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Activist art is a powerful tool with a long and varied history, that can call attention to the most pressing political and social issues.

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Jasmine-great visual and conceptual analysis

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Jasmine-great visual and conceptual analysis

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malena VA9 Public Artwork Project Crit A - A Changing Nation - T2

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VA9 - Norman Rockwell Artwork Crit Aiii (1)

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VA9 - Norman Rockwell Artwork Crit Aiii Manil

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I'm a Changing Work on Paper final picee

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I'm a Changing Work on Paper final picee

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This drawing is done in water color and some pen and water color pencil, it is focused on someone in Cambodia with PDST and depression due to traumatizing sexual abuse of her father, the art symbolizes the darkness and drama looking over her like a monster and the lead to her problems shows her father pulling a rope but there is also a shadow behind this that represents herself because with this mental illness she is also self harming. She is in a higher class family and her family has a reputation and so no one knows of this secret and problem that she has faced, and she has stayed quite both because she scared and cant talk about it but also because she is not allowed to or she is afraid of the consequences.

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From this creative thinking task, I’ve learnt to push my creativity further and to represent and show meaning through hidden symbols, positioning and the details. I’ve also learnt that the meaning through the artwork does not have to be too straightforward and literal. I’ve had a lot of fun through this task and I think I’ve been able to push my thinking on how to show certain messages and stories through distorting the body and morphing it.

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Dyna  (I don't know how to draw the wood texture)

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Dyna  (I don't know how to draw the wood texture)

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Composition drawing
- I tried my best to apply the rules of thirds into the piece; by placing the frog on the top left (most focused point) i was able to play with the shading and tone of the piece. I also tried to be creative and make the frog bigger than the person to in a way change up the perspective a little to emphasize on the symbolism of the frog. I also tried to layer some mushrooms onto the tree and layering different blocks of objects at the bottom to create a layered forest affect. I tried my best to draw an odd amount of objects but I went haywire and lost count, but it looks quite balanced compared to the first beach drawing I drew in 2 mins.

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6 drawings,  click on picture if it's not clear, sorry if it's abit hard to understand, i just like to scribble alot

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This is both my foreground middle ground and bacround task and then I worked on it more after learning composition, I think I thaught creatively and there is a lot of symbolism but I need to follow the rule of thirds more and think about placement as well as finish of shading and colors as it is not quite balanced and I didnt finish so its not quite full yet but was a good experement and i learnt and improved

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Final Piece

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Concept:

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All my works:
https://docs.google.com/document/d/1we_DUUBR-l19_lgpvdp20LFVEOxDblrLKeDjSyw9HcI/edit
Final Artwork:

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In this work, I described the life of a drug addict in Cambodia using watercolor, oil pastel, color pencil and pen. People who take drugs in Cambodia suffer a lot mentally and physically. Drugs can only give people a moment of pleasure, and in the end, they will fall into despair. I wanted to express a shoe from the perspective of patients with hallucinations of drugs in Cambodia. To represent this drawing is Cambodia, I used the Kbach Khmer pattern in the back and the flag of Cambodia. I drew the heel of the shoes as pills and needles to represent drugs. The skulls(ghosts) and flames represent the hallucinations. Thorn lump in the drawing, represents that drugs can lead to death. I've tried to draw a simple but impressive picture of the evils of drugs and through this picture I believe people will be able to convey how drugs hurt themselves and make themselves hopeless.

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This drawing is done in water color and some pen and water color pencil, it is focused on someone in Cambodia with PDST and depression due to traumatizing sexual abuse of her father, the art symbolizes the darkness and drama looking over her like a monster and the lead to her problems shows her father pulling a rope but there is also a shadow behind this that represents herself because with this mental illness she is also self harming. She is in a higher class family and her family has a reputation and so no one knows of this secret and problem that she has faced, and she has stayed quite both because she scared and cant talk about it but also because she is not allowed to or she is afraid of the consequences.

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art vocabulary ks3 - Google Search | Gcse art sketchbook, Gcse art, Art analysis

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Mar 31, 2017 - Particularizing "White Fence" beyond which the seeming eehoes of barn, house, bright light flat on foursquare far building while in closer view shades darken the faint ground.  Yet fence as image or...

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words to describe elements and principles

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words to describe elements and principles

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Art Critique Words | Art analysis, Art critique, Art classroom

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May 28, 2015 - Art Critique Words - Download as a PDF or view online for free

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hile growing up in South Central Los Angeles in the 1980s, the Nigerian-American artist Kehinde Wiley, 42, discovered the work of the 19th-century British textile designer, writer and social reformer William Morris.

"He's not so well known in the US," he says. "But my mom was what you might call a junk dealer. [Her store] wasn't really an antique store, but it sold second-hand furniture, oftentimes from old estates. So as a kid, I grew up seeing a lot of floral patterns, some Morris-inspired, some actual Morris pieces, among the stuff she was selling. And from very early in my life, there was this ornate sensibility inscribed."

Though Wiley has diversified into film and sculpture (his 8.5m-high equestrian bronze Rumors of War was recently installed in Richmond, Virginia. It echoes the city's monument to the Confederate general JEB Stuart, whom Wiley replaced with an African-American man in a hoodie and jeans), he is best known for his paintings of people, notably the official portrait of Barack Obama in the Smithsonian's National Portrait Gallery in Washington DC.

Kehinde Wiley at the opening of his Wiley Meets David exhibition at Malmaison Castle, Paris, October 2019. Photograph: Alfonso Jimenez/Rex/Shutterstock

In it the 44th President of the United States, dressed in an open-necked shirt, his posture relaxed, sits amid a dense tangle of intricately painted foliage and flowers. It's a backdrop, says Wiley, he could never have painted "without an interest in the William Morris style of block printing".

Over the past decade he's included literal representations of several familiar Morris designs - Honeysuckle, Iris, Blackthorn and Granada among them - in his portraits, though in Wiley's hands the colours can be clashingly vibrant. "And it was only after working with that sort of decorative style that I began to take the DNA of Morris and build upon it to create hybrids of my own, these kind of all-over patterns that feel random and chaotic as opposed to that very rational order you see in traditional Morris prints."

It's appropriate, then, that his first solo show in a UK museum, a survey of portraits of women, will be at the William Morris Gallery in Walthamstow, northeast London.

Though he's painted celebrities from Michael Jackson to the rapper Mahogany Jones, none of the sitters in this new body of work are well known. He recruited them one afternoon, in Dalston, east London, where he and a team of assistants spent an afternoon scouting, "mostly in marketplaces", where drawn by "their dress, attitude, looks, carriage or charisma," they approached a succession of "complete strangers. We would show them examples of my paintings," he says. "And I would just plead my case. For some it was an immediate yes, and for others it was a decided no. But I think what you'll see is a kind of cross-section of the community."

The title of the show, The Yellow Wallpaper, is a reference to the short story by the American feminist writer Charlotte Perkins Gilman, a friend of Morris's daughter, May, in which a woman suffering from what she calls a "nervous depression - a slight hysterical tendency" finds her condition exacerbated by the wallpaper - "one of those sprawling flamboyant patterns committing every artistic sin" - on the walls of the bedroom in which she finds herself sequestered.

Saint Jerome Hearing the Trumpet of Last Judgment, 2018. Photograph: Kehinde Wiley, courtesy of Roberts Projects

Published in 1892, four years before Gilman met the Morrises, it's a work, says Wiley, that "explores the contours of femininity and insanity" and made a big impression on him when he read it as an art student at the San Francisco Art Institute, from which he went on to Yale.

What fascinated him were "the correlations, for me at least, between the sense of powerlessness and the sense of invention that happens in a person who's not seen, who's not respected and whose sense of autonomy is in question," he says. "These same issues can be seen in conversations concerning race and class. In Perkins Gilman's case it was to do with gender, but it made me want to explore the [effects of] different types of confinement. And the story provides the perfect foil for that." Not least because the wallpaper plays a part, too. "That's right," he says. "The show will be a coming together of so many different impulses."
Kehinde Wiley: The Yellow Wallpaper, runs from 22 February to 25 May at the William Morris Gallery, London E17 (wmgallery.org.uk)

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Kehinde Wiley: 'I took the DNA of William Morris and created hybrids'

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hile growing up in South Central Los Angeles in the 1980s, the Nigerian-American artist Kehinde Wiley, 42, discovered the work of the 19th-century British textile designer, writer and social reformer William Morris. "He's not so well known in the US," he says. "But my mom was what you might call a junk dealer.

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Pinterest board of examples of change in an artwork

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Pinterest board of examples of change in an artwork

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30 minute drawing

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ISPP format task sheet for the Digital Unit

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ISPP format task sheet for the Digital Unit

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Student Google Slides presentation template that they edit and submit their work in this order

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Student Google Slides presentation template that they edit and submit their work in this order

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ISPP format Student Task sheet for this Sculpture Unit

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ISPP format Student Task sheet for this Sculpture Unit

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Student Keynote editable template of this unit and the tasks they need to do

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Student Keynote editable template of this unit and the tasks they need to do

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Printmaking Unit

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Check list of tasks that students need to have done for formative check in and the timeline

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Check list of tasks that students need to have done for formative check in and the timeline

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Create a new document and edit with others at the same time -- from your computer, phone or tablet. Get stuff done with or without an internet connection. Use Docs to edit Word files. Free from Google.