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A man from Rome's ruling class (patrician) carrying the death masks of his ancestors c. 80 BCE. This marble sculpture displays several features of Roman art: aristocrats as the subjects, males dressed in togas, and realistic human characteristics.

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- In the center of a dark room, the sculpture appears as a 3D hologram.
- The viewers are able to have a 360 degree view of the artwork, as they can stand around the sculpture.
- The darkness of the room prevents any distraction and places emphasis on darker themes in the work like death.

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Like the painter of this work, the fisherman lived in isolation from the rest of society. The cartoonish style employed by Wu Zhen in his work resonates through the work of artists of later Chinese dynasties. In the poem that accompanies the painting, Zhen writes:

Red leaves west of the village reflect evening rays,
Yellow reeds on a sandy bank cast early moon shadows.
Lightly stirring his oar,
Thinking of returning home,
He puts aside his fishing pole, and will catch
no more.

Artist: Wu Zhen, ca. 1350

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- In order to preserve the medium of the original work, this artwork will be presented as a handscroll extended across a blank wall.
- The room will be well-lit and feature the sound of traditional musical instruments from the Yuan Dynasty, like the pipa and flute.
- Lastly, it will have translations of Zhen's poem in several languages, allowing for a broader audience to appreciate the work.

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This UNESCO historical site was built in the 15th century as an estate for Inca emperor Pachacuti. It was abandoned following the Spanish empire's conquest of the Andean region. Today, these cliff-top ruins are one of the most visited archaeological sites in the world.

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- In order to bring the viewers as close to the archeological site as possible, without actually being there, the ruins will be displayed using high definition aerial footage and up-close photography of noteworthy sites.
- The video will be projected in a room designated for private viewing, where the audience will be able to enjoy it without distraction.
- Upon exiting the viewing room, the audience will enter another room where they will be able to view photographs of several archeological sites like the Temple of the Sun and Room of the Three Windows.

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The Moai ancestor figures are spread throughout the 63 sq. mi. island off the coast of Chile. These monolithic sculptures were carved between the 13th and 15th century by the Rapa Nui people of Easter Island. Nearly all of the stones used for the Moai figures comes from the island's volcanic crater Rano Raraku, where many of the figures still remain. The remainder, despite weighing several tons, were transported throughout the island and placed along its perimeter.

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- In order to more accurately represent the environment where the figures are, the display will be outdoors.
- There will be Moai figures surrounding an outdoor open space where people can enjoy the sun and have a picnic while surrounded by the massive figures.
- Like the originals, the figures will be made of a single slab of stone and vary in both height and weight. Their designs will also vary, in order to provide the audience with an idea of the many types of Moai figures on the island.