# data[].attributes.attachment_caption
Good to elevate Zeus to suggest his superiority; good use of the diagonal line to situate Prometheus in between the two opposite groups of side characters

# data[].attributes.attachment_caption
Creative use of the drama block as the mountain to which Prometheus is bound; good to present Prometheus's relationship with the two opposite groups in a triangular setting

# data[].attributes.attachment_caption
Good to place Zeus on an elevated platform in the middle of the background to suggest that he is the boss behind the scene; good to reserve the right side of the stage for the sympathetic group and the left side for the antagonistic one.

# data[].attributes.attachment_caption
Good to arrange the antagonistic characters to perform some diagonal movement towards the marginalised Prometheus to accentuate the antagonists' condescending power; may consider spreading the chorus members across the background to take up more space horizontally

# data[].attributes.attachment_caption
Good to reserve the foreground for the antagonistic characters and the background for the chorus, with Prometheus in between; may consider having the chorus look up to Prometheus on an elevated platform and placing Zeus on a double-elevated platform

# data[].attributes.attachment_caption
Good to show the power of Zeus and his messengers by giving them more spatial freedom on the stage; their first confrontation of the chorus and then Prometheus can facilitate the actors' performance of their condescending manners.  

# data[].attributes.attachment_caption
A creative use of the three drama blocks to show how Prometheus is brought up to the mountain and then bound to the rock; although the Greek tragedy "Prometheus Bound" does not end with Hercules saving Prometheus, it is possible for you to add a liberating ending to your stage adaptation; as you indicated, Hercules's climbing up to the mountain to kill the eagle and free Prometheus is highly symbolic 

# data[].attributes.attachment_caption
Good for you to think about placing Prometheus and and Zeus on an elevated platform; instead of giving the third drama block for Hephaestus to stand on, you may consider giving it to Hermes, who speaks on behalf of Zeus; alternatively, Oceanus is the most powerful one among the sympathetic group of side characters, so you may consider letting him stand on the elevated platform. 

# data[].attributes.attachment_caption
Good to think about surrounding Prometheus with the side characters to suggest his entrapment; you may consider placing Zeus behind Prometheus as Zeus is the last one to appear and the boss behind the scene, and putting Kratos (Force), Bia (Violence) and Hephaestus on both sides of Prometheus, and Hermes in front of Prometheus as Hermes is giving the most demeaning speech; in this way, Prometheus is surrounded by the antagonists in all four directions