# data[].attributes.body
Sane:

The making of, acoustic:

https://photos.app.goo.gl/b6YqfvqF3r2PDwZv6

The adapted demo recording:

https://www.bandlab.com/revisions/f42c12de-3b23-ee11-a9bb-000d3a41e8b8?sharedKey=qCSboC_TuUG98oz8mGxRqA

This song primarily focuses on melody. i really enjoyed singing this melody and i wanted to just repeat it over and over, so i created the demo after with just that melody for the vocals. i also really enjoy bending sounds so i reversed guitar and added in my experimentation with that. i also created synths out of my voice for layers, i used:

harmonic auto-pitch in D#/ Eb Minor scale

'studio reverb' 100% mix, 63% size, 43% tone (sheesh)

'ST chorus', 100% depth, 100% speed

drive (mid level), 604 Hz

EQ, cut down on the high end

Collaboration for a songwriters circle with noah:

https://photos.app.goo.gl/FB6Z2HDoeRMUtHs27

Cocoon:

Intimate Improvisation recording:

https://www.bandlab.com/revisions/539945dd-399d-ee11-8926-000d3a428257?sharedKey=kPIz7H-Ds0uKvbcAg1IW5w

I dream about the wrong things intimate acoustic:

https://photos.app.goo.gl/y2YKPSZR4qUFxR8j8

# data[].attributes.body
Experimentation with other artists(Sarah- faith):

https://photos.app.goo.gl/aVUSiRzXnepQXMyr7

Hereby new adaptation:

https://www.bandlab.com/revisions/e114195e-ab9d-ee11-8926-000d3a428257?sharedKey=LY-KSmN2dkG3B9Efd17XWw

Collaboration with keiron pepper:

https://www.bandlab.com/revisions/067efcfd-743b-ee11-b8f0-000d3a41ec20?sharedKey=GTO9G9hUvkSCif-5wlAASA

# data[].attributes.body
Reglisse in PPW class, I used a tambourine for the first time for my music and asked drew to song some backing vocals with me:
https://photos.app.goo.gl/fyYGV2DNG73aei4v6

Delight:
Japanese horror game ad sample and new guitar style:
https://www.bandlab.com/revisions/9c0a7e0b-734b-ee11-9937-000d3a41ec2a?sharedKey=mbGeo37yB0O9_EZfprye0g

Reglisse home demo + electronic parts:
https://www.bandlab.com/revisions/e738f71c-016e-ee11-9937-000d3a41ec2a?sharedKey=eYRd1Aaqb0GAX7akxfwOHQ

# data[].attributes.body
Recording Reglisse in small pond studios:
https://photos.app.goo.gl/EyLfFqKRqVDZeoPV6
https://photos.app.goo.gl/Jv6vSQUX3YfsrWNr7
https://photos.app.goo.gl/rtr4KscX29fShaeF9

What I created with it after:
https://www.bandlab.com/revisions/656fd72b-8a8d-ee11-b75e-000d3a428fff?sharedKey=pRopdr9Uj0yS8TU6i0CzAQ

Things will get better no I don't think so song the making:
https://photos.app.goo.gl/um8NBfHrkkTzgFcA6

Collaboration with my brother Yuma:
https://www.bandlab.com/revisions/85ab9771-b59d-ee11-8926-000d3a428257?sharedKey=8h_PcrUvVEiApntcK5Pb5Q

# data[].attributes.body
I liked it more when song creation:
https://www.bandlab.com/revisions/41b780a3-a79d-ee11-8926-000d3a428257?sharedKey=rb8eShdrS02OOIxLtoOOMw

An eerie experimental version on my song Nintendo 64:
https://www.bandlab.com/revisions/7aa712d3-7c47-ee11-b8f0-000d3a41ec20?sharedKey=fyKPoinACkO6HuFLKSaZxw

Midsommar:
I tried to make a song that sounds like how the movie midsommar looked sometimes
https://www.bandlab.com/revisions/42f04f63-d249-ee11-b8f0-000d3a41e155?sharedKey=OvojmuV2P0Kajq_JPR5uCA

My first cover:

Crushed by Cocteau twins:
https://www.bandlab.com/revisions/9c0a7e0b-734b-ee11-9937-000d3a41ec2a?sharedKey=mbGeo37yB0O9_EZfprye0g

# data[].attributes.body
Silhouette studio recording:
https://www.bandlab.com/revisions/9c0f4e90-af9d-ee11-8926-000d3a428257?sharedKey=AZHYIoQ0eUug_8UMNFWZfw

(+ -) my version (just simple guitar and vocals)  without KP's beat recorded in the studio
https://www.bandlab.com/revisions/92344d19-7c47-ee11-b8f0-000d3a41ec20?sharedKey=nUfwNO147kip9v8wosKs_g

Sweet song by blur my vocals over the top:
https://www.bandlab.com/revisions/cac9c0dd-ee8e-ee11-b75e-000d3a428fff?sharedKey=D51UVU9r7ESAAni4lLr23w

# data[].attributes.body
Underwater secrets by Patrick Doyle cover:
https://www.bandlab.com/revisions/7d306c37-5574-ee11-9937-000d3a41ec2a?sharedKey=HCNTf2XKNkuYSh7_kEfB2Q

Electronic song, Mourning Dove:
https://www.bandlab.com/revisions/1079e655-1e7b-ee11-9937-000d3a428574?sharedKey=d87DQ-IQ6UK3AGBRMWoTLQ

Raw war demo (new version of husain if you can tell at all aha) for house band to learn for love assessment
https://www.bandlab.com/post/dc2fd0f3-7b8d-ee11-b75e-000d3a428fff

# data[].attributes.body
Reglisse studio recording:
https://www.bandlab.com/revisions/50c7dcad-1d7b-ee11-9937-000d3a428574?sharedKey=WK9zPhQIZ0axMrk1DPzYTA

Creating electronic music
The he's sweet discography:

Without vocals, my first draft:

https://www.bandlab.com/revisions/a23da832-8f55-ee11-9937-000d3a41ec2a?sharedKey=73iJvQtz9EW3B1oqcshXnQ

With original vocals taken from collaboration with KP:
https://www.bandlab.com/revisions/860bc1e8-ad60-ee11-9937-000d3a41ec2a?sharedKey=3PiMX1U1bEeQ3SWMcZrzHg

New vocals, more synths, new beat, non of the older vocals:
https://www.bandlab.com/revisions/915ebcde-eb8e-ee11-b75e-000d3a428fff?sharedKey=fXHaUu1azUCIGAfC5X6TAg

Pitched down, extra reverb, extra vocals, new beat, more synth:

https://www.bandlab.com/post/cba9dd41-b68b-ee11-b75e-000d3a428fff

Reversed new version without vocals:

https://www.bandlab.com/revisions/8650bb1c-bf9d-ee11-8926-000d3a428257?sharedKey=tTkofIgDS0m0kT23HjYDvw

# data[].attributes.body
Videos for house band for live assessment:

Guitar:

https://photos.app.goo.gl/cdPB6MgHQxyogqs36

https://photos.app.goo.gl/oCzHp3UiVUggf3Kh9

https://photos.app.goo.gl/8xoUzCJVuQRTWYdn9

Bass:
https://photos.app.goo.gl/QyyYkBPm6GPLGsRi7

https://photos.app.goo.gl/qE4FCaZSb2HDgxcA9

# data[].attributes.body
My influence for this song is ethereal songs which involve a lot of vocal layers used as synths and catchy melodies. This song doesn't sound very electronic, and I would like to go into a more electronic direction. However I found that what I really want is to create is raw natural sounds and treat them in an electronic way. So that's what I did with this song. i over edited my vocals to create synths. At 1:12 i reversed the first line 'hold that' and added reverse delay, it repeats 4 times every time I sing hold that. I really enjoyed using strange layers like this because it sounds like I'm breathing in really quickly and making strange rhythmic detailed sounds with my vocals. it creates so much more complexity, I find it quite addictive and will be using this much more in future for my vocals. in the past I would use lots and lots of reverb on all tracks. recently when experimenting in the recording studio, i studied ethereal artists I really love listening to, I listened to Slowdive specifically to show to the producer so that he could produce the correct vocal reverb. we discovered that the vocals were completely dry with delay. since then I have been using delay instead of reverb, reverb is not needed to create spacious sounding songs. instead I like to use many layers, and some with delay. This way everything sounds so much more crisp and professional while still having an ethereal ambience. I've been using more double tracking and panning for extra spaciousness. I also sometimes use auto tune, time stretching and moving parts of a track around to make sure everything sounds smooth. I am a little against this because i cannot rely on it when I am performing live, however using it in an artistic way can be find fun and useful. I will have to work on training my breathing techniques in order to fix my occasionally flat vocals, when I am nervous or excited.

I would like to re record all of the vocal parts. some are perfectly in key but not recorded with a professional home. you can hear that with the professional microphone my voice seems to hold back a lot. This is because I am not used to singing in front of others especially when my voice is maximized and in super detail its like I am completely exposed. so I tend to tense up causing shortness of breathe and a tight lump in my throat. I need to work on feeling loose around others as if i am alone. I can hear that i breathed into the microphone too much and blew strong breathe which caused a lot of sounds as if i was hitting the microphone, I need to work on my microphone techniques.

hopefully I will have saved up enough to buy my own professional mic soon, I will then practice all the time at home. For now I intend to visit the studio as much as possible to keep learning new things. Although the tone of my guitar sounds fantastic, I am a little nervous and don't strum the strings with much wrist movement, this stiff technique causes the rhythm to drag, i picked it up a bit but I need to work on consistency.

At 2:48 when i go back to playing the guitar i feel as though its out of place in its positioning, i would like to figure out what i could do in that section instead, i don't like how the guitar feels too much like an ending before the outro, it feels unnecessary and a downgrade from what played previously. It was okay to have simple guitar at the beginning because it feels like a warm up to what is about to become, but when 2:48 comes in it's calm and boring again in the middle of an exciting climax, it's too abrupt.

My most proud aspect of this song is the melodic textures. Although its a mix of studio and home recordings so it is hard to hear all of these textures well, i can still feel how uplifted i am when hearing it. I also like the structure i have created. There are no 2 parts the same, it constantly changes and i love that.

I would like the song to be longer but when i tried extending the song, the special feeling of the song was numbed down. The length is perfect. My plan is to focus on making every aspect of this song with lots of thought and attention, making it more crisp, large spacious panning and satisfactory frequencies. I want to make this piece short and sweet.

Half of this song is recorded in the studio, i added vocals and synth when I was home.

My DAW song:

https://www.bandlab.com/revisions/cb2a1eb

8-249d-ee11-8926-000d3a428257?sharedKey=3pzpfQOcB0efrOSfq2e-Og

# data[].attributes.attachment_link.description
Press question mark to see available shortcut keys