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An example of dramatic irony is when the Shah gets dethroned and the United States refuses to give him shelter even though they were his biggest supporters when he was still a ruler.

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Irony is produced through the contrast in the desolate subject matter of her uncle's story and Marjane's reaction to it. Her eyes are wide open in awe, and the placement of the characters show how Marjane grows to idolize her uncle.

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Although it's humorous that she is saying "carrot" which is so incorrect  from what Marijane's mother is trying to teach her, it's sad because in reality, it's due to her impoverished family and social class that she is unable to receive proper education, even though her facial expression looks confident and content, the situation is the opposite.

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In the specific panels depict people coming out holding bodies. On the first body we can observe the facial expression of one of the dead person, and his facial expression is more bored and annoyed of the situation. While you see people protesting against the King and pushing for a revolution. The irony of the situation because you observe the facial expression of the man who is dead frowning which is contrasted to the angry faces of the men who are protesting. It shows that people will use anything and anyone in order to empower their cause. The dead man doesn't seem upset about the King rather he feels more upset about the fact that people are using him as an example and a prop to their cause.

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Marjane states that she and Mehri "get along really well". However, while Marjane states that "she played with me" "and always finished my food", the images show a contrast as Marjane is sitting on the ground while Mehri is on the swing and she also looks unhappy that Mehri is eating her food.

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The author's

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We see a unique display of irony in these panels regarding monopoly. We know the connection of monopoly to capitalism and so do the main character's parents, but the child we are following doesn't. This is a creative choice to display the age of the main character, and despite how revolutionary-minded and intelligent the main character is still a child who is not always aware of the irony or connections in the everyday things she partakes in.

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Here, Marji reflects on what it was like for her maid to take care of her when she was a child herself. There is a contrast between the caption, "She played with me," and the image of a baby looking up, as if she wants to swing, but the maid is swinging because she is just a child herself.

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The author uses facial expression to create irony by offsetting serious stories about a deadly revolution with her parent’s laughing faces. This happens multiple times throughout even just the first few chapters, and creates a dissonance in tone that creates a sense of irony for the reader.

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In the illustration Marijane is very clearly frightened, however, the captions say otherwise, "She also told me stories about Jackals that scared me. In other words, we got along well."

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The author's use of facial expression perfectly contrasts the expected reaction at the end of the chapter Persepolis. Largely a criticism of the values that the revolution was created upon, this panel shows the anger in the faces of the revolutionaries when they learn that the man they are hailing as a martyr did not in fact die at the hands of the government. At this point in the revolution, the man's death is only an excuse, and the actual circumstance is irrelevant.

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The author uses the fluid lines in her image of what her grandfather looked like as a prince. The lines along with the image give feelings of youth and fairytales. Her image of her grandfather is one of innocence as she imagines him as someone regal on an elephant and a crown. But we later learn that he was imprisoned and tortured.

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Mehri and Marijane had went to the Black Friday demonstration in which many people were killed - rumors spread that Israeli soldiers were responsible. However, this picture states “But in fact it was really our own who had attacked us.” This contrast is to show that they got caught and in trouble for being out and got smacked by the mother. Rather than the soldiers attacking them at the demonstration, they were attacked at home.

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On this page, we see the irony that is displayed with a contrast between images and languages. The main character's text bubbles regarding monopoly, a game that is center around and sort of promotes capitalism, is contrasted by the previous images of revolutionaries fighting against capitalism and such.  It is subtle, but a deliberate choice to show how despite being a revolutionary and such she still can partake in things that does not fit her beliefs, unknowingly.

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In this frame (p43), the family is discussing the Shaw's departure. The decide to not be pessimistic, and enjoy their new freedom, "Now that the devil has left." Marjane's parents seem at peace, with their eyes closed and the mom tilting her head back in her chair. But without their knowledge, devil like creature is circling the frame. This is dramatic irony, because the family believes that good things are to come and that the devil has left, but the reader knows that this is not true.

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Prior to this page, Marjane convinced Mehri to go to protest with her during a dangerous day in history where many were injured/killed under the Shah’s authority. We notice that when Mehri suggested they go back home, they were frowning. The contrast of the facial expressions is very ironic because like the panel stated “that very day we shouldn’t have: on “Black Friday” there were so many killed in one of the neighborhood”. The irony displayed in their body language during the Revolution (being content and happy) in contrast to when Marjane’s mother finds out was very unexpected. The author’s usage of this element is somewhat humorous. The audience  acknowledges how the idea of home or family are things that should make you feel safe and the fact that they were unharmed during the protest, but harmed by their own (Marjane’s mother) contradicts our idea of what safety means to us.

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Marji’s mom, dad, and grandmother use humor to cope with all of the violence that goes along with the Shah’s regime and the protests. The adult's facial expressions show that they are laughing and finding the humor in the situation with the widow and her husband. On the other hand, the statement “If I die now at least I will be a martyr” is not positive or funny because Marji's grandmother is acknowledging the likelihood that she and others will die in these protests.

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We see irony when Marjane tells us about the babysitter she had, and about the secret "relationship" the maid had with the boy next door. It is interesting because her father tells Marjane that the boy and Mehri could not be in love because of their social class. This confuses Marjane, and the reader as well because in the chapter prior we see him fighting against the terrible regime that has put the people of Iran in such poverty. It's also interesting to note that the neighbor wears a Bee Gee's shirt, showing the western influence in Iran.

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This scene is illustrating the grandmother's narrative of the Shah and his speech the day he was crowned and the irony within it. The author decides to bold "their splendor" when the Shah is referring to the people, and because the grandmother is telling this story with the purpose of showing the selfishness and cruelty of the Shah, also exhibited with him with his arms raised on the podium, and no people surrounding it, it shows the coming irony in his rule and his hypocrisy in his crowning speech. This is also exhibited with the image on his podium we learn is later a depiction of Cyrus the Great, who "ruled over the ancient world", and we see the Shah and his wife in Westernized clothing, showing a clash in ideals just by putting the Shah on the throne.

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Marjane Satrapi often plays with the ratio of black coloring and black space. Most of the time an excess of one color is often used to evoke certain emotion that the characters are experiencing. One of her more used examples is having an image that relies heavily on the black with little to know black space. When she uses this it often comes when the individuals are in a very emotional state and having a very dark image in contrast with the not as important moments makes them visually stand out more and evokes similar emotions in the reader.

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In Persepolis, there is a fair share of irony in the way that Marjane portrays her family in two contrasting retrospects; through their revolutionary work,  and through the hypocrisy they exhibit in lieu to their revolutionary work. For example, the family loving and playing Monopoly, a wholly capitalistic game, but also protesting in favor of communist and far-left leaning values exhibited a subtle irony in the first 3 chapters. Furthermore, Marjane's father forbidding Mehri's love interest and justifying it due to her different class setting completely contradicts his values as a protester; he protests to end classes, but also helps instill them, especially by not giving Mehri the rights Marjane has. Marjane's family's wealthy lifestyle only exhibits this further; Marjane mentions that she is ashamed to drive a Cadillac and live lavishly while she protests for equality and the ending of social classes; a subtle irony that begins to distort the ideas of the revolution in many. The dramatic irony of all of this comes with the knowledge that Khomeini's reign was just as bad as the Shah's after the Revolution, even though the people had put him into power expecting him to make everything right. The hypocrisy and irony in the general Iranian population protesting against the Shah is that their ideas weren't aligned; none of them completely abided to the principles that they protested to, and thus the meaning of the Revolution founded a system of government potentially worse than the last.

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The use of balck and white within the comic shows the emotion and how weighted the message can be to that part of the comic. below is a strip form the water cell in thsi you can see tghe differnt sides of teh war the army which where in dark"black" and the cititzens " white" shows the differnt side where the army is being shown the dark side teh evil that they are doing where as the white as contrast shows the citizens fighting for teh rigth of living.

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Siamak and Mohsen use a very light hearted tone and almost joyous banter when talking about their time in prison and how they were tortured. You can see how they are almost smiling about the conversation while everyone else looks very concerned. This is their way of coping with the trauma they faced while imprisoned.

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The author uses different facial expressions to show the difference between the situations, but how the child has the same reaction. Even though the woman is smiling when asking for the mother, the daughter has the same concerning reactions, as she did to the two soldiers asking for her father. This creates irony, as the two situations are different but create similar reactions.

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This scene is ironic because Marjane's father is telling her all of the real history that's different from the school books and she's focused on the fact that he grandfather was a prince. Not even thinking about what he accomplished or how his life was.