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I have collated all of my finished pieces so I can pick my favourite and develop further from it

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-making sure all experiments are titled with the artist it is inspired by
-title all references “reference”
-make sure it is colour coded correctly
-add evidence to the fmp summary
-make sure it is orderly and makes sense

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Here i had completed the body and just needed to add a black background as this contrasts well with the colours and crop it.

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I started by drawing the outline and colouring it as i go, because i couldn't do the outline black and change the colour after, since its all one layer and connected it would just change the entire colour of the outline. This was also just easier to see.

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I decided to re try this drawing with a different material and technique. I started by outlining it.

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Experiment 2- Henri Matisse, copic marker.

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Experiment 2- Henri Matisse, copic marker.

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For this i followed this tutorial to help: https://www.youtube.com/watch?v=efi0pZDCVqc
I much prefer this piece because the colour isn't as patchy, and the lines arent as wonky.
However, i think the outline could've been a bit better, next time i will spend more time on the outline so it is more figured.

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a. Yes, I have colour coded the project to make it clear which matrix points are where. I have also created columns to organise which weeks, titled all my work, and always titled my experiments as to which artist I am responding if it is a response to research.
b. yes.

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a. Yes, in all my response evaluations I include how effective it is and my intentions. A few examples of this is included below.
b. Yes, through my evaluations and also my diary/ action plan I explain my process. I also picture my process of my pieces through most my experiments, with notes.
C. Yes, I have done this in my project through the research and context notes, and also represented this in my artwork.
d. I have pictured the stages of an experiment and added notes as to what I am doing, why, and if I have changed my mind through the process.

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a. By exploring different materials, throughout my project I have used acrylic paint, digital art, photography, photoshop, collage work, markers, fine liners, oil pastel, coloured pencil and charcoal.
I have used techniques including crosshatching, layering, monochroming, mixed media.
b. I have applied my skill and knowledge into my experiments by particularly using materials I previously liked the outcome of, and seeing if it incorporated well in another piece, or by using another technique of one material to see if the outcome was better.

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a. I always add explanations behind any project changes, these are in blue in my project- I also have a diary planner and action plan which I update.
b. My intentions are always within reach of which materials and resources I have access to, I will always include problems or restrictions on my explanations to make this aware.

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a. I have included what went wrong during the process and how I overcame it. These notes were in green in my project. I have adapted my ideas in my project by adding them to my daily diary planner or action plan. I also have added notes as to what has adapted and why.

B. I have created responses and often done multiple responses to discover which is my favourite material/colour etc to explore all my options before I settle for one.

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Incorporating two artists and my style example

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Incorporating two artists and my style example

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Incorporating two artists and my style example

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Incorporating two artists and my style example

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a. Yes, i have included my own images and referred from my artists that I've researched. I included my own images in my vogue response, on week 3, my candle on week 5, on week 2 in my aesthetic research, and week 8 on my experiment.
I have also responded to all my artists i researched, and used their art as reference. Although, there was a slight barrier from using primary images, because i studied female nudity, and that would be inappropriate.
b. I have mixed two artists styles a few times, this can be seen when i incorporated the vogue painting and added Gil Elvgrin touches to it. Another example of this is when i took my Helena Wierzbicki response but used the body of Sarah Jane Spicer's paintings.
However, i used my own style by using materials i am confident in using, and incorporated the graphic and abstract touch that is my art style.

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a. I believe it was, and i also think it was attatched i have highlighted in green what my intentions were and understanding of my theme.
b. I think it was achieveable and ambitious, however i have highlighted in purple "Every time i do research i will explain why it is relevant to my theme" because although i did not strictly follow this, i believe it was self -explanitory through my inferations and explinations. There were things that i didn't strictly follow, as they may have not fit in or restricted my ideas from progressing.
c. I have related the theme through giving constant contextual research, and explination the hidden message throughout all my experiments and research. I have attatched particular context researches below.

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Below i will be answering the questions from this doc

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Below i will be answering the questions from this doc

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19001100 Jessica Storey - Student - FMP Final Evaluation questions

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Typically, vogue captured pictures of women that were considered beautiful. It would show some covers that would've been controversial for its time (etc women in bikinis, promiscuity, unusual trends) which normalised it alot more for the time period. Vogue still continues to do this now, for example the photograph of Harry Styles in a dress, as men in dresses is shamed upon in today's society.

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In conclusion, I am happy with this piece. I like the abstract colours, and the detail on the face, it adds more definition and makes it more realistic.
To improve I could have blended the hair highlights more, however I struggled in this area because the software I used is more for abstract digital art and vectors, so blending isn’t an option on it. I worked around it by lowering the opacity every layer and doing strokes. However, I feel it is still harsh. This could’ve been improved by adding more strokes and layers.

The hidden meaning behind this piece is the 50’s nudity opinions compared to modern nudity opinions. In the face, you can see it is black and white, this represents how society was towards nudity. It was very black and white, ethier you had a perfect body and flaunted it to men or you didn’t and you hid it. The body section represents modern opinions, how nudity is now mainly for women to see that everyone is imperfect and we flaunt imperfections, the colours and the different shapes represents flaunting your curves, stretch marks, hyperpigmentation and other imperfections.
The colour peeing into the black and white face represents the movements society were doing to get to the place we are now. I also added the Vogue title, as the model seems very vogue-like, and vogue was one of the influences towards society today when it comes to female perspectives.

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Finally, i added colourful streaks into the hair, coloured eyes and the vogue title.

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Firstly i did a sketch of what i wanted to do.

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Henri Matisse experiment 1- acrylic paint

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Henri Matisse experiment 1- acrylic paint

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Here is the complete piece- with the second layer on paint and the foot that i forgot to paint on.
I really loves Matisse's art, so i did an experiment in a red colour. I think the red is really striking and emphasises the body even more.
I think this is a big contrast to Sarah-Jane Spicer, as it is alot more of an unnatural shape, but follows the same idea as Helena Wierzbicki, of the unrealistic body, which almost infers that bodies were not created to be perfect.

To improve this even more, i believe another layer of paint could've fixed it more, as it is still a bit patchy. I think i can solve this by using another material, and seeing if the problem improves.

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I ran into a problem- that the paint was appearing quite uneven and patchy. I decided to add a second layer.

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I then used red acrylic to colour the body

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I started by sketching the outline of the piece on a canvas.

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Experiment 3-Helena Wierzbicki, Warm tone digital drawing

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Experiment 3-Helena Wierzbicki, Warm tone digital drawing

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I like this drawing however, i think i prefer the previous one as the colours are so different to each other meaning they stand out more than this one.
What went well:
-i like that the colours contrast the background so much
- the unusual shape brings a sense of modern bodies message
Even better if:
The colours were more different from each other so they contrasted more
-Adding more detail
I feel this is a great contrast to modern feminism compared to my research on feminist research decades ago, realising that much has changed since, as art and photography expressing imperfect bodies is now spread, not hidden.

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Experiment 2-Helena Wierzbicki, digital drawing

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Experiment 2-Helena Wierzbicki, digital drawing

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Here, I took my experiment and drew it digitally. I took the choice to not outline the breasts black and i think it looks alot better. I love the shape as it is imperfect, spreading the message that there are imperfections in women's bodies and that it is okay. Although, i would like to experiment this design but with another colour.

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I decided to play with collage work for this piece. I like this design as it what i have stuck on definately contrasts to the black and white background, but to improve i should have included Fire Belle's shoes.
The red sun behind Belle represents the fresh start- almost like a fresh day- to womens future and rights, which sits on top of the women's victory article. The flowers also represent this, a brand new corner for women. Belle on top of the article is a visual representation of free women.

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I took this piece and decided to collage the painting and the photograph together. I did this by printing the two pieces and ripping a bit and sticking it on.
I surprisingly liked the outcome, because of the contrast of colour between them both, and the raggered lines of the ripped paper gives an imperfect look about it.

Although, to improve i could've added some more bits on, including more black and white ripped parts elsewhere, to blend it.

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This wave of feminism seemed to ignite after Anita Hill's testimony against Clarence Thomas, who sexually harrassed her. This protest was created in the aims of having easy access to contraception, legalising abortions, more child care services and shelters for women escaping domestic abuse.

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The me too movement was created on My Space by Tarana Burke to break their silence on sexual assault. The purpose was to empower women with empathy, and show survivors how many people have gone through it, so they don't feel as isolated. Since this movement, many countries have discussed about their culture norms and wether they are appropriate. In addition to this, not only has it became an outlet for women to speak up, but also taught for children, and men.

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As well as celebrating the 50 year anniversary of gaining the rights to vote, the 1970's protests also aimed to reach the same pay as men, reduce academic restrictions for women, and have access to credit cards and owning a home wthout a husband in many states.
In 1970's, Havard and many other higher education didnt accept women. Money still was 63p compared to every pound of a man per hour.
They organised a strike, during rush hour, sponsored by feminist organisation NOW, in which 50,000 gathered in New York City. Through the 70's, women working increased by 42 percent, and much of the increase was in what traditionally was considered "men's" work and professional work.

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I am researching and including images of movements that were made since the 50's, to get an understanding towards how that transition from the misogyny in the 50's and now was made.

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This is a 50’s style bathing suit that i am going to try recreate with my own images and use that as a reference.  I decided to use a photo of a bikini because the 50's was the prime where they finally became acceptable. Although, i am going to use a high waisted two piece instead of the suit as this is all i could find in the house, but these were still worn in the 50's, most of them were high wasted or in a bathing suit to kept a sense of "modesty".

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This was one of my favourite pieces when researching into Matisse, as i love how the body is very unrealistic and quite curved and thick. I think this easily represents my message, that body standards are unrealistic, and we should be promoting imperfections,and unique features.

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Henri Matisse is an artist from France, born in 1869 and died in 1954. He was a draughtsman, printmaker, and sculptor, but is known mostly as a painter.

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-digitally edit response a few times
Week 4- womens movements from 70's+ research, vogue covers, fashion and media.
Week 5- needs an updated project plan
Week7-  art history research. research of Matisse, links to helena wierzbicki.
-Also do response.
-change the body drawing to referencing a vogue picture instead of the bikini picture.
Week 9- update collage including new experiments
week 10/11- updated final piece- include vogue sign and colours
-updated final project analysis using google classroom template.

For weeks 5-11, link body shapes to Sarah Jane Spicer, and Matisse, for colourful pieces link to Helena Wierzbicki.
Double check notes and try include the movements from 70's onwards

Add more experiments after researches- try digitally editing certain art pieces- collage work- make sure there is atleast 3 responses to all artwork

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I loved the colour scheme of this piece, it really incorporated thermal colours. I think this creates an exciting mood, as there is so much going on in the piece. I also like the composition of the piece in the middle, and how the background is quite bare, is it doesn't take away any attention from the women, who is the centre piece of the drawing.
However, if i were to critique anything, it would be the colour of the background, I feel a black would've fitted better, as the red blends in with the colours a bit too much making it not stand out as much as it could.

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Helena Wierzbicki is an artist from Buenos Aires, Argentina. She studied with the Argentine masters Luis Barragan and Elio Eros Vitali. Her art style is mostly abstract, with many bright colours.

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Feedback from Kathy and Kafui:
-womens rights movement of 70's+
-Nude subject in art history (matisse)
-do artist research for the thermal drawing
-do more experimentation with artist researches
-include more colour into final piece around hair, add the vogue title
- include vogue through the project.
When doing these touches, i will find other pieces that will need to be done to make the project link. I will do an updated final touches after this.

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What images can you find relating to the Women's right's movement of the 70's and beyond ?  How was this shift in society shown in fashion, and how women were represented in the media, especially fashion photography, Vogue covers etc ?

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Look into the female Nude as a subject in art history (and contemporary art): Look at Matisse, Modigliani, Picasso, Henry Moore etc
Matisse created beautiful curves that describes the pose, without it being "accurate proportion".  He also used colour very expressively and used cut paper collage as he got older.

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Blue Nude - colour and paper collage in fine art Nude art

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Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. After the war of 1870-71 his family moved to Bohain-en-Vermandois, France. Matisse's father was a corn merchant, his mother an amateur painter. Matisse studied law from 1887 to 1891 and then decided to go to Paris, France, to become a painter. He worked under Adolphe William Bouguereau (1825-1905) at the Académie Julian in Paris, but he left in 1892 to enter the studio of Gustave Moreau (1826-1898) at the École des Beaux-Arts, where he studied until 1897. Moreau was a liberal teacher who did not interfere with the individuality of his pupils. He encouraged his students to look at nature and to paint outdoors, as well as to frequently visit the museums. Matisse copied paintings in the Louvre and painted outdoors in Paris.

About 1898, under the influence of impressionism (an art form using dabs of paint in primary colors to create an image representing a brief glance rather than a long study), the colors Matisse used became lighter, as in his seascapes of Belle-Île and landscapes of Corsica and the Côte d'Azur (coast of France on the Mediterranean Sea). Although impressionist in character, these early works of Matisse already showed a noticeable emphasis on color and simplified forms. Matisse married in 1898 and visited London, England, in the same year to study. On his return to Paris he attended classes at the Académie Carrière, where he met André Derain (1880-1954). Matisse created his first sculptures in 1899.

From 1900 Matisse struggled financially for years. In 1902 the artist, his wife Amélie, and their three children were forced to return to Bohain. In 1903 the Salon d'Automne was founded, and Matisse exhibited there. From 1900 to 1903, under the influence of Paul Cézanne (1839-1906), Matisse produced still lifes and nudes. In 1904 he had his first one-man show at the gallery of Ambroise Vollard in Paris and spent the summer in Saint-Tropez, France. In 1905 Matisse painted with Derain at Collioure; the works Matisse created there are excellent examples of Fauvism in their bright colors and flat patterning.

Matisse's Fauve period extended from 1905 to 1908, during which time he completed a brilliant series of masterpieces. At the 1905 Salon d'Automne these paintings, known as the Fauves, made their first public appearance. In 1906 Matisse's Joie de vivre was exhibited at the Indépendants; the painting gained him the title of the "King of the Fauves."

Matisse made his first trip to North Africa in 1906. His Blue Nude, or Souvenir de Biskra (1907), is a memento of the journey. In this painting he experimented with contrapposto (an S-curve pose), and he used the same form in the sculpture Reclining Nude I (1907). He had established a studio in the former Convent des Oiseaux in 1905; this became a meeting place for foreign artists. He developed into the leader of an international art school with mainly German and Scandinavian pupils who spread his ideas. His "Notes of a Painter," published in La Grande revue in 1908, became the artistic handbook of a whole generation. Matisse was a pleasant man who looked more like a shy government official than an artist. He never accepted any fees for his teaching so that he was not obligated to staying in one place. He did not want commitments to interfere with his creative activity.

Between 1908 and 1913 Matisse made journeys to Spain, Germany, Russia, and Africa. In Munich, Germany, he saw an exhibition of Islamic art (1910), and in Moscow, Russia, he studied Russian icons (1911). Russian collectors began to buy his paintings. He produced five sculptures-heads of Jeannette-during 1910 and 1911, which show a resemblance to African masks and sculptures. His Moroccan journey of 1911-12 had a positive influence on his development, which is seen in Dance, Music, the Red Fishes, and the series of interiors recording his studio and its contents. They show a stern and compact style with blacks and grays, mauves, greens, and ochers (brown tones). Great Matisse exhibitions were held in 1910, 1913, and 1919.

By 1919 Matisse had become an internationally known master. His style at that time was characterized by the use of pure colors and their complex interplay (harmonies and contrasts); the two-dimensionality of the picture surface enriched by decorative patterns taken from wallpapers, Oriental carpets, and fabrics; the human figures being treated in the same manner as the decorative elements. The goal of Matisse's art was the portrayal of the joyful living in contrast to the stresses of our technological age. Between 1920 and 1925 he completed a series of odalisques (female slaves), such as the Odalisque with Raised Arms; this period has been called an oasis of lightness.

In 1925 Matisse was made chevalier, the lowest ranking member of the Legion of Honor, and in 1927 he received the first prize at the Carnegie International Exhibition at Pittsburgh. After a visit to Tahiti, Matisse was a guest at the Barnes Foundation at Merion, Pennsylvania, and accepted Dr. Barnes's commission to paint a mural, The Dance (1932-1933), for the hall of the foundation. During the next years he produced paintings, drawings, book illustrations (etchings and lithographs), sculptures (he made fifty-four bronzes altogether), ballet sets, and designs for tapestry and glass. In 1944 Pablo Picasso(1881-1973) arranged for him to be represented in the Salon d'Automne to celebrate the liberation of Paris from Nazi rule.

Matisse considered the peak of his life-work to be his design and decoration of the Chapel of the Rosary for the Dominican nuns at Vence, France (1948-1951). He designed the black-and-white tile pictures, stained glass, altar crucifix, and vestments (ceremonial robes). At the time of the consecration (declaration of sacredness) of the Vence chapel, Matisse held a large retrospective exhibition (a look back at the work he created) in the Museum of Modern Art in New York City.

The ultimate step in the art of Matisse was taken in his papiers découpés, abstract cutouts in colored paper, executed in the mid-1940s, for example, the Negro Boxer, Tristesse du roi, and Jazz. The master died on November 3, 1954, in Cimiez, France, near Nice.

Source: notablebiographies.com

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Henri Matisse | Master French Painter | Area of Design

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Henri Matisse was born on December 31, 1869, in Le Cateau-Cambrésis, France. After the war of 1870-71 his family moved to Bohain-en-Vermandois, France. Matisse's father was a corn merchant, his mother an amateur painter. Matisse studied law from 1887 to 1891 and then decided to go to Paris, France, to become a painter.

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I felt this piece really had a similar shape to the artist i previously researched, Sarah Jane Spicer, especially the position.
The piece is simple, but shows the contours well through the lines. The black background is very effective to make the lines stand out even more.

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Pierre Henri Matisse | Reclining Nude (2016) | Available for Sale | Artsy

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Available for sale from Ethos Contemporary Art, Pierre Henri Matisse, Reclining Nude (2016), Linocut on Arches Paper, 22 × 30 in

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Artist research - fine art nudes Modigliani

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Artist research - fine art nudes Modigliani

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Similar pose and handing of proportion to the Sarah Jane Spicer pose - visual reference ?

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Painting by Amedeo Modigliani (Museum: Museum of Modern Art). Reclining Nude is an artwork on USEUM. It was created by Amedeo Modigliani in 1917. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations.

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I finished this, however i wanted to stitch the vogue into this piece as i felt it was fitting.

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This made the face more defined and added more details

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1.Shadows and highlights to body and bringing up to face

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1.Shadows and highlights to body and bringing up to face

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I decided to bring it up to the face in comparison to the last time to make it less harsh and blend a bit more. The shadows and highlights added definition

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Firstly, I outlined it and coloured the body. I chose more pastel colours as I felt they weren’t as harsh compared to the grey face. I added different colour on to add abstract piece but also to add definition

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The green text represents the updated notes

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19001100 Jessica Storey - Student - Yr2 Project Proposal 

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I dislike this piece, i feel its very messy. However, i am glad i still experimented with it to know what materials to use.
FINAL PIECE DECISION:
I have decided my favourite material was digital art. It looked the cleanest and i am the most confident with it.
I am going to keep the same idea however spend more time on it, make it more defined and think about blending the colourful body and graphite together so it isn't as harsh. I will decide if this looks better through my progress photos.

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TO DO for finishing touches:
Finish refined work- keep experimenting
-update your project proposal
-fix up diary planner
-update action plan
-practise presenting work

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I quickly did a finished piece on adobe to see what it would look like digitalized. I used the previous drawing and colored it in the speed up time. If i choose this for my final piece i will do it from scratch. I really like the final outcome and i prefer it over the real life drawing.
I am going to experiment with one other material and then pick my favorite, then do a final detailed piece.
What went well:
-i love the contrast of colours- it emphasizes the colours
-I think its alot cleaner than the in real life drawing
- i like the shadows which add definition
Even better if:
-i added more definition- more shades, i will do this if i take this piece further for my final piece
- i cleaned up some of the lines even more- i will do this by erasing and adding pen to these areas
- adding a coloured background, this would emphasize the drawing even more.

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I have decided this is my final idea for my finished piece. I am going to experiment this idea however with different materials, and see which is my favourite.
What went well:
I liked the mixed media of the graphite and the colour. I think it contrasted each other which was very fitting to link back to my original theme of “old and new”- it shows a clear contrast between the two
-I like the graphite shading, it creates a tranquil mood as it’s very soft. I am not typically confident with graphite
-finally I like the abstract of the body and the curved lines that I think express my message well.
Even better if:
-I cleaned up the abstract lines a bit
-I watched a tutorial on how to use graphite better as I am not very confident

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At this point I decided to do the body abstract, because this combined my idea I did before very well. I decided the best option would be acrylic paint, as the paper I used was too grainy for coloured pencils

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For the second drawing, I was struggling with the proportions, as a lot of the lines are not defined, so I decided to trace this on Adobe so I can see clear lines to use reference from

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This was my final first idea. I didn’t spend loads of time on this Because this was a more quick idea. I like the idea and I think the coloured pencil could be less patchy. I am going to watch a tutorial and re do this in the future if I think it is my best idea from the two to learn how to make it look better, maybe use different materials.
What went well:
-the colours are very expressive, spread the message of imperfections and curves
-the lines are very curved to emphasise the imperfect bodies message
Even better if:
-Colours were gone over with another layer
-experimenting with different materials

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Next I coloured the body using thermal colours with coloured pencils.

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Then, with sharpie marker I drew the bra. I did this black to contrast the test of the colour and make it stand out

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Firstly I drew the outline

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My second idea is to take this photo by Gil elvgrin but I would do the body in the thermal design like the other idea

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My first idea I decided to use picsart to edit a photo for reference but I used a thermal body painting in Helena weirzbicki style that I have drawn before and added a skirt for the Gil elvgrin touch

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I chose to develop the top abstract piece as I felt it expresses my message the best with just the art. I felt it showed the message that not every body is perfect in today’s society and the abstract art shows that through the curvy lines and the shape.
I also want to incorporate the ‘old’ and I felt Gil Elvgrin  work could incorporate greatly here, I am thinking of incorporating one of his elements of a piece for example a piece of clothing he used. I’m going to try and alternate two initial designs and develop them and chose my favourite. If I don’t like ether I will think of a new idea.

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Some very clear explanation of your message Jess, what other visual development work did you do last week? - focus on how you can communicate your message VISUALLY, and work on refining that.

In reply to your email:
I'm not sure artist research is really the best thing for you to be doing right now - you already have some strong artists that link to your theme well, so I would think you could try to link back to them again instead.  I would summarise that really at this point, new research should be kept to a mimimum, unless you have something very specific that you need.

At this stage you should be working with improving and refining what you have already experimented with, making your links clear and using your own, earlier work as inspiration for in-depth exploration.  If you worked through the activities last week, then you will have already started this process.

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Final context and hidden message for final piece

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Final context and hidden message for final piece

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Before i go into deciding and experimenting for my final piece, i thought i would give a final description of what the message i want to be behind my final piece and context.
Throughout my project, i have alternated from old to new. Towards the end, i looked into how nudity was percieved in old and new.
I established that nudity is seen as a power move, to show imperfections, and is mainly targetted towards women with insecurities from what they see via social media. Essentially, nowadays we are working hard to destroy the perfect body image that we created through social media and media outlets like playboy, pornographic content and photoshopped photos.

However, although social media was not around in the 50's, the idea of nudity was shamed upon, and if it were flaunted, it was purely just for men satisfaction. In addition to this, Playboy magazines were created in the 1950's, along with pornographic films. However, this was a time period where sexism and misogyny was at its peak, and women nudity was only beneficial to objectify women. Regular, non sex worker women were still expected to cover up in public and were shamed upon.
This is why whenever i have referred back to a 50's artist or my own 50's art, they have been covered in some way, and always more covered than my 2010's+ art. I want to show the message through my art that nudity should be shown for empowerment and to be realistic with imperfections, rather than to please one gender and one gender only. I am going to do this by combining my "old" and "new" artwork, and contrasting the perceptions then vs now.

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This piece was to refer back to "new" nudity. I am going to write a final context and hidden message paragraph on week 9, and this will explain how this piece of art is relevant to new nudity.
I referred back to sarah jane spicers artwork to help inspire this piece, as she is one of my favourite artists i researched.
My intention is to combine this art and the work above into one piece. This will help my direction for my final piece as i am going to have to combine old and new together for my final piece.
I am happy with the outcome and i love the abstract look. The hint of nuetral colours is very relevant to the minimilist aesthetic i studied in on week 2.

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Sarah-Jane Spicer- experiment 3, digital

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Sarah-Jane Spicer- experiment 3, digital

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1. planning the body

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-do a final contextual response, and the message behind my final piece
-create a collage of all relevant experiments done in unit 13- pick the ones i like the most and develop on this further.

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Overall i am much happier with this piece compared to the last. Overall i changed:
-The outline- i made it more steady and a smaller line. This made the piece more defined and more put together and neat.
-i also made the lines closer to the shade i filled it in more so it blended a bit more and wasn't so much of a contrast, to make it appear more muted.
-Finally, i added crease marks, tones all to define the piece more. This helped the proportions also, as it seemed more accurate to my body once definition was added, it wasn't just a straight body, it had a curve which also adds to the realism.
Overall i think the improvements made big differences. I am going to focus on creating a new response and combining these together.

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-create another art piece showing modern nudity- refer to an old artist you studied.

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-do another improved drawing

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Evaluate the drawings and what to re do

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I cropped the image to size. I then added toned lines on my body and crease marks on the outer shirt. I think this improves it alot more compared to the last drawing as it makes it more defined and detailed, which is what i wanted.

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I made some details in the lines and used thinner outline this time round- this made it look alot more defined.

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However, what i will remain and what i liked was:
- the sage green background. I think it goes well, adds more than just white and isn't too dark that it takes away from the centre piece.
-The tones used for the skin.I think it matches my body quite well.

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I am going to recreate this piece again, taking my own advice and seeing if i am happy with the outcome after i have done this. The less shaky and wobbly lines will make the piece look cleaner, and the definition will add more realism to it.

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take my own primary images of a 50's style and draw it

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-Do research and analysis on the piece- find articles to help you.

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-create different angels and variations of the same drawing

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i completed it by filling it in with 1 solid colour.
Overall i don't love the finish. I wanted to complete it in under 30 minutes, so the lines are quite wonky and it lacks definition. However, i was going for the minimalist look anyway.