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Religious characters are painted as focal points in artwork being the center of the piece utilizing colors and clarity to draw the viewers eye to the actions. Using symbols of divinity and the other people in the artwork to show what should be viewed. Showing how

Ghent Altarpiece, shows the members of royalty pray in/praising with a choir and orchestra to their left and right. below the subjects of the royalty along with the lamb being bless and preparing to be feasted on. The two brother along with other Netherlands painter had created and shown the hierarchy using the size of the portrait of each member, however the true subject of the painting is center in between on the portrait being the lamb and praying other it for a good feast.

The coronation of the Virgin. With Mary taking up most of the painting and being in the upper middle section viewers have their eyes drawn to her, with her in bright colors that stand out from the background aiding in making her the most outstanding part of the work. To her right the savior of mankind Jesus and to her left her devote husband Joseph depicting her being coronation to become the mother of God and all of God's children.

El Trunfio de la Inmaculada.

takes a different approach instead of being center it uses the clutterness of the image to draw the viewer away from everything else onto the only clear and empty part being the virgin mother. The painting shows the Latin American people praising and riding alongside her while angles and cherubs play horns and sing praises about her. Utiziling a shape contrast between the mother's red background and the normal blue sky. Shows her moving rightward coming and lifting the spirits of those she passes.

Each artwork shows techniques and different styles to show the religious acts. As well as depicting everyone joining in and playing a part no matter their status or wealth.

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Ghent Altarpiece, also called the Adoration of the Mystic Lamb, 15th-century, Hubert and Jan van Eyck.

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The Coronation of the Virgin

Annibale Carracci

1595 Baroque

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El Triunfo de la Inmaculada (Triumph of the Immaculate Conception). Mid-17th century. Collection of Carl & Marilynn Thoma. Post-Indepdence Latin American