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The Butterfly Lovers: A Classic Chinese Love Story

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The earliest written record of the lovers is traced back to about 700AD, when the Tang Dynasty was reigned over by Empress Wu Zetian and was renamed as the (Restored) Zhou Dynasty.

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Bruce Lee, Chinese name Li Jun Fan, (born November 27, 1940, San Francisco, California, U.S.-died July 20, 1973, Hong Kong), American-born film actor who was renowned for his martial arts prowess and who helped popularize martial arts movies in the 1970s.

Lee was born in San Francisco, but he grew up in Hong Kong. He was introduced to the entertainment industry at an early age, as his father was an opera singer and part-time actor. The younger Lee began appearing in films as a child and was frequently cast as a juvenile delinquent or street urchin. As a teenager, he took up with local gangs and began learning kung fu to better defend himself. At that time he also started dance lessons, which further refined his footwork and balance; in 1958 Lee won the Hong Kong cha-cha championship.

Lee's parents were increasingly disturbed by his street fighting and run-ins with the police, and they sent him to live in the United States shortly after he turned 18. He lived with family friends in Seattle, where he finished high school and studied philosophy and drama at the University of Washington. While in Seattle he opened his first martial arts school, and in 1964 he relocated to Oakland, California, to found a second school. It was about that time that he developed his own technique- jeet kune do, a blend of ancient kung fu, fencing, boxing, and philosophy-which he began teaching instead of traditional martial arts. He drew the attention of a television producer after giving a kung fu demonstration at a Los Angeles-area karate tournament, and he was cast as the sidekick Kato in the television series The Green Hornet (1966-67).

Lee had difficulty finding acting jobs after the cancellation of The Green Hornet, and he began supplementing his income by giving private jeet kune do lessons to Hollywood stars, including Steve McQueen. In the 1969 film Marlowe, Lee received notice for a scene in which he destroyed an entire office through kickboxing and karate moves. Troubled by his inability to find other suitable roles, however, he moved back to Hong Kong in 1971. There Lee starred in two films that broke box-office records throughout Asia, and he later found success in the United States with Tang shan da xiong (1971; Fists of Fury [U.S.], or The Big Boss [Hong Kong English title]) and Jing wu men (1972; The Chinese Connection [U.S.], or Fist of Fury [Hong Kong English title]).

Lee used his sudden box-office clout to form his own production company, and he coproduced, directed, wrote, and starred in his next film, Meng long guo jiang (1972; Return of the Dragon [U.S.], or The Way of the Dragon [Hong Kong English title]). Lee's following film, Enter the Dragon (1973), was the first joint venture between Hong Kong- and U.S.-based production companies, and it became a worldwide hit, thrusting Lee into international movie stardom. Tragically, he died six days before the film's Hong Kong release. The mysterious circumstances of his death were a source of speculation for fans and historians, but the cause of death was officially listed as swelling of the brain caused by an allergic reaction to a headache medication. At the time, Lee had been working on a film called Game of Death, which was pieced together with stand-ins and cardboard cutouts of Lee's face and was released in 1978.

After Lee's death, his films gained a large cult following. Lee himself became one of the biggest pop culture icons of the 20th century, and he is often credited with changing the way Asians were presented in American films. A slightly fictionalized biopic, Dragon: The Bruce Lee Story, appeared in 1993. His son, Brandon, followed Lee into acting, and he died after being shot with a misloaded prop gun while filming The Crow (1994).

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Bruce Lee | Biography, Martial Arts, Movies, Death, Son, & Facts

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Bruce Lee, Chinese name Li Jun Fan, (born November 27, 1940, San Francisco, California, U.S.-died July 20, 1973, Hong Kong), American-born film actor who was renowned for his martial arts prowess and who helped popularize martial arts movies in the 1970s. Lee was born in San Francisco, but he grew up in Hong Kong.

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literature that use На̄ни хэсэн to write

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literature that use На̄ни хэсэн to write

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https://www.bilibili.com/video/BV1cb4y197Sk?from=search&seid=434824580418334745&spm_id_from=333.337.0.0

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那个备婚两年刷爆全网的汉服婚礼正片来啦！！！_哔哩哔哩_bilibili

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大家久等啦，终于可以跟大家分享我的婚礼全过程啦！～看完啦投个份子币再走哦～特别意外我的婚礼能受到这么多人的喜欢，能给喜欢汉婚的小伙伴带来一些帮助，我真是太开心啦！！！

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https://www.youtube.com/watch?v=Dqg_w_4AQdU

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Live: A traditional Nuo dance in China's Jiangxi Province来江西看传统傩舞

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新北市國光國小106學年-新版功夫操示範體育班

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a bit part of dictionary of the langulga 

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a bit part of dictionary of the langulga 

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The Sound of the Tatar language (Numbers, Greetings The Parable)

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A lot of those famous architecture are also build by them. 

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https://www.bilibili.com/video/BV12t411q799?p=6

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浦东拥有国家级非物质文化遗产8个，市级非物质文化遗产29个，区级非物质文化遗产33个，共计70个项目。每一样非遗都拥有了独一无二的价值、历史、文化、情感 。 而民以食为天，饮食是最具有普适性的话题，近年来人们对于地方美食的关注与热爱。因此浦东非物质文化遗产系列纪录片首先从非遗美食入手，通过纪录片，不仅展现食物本身的制作和技艺的巧妙同时展现食物传承人的情感与精神厚度。 《浮生六味》共6集每集3-6分钟，影片将体现高桥松饼、周浦羊肉、三林本帮菜、三林酱菜、大团酒酿、书院醉螃蜞这六道浦东美食 。

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浦东非遗三部曲第一部——舌尖上的浦东《浮生六味》

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浦东非遗三部曲第一部--舌尖上的浦东《浮生六味》_哔哩哔哩_bilibili

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浦东拥有国家级非物质文化遗产8个，市级非物质文化遗产29个，区级非物质文化遗产33个，共计70个项目。每一样非遗都拥有了独一无二的价值、历史、文化、情感 。 而民以食为天，饮食是最具有普适性的话题，近年来人们对于地方美食的关注与热爱。因此浦东非物质文化遗产系列纪录片首先从非遗美食入手，通过纪录片，不仅展现食物本身的制作和技艺的巧妙同时展现食物传承人的情感与精神厚度。 ...

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https://www.youtube.com/watch?v=NR6FYZPVKrk

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翼想天開－Winwing的飛行工藝

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楊凱竹纏花創作展-穿越台灣時光的線(春仔花)

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A Culture Hero: "Xiangsheng" (Crosstalk) Performer Guo Degang

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https://www.youtube.com/watch?v=avCLiKJ_YXY

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https://www.bilibili.com/video/BV1oq4y1U7DK/

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国家级非物质文化遗产——辽西木偶戏。凌源市第二届非遗文化节《辽西偶韵》表演，锦州市木偶剧团。非遗传承_哔哩哔哩_bilibili

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Амыран / Amyran (Song of home)

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It is a beautiful architecture which combines art and architect techniques together, to become a building.

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Biographies of notable cultural figures- Ip Man

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Biographies of notable cultural figures- Ip Man

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Learn about the life of the martial arts legend who has influenced millions of martial artists around the world including many famous martial artists like the late Bruce Lee.

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Hakka terra building Construction Skills

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Hakka terra building Construction Skills

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This is a traditional construction skill that builds up a Hakka kind of circle building, also called Tulou.

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This text file is about a famous actor that performs crosstalk in China. He creates a cross-talk club that makes this special cultural art been recognized by the public. Read pages 2,3,5, 6,7 to know about the information of Guo Degang..

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行書書法欣賞|水調歌頭|

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As a native speaker of Mandarin, a question I often get from my foreign friends is "What does Chinese cursive look like?"

We don't really have a word for "cursive" in Mandarin. The closest is 草书 (cǎo shū), literally means "rough script." The character 草 also appears in the phrase "rough draft", 草稿, however it is also the character for "grass." Thus, you may notice that sometimes Chinese cursive is mistranslated into "grass script." If someone's handwriting is messy or rough, you can use the word "草" as an adjective.

Note: Chinese cursive is different from Chinese calligraphy. Calligraphy is the art of putting ink on paper in words. Chinese cursive is merely a style of penmanship. There are Chinese calligraphers that choose to write in print.

Below is an example of Chinese cursive side by side with normal Chinese typography.

As you can see, the number of strokes diminishes and the strokes merge together. To put it quite simply, Chinese cursive to us looks like English cursive does to you.

Most modern Chinese is written from left to right, however calligraphers usually write the traditional way - up to down and right to left.

Cursive Chinese handwriting is extremely difficult for beginners at Chinese to read. In order to read Chinese handwriting, you need to know the strokes. Especially the order of the strokes, and which way they are written.
Related: 7 Basic Rules of Chinese Stroke Order
But with those who write with very languid strokes, even native speakers have those "what the heck is that supposed to say?" moments. That is partially why Chinese cursive is no longer as commonly used. It can be difficult to read, and in the digital age, many people type on a computer instead of writing things by hand.

Handwriting is sometimes considered as a representation of that person. In fact, people have once used these interpretations to compare the handwriting of two opposing leaders in China's history: Mao Zedong and Chiang-Kai-shek.

From Mao's handwriting (left) we can see that it is very script-like. People have said that his handwriting "has no frame", just like that of a poet's, which they say represent his style of thinking.

Chiang's writing, on the other hand, looks extremely neat and orderly. Each character would fit into a perfect square. People say that it looks like the writing of a military man, which perhaps represented his philosophy.

What do you think? If you learn Chinese, would you attempt 草书?

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As a native speaker of Mandarin, a question I often get from my foreign friends is "What does Chinese cursive look like?" We don't really have a word for "cursive" in Mandarin. The closest is 草书 (cǎo shū), literally means "rough script."

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The clerical script ( traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: ; Japanese: 隷書体, reishotai; Korean: 예서 (old spelling 례셔); Vietnamese: lệ thư), sometimes also chancery script, is a style of Chinese writing which evolved from the late Warring States period to the Qin dynasty, matured and became dominant in the Han dynasty, and largely remained in active use through the Wei-Jin periods. In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process named , or "clerical change"), and was characterized by its rectilinearity, a trait shared with the later regular script.

Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term clerical often refers to a specific calligraphic style that is typical of a subtype of the clerical script, the Han clerical ( simplified Chinese: 汉隶; traditional Chinese: 漢隸) or bafen (八分) script. This style is characterized by the squat character shapes, and its "wavy" appearance due to the thick, pronounced and slightly downward tails that are uptilted at the end.

Historical accounts, including the Book of Han and the postface of Shuowen Jiezi, often mistakenly attribute the clerical script to the Qin dynasty clerks, claiming that the clerks had devised the script to cope with the heavy workload. There are also historical traditions dating back to the Han dynasty which attributed the creation of clerical script specifically to a Qin-dynasty prison officer, Cheng Miao ( Chinese: 程邈; pinyin: ), who was said to have invented it at the behest of Qin Shi Huang.

However, archaeological findings have shown that the clerical script was not the invention by a certain person or certain people, but was evolved naturally from the earlier scripts. It has also been argued that, rather than being established by government scribes, clerical script was already in popular use, and its use by clerks in the Qin dynasty merely reflects this trend.

The clerical script was developed from the local script varieties in the state of Qin in the Warring States period. These scripts are said to belong to the Qin-state script system ( Chinese: 秦系文字; 'Qin-branch scripts'), and were the basis on which the Qin-dynasty small seal script was standardized. The folk varieties of the Qin-state scripts can be seen to already have employed shapes that are more rectilinear in the more orthodox scripts, with less long, sinuous lines and more readily segmented strokes, and are closer to the later clerical script than to the small seal script in both style and structure. In particular, some scripts discovered on bamboo and wooden slips are stylistically distinct from the earlier and even contemporary Qin-state scripts, and thus are often seen as a form of early clerical script. Examples include the Shuihudi Qin bamboo slips (circa 217 BCE), and the Qingchuan wooden slips (circa 309 BCE).

In the Qin dynasty, the official script was the small seal script. The clerical script was associated with low social status, and, although allowed as a sort of auxiliary writing style for clerks, was generally not used in formal occasions. However, it gradually assumed dominance over the small seal script over time, and had become the main script in use in the Han dynasty. Over the course of the Han dynasty, the clerical scripts continued to mature and stabilize, finally arriving at a visually unique style. This style is characterized by the following points:

Characters are typically wider than they are tall;

The rightward-falling stroke often has a heavy foot that is slightly uptilted at the end;

The horizontal stroke also occasionally has a thick, downward dropping tail with a slightly uptilted end, typically when it is one of the longer horizontally-directed stroke in a character.

The last two features above are sometimes called "the wavy propensity" ( simplified Chinese: 波势; traditional Chinese: 波勢) or "the wavy downward strokes" (波磔). Additionally, the leftward-falling strokes and anticlockwise curves also tend to have upward tilted ends.

Clerical scripts before the formation of these features are often called Qin clerical script ( simplified Chinese: 秦隶; traditional Chinese: 秦隸) or old clerical script ( simplified Chinese: 古隶; traditional Chinese: 古隸), which include the early clerical scripts from the late Warring States period to the early Han dynasty. Clerical scripts with these features are called Han clerical script ( simplified Chinese: 汉隶; traditional Chinese: 漢隸) or bafen (八分) script. The style of Bafen script is the basis of most of the later clerical-style calligraphy.

The most mature form of the bafen script can be found in the late Eastern Han dynasty, with "carefully and neatly executed" inscriptions on stelae. These stelae are regarded as calligraphic works of great significance, and are often used as models of clerical-style calligraphy. Some important inscriptions include:

西嶽華山廟碑, abbr. 華山碑 or 華山廟碑, The Stele of Huashan Temple;

漢魯相乙瑛請置孔廟百石卒史碑, abbr. 乙瑛碑, The Stele of Yi Ying;

郃陽令曹全碑, abbr. 曹全碑, The Stele of Cao Quan;

漢故穀城長盪陰令張君表頌, abbr. 張遷碑, The Stele of Zhang Qian

A new type of clerical script, for which Chinese palaeographer Qiu Xigui termed the name "neo-clerical" ( simplified Chinese: 新隶体; traditional Chinese: 新隸體), arose in the Eastern Han dynasty. The script, for convenience, abandoned the heavy tails present in the bafen script, while taking influence from the contemporaneous cursive script. Influenced by this new script style, the semi-cursive script would then arise, which would in turn give rise to the regular script. The neo-clerical form, or an intermediate form of the neo-clerical and the semi-cursive forms, is said to have become the way the common people wrote by the Wei-Jin period.

By the Northern and Southern dynasties, the regular script had succeeded the clerical script and become the principal script in use.

After the Northern and Southern dynasties, the clerical script was no longer actively in use,[citation needed ] but its style survived in calligraphy.

In the Tang dynasty, calligraphers including Han Zemu ( Chinese: 韓擇木; pinyin: ), Shi Weize ( Chinese: 史惟則; pinyin: ), Li Chao ( Chinese: 李潮; pinyin: ) and Cai Youlin ( Chinese: 蔡有鄰; pinyin: ) were renowned for their clerical calligraphy. From the Tang to the Ming dynasties, calligraphers occasionally wrote in clerical style as well.

The Qing dynasty saw a revival in clerical-style calligraphy, with notable calligraphers such as Jin Nong, Deng Shiru, Yi Bingshou ( Chinese: 伊秉綬; pinyin: Yī Bǐngshòu ) and Zheng Fu ( Chinese: 鄭簠; pinyin: ).

Due to its high legibility to modern readers, the clerical-style calligraphy is still used for artistic flavor in a variety of functional applications such as headlines, logos, signboards, and advertisements.

There are a number of computer fonts that display CJK characters in the clerical style.[citation needed ]

The etymology of the Chinese name for the clerical script (隸書) is uncertain. 隸 has been explained as 徒隸 ("prisoner-in-servitude") or 隸人 ("convict; official of a particularly low rank"). Some infer that the script was used in recording the affairs related to such prisoners, while others infer that it was used by prisoners conscripted as scribes.

Clerical script is also known as "clerical characters" (隸字), "assistants' writing" (佐書), "historical writing" (史書), and "official script".

From the Northern and Southern dynasties to the Tang dynasty, the regular script was still sometimes referred to as 隸書 instead of 楷書. To distinguish from the Han-dynasty clerical script proper, it was also referred to as the recent clerical script ( simplified Chinese: 今隶; traditional Chinese: 今隸). The Han-dynasty clerical script might accordingly be called the old clerical script, 古隸, which, as has been pointed out, is now also the name for the early clerical scripts before the bafen development.

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The clerical script ( traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: ; Japanese: 隷書体, reishotai; Korean: 예서 (old spelling 례셔); Vietnamese: lệ thư), sometimes also chancery script, is a style of Chinese writing which evolved from the late Warring States period to the Qin dynasty, matured and became dominant in the Han dynasty, and largely remained in active use through the Wei-Jin periods.

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GitHub - zkytony/huarongdao: Huarongdao (華容道) solvers

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Huarongdao is a Chinese variation of Klotski ( Wikipedia), a sliding block puzzle thought to have originated in the early 20th century. This is a game I played on a plane for hours and hours but couldn't figure it out. So I wrote a simple program on the plane to solve it.

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Cricket fighting is a hobby and gambling activity involving the fighting of male crickets. Unlike blood sports such as bullfighting and cockfighting, cricket fighting rarely causes injuries to the animals. It is a popular pastime in China and dates back more than 1,000 years to the Tang Dynasty. However, the sport has been losing its popularity in China.

Cricket fighting was nurtured by Tang Dynasty emperors more than 1,000 years ago, and later popularized by commoners. In the thirteenth century, the Southern Song Dynasty prime minister Jia Sidao wrote a how-to guide for the blood sport. Jia's obsession with cricket fighting is believed to have contributed to the fall of the empire. During the Cultural Revolution (1966-1976) China's Communist government banned cricket fighting as a bourgeois predilection, but it is now undergoing a revival among a younger generation eager to embrace traditional Chinese pastimes.

Cricket season begins in summer and championships take place after the autumn equinox in late September. In Beijing, the Association for Cricket Fighting organizes cricket fighting events and championships.

While it is illegal in China to gamble on cricket fights, the fights themselves are legal and occur in most big cities in China. Crickets are sold openly in street markets, with more than a dozen cricket markets in Shanghai alone. In 2010 more than 400 million yuan (US$63 million) were spent in China on crickets.

Hotels in Macau have held cricket fights where bets up to thousands of patacas were waged on a single fight. Prized crickets have become famous, with funeral services on their death.

In Hong Kong, the popularity of cricket fighting has declined since the 1950s and 60s, partly due to pesticides reducing the supply of fighters. In 2004, a champion cricket could cost more than $2,500. Lesser fighters could be bought from bird stalls for up to $30, or searched for in rural areas.

The best crickets are from a few counties in northeastern Shandong Province. Crickets have pedigrees and would be carefully bred by knowledgeable keepers. Each cricket must be kept in its own clay pot and their diets include ground shrimp, red beans, goat liver, and maggots. Before fight night, female crickets are dropped in the pot to increase the male's fighting spirit.

Crickets fights are arranged according to weight class. In a fighting container, handlers stimulate their cricket's antennae using a straw stick, causing the crickets to become aggressive. When both crickets are sufficiently agitated, a divider separating the pair will be lifted, and the two crickets will begin the match. The loser is the cricket that first begins avoiding contact, runs away from battle, stops chirping, or is thrown from the fighting container.

Studies done indicate that the sense of "flying" encourages a cricket's fighting spirit. In one such study, a losing cricket put back into the ring will only go back to fight one out of ten times. If crickets are shaken and thrown in the air repeatedly, they will fight again six out of ten times.

The Yu Sheng Cup, another national cricket fighting tournament, is held annually outside the Xilai Ranch in Lühua during the National Day holiday in early October, with a purse of .

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Cricket fighting is a hobby and gambling activity involving the fighting of male crickets. Unlike blood sports such as bullfighting and cockfighting, cricket fighting rarely causes injuries to the animals. It is a popular pastime in China and dates back more than 1,000 years to the Tang Dynasty.

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華容道（橫刀立馬局，八十一步解法）

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https://www.i-gamer.net/site/600.html

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遊戲介紹：

「華容道」是中國古老的益智遊戲，必須透過棋盤上各個方塊的移動，讓曹操能抵達下方的出口而順利逃脫眾人的追殺。遊戲一共提供了15種佈局，讓玩家可以在休閒時刻動動腦筋！

故事內容描述曹操於赤壁之戰中計，遭火燒連環船，數十萬兵馬毀於一旦，只好倉皇逃跑。曹操最後逃到華容道時，重情義的關雲長不忍捉拿他，因而讓曹操逃脫。相傳有人引用這個典故，設計出「華容道」的棋盤遊戲，遊戲中玩家必須移動各個長短不一的方塊，最後目標是讓曹操能到達正下方的缺口處。另外也考驗玩家，是否可以能利用最少的移動次數過關。

本款遊戲提供了15種不同的佈局，玩家可以從畫面右側中的上頁、下頁來做切換，選擇要玩的一種佈局。遊戲中玩家只要利用滑鼠左鍵點擊其中一方塊，便可以移動。如果方塊有多個方向可以移動，方塊上會出現黃色三角形來指示方向，玩家點擊要移動的方向既可。

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遊戲介紹： 「華容道」是中國古老的益智遊戲，必須透過棋盤上各個方塊的移動，讓曹操能抵達下方的出口而順利逃脫眾人的追殺。遊戲一共提供了15種佈局，讓玩家可以在休閒時刻動動腦筋！ ...

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真正斗蟋蟀大戰.北京VS江蘇. 無比激烈.

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During this project, we will represent an online community posterity that develops to help China publicize the culture. To help the developing country to share and publicize their culture, we are supporting China to show their traditional culture to people around the world by making a virtual museum on a multimedia digital format (Padlet). Because of globalization, migration, and urban-rural differences, Chinese traditional culture starts to disappear. No matter if the culture is positive or negative to the world, these are the records of what humans made and did in the past. Traditional cultures are made by how humans think of their society and environment, if we do not save them, we will miss the part of how our ancestors thought and how they solve the problems. Our final target is to create an online virtual museum that can share and show to people with different cultures, and maintain these cultural traditions.

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From this project, we would like to  present as an online community posterity to show China's cultures to people. To help China's social development, we are going to support their traditional culture and improve the traditional culture. By making a virtual museum, we will do some researches on Chinese cultures and represent them. Our goal is to create an online virtual museum that can be shared and presented to people of different cultures and keep or protect these cultural traditions.

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Tai Chi is a China traditional Chinese martial art. It is attention to calmness, relaxation, peace of mind, slow training

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It is a kind of China traditional boxing. There are many derived genres of Kungfu. Such as Emei, Shaolin, and Wudang

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It is a china tradition calendar. It is produced on the basis of the lunar calendar, which can express the luck and bad luck of the day.  The calendar has include zodiac fortune, good and bad every day, and the date table of Chinese twenty four solar terms.

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People engraved "Shi Gandang" on walls, stones, pillars, etc. People will erect them in places with bad feng shui to ward off evil spirits and pray for blessings.

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the eight diagrams (bāguà) is a concept from Yì jīng. People believe that it can present the every Phenomenon of the nature.

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A Chinese old music type that uses most of the string instruments and vocals to make. It's originated in Quanzhou, Fujian, singing in Hokkien. They sing really traditionally but play the instrument really casually. Among all instruments, Pipa is the main instrument that we use for playing the music.

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As a singing voice the singer users his vocal organ to sing two parts at the same time. It is been creative by the aboriginal people.

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This is one of the Thao mythology.
Once upon a time, there was a woman called Nuwa. One day, she was boring so she start to use clay to make people. Then, she Blew a sigh of relief to these little people and the little people became alive. But she think this is too slow so she shaking the yellow mud with a cane. Suddenly the mud pips fell on the ground and turned into a lively villain.

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This is one of the Thao mythology.
Once upon a time the sky and ground it stick together. Just like a big egg, and there was a human ancestor named Pangu inside. After 18,000 years, Pangu feel bored so he stand up and prop up the sky and the earth. Pangu prop the world for 18000 years and then he died. His body become the everything in the world

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It is one of the four major Chinese folk tales. It is an oral tradition. It tells the love tragedy that Zhu Yingtai disguised herself as a man to study and met classmate Liang Shanbo, but was unable to form a marriage in the end.

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На̄ни хэсэни

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На̄ни хэсэни

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According to UNESCO, На̄ни хэсэни is extreme hazard level of language. There are only a dozen elderly people over 60 years old who can speak this language.
На̄ни хэсэни passes through the Heilongjiang, Songhua River and Ussuri River basins that border China and Russia.

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According to UNESCO, manju gisun is in extreme hazard level of language.
Nowadays, The total number of native manju gisun speakers is around 50. And this language is only be used for academic or performance

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татарча is been used by Кытай татарлары. Кытай татарлары is one of the ethnic minorities in China today.
This ethnic group has a population of more than 5,000 people, but the population of татарча speakers is less than 1,000.

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Thangka Paint is evaluated from ​​Tibet period, which was also the Tang dynasty. There are a lot of uses of Thangka, including record stories, buddhism used, medical knowledge recording. So the Thangka that we found now is very valuable for studying because some of the art will record down the histories that we can investigate. Second, there are a lot of factions to make Thangka.

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Use gold, sliver, even paper to make the metal base. And then cut the bright blue feather of King feather bird on the back of the base to make variety of jewelry.

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It is a sliding block game. It is composed of 10 square pieces placed on a square plate. The goal is to move the largest piece to the bottom exit while only sliding the square without removing it from the board.
Huarong Dao originated in Poland at the end of the 19th century and the beginning of the 20th century. In the 1970s and 1980s, the Three Kingdoms version of Huarong Dao suddenly became popular in China.

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This is a China traditional game. Spread in the royal and folk. There are two male cricket in a box. And two player use stick to poke them and trying to let them fight to eachother. As long as the opponent’s cricket is killed, flees, and gives up fighting, it is considered a win

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Burr puzzle is a kind of 3D puzzle in China. It has three-axis combination of building blocks, the most popular is the six-piece type.

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Traditional fermented rice wine technique needs a lot of process and it is really and to made, it also needs a lot of time.

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A type of food style that Luoyang was famous for. The special thing about this style of the banquet is all the food is with soup. Luoyang people use this kind of food for all kinds of festivals and weddings.

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Clothing making has a lot of special skills. Including, embroidery, cloth making, and also different dynasty will have different style they wear.

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A handicraft skill of making hair accessories, by using lines to entangle the wire and made it into hair accessories. It is also hard to make.

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A handcraft skill of making special cloth for the emperors, nobles ,and royals. It is really expensive because it is all hand made and the tolerance rate is really low.

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The first dance and ceremony for worshiping ghosts and avoiding epidemics, and became a performance dance later on.

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A whole process of the traditional Chinese wedding with a lot of small wedding manners. For example, fanning open ceremony, burning incense for ancestors, and all kinds of small ceremonies will happened in tradition wedding.

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A kind of drama that the characters using singing voice to tell the story, also the most famous dance in Dai drama.is called peacock dance.

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Liaoxi Puppet Show is a kind of performing style that the actor will manipulate puppets to perform the characters and make it into a story.

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It is a solemn font style commonly seen in Chinese characters. The writing effect is slightly wide and flat. The horizontal drawing is long and the vertical drawing is short, in a rectangular shape.

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It is a handwritten font style in Chinese calligraphy. It is said that it was created by Liu Desheng during the Eastern Han Dynasty.

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Xiangshan Gang traditional house making technique

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Xiangshan Gang traditional house making technique

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A group of people built Suzhou-style houses for the royals and the public. They are good at complex and detailed traditional Chinese architectural techniques and make a lot of traditional towers and palace-style architectures. Everyone in the group will have different jobs, for example, Wooden house construction, cement construction, brick carving, wood carving, stone carving, paint, and all kinds of construction work types. It starts to disappear because it's a hard architecture skill to learn, which need a lot of time and it a hard work.