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https://youtu.be/bMTZ8LjLqgY

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Third of all i would like to comment on your final 8 images that you have produced and i would like to say that you have created marvellous experiments on your padlet to showcase on your padlet, what you could do more on your padlet is explaining and add more depth to it then you would actually fine.

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Second of all as i have gone through your work i have seen that you are technically good at manipulating and editing your final images, i'm very impressed with the increasing contrast and the pattern that you have used for your final shoots, what you could improve on is definitely your writing for your images. 

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Second of all as i have gone through your work i have seen that you are technically good at manipulating and editing your final images, i'm very impressed with the increasing contrast and the pattern that you have used for your final shoots, what you could improve on is definitely your writing for your images. 

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kiara

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First of all i'am impressed with the editing that you have produced on Photoshop for your images and i feel like the final images turned out really well and they were successful, maybe you could explain more that would be a bit much easier to show explanation for the images of the shots you have produced.

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My planning for my work that i chose the most common area location where i would be happy to take my test shots.

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I learnt that it takes very good skill and concentration to produce various of tests shots, but my final test shots turned out to be great because i knew what result i wanted for the final outcome.

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i did many tests shoots outside with cannon camera for light and dark and also i did Photoshop with the images experimenting and increasing contrast.

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My research was based on light and dark, for my theme and also i looked at artists works and how they've produced amount of brilliant which inspired me to learn and copy their techniques and skills on photoshop.

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I would like to say 50/50 on what i set out to achieve, i would like to have done much more greater to accomplished my goal. I did a bit more than i intended but overall i got the job done

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I would and should of  improved on my analysis much more to show more explanation and understanding for my work but i'm aware of what i need to do next time for improvements not only on my analysis but also on my

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First of all What didn't go well would probably be the test shoots i think i should of produced much more better shoots the 1st time round when i was doing it, I know I can improve much better

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Firstly The images arrangement went well overall, i was very impressed with the organisation of the images . i selected them as my most successful images..

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The Weaknesses of the images were probably of the editing contrast and brightness that i used for most images i could of done better but overall i have produced successful images and i'm happy with it.

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The successful parts of the images were the technique i used to manipulate the images and experiment by making them look very interesting on my padlet, using Photoshop has made me become very well improved and it has given me experience

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The overall context of this work is based on light and dark, this work inspired me to improve and produce various of successful images on the padlet. To achieve the effect the photography i used techniques processes to achieve my work results on Photoshop which i'm rather pleased with.

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Final Shoot Post Production

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Light and Dark

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Creed's work often makes use of whatever medium seems suitable. Painting, films, installations and live-action sculptures are all characteristic of his work. Since 1987 he has numbered each of his works, and most of his titles are descriptive: for example Work No. 79: some Blu-tack kneaded, rolled into a ball and depressed against a wall (1993) and Work No. 88, a sheet of A4 paper crumpled into a ball (1994). Creed's work Work No. 200: Half the air in a given space (1998) is a room which has half of its cubic space filled with balloons.

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Creed's work often makes use of whatever medium seems suitable. Painting, films, installations and live-action sculptures are all characteristic of his work. Since 1987 he has numbered each of his works, and most of his titles are descriptive: for example Work No. 79: some Blu-tack kneaded, rolled into a ball and depressed against a wall (1993) and Work No. 88, a sheet of A4 paper crumpled into a ball (1994). Creed's work Work No. 200: Half the air in a given space (1998) is a room which has half of its cubic space filled with balloons.

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David Batchelor studied Fine Art at Trent Polytechnic, Nottingham (1975–8), and Cultural Theory at the Centre for Contemporary Cultural Studies, Birmingham University (1978–80). He has exhibited widely in the UK, continental Europe, the United States and Latin America; written two books, Minimalism (1997) and Chromophobia (2000), is the editor of Colour (2008) and contributed to a number of journals including Artscribe, Frieze (magazine), and Artforum. David was a member of Tate Britain Council from 2002-5, an advisory body on development and programming at Tate Britain.He has shown work internationally in many exhibitions including the British Art Show at SNGMA in Edinburgh, Days Like These: Tate Triennial of Contemporary Art at Tate Britain, the 26th São Paulo Biennale, Extreme Abstraction at the Albright-Knox Art Gallery in Buffalo, the Folkestone Triennial in Folkestone and Color Chart: Reinventing Color, 1950 to Today at the Museum of Modern Art in New York City and Tate Liverpool. He is represented by Ingleby Gallery in Edinburgh and Galerie Leme in São Paulo.David Batchelor has made colourful lightbox installations using salvaged bits and pieces from the streets of London. 

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David Batchelor studied Fine Art at Trent Polytechnic, Nottingham (1975–8), and Cultural Theory at the Centre for Contemporary Cultural Studies, Birmingham University (1978–80). He has exhibited widely in the UK, continental Europe, the United States and Latin America; written two books, Minimalism (1997) and Chromophobia (2000), is the editor of Colour (2008) and contributed to a number of journals including Artscribe, Frieze (magazine), and Artforum. David was a member of Tate Britain Council from 2002-5, an advisory body on development and programming at Tate Britain.He has shown work internationally in many exhibitions including the British Art Show at SNGMA in Edinburgh, Days Like These: Tate Triennial of Contemporary Art at Tate Britain, the 26th São Paulo Biennale, Extreme Abstraction at the Albright-Knox Art Gallery in Buffalo, the Folkestone Triennial in Folkestone and Color Chart: Reinventing Color, 1950 to Today at the Museum of Modern Art in New York City and Tate Liverpool. He is represented by Ingleby Gallery in Edinburgh and Galerie Leme in São Paulo.David Batchelor has made colourful lightbox installations using salvaged bits and pieces from the streets of London. 

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Here is the link to click on to see all images of Christopher's work https://mymodernmet.com/crisco-art-glow-in-the-dark-paintings/

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Stainless Steel, LED Lights, DMX Controller220 x 75 x 10cm

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Stainless Steel, LED Lights, DMX Controller220 x 75 x 10cm

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Reef
to check out the pictures click here to see more of David bachelor's work on his website http://www.davidbatchelor.co.uk/works/3D/

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11.7 x 8.2 in / 29.7 x 21 cm

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to check out the pictures click here to see more of Martin Creed's work on his website       http://martincreed.com/site/works/work-no.-1288

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light and dark presentation powerpoint 3.PNG

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light and dark presentation powerpoint 2.PNG

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Christopher Scorpiniti is a 20 year-old Italian painter out of Calabria. He initially started out as a real-estate agent before being dismissed and returning home to re-discover his passion for art and painting. He recently had his first solo exhibition, showing off his unique style which incorporates specially mixed glow-in-the-dark paint.His beautiful style of mixing the glow-in-the-dark medium with regular paints comes from months of experimentation and shows off Scorpiniti’s intense love of light and colo

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Christopher Scorpiniti is a 20 year-old Italian painter out of Calabria. He initially started out as a real-estate agent before being dismissed and returning home to re-discover his passion for art and painting. He recently had his first solo exhibition, showing off his unique style which incorporates specially mixed glow-in-the-dark paint.His beautiful style of mixing the glow-in-the-dark medium with regular paints comes from months of experimentation and shows off Scorpiniti’s intense love of light and colo

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techniques and skills both with the use of the camera 

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techniques and skills both with the use of the camera 

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This is for the research for Dark artists and the reason why I have produced this information is because I'm showing similarities to the artists work

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This is for the research for the light artists and the reason why I have produced this information is because I'm showing similarities to the artists work

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as you can see this my original photo of my image

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this is the final outcome of my photo as i have used the technique of increasing the contrast

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On Photoshop i edited and increased the contrast on the menu settings to show the effect of brightness

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this is the final outcome of my photo as i have used the technique of increasing the contrast

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On Photoshop i edited and increased the contrast on the menu settings to show the effect of brightness

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as you can see this my original photo of my image

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On Photoshop i edited and increased the contrast on the menu settings to show the effect of brightness and darkness

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this is the final outcome of my photo as i have used the technique of increasing the contrast

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as you can see this my original photo of my image i took in the park