# data[].attributes.headline
14thth Feb Current Essay Idea: Dance as a form of self-expression

# data[].attributes.subject
14thth Feb Current Essay Idea: Dance as a form of self-expression

# data[].attributes.body
https://danceabilitymovement.com/communication-expression-staying-connected-through-dance/

# data[].attributes.attachment_link.title
Communication & Expression - Staying Connected Through Dance

# data[].attributes.attachment_link.description
My name is Mara and I am an occupational therapy student from the University of Toronto! For the past eight weeks, I have been working with Mallory and Jade along with three other students to complete our third fieldwork placement. I

# data[].attributes.body
https://illusionsofamisadventurer.wordpress.com/2014/04/10/expression-and-communication-through-dance/

# data[].attributes.body
https://www.jstor.org/stable/3332433?seq=1#metadata_info_tab_contents

# data[].attributes.attachment_link.readable_text
Journal Information

The Journal of Aesthetic Education is a highly respected interdisciplinary journal that focuses on clarifying the issues of aesthetic education understood in its most extensive meaning. The journal thus welcomes articles on philosophical aesthetics and education, to problem areas in education critical to arts and humanities at all institutional levels; to an understanding of the aesthetic import of the new communications media and environmental aesthetics; and to an understanding of the aesthetic character of humanistic disciplines. The journal is a valuable resource not only to educators, but also to philosophers, art critics and art historians.

Publisher Information

Founded in 1918, the University of Illinois Press (www.press.uillinois.edu) ranks as one of the country's larger and most distinguished university presses. The Press publishes more than 120 new books and 30 scholarly journals each year in an array of subjects including American history, labor history, sports history, folklore, food, film, American music, American religion, African American studies, women's studies, and Abraham Lincoln. The Press is a founding member of the Association of American University Presses as well as the History Cooperative, an online collection of more than 20 history journals.

# data[].attributes.attachment_link.title
Creativity, Self-Expression, and Dance on JSTOR

# data[].attributes.attachment_link.description
Journal Information The Journal of Aesthetic Education is a highly respected interdisciplinary journal that focuses on clarifying the issues of aesthetic education understood in its most extensive meaning.

# data[].attributes.body
https://educationaltoolsportal.eu/educationaltoolsportal/en/tools-for-learning/dance-tool-creativity-young-people

# data[].attributes.attachment_link.title
Dance as a tool for creativity with young people | Educational Tools Portal

# data[].attributes.attachment_link.description
Art is an ever-changing mixture of the intellectual and the emotional, the physical and the spiritual, which makes a virtue of subjectivity. It offers a unique means by which we can explore ourselves and our position in the wider world and is a way to exchange with other people about what we see and…

# data[].attributes.body
https://www.jstor.org/stable/430745?seq=1#metadata_info_tab_contents

# data[].attributes.attachment_link.readable_text
Publisher Information

Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research; professional development; and education. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. Founded in 1807, John Wiley & Sons, Inc. has been a valued source of information and understanding for more than 200 years, helping people around the world meet their needs and fulfill their aspirations. Wiley has published the works of more than 450 Nobel laureates in all categories: Literature, Economics, Physiology or Medicine, Physics, Chemistry, and Peace. Wiley has partnerships with many of the world's leading societies and publishes over 1,500 peer-reviewed journals and 1,500+ new books annually in print and online, as well as databases, major reference works and laboratory protocols in STMS subjects. With a growing open access offering, Wiley is committed to the widest possible dissemination of and access to the content we publish and supports all sustainable models of access. Our online platform, Wiley Online Library (wileyonlinelibrary.com) is one of the world's most extensive multidisciplinary collections of online resources, covering life, health, social and physical sciences, and humanities.

# data[].attributes.attachment_link.title
The In's and Out's of Dance: Expression as an Aspect of Style on JSTOR

# data[].attributes.attachment_link.description
Publisher Information Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research; professional development; and education. Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising; professional books, subscription products, certification and training services and online applications; and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners.

# data[].attributes.headline
16th Feb: Krump Dance as a form of expression (disso idea)

# data[].attributes.subject
16th Feb: Krump Dance as a form of expression (disso idea)

# data[].attributes.body
https://academicworks.cuny.edu/cgi/viewcontent.cgi?article=1254&context=le_pubs

# data[].attributes.body
https://dancebibles.com/what-is-krump/

# data[].attributes.attachment_link.readable_text
Krump is a dance direction and style of music. The Krump Dance Style, is a street dance characterized by energy, sharp movements, expressive character, and aggressive presentation. But despite all of its sharpness and speed, Krump is not a dance of hatred as many people sometimes think. It is a peaceful dance that has a deep philosophy and complex history of origin.

Krumping evolved from the clowning dance style that emerged in the '90s. In 1992, Thomas Johnson, also known as Clown Thomas, formed a group of dancers who danced the so-called clowning dance. The style was especially popular among children and teenagers because the movements were fiery and energetic. The group often took part in social events or children's holidays, and during their performances, the group members painted their faces with bright colors.

It is worth saying that the streets of Los Angeles, where the dance was formed, at that time were overflowing with banditry, drugs, and violence. In this atmosphere, it was hard for teenagers not to get into bad company. So for many of them, dancing was a salvation from dangerous and illegal street entertainment.

The Origin of Krump

Tight Eyez (Ceasare Willis) and Jo'Artis "Big Mijo" Ratti once joined Thomas' band. But despite their interest in dancing, they did not dance like the typical representatives of clowning. Their movements were filled with aggression and anger, and they were more powerful, sharp, and dramatic. Tight Eyez and Mijo themselves mentioned in interviews that they didn't do clowning originally. They came to Thomas and were Krump dancers from day one.

Since Mijo and Tight Eyez were too rough for the clowning style, they eventually stopped dancing in Clown Thomas's band and split into their own band. At first, they danced alone. In the late nineties, more and more people were beginning to learn about krump dancing and began to develop a competitive hierarchy and get into dance battles. In the early 2000s, there were families of krump dancers ("fams").

Krump Popularization

Krump became popular in the 2000s after the popular video maker David LaChapelle first made the short documentary "Krumped" and showed it at Aspen Shortsfest in 2004. Following the success of the first film, David made the feature film " Rise," which explores the origins of clowning and krump. The film features popular krumpers such as Tight Eyez, Lil C, Miss Prissy, and others.

Title and spiritual component of the dance

K.R.U.M.P. is an acronym for Kingdom Radically Uplifted Mighty Praise. The founders, and in particular Tight Eyez, put spiritual meaning into the dance, saying that this dance praises God. For many followers, the spiritual element is also important in this dance.

Characteristic features of krump

Krump is rarely choreographed and it's usually freestyle. Although, over the past few years, Krump choreography has also gained popularity.

The basic movements are performed powerfully and with some aggressiveness, the dancer puts strength and power into each movement. The movements are often jerky and fast. The krump contains jumps and swings, but they are powerful and "crushing the ground.". A typical movement is a chest pop upwards.

Drama is also a characteristic of the performance of krump because it is believed that dancing, the dancer acts as if they are throwing out some dark emotions that they have accumulated and should do it with rage.

Popular Moves

Krump Dictionary

Battle - a dance competition where dancers compete against each other, taking turns.

Session - format of dancing where participants form a circle and take turns in the center to dance.

Those who have their own unique and unique krump dance style are called Buck. People who copy others, in turn, are called Biters.

Often, the words "Kill Off" are used in battles. This means "killing" an opponent in battle, that is, the performing of the most energetically charged and powerful part of the performance.

Callout - battle call.

As you can see, krump, as a separate and independent dance direction, formed not so long ago. However, it has won the hearts of many dancers within just a few years.

If you, like us, have fallen in love with Krump, subscribe to Instagram on the page of the main founder of Krump - Tight Eyez:

and also write in comments what you think about krump and whether you would like to learn to dance this cool and powerfully yourself.
Sources:
What is a krump dance style?

Krump is a street dance style characterized by sharp, jerky movements, aggressive execution, and expressiveness.

Where did krumping originate from?

It appeared in the early 2000s on the streets of Los Angeles and was similar to a dance style known as clowning dance. The creators are Tight Eyez (Ceasare Willis) and Jo'Artis "Big Mijo."

What is the difference between krumping and clowning?

Clowning is a dance that's more cheerful and inflammatory, unlike krump. It is often performed by applying bright colors to the faces of the performers. While krump is aggressive, it is performed with the spouting of bad emotions and thoughts. The movements of krump are sharper and more jerky than the movements of clowning.

Who popularized krumping?

Although Krump was popular among teenagers in Los Angeles, it gained real popularity and distribution after the movies "Krumped" and "Rise" by David LaChapelle.

# data[].attributes.attachment_link.title
What is Krump? All about Krumping and Its origin with Videos and Photos

# data[].attributes.attachment_link.description
Krump is a dance direction and style of music. The Krump Dance Style, is a street dance characterized by energy, sharp movements, expressive character, and aggressive presentation. But despite all of its sharpness and speed, Krump is not a dance of hatred as many people sometimes think.

# data[].attributes.body
https://www.proquest.com/openview/cc8c77cae25dbecfd93464e8f40d432f/1

# data[].attributes.attachment_link.title
Getting krump: Reading choreographies of cultural desire through an Afro -diasporic dance

# data[].attributes.attachment_link.description
Explore millions of resources from scholarly journals, books, newspapers, videos and more, on the ProQuest Platform.

# data[].attributes.body
https://sites.psu.edu/dancingblog/2014/03/21/krumping/

# data[].attributes.attachment_link.description
One of my favorite dance styles, ever, Krumping. Not because I am a hip-hop dancer and I have bias, but because to do it well you need so much heart and energy that it is probably one of the most mentally demanding out of the hip-hop styles. Weirdly enough, it is also one of the most made fun of due…

# data[].attributes.body
https://books.google.co.uk/books?hl=en&lr=&id=2N8uMz6g02gC&oi=fnd&pg=PA141&dq=krump+dance&ots=3mzGLdIgIp&sig=Vy5jPxbJYDSM9nTQdL6akNrYijc&redir_esc=y#v=onepage&q=krump%20dance&f=false

# data[].attributes.attachment_link.description
"Disability Studies diverge from the medical model of disability (which argues that disabled subjects can and should be "fixed") to view disability as socially constructed, much in the same way other identities are. The work of reading black and disabled bodies is not only recovery work, but work that requires a willingness to deconstruct the systems that would keep those bodies in separate spheres.

# data[].attributes.body
https://www.tandfonline.com/doi/abs/10.1080/15290824.2020.1738014

# data[].attributes.body
http://www.musicandartsinaction.net/index.php/maia/article/view/204

# data[].attributes.attachment_link.readable_text
Abstract

This article explores how 'street' and 'decent' practices of inner-city youth intertwine to alter the social structure of their communities. Using the case of 'krump' dancing, I examine how this practice transforms aggression and violence to improve the life chances for at-risk youth. Drawing upon data from semi-structured interviews, participant observation and qualitative documentary analysis of krump dancing videos and social media in Los Angeles, CA and Melbourne, VIC, Australia, I analyse how leadership in krump dancing groups effect their communities. I find that the leadership styles of big homies, or figureheads of these groups, are influenced greatly by their upbringing, which facilitates the building of trust essential for responding to challenges of authority. However, structural barriers arise regarding dancers that are 'raw' or untamed versus those dancers who are exposed to mainstream audiences. Issues of legitimacy arise, as tensions cultivate around those whose embodied experiences are captured and highlighted. These two competing concerns of authority and legitimacy are considered in evaluating the efficacy of krump dancing to resolve conflict, foster resiliency and increase cathartic capacity for collective healing.

Author Biography

Sharmaine Jackson, Stetson University

Sharmaine Jackson is a sociologist whose work investigates collective practices of conflict resolution. As a Junior Fellow of the Yale Urban Ethnography Project, she is interested in the everyday practices that give rise to sense making. At the heart of her work, is storytelling. Using digital modes, she is engaged in multisensory ethnography in connecting the lived experience. She is an Assistant Professor at Stetson University in Deland, Florida.

# data[].attributes.attachment_link.description
This article explores how 'street' and 'decent' practices of inner-city youth intertwine to alter the social structure of their communities. Using the case of 'krump' dancing, I examine how this practice transforms aggression and violence to improve the life chances for at-risk youth.

# data[].attributes.body
https://www.proquest.com/openview/e3811906c24b11409158885ec0ce9539/1?pq-origsite=gscholar&cbl=18750

# data[].attributes.attachment_link.title
Krump or die: Representations of krumping in contemporary film and the processes of assimilation, racism, narration, and commodification - ProQuest

# data[].attributes.attachment_link.description
Explore millions of resources from scholarly journals, books, newspapers, videos and more, on the ProQuest Platform.

# data[].attributes.body
http://repository.ub.ac.id/166519/

# data[].attributes.attachment_link.readable_text
Yohana P., Lidia (2018) Krump As The Form Of Resistance Toward Gangster Oppression As Depicted In The Rize Documentary Film. Sarjana thesis, Universitas Brawijaya.

Abstract

Geng jalanan kriminal yang biasa disebut Gangster muncul hampir di setiap sisi LA. Ini menyebar ke seluruh California dan jumlah Gangster mencapai titik peringatannya. Ini telah berubah menjadi salah satu perhatian utama pemerintah karena penyebarannya. Gangster dikenal baik oleh kejahatan mereka seperti menjual narkotika, marijuana, dan lain-lain macam narkoba, perampokan, pembunuhan, penembakan, kerusuhan, penculikan, dan banyak hal kriminal yang menciptakan kegelisahan massal pada semua warga sipil, Hendley (2010, p xiii). Di tengah kekacauan sebagai hasil dari penindasan gangster, pemuda di LA menciptakan Krump. Krump adalah salah satu genre tari jalanan yang diciptakan di Selatan Tengah, Los Angeles pada awal 2000-an oleh Ceasare "Tight Eyez" Willis dan Jo'Artis "Big Mijo" Ratti (pendiri Indonesia Krump, 2016). Mereka dikenal dengan gerakan agresif, ekspresif, dan sangat energik dengan menggunakan lengan, dada, kepala, kaki, dan kaki mereka. Mereka berkumpul setiap malam dengan lebih dari 20 pria dan wanita muda dengan banyak penonton. The Rize adalah film dokumenter yang mengekspos tarian jalanan baru di Los Angeles, Amerika pada 24 Juni 2005. Film ini disutradarai oleh David Lachapelle dan diproduksi oleh Lion Gates Entertainment. Film ini menceritakan tentang awal pertunjukkan tarian jalanan Krump di Selatan Tengah, Los Angeles, keadaan di sekitar lingkungan, dan beberapa tentang kriminalitas Gangsters. Film ini menjadi sumber utama penelitian ini tentang penindasan Gangster dan perlawanan Krump terhadapnya. Hasil dari penelitian ini adalah kriminalitas Gangster yang menindas banyak orang di lingkungan itu adalah penyalahgunaan narkoba dan penyalahgunaan senjata. Mengikuti aksi-aksi Krump yang melawan penindasan di atas adalah Seni Tari Krump, Lukisan Wajah dan Nama Panggilan, Warna Pakaian Krump, dan Memperkuat Ikatan Keluarga. Kesimpulannya, Krump menjadi media anak muda untuk mengekspresikan perasaan, emosi, kesedihan mereka sebagai pemuda yang hidup dikelilingi oleh Gangsters. Krump menjadi bentuk perlawanan mereka yang menghasilkan itu sebagai menjadi media baru bagi mereka untuk mengejar mimpi di dunia tari. Penulis menyarankan agar peneliti berikutnya menganalisis Krump lebih karena Krump sekarang telah menjadi salah satu genre tari terkenal di dunia. Analisis ini akan mencakup pengaruh Krump yang tidak hanya berdampak pada pemuda di LA tetapi juga di dunia.

English Abstract

Criminal street gang which is commonly called as Gangster appears almost in every side of LA. It spreads through all California and the number of Gangster reaches its point of warning. This has transformed to be one of the central attention of government because of the spreading. According to Henley (2010), "Gangster is known well by their crime such as selling narcotics, marijuana, and others kinds of drugs, robbery, murder, drive-by shooting, riot, kidnapping, and many criminal things which create mass anxieties upon all civilian"(p. xiii). In the middle of chaos as the result of gangster oppression, youth in LA created Krump. Krump is one of street dance genre which was created in South Central, Los Angeles during the early 2000s by Ceasare "Tight Eyez" Willis and Jo'Artis "Big Mijo" Ratti (founder of Indonesia Krump, 2016). They are known by their aggressive, expressive, and highly energetic moves by using their arms, chest, head, legs, and feet. They gather every night with more than 20 young men and women with a lot of spectators. The Rize is a documentary film which exposes the new urban street dance in Los Angeles, America in 24 June 2005. This film is directed by David Lachapelle and produced by Lion Gates Entertainment. This film tell about the first beginning of Krump street dance in South Central, Los Angeles, the circumstances around the neighborhood, and some about Gangsters criminality. This film become the main source of this study about Gangster oppression and Krump Resistance toward it. The result of this study are Gangsters criminality that oppressed a lot of people in South Central, LA are Drugs Abuse and Gun Misuse. Follows with the Krump actions that resist the oppression above are The Art of Dance Krump, Face Painting and Nick Names, Krump Outfit Color, and Strengthen Family Ties. In conclusion, Krump become youth media to express their feelings, emotions, sorrow as young people who live surrounded by Gangsters. Krump become the form of their resistance that result it as their new media to chase their dreams in dance world. The writer suggests that the next researcher analyze Krump more because Krump now have become one of a famous dance genre in the world. The analysis will include the influence of Krump that not just impact youth in LA but also in the world.

Item Type:

Thesis (Sarjana)

Identification Number:

SKR/FBS/2018/388/051807503

Contributors:

Contribution

Contributors Name

NIDN

Email

Thesis advisor

Sri Utami Budi,, M.A

UNSPECIFIED

UNSPECIFIED

Uncontrolled Keywords:

Krump, Penindasan Gangster, Resistensi, The Rize / Krump, Gangster Oppression, Resistance, The Rize, film

Subjects:
700 The Arts > 791 Public performances > 791.4 Motion pictures, radio, television > 791.43 Motion pictures > 791.437 Films

Divisions:
Fakultas Ilmu Budaya > Bahasa dan Sastra Inggris

Depositing User:

Endang Susworini

Date Deposited:

24 Oct 2019 02:04

Last Modified:

24 Oct 2019 02:04

URI:
http://repository.ub.ac.id/id/eprint/166519

Full text not available from this repository.

Actions (login required)

View Item

# data[].attributes.attachment_link.title
Krump As The Form Of Resistance Toward Gangster Oppression As Depicted In The Rize Documentary Film

# data[].attributes.attachment_link.description
Yohana P., Lidia (2018) Krump As The Form Of Resistance Toward Gangster Oppression As Depicted In The Rize Documentary Film. Sarjana thesis, Universitas Brawijaya. Geng jalanan kriminal yang biasa disebut Gangster muncul hampir di setiap sisi LA. Ini menyebar ke seluruh California dan jumlah Gangster mencapai titik peringatannya.

# data[].attributes.body
https://mro.massey.ac.nz/handle/10179/16628

# data[].attributes.attachment_link.readable_text
Krump is street dance that has a history of being perceived as an aggressive, ugly, and somewhat violent dance. Created by youth in South Los Angeles, Krump is highly intense, physically demanding and is an avenue for dancers to express their emotions in a creative and positive way. Now a global movement, this research focuses on the experience of Pasifika Krumpers in Aotearoa in 2019. Using documentary filmmaking as a design technique, a short film Beauty in the Ugly was produced upon the stories of four aspiring Pasifika leaders within the Aotearoa Krump scene. This exegesis complements the short film by giving context to their stories and offering the viewer an insider's insight to this community. For these dancers, Krumping is a tool of resilience where Pasifika feel safe to channel their energy and are able to effect positive change in their lives.

# data[].attributes.attachment_link.title
Beauty in the ugly : an insiders look at Krump in Aotearoa : Master of Design thesis, Massey University, Wellington, New Zealand

# data[].attributes.attachment_link.description
Abstract
Krump is street dance that has a history of being perceived as an aggressive, ugly, and somewhat violent dance. Created by youth in South Los Angeles, Krump is highly intense, physically demanding and is an avenue for dancers to express their emotions in a creative and positive way. Now a g…

# data[].attributes.body
https://www.dancing-times.co.uk/krumping_through_london_on_channel4/

# data[].attributes.attachment_link.readable_text
Posted on August 5, 2011

"One Man Walking" is a new dance film created for Channel 4's Street Summer season. To be shown on Monday, August 15 at 10.30pm, the film explores the challenges of life in the city, using Krump, hip hop and parkour.

Some of Britain's leading street dance talent is involved in the film. "One Man Walking"is written and co-devised by Jonzi D, the founder of Breakin' Convention at Sadler's Wells. It features dancer-choreographer Kenrick "H2O" Sandy and composer Michael "Mikey J" Asante, directors of Olivier award-winning street dance company Boy Blue Entertainment, plus Boy Blue dancers and parkour artist Kie Willis. The film aims for a raw, emotional use of Krumping: "You can't krump half-hearted," dancer Duwane Taylor explains, "you have to put your energy into it and your emotions."

London is a major character in the new film. Sandy says: "We're in London and this is one of the most expressive cities in the world. When you walk down the street, everyone is different, everyone has a chance to be themselves. "One Man Walking"is a chance to showcase what London is about. As much as it is sometimes hard to live in London, there is that revolution that pushes us through, expressing ourselves through movement and through dance, through music."

The film is directed and co-devised by the award-winning Margaret Williams, whose dance films include four series of 4Dance: Dance 4 Film for Channel 4.

Zoë was born in Edinburgh, and saw her first dance performances at the Festival there. She is the dance critic of The Independent, and has also written for The Independent on Sunday, The Scotsman and Dancing Times. In 2002, she received her doctorate from the University of York for a thesis on "Nationhood and epic romance: Ariosto, Sidney, Spenser". She is the author of The Royal Ballet: 75 Years and The Ballet Lover's Companion.

# data[].attributes.attachment_link.title
Krumping through London on Channel 4 - Dancing Times

# data[].attributes.attachment_link.description
"One Man Walking" is a new dance film created for Channel 4's Street Summer season. To be shown on Monday, August 15 at 10.30pm, the film explores the challenges of life in the city, using Krump, hip hop and parkour. Some of Britain's leading street dance talent is involved in the film.

# data[].attributes.body
Current ideas:
Dancers as athletes
Dance and how it cultivates self-expression

# data[].attributes.attachment_link.embed_code
View this post on Instagram

A post shared by YANIS MARSHALL HEELS INTENSIVE (@yanismarshallheelsintensive)

# data[].attributes.attachment_link.title
Galen Hooks Presents "FREESTYLE ROULETTE: LIVE EVENT" NEW YORK  | Semi-Finals "THE FEELS"

# data[].attributes.body
- 97% said high heels make them feel more attractive, sexy and confident

# data[].attributes.attachment_link.description
Lynda Moyo looks into the findings from the Kandee Shoes survey

# data[].attributes.attachment_link.readable_text
Abstract

There is a strong contemporary association between high heels and female sexuality. We investigated the hypothesis that one motivation for women wearing high heels is that it artificially increases the femininity of gait. We isolated the effects of heels on gait using point-light methodology. Females were recorded walking in flat shoes and high heels. Participants viewed point-light videos of the women wearing the two types of shoe. Participants judged the females in the heels condition as significantly more attractive (with a large effect size) than the females in the flat shoe condition. Biomechanical analyses revealed that wearing high heels led to increased femininity of gait including reduced stride length and increased rotation and tilt of the hips. We conclude that high heels exaggerate sex specific aspects of female gait and women walking in high heels could be regarded as a supernormal stimulus.

Keywords

Human supernormal stimuli

Recommended articles Citing articles (0)
View full text

# data[].attributes.attachment_link.title
High heels as supernormal stimuli: How wearing high heels affects judgements of female attractiveness

# data[].attributes.attachment_link.description
There is a strong contemporary association between high heels and female sexuality. We investigated the hypothesis that one motivation for women wearing high heels is that it artificially increases the femininity of gait. We isolated the effects of heels on gait using point-light methodology. Females were recorded walking in flat shoes and high heels.

# data[].attributes.attachment_link.description
Embodiment refers to both the embedding of cognitive processes in brain circuitry and to the origin of these processes in an organism's sensory-motor experience. Thus, action and perception are no longer interpreted in terms of the classic physical-mental dichotomy, but rather as closely interlinked (Fuchs, 2009).

# data[].attributes.body
https://www.jstor.org/stable/20444685?Search=yes&resultItemClick=true&searchText=self+awareness+in+dance&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dself%2Bawareness%2Bin%2Bdance%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A8f787403291463a4796c69509cb3ab50&seq=5#metadata_info_tab_contents

# data[].attributes.body
https://www.jstor.org/stable/1478284?Search=yes&resultItemClick=true&searchText=self+awareness+in+dance&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dself%2Bawareness%2Bin%2Bdance%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3Aa27ededce4fb12f4a119a22b445596d3&seq=3#metadata_info_tab_contents

# data[].attributes.body
https://www.jstor.org/stable/1478461?Search=yes&resultItemClick=true&searchText=self+awareness+in+dance&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dself%2Bawareness%2Bin%2Bdance%26so%3Drel&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3A74d75c7efea325ed9ae560df495da12e&seq=7#metadata_info_tab_contents

# data[].attributes.attachment_link.title
Self-Appraisal and Pedagogical Practice: Performance-Based Assessment Approaches on JSTOR

# data[].attributes.attachment_link.description
Judith B. Alter, Self-Appraisal and Pedagogical Practice: Performance-Based Assessment Approaches, Dance Research Journal, Vol. 34, No. 2 (Winter, 2002), pp. 79-95

# data[].attributes.body
https://www.jstor.org/stable/25676451?Search=yes&resultItemClick=true&searchText=%28dance+self+esteem%29+AND+%28dance%29&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Ddance%26so%3Drel%26prq%3Ddance%2Bself%2Besteem%26swp%3Don&ab_segments=0%2Fbasic_search_gsv2%2Fcontrol&refreqid=fastly-default%3Ab766c1c858dd0a1931cb0902f32ae01c&seq=1#metadata_info_tab_contents

# data[].attributes.headline
Voices of Young Women Dance Students: An Interpretive Study of Meaning in Dance

# data[].attributes.subject
Voices of Young Women Dance Students: An Interpretive Study of Meaning in Dance

# data[].attributes.headline
Parenting the Self with Self-Applied Touch: A Dance/Movement Therapy Approach to Self-Regulation

# data[].attributes.subject
Parenting the Self with Self-Applied Touch: A Dance/Movement Therapy Approach to Self-Regulation

# data[].attributes.body
https://www.proquest.com/docview/1797057337/fulltextPDF/6501619BA5EF4803PQ/1?accountid=26453

# data[].attributes.headline
Emancipatory Pedagogy?: Women's Bodies and the Creative Process in Dance

# data[].attributes.subject
Emancipatory Pedagogy?: Women's Bodies and the Creative Process in Dance

# data[].attributes.body
https://www.jstor.org/stable/3347114?seq=1#metadata_info_tab_contents

# data[].attributes.body
https://link.springer.com/book/10.1007/978-1-137-48777-3

# data[].attributes.attachment_link.readable_text
© 2003

Brings together two literatures, on theories of the body and dance studies, that have surprisingly not before been connected
Develops new insights into both literatures by exploring these new connections
Written by an author with a lucid and original style

# data[].attributes.attachment_link.description
© 2003 Brings together two literatures, on theories of the body and dance studies, that have surprisingly not before been connected Develops new insights into both literatures by exploring these new connections Written by an author with a lucid and original style

# data[].attributes.body
http://static.unicep.edu.br/cenip/docs/revistamulticiencia/Multiciencia_Vol16.pdf#page=39

# data[].attributes.body
https://link.springer.com/chapter/10.1057/9780230305656_10

# data[].attributes.attachment_link.readable_text
Abstract

Since the explosion of social dance forms at the beginning of the twentieth century, popular dance has traditionally been awarded low measures of social and intellectual merit. In Chapter 1 I argued that we exist in a world shaped by value, which includes systems of economic, aesthetic, political and social capital and investment. Consequently, we perpetually negotiate and produce scales of significance and frameworks of worth. While academia has sought to repress or ignore the value structures that inform its work, its interests and methods are rooted in value judgements. These scholarly expressions of worth have significantly impacted on the artistic sphere through their legitimization of the Western art canon, which in dance terms privileges the elite domain of theatre art dance. Yet, in the last few decades of the twentieth century a relativist privileging of all cultural forms replaced the absolutist belief in inherent cultural worth. In response, the popular idiom has come back with a force, dancing on the canon in its Doc Marten boots, stiletto heels, old skool trainers and all other kinds of vernacular footwear that depart from the traditional ballet slippers or barefoot performances of modern stage dance. In light of this, popular dance now supplies a subject of keen interest within the discipline of dance studies.

Keywords

Dance Floor Dance Event Normative Femininity Taste Culture Dancing Community

These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

This is a preview of subscription content, log in to check access.

# data[].attributes.attachment_link.description
Since the explosion of social dance forms at the beginning of the twentieth century, popular dance has traditionally been awarded low measures of social and intellectual merit. In Chapter 1 I argued that we exist in a world shaped by value, which includes systems of economic, aesthetic, political and social capital and investment.

# data[].attributes.body
Current topic:

Dance for cultivation of self-awareness

# data[].attributes.body
Re-evaluate dissertation topic/research ideas to ensure you are happy with it