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http://www.art21.org

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https://www.google.com/culturalinstitute/beta/

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http://artgallery.nsw.gov.au/artsets/z7f7es

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http://artgallery.nsw.gov.au/artsets/07e3bu

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Jessica Hische
Tom Nicholson
William Kentridge
Sandra Selig
Laith MacGregor
Cameron Robins
Mike Grant
Paul Nobel
Tacita Dean
Ghada Amer
MISO
David Shirley
Mike Parr
Graffuturism
Vernon Ah Kee
William Kentridge

Serene Teh

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William Kentridge: Pain & Sympathy | Art21 "Extended Play"

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David Bull

Jed Henry

Paula Rego
David Frazer
Bridget Farmer
Salvatore Zofrea
Barbara Hanrahan
Shepard Fairey
Frankie & Swiss
Pamela Griffith
El Lissitzky
Anthony Lister
PrintmakerGallery
RathdowneGalleries
Australian Prints and Printmaking
PortJacksonPress
Stephanie Jane Rampton
Great list of women printmakers

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Cameron Robbins
Ah Xian
Mona Hatoum
Jeff Koons
Ai Wei Wei
Michaela Gleave
Jenny Holzer
Tim Noble & Sue Webster
Thomas Hirschhorn
Tracey Emin
Martha Rosler
Katie Lewis
Rachel Whiteread
HR GIGER
Sally Smart
Locust Jones
Bronwyn Oliver
Judy Chicago
Ettore Sottsass
Andy Goldsworthy
Phillip Beesley
Sophie Calle
Mike Nelson
Ana Mendieta
Marc Quinn
John Dahlsen
Pierre Huyghe
iris schieferstein
Julia deVille
Patricia Piccinini
Mark Quin
Wangechi Mutu
Anibal Lopez
Zaha Hadid
Judy Chicago
Karla Black
Matthew Chambers
Brian Dettmer
Su Blackwell
Anish Kapoor
Nils-Udo
Christo and Jeanne-Claude
Rodney McMillian
Antony Gormley
Katthy Cavaliere
Gilbert & George
Louise Bourgeois
Javier Perez
Eva Hesse
Yayoi Kusama
Robert Smithson
FAILE
Mariko Mori
Matthew Barney
Christian Boltanski
Sopheap Pich
Daniel Libeskind
Sou Fujimoto

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StudioCrasher streams interviews with artists, curators, art historians and critics, as well as comments and short clips. StudioCrasher interviews are in-depth explorations of art practice, curation and criticism. These videos are an open resource to students, teachers and researchers, and aim to break away from over-simplified 'sound bite' explanations of art. And the first question is always 'what was modernism?'

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sculpture? provocation? intervention

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HOUR of Funny Cat & Cute Kittens Fail Videos

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Cutest kitten complilation - this cutest kitten compilation will makes you happy

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In this video cute kittens are playing or doing funny things ,if you enjoyed these cute kittens don't forget to like and subscribe.

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untitled: silueta series (figure with hay burned)

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gunpowder silueta (fundamento palo monte)

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Works by Ana Mendieta: Untitled (Facial Hair Transplants), 1972 , Untitled (Grass on Woman), 1972 , Dainzú, 1973 , Untitled, 1973 , Sweating Blood, 1973 , Dog, 1974 , Ocean Bird (Washup), 1974 , Flower Person, Flower Body, 1975 , On Giving Life, 1975 , Butterfly, 1975 , Untitled (Black...

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Pressure + Ink: Introduction to Printmaking

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Produced in conjunction with the exhibition German Expressionism: The Graphic Impulse. Find out more at http://moma.org/germanexpressionism Special thanks to Phil Sanders, Director and Master Printer, Robert Blackburn Printmaking Workshop. A program of The Elizabeth Foundation for the Arts.

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cool vid about screen printing and tile making

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Screen Printing and Tile Making with Faile

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We recently had the opportunity to collaborate with Brooklyn-based artists FAILE on their permanent installation, The 104 North 7th Project. The piece consists of thousands of handmade tiles designed by the artists, each individually pressed and painted, and then fired in a wood-burning kiln and shipped to the installation site.

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http://www.thisiscolossal.com

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Feb 09, 2024 - Permanent Azabudai Hills, Tokyo

Azabudai Hills, Tokyo

Wander, Explore, and Discover in One Continuous Borderless World

teamLab Borderless is a world of artworks without boundaries, a museum without a map created by art collective teamLab.

Artworks move out of rooms, relate to other works, influence each other, and at times intermingle, without boundaries. Through this group of works, one continuous world without boundaries is created.

Immerse your body in borderless art. Wander, explore with intention, discover, and create a world with others.

People Don't See the World as through a Camera

The words "teamLab Borderless" rise towards the forefront of the entrance space when they are viewed through a camera from a designated position. However, when they are viewed directly with the naked eye from the same position, the letters do not emerge to the front. People do not see the world as through a lens.

teamLab is interested in the fact that although the world is continuous and without boundaries, it is cognitively separated, and especially when viewed through a lens, the world in which one's body is located is separated from the world one is seeing.
Around 2001 when teamLab was founded, we began to think of lenses and perspective as one of the logical methodologies to turn a space into two dimensions, and began to search for a logic for the flattening of space that was different from that of lenses and perspective. We wanted to know how humans perceive the world and the ways in which perception and the body are related.

When the world is seen and captured through a lens:
1. The surface that the world is displayed on becomes a boundary, and the space cut out by the lens appears on the other side of that boundary. Between the world where the physical body is and the world that is being seen, a boundary is formed, and of course, it is cognitively unnatural to touch objects in the image.
2. The viewpoint is fixed, and subconsciously, people lose sense of their body.
3. In actuality, the field of view of humans is wide, and the viewpoint and focus move around a lot, but the world captured by a lens fixes the focus to one point, narrowing the field of view, and leading to a loss of sense of intention.

A logical methodology for the flattening of space that unlike a lens, the screen does not become a cognitive boundary, differs in that:

1. The physical body and the world that is cut out is continuous with each other;
where people can touch any part of the image.
2. People can perceive the world around them physically, and look at the image as they walk around because their focus can move around freely.
3. Each person can come near any part of the image.
4. People do not lose their sense of intention because the focus is infinite and the field of view is wide.

Searching for this kind of logical methodology for the flattening of space was the initial exploration of teamLab. We constructed a logical structure to turn an image into two dimensions, and called that flattened space Ultrasubjective Space.
Flowers are Crimson was one of the first artworks created in 2004-5 through Ultrasubjective Space, and here at teamLab Borderless, it appears as a remade form of that initial work through Walk, Walk, Walk: Search, Deviate, Reunite. Constructing a logical structure is very important to us, and the artwork spaces that are flatted through it hold a time of their own, express dynamic changes, and allow us to draw images that transform through the presence of people.

teamLab wants to create a physical, spatial art that expands infinitely, where people walk around with intention; a physical art that becomes one with the body, changes through the presence of people; where the artwork world is continuous with the body.
That - is the foundation of teamLab Borderless.

APP

teamLab App

Learn
There are no artwork captions in teamLab Borderless, because the artworks move across spaces. Use the app to read the artwork concept of the work closest to you.
Learn in more depth, enjoy more.

Participate
You can participate in Infinite Crystal World through the app.
Create the artwork, enjoy more.

Avoid long lines
Numbered tickets are issued via the app when the artwork space is crowded.
The app will notify you when your time slot is approaching.
Avoid long lines, and enjoy a smooth viewing experience.

TEA HOUSE & SKETCH FACTORY

Make tea and a flower blooms inside the teacup. Flowers bloom infinitely as long as there is tea. The tea in the bowl becomes an infinite world in which the flowers continue to bloom. Drink in the infinitely expanding world.

View More

Turn your own drawing into an item to take home with you.
* Sketch Factory is located outside of teamLab Borderless

View More

VISIT US

Venue Details

Title

teamLab Borderless: MORI Building DIGITAL ART MUSEUM

Term

Feb 09, 2024 - Permanent

Hours

May
10:00 - 21:00
Jun, July
9:00 - 21:00 * Closed at 5:00 p.m. on May 14, May 28, Jun 11, Jun 25
* Last entry is one hour before the museum closing time.
* EN TEA HOUSE opens 30 min after the museum opening time.(June, July : Opens 1 hour after the museum opening time.）

Closed

May 7, May 21, Jun 4, Jun 18, July 2, July 16

ACCESS

Address

Map

Address in local language:

麻布台ヒルズ ガーデンプラザB B1
東京都港区麻布台1-2-4

・Direct connection from Exit 5 of Kamiyacho Station (Tokyo Metro Hibiya Line) ・4 min walk from Exit 2 of Roppongi-Itchome Station (Tokyo Metro Namboku Line)

Please use the Azabudai Hills P6 parking lot. Take the D elevator up to floor B1, and the entrance to teamLab Borderless is immediately on your left. For details, please check the Azabudai Hills official website. If you have already purchased your ticket online and would like to receive a discount, please present your parking ticket at the information counter.

TICKETS

Admission

* Tickets for adults and visitors with disabilities are subject to a dynamic pricing system. Please purchase a ticket for the designated date/time upon checking the ticket price for that day. * +200 yen if purchased on site. * Official Sales Site are only available on the official ticket website and KLOOK

Visitors with disabilities

Tickets for visitors with disabilities are available for holders of a disability certificate and up to one accompanying person. One ticket per person is required for admission.

JPY 1,900

* Dates after June 1 are eligible. * This is a ticket for a specific date of admission. * There are no restrictions on the time of entry. Please come to the venue when you wish no later than the final entry time and line up in the entry line. Last entry is one hour before the museum closing time. * Have a cup of your favorite tea at the EN TEA HOUSE in the venue.

Notes

Regarding ticket purchase
・Tickets are date and time-specific, and may sell out.
・Tickets for adults and visitors with disabilities are subject to a dynamic pricing system.
・Tickets are not available at the venue.
- Sales are only available while supplies last.
- Prices for local sales are different from those online.
・In general, tickets cannot be canceled or changed once purchased. However, the date can be changed for tickets directly purchased from the official ticketing website.
The date of the ticket may be changed up to 3 times. To do so, select 'Modify ticket date' displayed on the QR ticket and follow the procedure. Changes can be made up to 9:00 of the indicated date.
The ticket date cannot be changed in the following cases:
- The date has already been changed 3 times
- Changing to a different type of ticket
- Changing to date that has sold out or has insufficient tickets left
- Changing the date for a portion of tickets within a multiple-ticket purchase
- Changing to multiple dates within a multiple-ticket purchase
- Changing to a date that is not yet available for purchase
・Prices include tax.
・For those aged 13-17, proof of ID is required at the entrance gate.
・Visitors with a disability certificate:
- Discounted tickets are available for holders of a disability certificate, along with one accompanying person.
(Children's tickets cannot be further discounted, however, the accompanying adult is eligible for a discounted ticket if the child holds a disability certificate.)
- The disability certificate will be requested at the entrance gate, so please make sure that the accompanying person enters at the same time.
- The disability certificate can be issued by any country.
- The Mirailo ID app can be accepted in place of a Disability Certificate.
・Children (elementary school and below) must be accompanied by an adult who is 18 years old or above. There must be one accompanying adult for every five children, including children eligible for free entry.
・Children under 3 years old may enter for free.

Notice to Visitors
・The venue cannot be held liable for visitors' injury, loss, or other problems that may occur.
・Reselling tickets is prohibited. A ticket that has been resold will not allow entry to the venue. The venue cannot be held responsible for any problems with resold tickets.
・Certain artworks may not be available due to large crowds or maintenance.
・Artworks or artwork specifications may vary by season.
・The opening time of the venue may change with prior notice on the official website.
・The exhibition may be canceled due to circumstances of the venue.
・Tickets can be refunded only if the venue has an unscheduled closure.
・Transportation costs to this venue will not be reimbursed even if the venue has an unscheduled closure.
・Please come to the entrance at the admission time indicated on the ticket and wait in line.
・Please note that you may have to wait in line to enter the venue during busy times.
・Please refrain from waiting in the vicinity of the museum.
・Please refrain from eating, drinking, or sitting in the aisles and stairways around the museum.
・If you would like to leave the line temporarily, please make sure that someone in your party stays behind.
・There is no limit on the duration of your stay at the venue after admission.
・Re-entry is not permitted.
・Animals are not allowed at the venue excluding assistance dogs.
・Please look after your own personal belongings. The venue will not not be liable for any stolen or lost items.
・The venue is dark, with unstable footholds and low ceilings.
Be aware of your own actions as well as those around you. If you are with young children, please watch over them closely for their safety.
・The artworks may produce flashing lights and loud sounds.
・For visiting EN TEA HOUSE, please order at least one drink per person.
・There are some artworks that have mirror floors, please be aware. For the customers wearing skirts, you can borrow a wrap skirt which is near the artwork.
・For safety reasons pregnant women are not permitted in some areas.
・Wheelchair users may enter the venue but they may not enter or experience some artworks that are impassable to wheelchairs to ensure safety. For more information, please call the main phone number.
・Wheelchair users may be asked to wait, as the number of wheelchair users admitted at one time is limited.

About baggage
・Prohibited Items
- Food & alcoholic beverages
- Items that exceed 50cm
- Strollers must be stored in the luggage room.
- Hazardous items, items with strong smells, fresh flowers, etc.
- Drinks with no caps.
- Any other items deemed to be dangerous by staff.

The following is prohibited
・Please do not touch the projectors, sensors, lights, and other equipment for safety reasons.
・Do not bring food into the venue (including candy and gum). Only drinks are allowed.
・Visitors who are ill or drunk will not be allowed entry.
・You may be asked to provide identification upon entry.
Examples: driver's licence, health insurance card, student card, passport, My Number card, any identification that provides valid proof of your name and age.
・Please follow the staff's instructions. Visitors that do not follow them may be escorted out of the premisis.

Regarding filming
・Taking photos and videos are allowed but please be careful not to cause inconvenience to other visitors.
・Please refrain from using flash.
・Use of monopods, tripods, selfie sticks, etc is prohibited.
・Media filming may take place without prior notice. If you do not wish to be featured in the coverage, please inform our staff.
・Filming or photography for commercial purposes is not permitted without prior consent.

teamLab (f. 2001) is an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world. Through art, the interdisciplinary group of specialists, including artists, programmers, engineers, CG animators, mathematicians, and architects, aims to explore the relationship between the self and the world, and new forms of perception. In order to understand the world around them, people separate it into independent entities with perceived boundaries between them. teamLab seeks to transcend these boundaries in our perceptions of the world, of the relationship between the self and the world, and of the continuity of time. Everything exists in a long, fragile yet miraculous, borderless continuity. teamLab exhibitions have been held in cities worldwide, including New York, London, Paris, Singapore, Silicon Valley, Beijing, and Melbourne among others. teamLab museums and large-scale permanent exhibitions include teamLab Borderless and teamLab Planets in Tokyo, teamLab Borderless Shanghai, and teamLab SuperNature Macao, with more to open in cities including Abu Dhabi, Beijing, Hamburg, Jeddah, and Utrecht. teamLab's works are in the permanent collection of the Museum of Contemporary Art, Los Angeles; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Asian Art Museum, San Francisco; Asia Society Museum, New York; Borusan Contemporary Art Collection, Istanbul; National Gallery of Victoria, Melbourne; and Amos Rex, Helsinki. teamlab.art Biographical Documents teamLab is represented by Pace Gallery, Martin Browne Contemporary and Ikkan Art.

Mori Building is an innovative urban developer based in Tokyo. The company is committed to maximizing the magnetic power of cities by creating and nurturing safe, sustainable and cosmopolitan urban centers based on its unique Vertical Garden City concept of high-rise centers for business, education, leisure and residence. The concept is applied in the company's many leading-edge projects, including ARK Hills, Roppongi Hills and Toranomon Hills in Tokyo and the Shanghai World Financial Center. Mori Building is also engaged in real estate leasing, project management and consultation.

www.mori.co.jp/en

Organizers

Mori Building Co., Ltd, teamLab

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[Official] teamLab Borderless TOKYO, Azabudai Hills

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teamLab Borderless is a world of artworks without boundaries, a museum without a map created by art collective teamLab.Artworks move out of rooms, relate to other works, influence each other, and at times intermingle, without boundaries. Through this group of works, one continuous world without boun...

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Angela Cavalieri: large scale linocut printmaking process

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Robert Rauschenberg
David Bowers
Alexa Mead
Khadim Ali
Alex Brewer
Fintan Magee

Swoon
Alick Tipoti
Marlene Dumas
Caroline Mudge
Vija Celmins
Karen Robinson
Frida Kahlo
Rob Elphinstone
Fred Williams
Alice Neel
Reko Rennie
The group of 7
Takashi Murakami
Richard Siebenkorn
Yves Tanguy
Julie Dowling
Cy Twombly
Mark Ryden
John Nixon
Banksy
Wassily Kandinsky
Piet Mondrian
Ben Quilty
Jenny Watson
Emily Kame Kngwarreye
Adam Lee
Aida Tomascu
Jenny Saville
Mark Bradford
Qui Bai Shi
Richard Lewer
Luc Tuymens
Ron English

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http://artgallery.nsw.gov.au/artsets/1yr90i

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Frankie and Swiss | Custom Fabric Printing | Melbourne, Australia

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Frankie and Swiss custom prints your designs onto beautiful natural fibre fabrics. We also offer product manufacture services and bespoke design creation. With no minimum orders, we are super flexible! Based in Melbourne, Australia.