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Brought in more figures using a more expressive method. Looking at Jenny Saville charcoal drawings of movement.

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Pastel - this was the best image from the print and oil. However I felt the image was to simple.

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developed this image and repeated in oil and pastel.

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This was an experiment with painted mulberry papers. This image is wet and the effect was ok but as the paper dried it lost its colour and transparency.

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Ruminations on meeting my mother. Watercolour on board 56cm x 76cm

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Coming up with compositions - The theme whilst specific is all about nostalgia. I need to make this more loose - wispy blurred. Interesting to me the harmony and connection is it interesting in itself though, it’s emotional but is it immature?

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Looking at other artist - Gaugin Tahitian landscape 1891 for the colour

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Nadia Waheed - Nexus 46" x 54" oil on Canvas  2020

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Nadia Waheed - Nexus 46" x 54" oil on Canvas  2020

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Its the theme of nexus that draws me to it rather than the style its painted in. The painting invites curiosity. Its not overly complicated but as with much of her work its expressing her existence both within and beyond the body.

There is no documented description of this work so it really is my interpretation and some gathered information of this painter when she has exhibited.

The figure is a self portrait of the painter and the celestial figure an external representation from the body or self. The celestial being is timeless - representing a connection to something primordial and external to what (we believe) is our everyday existence. The word nexus means connection/relationship usually to a bigger system - something more important that one thing. It is a reminder that whilst we represent our self we are not detached from this system -we are created from space and time. The figures are staring into each others eyes - "the gateway to the soul". This could represent an exchange of knowledge - communicating truths, emotions that words cannot express. The balance and symmetry play a part in the narrative. Neither figure overbearing the other - a harmony exists.

Her style of painting wouldn't be what I normally like. Her later work has become more developed and complex - she is prolific in her out put of work. The use of the paint may be a bit realistic for my own taste and the colour palette too muted. I prefer more energy - but maybe this painting just doesn't need that. If it had my preferences it may not appeal to me on the level it does.

The subject of existence and detachment can often be a frightening topic. This painting confronts the topic with tranquillity rather than anxiety. It is clearly intimate and for me its more about curiosity than fear which I appreciate. I feel its about connection - whilst we can often feel alone or adrift within, this is a reminder that we may be part of something timeless, ethereal even ancestorial.

I would be interested in her take on the painting and whether if she painted it now it would take a different direction.

Nadia Waheed | Gallery 1957

Nadia Waheed: A Strange Icarus - Exhibitions - Nicodim Gallery

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Maya Ruznic

The past awaiting the future / arrival of drummers – 99.5” x151” oil linen 2023

Bosnian artist 1983 – based in New Mexico

Paints diluted – out of focus figures and landscapes. Explores nostalgia memories and childhood trauma. Her compositions emerge and have a mystical atmosphere. Her paints are abstract but have blended figures within – they are misty and ethereal.

I would like to stand in front of one of her paintings and for her if possible to describe it and its meaning. I can have my take and that’s enough but to hear her story would be a treat.

What draws me in initially is the colour. The palette is exquisite. I have watched her paint and the colours aren’t pure – they are saturated and painted over which gives the effect in her oils of dilution. It isn’t thickly applied paint but the layers are there to establish the effect she wants. Her paintings can be small water colours but recently heave become large scale oil which still have the feel of water based media. She tries to paint the memories inside to represent them externally and they are beautiful.

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Emma Hopkins

In an Abnormal Places oil and thread of canvas 30 x 20cm

British figurative painter – unsure of age.

Artist primarily figurative. Some of her work is painted with an unbearable anatomical realism and then combined with an expressive abstractness to delve into themes of psychological existence, trauma, strength  and beauty in all bodies. She often has a surreal angle and she has stated that she is painting as a form of therapy. Recently she has had medical complications surrounding pregnancies and has produced some very personal experiences on canvas and sculpture.

I would like to watch how she paints – it looks agony to me but she describe the rendering as therapy.

Her work is stunning in the least. The palette she uses to depict flesh is rich giving the figures more gravitas on the canvas – particularly when surrounded by the expanse of white. The figures and the lives they lead – emotional, physical, existential are the most important thing on the canvas – the emptiness around is not of importance. She is fascinated by the human experience and I see/feel her need to represent this – she has been describe as painting from the inside out.

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Nadia Waheed

Danaides redux – 66” x 48 oil on canvas 2022

Pakistani / American Artist born 1992

Paintings often reflect duplicity or multiplicity of the self. Her work is autobiographical focusing on themes of womanhood, trauma and desired selfhood. The paintings seem to be her trying to describe the reality of her existence – which very is personal but also universal.

I would want to know if her painting have a direction from start to finish. Does she have a plan or does it change throughout the process. The ideas or theme seem very specific are they the same at the end as they were in the beginning – do they evolve.

I just simply like the themes in her work. I am not sure I truly like the way she paints – but the work and the meaning connects to me. I find a way to understand what's going on. Her work is not vague or too complex. There is an element of subjectiveness but they don’t over complicate. Its surreal without being impossible to work out. They ask questions, challenge, make you think and help to visualise/ remind me that we all have this strange existence.

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Sifted some words that are important to me - I will elaborate more in my notes.

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It’s a bit messy and I may benefit from doing another with the highlighted words which are of interest to me.

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Graphite pencil and stick. Observations - I could have had more scope to the images - they are all the same dynamics except 1. My marks became stronger and braver towards drawing 10. Less concerned with the subject more with the marks made. More reviews in notes.

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Kath Kollowitz The Widow woodcut printing

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Kath Kollowitz The Widow woodcut printing

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Have been looking at Kath Kollowitz the Widow. This is a woodcut print. I can feel this piece - the pain, the somberness, the sadness. The oversized hands holding the figure, the tilt of the head like she is trying to comfort herself now she is alone. the swathe of black adding to the mourning of the figure. The colour choice of black stripping away any lightness in the being. It’s both real and true. I have created a Lino based around this print.

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Constraint/tension

I wanted to show this as the futile build up of tension. More of a personal reflection - The rise of anxiety, feelings of pressure building tightly and the edge reached to breaking. And for the recognition of when the tension breaks and the stillness returns that nothing has changed - what was before is again. The thoughts and feelings stealing our time.

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Proportions are a little off and I found it difficult to get the lift but I enjoyed the activity.

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Strange but whilst looking at Milton and using this image over again - I feel like I have permission with the colours. When particularly in painting I don’t feel like I have reign over the colour choice as I am depicting but this is about form and colour and I am actually choosing. Bizarre that I have not felt this before.

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Live day miniatures

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Quite like moving the pics around