# data[].attributes.attachment_link.title
Carnaval Oruro 2019 Caporales San Simon Sucre

# data[].attributes.headline
Information about how the dance was/is used as a form of expression

# data[].attributes.subject
Information about how the dance was/is used as a form of expression

# data[].attributes.body
There are a number of dances that depict a very dark period of Bolivia’s slavery history. There is the dance of the slave owners, the dance of the slaves and the dance of the foremans, The Caporales. The Caporales dance was conceived, based on the character of the foreman or overseer. It was usually a mestizo (mixed race) worker that would oversee the functioning of the mine. The dance was performed for the first time in 1972. The recreation of the Caporal character was to bring it to life in a different way as the foreman connecting with the slaves through dance. To this day that is how the foreman is depicted as an ally to the slaves and that as such, as someone that is no longer a lone oppressing figure but as part of the community.

# data[].attributes.headline
Instruments used in the Music to Acompany this Dance Style 

# data[].attributes.subject
Instruments used in the Music to Acompany this Dance Style 

# data[].attributes.body
The music is made of a combination of  generally traditional Adean instruments such as a siku, a charango, the accordion, a lute, and some other brass and wood instruments. They all have their own distinct sounds that all mix together in an upbeat and fun melody.

# data[].attributes.headline
Clothing, Regalia, Makeup, and/or other Accessories Specific to the Dance

# data[].attributes.subject
Clothing, Regalia, Makeup, and/or other Accessories Specific to the Dance

# data[].attributes.body
The feminin dancer outfit consists of a  colourful and glittery set that contains a cholita hat, heels or boots, a very short dress, and usually two or one long braid. The masculin dancer outfit is also a colourful and glittery top, pants, heeled boots with bells known as cascabeles, and a matching hat that could be classfied as a prop almost because it's whipped and tapped against the boots quite often as a dance move. The outfit changes colour and design every year to add verity.

# data[].attributes.body
The typical music used to perform this dance is called Huayño. It’s mainly found in Bolivia, Peru, Argentina, Chile, as well as performed by the Quechua peoples. The high pitch vocals along with the whistle blowing of the dancer as they move really brings out the liveliness in each of the performances.

# data[].attributes.headline
Is this Dance Associated with a Particular Holiday, Religious Practice, or Celebration? 

# data[].attributes.subject
Is this Dance Associated with a Particular Holiday, Religious Practice, or Celebration? 

# data[].attributes.body
Yes, it is. This beautiful dance has taken on a religious meaning and is offered in massive numbers to the Virgen del Socavón, the patron saint of miners, in return for her blessings during the colorful carnival season. It's celebrated on different dates around the country which never overlap so these groups can go and dance in different cities for her each year.

# data[].attributes.body
https://www.traditioninaction.org/religious/h131_Socavon.htm
https://bolivianthoughts.com/2013/02/08/bolivian-folklore-101-caporales-dance-how-it-was-created/#:~:text=Character.,type%20of%20Bolivian%20folk%20music%5D.
https://www.britannica.com/art/huayno

# data[].attributes.headline
Why is this Dance Important to the People that Perform(ed) it?

# data[].attributes.subject
Why is this Dance Important to the People that Perform(ed) it?

# data[].attributes.body
Bolivia is a deeply religious country and this has become one of the most important ways to show devotion to the Virgen del Socavón. This easily recognizable dance is one of the most spirited and always a crowd favorite. The dance is considered to be one of the hardest to master, requiring a considerable amount of practice before each event. You are encouraged to dance in a fraternity for three years as a tribute to the Virgen del Socavón.