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Through my findings I think that I am interested by the legibility of art and how people can read it, as well as what tools we use to point our audiences in certain directions. I also find interest in being ambiguous and distorted, letting work have a clear direction but enough space for interpritation. The synergy of legibility and distortion creates what I find interesting art.

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Within these three ingredients energy and mass/matter are interchangable according to the famous equation E = mc², in dance we have the performer our matter and the energy that they give off, this energy I believe can be ether viewed as the physical movement they perfom or as the spirit and energy one can hold in a room.
We also have the space that performers take up, little or alot, a choreographer can either cram a space and let movement be hectic or let it breathe and hold the performers (of course there is alot more you can do)
And finally time, ever existing how does one fill it with movement, or not, divide it up with counts use it as an advantage to keep an audience waiting

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The book contemplates how we came to existance, god and the universe as a whole. however, I am very interested in how Hawking essentually boils down existence to three very simple ingredients.
time, space and energy

through my own reflection these three concepts are appliciable and essential to dance and movement. I have also found that for me they heavily define what composition is, in whatever form it is found, art music film technology.

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Recently I have been reading some of Hawkings last book and have found the importance of drawing inspiration from a variety of sources rather then being hyperfocused on one medium.

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these are some of the paintings in my home which the collection keeps growing as the artist in question contines to create. I have enjoyed watching the creation of some of these

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this will show up at some point the audio file is corrupt :(

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overall I enjoy the language of the artist and how still images can be created to have direction and a feel of movement. the range in subjects of the paintings range as well as clarity of subjects shows flexibility in the approach of new ideas and allows a span of contrasting imagines which I can imagine would be plesurable to view in a gallery setting

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I also enjoy the level of distortion in the paintings, lack of symmetry. each image distorts but has a clear direction in space, the trees growing from left corner up to right, faces looking dead on but features disproportionate and uneven. makes looking at the paintings more captivating as nothing repeates perfectly, same concepts are repeated within a painting but evolve throughout.

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I like the spacing of the shapes in these paintings. The artist allows each painting as a whole to breath and take up the canvas leaving space for pure colour to exist however in most cases its not just pure colour, the background continues to shift between its own states and shades.

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mass, energy (two sides of the same coin) E=mc2

space, there is an infinate amount of space both space and negative space

time, everconstant how do we divide it up? read it? feel it even?

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Jackie Chan Famous Ladder Fight Scene (First Strike) HD Unrated Version

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throughout this scene a timing is set, as from most of jackie's work he plays with rythms and being creative with the surrounding set the action is stimulating and can be seen unlike in many western hollywood films. the constant pace and rythm of Jackies scenes is felt by the audience and in most cases you cannot tell its there until it is gone, being a seemless part of the choreography

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In this scene the camera pans from left to write through the hallway, backing up with the character showing he is losing the fight and moving forward with him showing that he is winning. the director Park Chan-wook uses a continues shot in order to emphasize how tiring the entire scene is as well as how much pain the character pushes himself through to finally cut to this powerfull over the shoulder shot

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Akira Kurosawa is a japanese film director whose career spanned half a decade, directing 30 films. Kurosawa used the camera in a dynamic way with each of his scenes having clear transitions and movement, more importantly he directed his actors as indivduals and as large groups in very specifc ways giving access to very exagerated reactions. movement is a key part of his filmmaking wether it be nature or a person, there is always something moving in his scenes which he will either cut with movement or have high contrast between scenes to keep the audience engaged. one scene will end with a very soft and still imaged and switch to a bustling crowd of people. I find his use of people and moving images to be very interesting as he blocks sequences in ways which allow him to flow throught the film in the edit.

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I find that Wright has the ability to create and recreate new ways of filming his shots aswell as how his framing and story beats. He approachs his work with the intention of filming scenes with energy and inventiveness, keeping his audience invested as well as telling story by showing and not just telling, which can be problematic as many directors fall into mindless exposition which defeats the purpuse of having a moving picture.

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Over the past year I have been watching many films and have been falling in love with the cinematography used by the directors to show story beats rather than just flat tell audiences.

As well as the use of visual ques such as edgar wrights visual comedic style I have found interest in the choreography of fight scenes from stunt performers such as Jackie Chan, Bruce Lee

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spacing, use of a oner to show will power

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clear inspiration for jackie follows the same story beats of our main charicter having to loosen up to win the fight, as well as the colour cordination of black contrasting white for the audience to differentiate between charicters in motion

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timing, pacing

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do an audio file talking to damir about his art 

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do an audio file talking to damir about his art 

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make some questions

how do idea's come to you?

which colours are you drawn too?

what are your faviroute things to paint?

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analysis of some of the concepts talked about in Hawkings book

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series of photos containing art that I am surrounded by everyday