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Described by Groupius in a manner of wheel diagram. The outer ring represent the VOKORS. A six month preliminary course. The two middle ring represent 2-3 years course. At the cirriculum of the circle were courses specialized in building construction.

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Founded by WALTER GROPIUS in 1919. Hence , in 1925 BAUHAUS MOVED TO THE GERMAN INDUSTRIAL TOWN OF DESSAU. In 1928 GROUPIOS retired and replaced by HANNES MEYER who was dismissed for political reasons in 1930. MIES CAN DER ROHE is unable to maintain the school location so it moved to BERLIN and BAUHAUS was CLOSED in the 1932 / 1933.

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Marble, Red Onyx , Travertine

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The Barcelona Pavilion was designed by Ludwig Mies van der Rohe and Lilly Reich as the German Pavilion for the Barcelona International Exhibition, held on Montjuïc.
The Barcelona Pavilion, an emblematic work of the Modern Movement, has been exhaustively studied and interpreted as well as having inspired the oeuvre of several generations of architects. It was designed by Ludwig Mies van der Rohe (1886-1969) as the German national pavilion for the 1929 Barcelona International Exhibition. Built from glass, steel and different kinds of marble, the Pavilion was conceived to accommodate the official reception presided over by King Alfonso XIII of Spain along with the German authorities.

After the closure of the Exhibition, the Pavilion was disassembled in 1930. As time went by, it became a key point of reference not only in Mies van der Rohe's own career but also in twentieth-century architecture as a whole. Given the significance and reputation of the Pavilion, thoughts turned towards its possible reconstruction.

In 1980 Oriol Bohigas, as head of the Urban Planning Department at the Barcelona City Council, set the project in motion, designating architects Ignasi de Solà-Morales, Cristian Cirici and Fernando Ramos to research, design and supervise the reconstruction of the Pavilion.

Work began in 1983 and the new building was opened on its original site in 1986.

The materials
Glass, steel and four different kinds of stone (Roman travertine, green Alpine marble, ancient green marble from Greece and golden onyx from the Atlas Mountains) were used for the reconstruction, all of the same characteristics and provenance as the ones originally employed by Mies in 1929.

Mies van der Rohe's originality in the use of materials lay not so much in novelty as in the ideal of modernity they expressed through the rigour of their geometry, the precision of the pieces and the clarity of their assembly.

The Barcelona chair
Mies van der Rohe and Lilly Reich designed a chair, especially for the Pavilion, consisting of a leather upholstered metallic profile that over the years has become an icon of modern design. To such an extent, in fact, that the Barcelona chair is still manufactured and marketed today.

Georg Kolbe's sculpture
The sculpture is a bronze reproduction of the piece entitled Dawn by Georg Kolbe, a contemporary of Mies van der Rohe. Masterfully placed at one end of the small pond, the sculpture is reflected not only in the water but also in the marble and glass, thereby creating the sensation that it is multiplied in space, while its curves contrast with the geometrical purity of the building.

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The pavilion - Fundació Mies van der Rohe

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The Barcelona Pavilion was designed by Ludwig Mies van der Rohe and Lilly Reich as the German Pavilion for the Barcelona International Exhibition, held on Montjuïc. The Barcelona Pavilion, an emblematic work of the Modern Movement, has been exhaustively studied and interpreted as well as having inspired the oeuvre of several generations of architects.

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The Barcelona Pavilion is an important building in the modern architecture. It was designed by Ludwig Mies Van De Rohe 1886-1969. As the German National Pavilion for the 1929 Barcelona International Pavilion.

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Mies is a trademark. When Ludwig Mies van der Rohe came to the Bauhaus as its director, he was already the preeminent figure of German avant-garde architecture. He did not need the art school to make a name for himself. He already had one. Rather, Mies began at the Bauhaus by devoting himself to teaching.