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Name(s): Mrs Diener

Definition: A system of trading loyalties for protection in the Middle Ages.

Sentence(s): The feudal system in Europe created divides between the rich and poor. Most people during this period were poor serfs who lived in poverty and served the lords of the kingdom.

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Name(s)

1.  Image: Find an image that represents the term.

2. Definition : Define the term in your own words.

3. Sentence(s): Write 1 or 2 sentences using the term correctly.

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Definition- The Renaissance is a type of culture and style used during the 14th and 16th centuries. The Renaissance is also a French word that means rebirth.

Sentence- The Renaissance is a part of our history and the art of it.

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Names: Tania, Simon, Sentya, Ramita

Definition- It means when the government can rule people and has the power of groups.

Sentence- The Republic was the power in history.

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Kaylee, Lilly, Carla

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Mario Polis, Marseel Basaka, Robert Nakarah

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The definition of Renaissance (Rebirth) is the revival of art and literature.

The Renaissance is a very important time in history.

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Names: Stravo, Anjlo, and Nematullah

Definition: An academic subject that trains others about human cultures/society.

Sentences: Somethings that teachers and students studied that they called studia humanities was poetry, history, and mathematics.

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Creators: Stavro Najman, Anjilo Hana, Nematullah Qasimi

Definition: a period of time between the 14th to the 16th century where art, science, and literature were revived and popular.

Example Sentance: the Mona Lisa is a big part of the Renaissance. The telescope was invented in the Renaissance time period.

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The improvement of art and literature in the 14th to 16th centuries.

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Tyson Zwartjes, Odila Shamon, Alicia Jasso

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Perspective (Renaissance Art) means using math to realistically draw paintings.

He added so much perspective to his art.

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A patron of the arts is a wealthy person who regularly buys from an artist.
Sentence: Lorenzo the Magnificent was a famous patron of the arts.

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Lorenzo di Piero de' Medici ( Italian: [loˈrɛntso de ˈmɛːditʃi]; 1 January 1449 - 8 April 1492) was an Italian statesman, banker, ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent ( Lorenzo il Magnifico [loˈrɛntso il maɲˈɲiːfiko]) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspiracy (1478), in which his brother Giuliano was assassinated. The Peace of Lodi of 1454 that he helped maintain among the various Italian states collapsed with his death. He is buried in the Medici Chapel in Florence.

Lorenzo's grandfather, Cosimo de' Medici, was the first member of the Medici family to lead the Republic of Florence and run the Medici Bank simultaneously. As one of the wealthiest men in Europe, Cosimo spent a very large portion of his fortune on government and philanthropy, for example as a patron of the arts and financier of public works. Lorenzo's father, Piero di Cosimo de' Medici, was equally at the centre of Florentine civic life, chiefly as an art patron and collector, while Lorenzo's uncle, Giovanni di Cosimo de' Medici, took care of the family's business interests. Lorenzo's mother, Lucrezia Tornabuoni, was a writer of sonnets and a friend to poets and philosophers of the Medici Academy. She became her son's advisor after the deaths of his father and uncle.

Lorenzo, considered the most promising of the five children of Piero and Lucrezia, was tutored by a diplomat and bishop, Gentile de' Becchi, and the humanist philosopher Marsilio Ficino, and he was trained in Greek by John Argyropoulos. With his brother Giuliano, he participated in jousting, hawking, hunting, and horse breeding for the Palio, a horse race in Siena. In 1469, aged 20, he won first prize in a jousting tournament sponsored by the Medici. The joust was the subject of a poem written by Luigi Pulci. Niccolò Machiavelli also wrote of the occasion, perhaps sarcastically, that he won "not by way of favour, but by his own valour and skill in arms". He carried a banner painted by Verrocchio, and his horse was named Morello di Vento.

Piero sent Lorenzo on many important diplomatic missions when he was still a youth, including trips to Rome to meet the pope and other important religious and political figures.

Lorenzo was described as rather plain of appearance and of average height, having a broad frame and short legs, dark hair and eyes, a squashed nose, short-sighted eyes and a harsh voice. Giuliano, on the other hand, was regarded as handsome and a "golden boy", and was used as a model by Botticelli in his painting of Mars and Venus. Even Lorenzo's close friend Niccolo Valori described him as homely, saying, "nature had been a stepmother to him in regards to his personal appearance, although she had acted as a loving mother in all things concocted with the mind. His complexion was dark, and although his face was not handsome it was so full of dignity as to compel respect."

Lorenzo, groomed for power, assumed a leading role in the state upon the death of his father in 1469, when he was 20. Already drained by his grandfather's building projects and constantly stressed by mismanagement, wars, and political expenses, the assets of the Medici Bank reduced seriously during the course of Lorenzo's lifetime.

Lorenzo, like his grandfather, father, and son, ruled Florence indirectly through surrogates in the city councils by means of payoffs and strategic marriages. Rival Florentine families inevitably harboured resentments over the Medicis' dominance, and enemies of the Medici remained a factor in Florentine life long after Lorenzo's passing. The most notable of the rival families was the Pazzi, who nearly brought Lorenzo's reign to an end.

On Sunday, 26 April 1478, in an incident known as the Pazzi conspiracy, a group headed by Girolamo Riario, Francesco de' Pazzi, and Francesco Salviati (the archbishop of Pisa), attacked Lorenzo and his brother and co-ruler Giuliano in the Cathedral of Santa Maria del Fiore in an attempt to seize control of the Florentine government. Shockingly, Salviati acted with the blessing of his patron Pope Sixtus IV. Giuliano was killed, brutally stabbed to death, but Lorenzo escaped with only a minor wound to the neck, having been defended by the poet Poliziano. News of the conspiracy spread throughout Florence, and it was brutally put down by the populace through such measures as the lynching of the archbishop of Pisa and members of the Pazzi family who were involved in the conspiracy.

In the aftermath of the Pazzi conspiracy and the punishment of supporters of Pope Sixtus IV, the Medici and Florence earned the wrath of the Holy See, which seized all the Medici assets that Sixtus could find, excommunicated Lorenzo and the entire government of Florence, and ultimately put the entire Florentine city-state under interdict. When these moves had little effect, Sixtus formed a military alliance with King Ferdinand I of Naples, whose son, Alfonso, Duke of Calabria, led an invasion of the Florentine Republic, still ruled by Lorenzo.

Lorenzo rallied the citizens. However, with little support from the traditional Medici allies in Bologna and Milan, the war dragged on, and only diplomacy by Lorenzo, who personally traveled to Naples and became a prisoner of the king for several months, ultimately resolved the crisis. That success enabled Lorenzo to secure constitutional changes within the government of the Florentine Republic that further enhanced his own power.

Thereafter, Lorenzo, like his grandfather Cosimo de' Medici, pursued a policy of maintaining peace, balancing power between the northern Italian states and keeping major European states such as France and the Holy Roman Empire out of Italy. Lorenzo maintained good relations with Sultan Mehmed II of the Ottoman Empire, as the Florentine maritime trade with the Ottomans was a major source of wealth for the Medici.

Efforts to acquire revenue from the mining of alum in Tuscany unfortunately marred Lorenzo's reputation. Alum had been discovered by local citizens of Volterra, who turned to Florence to get backing to exploit this important natural resource. A key commodity in the glassmaking, tanning and textile industries, alum was available from only a few sources under the control of the Ottomans and monopolized by Genoa before the discovery of alum sources in Italy at Tolfa. First the Roman Curia in 1462, and then Lorenzo and the Medici Bank less than a year later, got involved in backing the mining operation, with the pope taking a two-ducat commission for each cantar quintal of alum retrieved and ensuring a monopoly against the Turkish-derived goods by prohibiting trade in alum with infidels. When they realized the value of the alum mine, the people of Volterra wanted its revenues for their municipal funds rather than having it enter the pockets of their Florentine backers. Thus began an insurrection and secession from Florence, which involved putting to death several opposing citizens. Lorenzo sent mercenaries to suppress the revolt by force, and the mercenaries ultimately sacked the city. Lorenzo hurried to Volterra to make amends, but the incident would remain a dark stain on his record.

Lorenzo's court included artists such as Piero and Antonio del Pollaiuolo, Andrea del Verrocchio, Leonardo da Vinci, Sandro Botticelli, Domenico Ghirlandaio and Michelangelo Buonarroti, who were instrumental in achieving the 15th-century Renaissance. Although Lorenzo did not commission many works himself, he helped these artists to secure commissions from other patrons. Michelangelo lived with Lorenzo and his family for three years, dining at the family table and participating in discussions led by Marsilio Ficino.

Lorenzo was an artist and wrote poetry in his native Tuscan. In his poetry, he celebrates life while acknowledging with melancholy the fragility and instability of the human condition, particularly in his later works. Love, feasts and light dominate his verse.

Cosimo had started the collection of books that became the Medici Library (also called the Laurentian Library), and Lorenzo expanded it. Lorenzo's agents retrieved from the East large numbers of classical works, and he employed a large workshop to copy his books and disseminate their content across Europe. He supported the development of humanism through his circle of scholarly friends, including the philosophers Marsilio Ficino, Poliziano and Giovanni Pico della Mirandola. They studied Greek philosophers and attempted to merge the ideas of Plato with Christianity.

Apart from a personal interest, Lorenzo also used the Florentine milieu of fine arts for his diplomatic efforts. An example includes the commission of Ghirlandaio, Botticelli, Pietro Perugino and Cosimo Rosselli from Rome to paint murals in the Sistine Chapel, a move that has been interpreted as sealing the alliance between Lorenzo and Pope Sixtus IV.

In 1471, Lorenzo calculated that his family had spent some 663,000 florins (about US$460 million today) on charity, buildings and taxes since 1434. He wrote,

"I do not regret this for though many would consider it better to have a part of that sum in their purse, I consider it to have been a great honour to our state, and I think the money was well-expended and I am well-pleased."

Lorenzo married Clarice Orsini by proxy on 7 February 1469.[citation needed ] The marriage in person took place in Florence on 4 June 1469. She was a daughter of Giacomo Orsini, Lord of Monterotondo and Bracciano by his wife and cousin Maddalena Orsini. Clarice and Lorenzo had 10 children, all except Contessina Antonia born in Florence:

Lucrezia Maria Romola de' Medici (1470-1553), who married Jacopo Salviati on 10 September 1486 and had 10 children of her own, including Cardinal Giovanni Salviati, Cardinal Bernardo Salviati, Maria Salviati (mother of Cosimo I de' Medici, Grand Duke of Tuscany), and Francesca Salviati (mother of Pope Leo XI)

Twins who died after birth (March 1471)[citation needed ]

Piero di Lorenzo de' Medici (1472-1503), called "the Unfortunate", was ruler of Florence after his father's death

Maria Maddalena Romola de' Medici (1473-1528) married Franceschetto Cybo (illegitimate son of Pope Innocent VIII) on 25 February 1487 and had seven children

Contessina Beatrice de' Medici, died shortly after her birth on 23 September 1474[citation needed ]

Giovanni di Lorenzo de' Medici (1475-1521), ascended to the papacy as Leo X in 1513

Luisa de' Medici (1477-1488), also called Luigia, was betrothed to Giovanni de' Medici il Popolano, but died young

Contessina Antonia Romola de' Medici (1478-1515), born in Pistoia, married Piero Ridolfi (1467-1525) in 1494 and had five children, including Cardinal Niccolò Ridolfi

Giuliano di Lorenzo de' Medici (1479-1516) was created Duke of Nemours in 1515 by Francis I of France

Lorenzo adopted his nephew Giulio di Giuliano de' Medici (1478-1534), the illegitimate son of his slain brother Giuliano. In 1523, after serving four years as ruler of Florence, Giulio ascended to the papacy as Pope Clement VII.

Later years, death, and legacy

During Lorenzo's tenure, several branches of the family bank collapsed because of bad loans, and in later years he got into financial difficulties and resorted to misappropriating trust and state funds.

Toward the end of Lorenzo's life, Florence came under the influence of Savonarola, who believed Christians had strayed too far into Greco-Roman culture. Lorenzo played a role in bringing Savonarola to Florence.

Lorenzo died during the late night of 8 April 1492, at the longtime family villa of Careggi. Savonarola visited Lorenzo on his deathbed. The rumour that Savonarola damned Lorenzo on his deathbed has been refuted in Roberto Ridolfi's book Vita di Girolamo Savonarola. Letters written by witnesses to Lorenzo's death report that he died peacefully after listening to the Gospel of the day. Many signs and portents were claimed to have taken place at the moment of his death, including the dome of Florence Cathedral being struck by lightning, ghosts appearing, and the lions kept at Via Leone fighting one another.

The Signoria and councils of Florence issued a decree:

Whereas the foremost man of all this city, the lately deceased Lorenzo de' Medici, did, during his whole life, neglect no opportunity of protecting, increasing, adorning and raising this city, but was always ready with counsel, authority and painstaking, in thought and deed; shrank from neither trouble nor danger for the good of the state and its freedom..... it has seemed good to the Senate and people of Florence.... to establish a public testimonial of gratitude to the memory of such a man, in order that virtue might not be unhonoured among Florentines, and that, in days to come, other citizens may be incited to serve the commonwealth with might and wisdom.

Lorenzo was buried with his brother Giuliano in the Church of San Lorenzo in the red porphyry sarcophagus designed for Piero and Giovanni de' Medici, not, as might be expected, in the New Sacristy, designed by Michelangelo. The latter holds the two monumental tombs of Lorenzo and Giuliano's less known namesakes: Lorenzo, Duke of Urbino, and Giuliano, Duke of Nemours. According to Williamson and others, the statues of the lesser Lorenzo and Giuliano were carved by Michelangelo to incorporate the essence of the famous men. In 1559, the bodies of Lorenzo de' Medici ("the Magnificent") and his brother Giuliano were interred in the New Sacristy in an unmarked tomb beneath Michelangelo's statue of the Madonna.

Lorenzo's heir was his eldest son, Piero di Lorenzo de' Medici, known as "Piero the Unfortunate". In 1494, he squandered his father's patrimony and brought down the Medici dynasty in Florence. His second son, Giovanni, who became Pope Leo X, retook the city in 1512 with the aid of a Spanish army. In 1531, Lorenzo's nephew Giulio di Giuliano - whom Lorenzo had raised as his own son, and later became Pope Clement VII - formalized Medici rule of Florence by installing Alessandro de' Medici the city's first hereditary duke.

Lorenzo de' Medici, The Complete Literary Works, edited and translated by Guido A. Guarino (New York: Italica Press, 2016).

Miles J. Unger, Magnifico: The Brilliant Life and Violent Times of Lorenzo de' Medici (Simon and Schuster 2008) is a vividly colorful biography of this true "renaissance man", the uncrowned ruler of Florence during its golden age.

André Chastel, Art et Humanisme à Florence au temps de Laurent le Magnifique (Paris, 1959).

Christopher Hibbert, The House of Medici: Its Rise and Fall (Morrow-Quill, 1980) is a highly readable, non-scholarly general history of the family, and covers Lorenzo's life in some detail.

F. W. Kent, Lorenzo de' Medici and the Art of Magnificence (The Johns Hopkins Symposia in Comparative History) (The Johns Hopkins University Press, 2004) A summary of 40 years of research with a specific theme of Il Magnifico's relationship with the visual arts.

Peter Barenboim, Michelangelo Drawings - Key to the Medici Chapel Interpretation (Moscow, Letny Sad, 2006) ISBN 5-98856-016-4, is a new interpretation of Lorenzo the Magnificent' image in the Medici Chapel.

Barenboim P. D. / Peter Barenboim. (2017). "The Mouse that Michelangelo Did Carve in the Medici Chapel: An Oriental Comment to the Famous Article of Erwin Panofsky".

Barenboim, Peter (with Heath, Arthur). 500 years of the New Sacristy: Michelangelo in the Medici Chapel, LOOM, Moscow, 2019. ISBN 978-5-906072-42-9

Williamson, Hugh Ross, Lorenzo the Magnificent. Michael Joseph, London. (1974) ISBN 0-7181-1204-0

Parks, Tim, Medici Money: Banking, Metaphysics, and Art in Fifteenth-Century Florence (W. W. Norton & Company 2005) ISBN 0393328457, is a mixture of history and finance, documenting the logistics of Lorenzo and the Medici Banks

Historical novels

Robin Maxwell, Signora da Vinci (NAL Trade, 2009), a novel that follows Leonardo da Vinci's mother, Caterina, as she travels to Florence to be with her son.

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Lorenzo di Piero de' Medici ( Italian: [loˈrɛntso de ˈmɛːditʃi]; 1 January 1449 - 8 April 1492) was an Italian statesman, banker, ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy.

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Humanism Definition : A way of thinking of the world. A set of rules on how people should act.

Sentence: Because of the trust in humanism, I believe someone will return my dog.

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The Renaissance helped improve art. It made the art more detailed and unique.

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Names:
Francisco Perez & Daeveon Brown

Definition:
A city that surrounds the territory of an independent state.

Sentence:
San Diego County is a city-state that surrounds the territory of some of California.

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The Renaissance is probably best known for its artistic developments and for the development of ” Humanism,” a movement that emphasized the importance of creating citizens who were able to engage in the civil life of their community.

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the revival of art and literature under the influence of classical models in the 14th–16th centuries.

The Renaissance, if we try to regard it as a period, was essentially the transition from one historical stage to another.