signature. Once he had finished the Japanese bridge series in 1900, the artist concentrated on the blooming waterlily pond. First intermittently, when he was not working on the Waterloo Bridge series, and then on an ongoing basis when he began a large suite in 1904. From spring to fall, the artist set up easels around the pond so he could capture sensations on several canvases at once and rework them later in his workshop. The Waterlilies at MuMa, painted in 1904, are part of a suite of forty-eight canvases known as "Waterlilies, a Series of Waterscapes" shown at Durand-Ruel's gallery in Paris in 1909.
This square painting emphasizes the decorative potential of colour. The framing eliminates almost all topographical reference to convey the infinite in perpetual motion. Once he had shaped nature and created a space especially for his painting, Monet would tirelessly explore this dominant subject for twenty-seven years. The Giverny garden became a laboratory that led to a genuine transformation of the landscape, in which colour prevails over form. His undertaking thus signalled the abstraction that would be developed by the artists of the New York School in the wake of World War II.

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Waterlilies - Claude Monet - Google Arts & Culture

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In the spring of 1883, after having wandered along the banks of the Seine from Le Havre to Paris for 20 years, Claude Monet (1840-1926) settled in Giverny. The painter participated in the collective adventure of Impressionism and displayed works at the group's four first exhibitions from 1874 to 1879.

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This is realism because It portrays the natural reality, rather than the artificial ideal.

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Entrée d'un gave (Source of a Mountain Stream) - Gustave Courbet - Google Arts & Culture

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This is Realism because it focuses on what is real rather than what is ideal, it values detail over stroke type, and prokokes major imagery.

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Potato Planters - Jean-François Millet - Google Arts & Culture

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In Millet's time, many people considered potatoes unfit food even for animals, but these peasants are planting potatoes for themselves to eat. "Why should ...

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This shows Post-impressionism because it uses primary colors to reflect emotion. It also shows to performance in the sunflowers, despite their lack of sentience.

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Sunflowers - Vincent Willem van Gogh, Dutch, 1853 - 1890 - Google Arts & Culture

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